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The Glossy Podcast is a weekly show on the impact of technology on the fashion and luxury industries with the people making change happen.
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Studs founders Anna Harman and Lisa Bubbers on their plan to open 'many hundreds' of stores

Studs founders Anna Harman and Lisa Bubbers on their plan to open 'many hundreds' of stores

In late 2019, when Anna Harman and Lisa Bubbers launched ear piercing and pierced earring company Studs, providing IRL services was at the center of their business model. But then the pandemic hit. Today, e-commerce is every bit as important. "In 2022, we're focused on both [channels]," said Harman, on the latest Glossy Podcast. "We want to really continue to invest in and grow the retail footprint, as well as grow the e-commerce business. We'd like them to be highly complementary to one another. The business will be more successful over time if both are key channels for us." The company has raised more than $30 million to fuel that cross-channel growth.  As for expanding its store footprint, Studs has a good start: Harman and Bubbers opened six new stores in 2021, and they plan to own more than 20 stores by the end of 2022. "You have so many small college towns across the U.S. that have a really captive, large audience of a portion of our core demographic," said Harman. "And so we can have a really large store footprint through time. The opportunity for Studs is unbounded." Outside of sales channels, Harman and Bubbers are focusing their efforts on expanding their in-house team and overall brand awareness. And, at every step, they plan to write their own playbook. "Innovation and outside-the-box thinking and creation are what get us out of bed in the morning," Harman said. 
34:2309/02/2022
Week in Review: Lunar New Year, fashion x sports, Capri Holdings and Zegna

Week in Review: Lunar New Year, fashion x sports, Capri Holdings and Zegna

On the Glossy Week in Review podcast, senior fashion reporter Danny Parisi and editor-in-chief Jill Manoff discuss some of the biggest fashion news from the week. In this week's episode, they take a look at fashion brands' attempts to get in on Lunar New Year and capitalize on big sporting events, including the Olympics and the Super Bowl. They also provide an update on Capri Holdings and Zegna, based on the companies' latest earnings reports.
22:2304/02/2022
Pangaia chief innovation officer Dr. Amanda Parkes: 'Fast fashion is slowly dying'

Pangaia chief innovation officer Dr. Amanda Parkes: 'Fast fashion is slowly dying'

Amanda Parkes never thought she'd wind up in fashion. Then again, 2-year-old Pangaia, where she serves as chief innovation officer, isn't your typical fashion company.  "We are a materials science company," Parkes said on the latest Glossy Podcast. "We're all about the future of materials, and we really think that's an approach that can change the fashion industry from the inside out." However, many fashion fans best know Pangaia as the brand behind the rainbow-bright sweatsuits with lines of text that have been worn by Harry Styles and Kourtney Kardashian. Parkes started her career as a mechanical engineer and product designer, before eventually going back to school, at the M.I.T. Media Lab. There, she earned a hybrid computer science-materials science Ph.D. and the rare job title of fashion scientist. "I came into fashion through the back door," she said. "When I was in college, 20 years ago, there was no such thing as a fashion scientist." But, she said -- despite the lack of interplay between the two worlds -- fashion and science go hand-in-hand. "Fashion is an amazing platform to be able to show off science," she said, adding, "I was really shocked when I got more into the fashion industry to realize that big fashion companies don't have internal research. I was coming from tech, working with companies like Intel and Google. They are doing their internal R&D 5-10 years out to change and transform and make their industries what they want them to be. Fashion didn't have that as much inside of the big companies or at all. So I saw that as first of all massive opportunity for [Pangaia] to fill in the space." Parkes also discussed the power of the Gen-Z shopper, the state of greenwashing and the future of sustainability in fashion. 
46:4202/02/2022
Week in Review: NYFW cancellations, Nigo's first Kenzo show and Fashion Nova's FTC fine

Week in Review: NYFW cancellations, Nigo's first Kenzo show and Fashion Nova's FTC fine

On the Glossy Week in Review podcast, senior fashion reporter Danny Parisi and editor-in-chief Jill Manoff discuss some of the biggest fashion news of the week. This week, a number of brands canceled or postponed their traditional NYFW shows. Nigo, the streetwear designer recently named artistic director of Kenzo, showed his first collection with the brand in Paris. And Fashion Nova was fined by the FTC for blocking bad reviews from appearing on its site, making it the first company to be formally punished for review-blocking.
21:3128/01/2022
Ba&sh North America CEO Desiree Thomas: '2021 was a record sales year'

Ba&sh North America CEO Desiree Thomas: '2021 was a record sales year'

Over the last two years, the fashion industry has experienced plenty of ups and downs – but 19-year-old contemporary brand Ba&sh has managed to remain on the upswing for the last 10 months. “[2021] was a record year,” Desiree Thomas, CEO of Ba&sh North America, said on the latest Glossy Podcast. “Since the middle of March last year, we’ve seen this excitement around getting dressed again; a lot of women are just wanting to take a moment for themselves and celebrate the joys of life.” As a result, Ba&sh has seen “explosive growth” in each of its sales channels. “We saw retail explode in all of our freestanding stores in North America,” she said. “And digital was also on fire.” Thomas joined Ba&sh in May 2021, after serving as brand president for 3.1 Phillip Lim and holding top sales roles at BCBGMaxAzria and Nicole Miller. She said she was lured by the brand’s focus on “joy, female femininity and empowerment.” Ba&sh was founded in France in 2003 by entrepreneurs and best friends Barbara Boccara and Sharon Krief, whose first names were combined to create the brand name.  Moving forward, Thomas plans to maintain the brand’s trajectory by opening more stores, including in first-time markets like Greenwich and Aventura, hosting pop-ups and collaborating with influencers, among other strategies,  “We have a very ambitious growth strategy in place,” she said. “We are going to see double-digit growth this year, for sure.” 
36:0226/01/2022
Week in Review: André Leon Talley, Aimé Leon Dore's LVMH investment and Bally's new creative director

Week in Review: André Leon Talley, Aimé Leon Dore's LVMH investment and Bally's new creative director

On this week's Glossy Week in Review podcast, senior fashion reporter Danny Parisi and editor-in-chief Jill Manoff discuss three of the biggest fashion news stories of the week. This week, the pair discuss the legacy of the late André Leon Talley, an outsized personality in the fashion world for decades, as well as LVMH's new minority stake in Aimé Leon Dore and Bally's hire of Rhude's Rhuigi Villaseñor as its new creative director.
19:5521/01/2022
Hatch founder Ariane Goldman: 'Building this from the ground up was my proof of concept'

Hatch founder Ariane Goldman: 'Building this from the ground up was my proof of concept'

Ariane Goldman is a serial entrepreneur with a specialty: “I'm always gonna try to create things people need,” she said on the latest Glossy Podcast.  In 2007, that meant launching Twobirds Bridesmaid, focused on bridesmaid dresses that women can wear more than once. And in 2011, she introduced Hatch. “I was pregnant with my first daughter, excited about this new endeavor that I was about to embark on. And I was absolutely surprised that there was nobody speaking to me. I didn't know how to speak the language, and I didn't know what to look for,” she said. “That was the lightbulb that went off. I knew that if I was feeling this way, there must have been other women looking for the same companionship and guidance through this next chapter.”  She started Hatch as a direct-to-consumer brand centered on clothing women can wear before, during and after pregnancy. Today, 20% of the company’s customers are women who aren’t pregnant, Goldman said.  The company has since expanded to product categories including beauty and “fourth-trimester” products, like nursing bras. And in 2020, it launched a content platform called Babe. At the center of the brand’s success is an engaged community that has worked wonders to fuel its growth. Hatch’s annual sales grew 80% in 2021, and Goldman is projecting 40-50% growth this year.   Among other topics, Goldman discussed how Hatch has grown its community using education-focused events, even during pandemic-forced store closures. 
31:0419/01/2022
Week in Review: Yeezy Gap x Balenciaga, The RealReal annual report and Savage x Fenty stores

Week in Review: Yeezy Gap x Balenciaga, The RealReal annual report and Savage x Fenty stores

On the latest Glossy Week in Review podcast, senior fashion reporter Danny Parisi and editor-in-chief Jill Manoff discuss the biggest fashion news of the week. This week, there was a flurry of news around Yeezy and Gap, including a new TV spot, a new product and the announcement of yet another collaborator -- "Yeezy Gap Engineered by Balenciaga" is set to roll out later this year. Also, data from The RealReal's annual consignment report shows a resurgence of ’90s fashion, and Savage x Fenty is opening its first five stores in the first half of the year.
24:2314/01/2022
J.Jill CEO Claire Spofford: 'We're keeping the focus on what's new and full price'

J.Jill CEO Claire Spofford: 'We're keeping the focus on what's new and full price'

More than seven years after working at J.Jill as CMO, Claire Spofford returned in February of 2021 to take on the role of CEO. “I already knew a lot about the customer and how connected and engaged she is with the J.Jill brand – that’s a strong foundation for any business,” Spofford said on the latest Glossy Podcast. “Plus, its premium casual positioning in the market is really relevant now. And there were all the fundamentals of it being a great brand with heritage.”  Indeed, J.Jill is more than 60 years old. But Spofford has moved fast to ensure evolution across the business and adoption of emerging tools and technologies that can contribute to its current growth. Personalization, an optimized store fleet and next-level customer experience – the latter, with the help of a new hire – are among her priorities. In mid-December, J.Jill reported a nearly 30% year-over-year increase in quarterly revenue.   “We’ve made great progress against our [pandemic] recovery this year and have gained some real traction,” she said. “And that gives us a much stronger foundation from which to really drive profitable growth as we go forward.”
26:0212/01/2022
Week in Review: Prada and Adidas expand partnership, fashion opts out of CES, and Omicron wreaks havoc on brands' plans

Week in Review: Prada and Adidas expand partnership, fashion opts out of CES, and Omicron wreaks havoc on brands' plans

For this week's Glossy Week in Review podcast, fashion reporter Zofia Zwieglinska joined editor-in-chief Jill Manoff for a discussion on the three biggest stories of the week. This week, a look at the significance of the latest Prada x Adidas collection. Plus, what fashion's presence at CES says about the industry's focus on innovation, and how the Omicron variant is impacting physical retail, IRL fashion shows and beyond.
23:3007/01/2022
The Yes founder Julie Bornstein on building an 'industry-changing' retail platform

The Yes founder Julie Bornstein on building an 'industry-changing' retail platform

If you count its unintentional year in beta, The Yes is just eight months old. Retail veteran Julie Bornstein planned to launch the fashion e-commerce platform, which she describes as "a new way to shop," in March 2020 -- but then Covid-19 hit. So, she waited two months and introduced the company in May, just before George Floyd was killed and "the world got even more complicated." As with companies across categories, the plan- and priority-shifting news The Yes faced in the year, and the following year, didn't stop there. "We operated in what felt like a beta timeframe," Bornstein said on the latest Glossy Podcast. "We ended up using that year to just improve the experience, onboard more brands, learn [what] our users liked and improve so many things. We decided we needed to launch web, [in addition to an app], which we did." The Yes's big differentiator among fashion marketplaces is the personalized experience it provides shoppers, largely based on individual products they like or dislike via a voluntary click of "Yes" or "No." Bornstein realized the potential for such a platform while holding C-suite positions at Stitch Fix (COO) and Sephora (CMO and chief digital officer).  It's worth noting that The Yes rolled out a rewards program dubbed "Yes Funds" on Tuesday, which Bornstein teased during the mid-December podcast recording: "I helped launch Beauty Insider at Sephora, so I'm a big fan of interesting programs that reward your best customer," she said.
37:1705/01/2022
Year in Review: In 2021, resale dominated, fashion went into the metaverse and unexpected collaborations abounded

Year in Review: In 2021, resale dominated, fashion went into the metaverse and unexpected collaborations abounded

In a special edition of the Glossy Podcast, Danny Parisi, senior fashion reporter, and Jill Manoff, editor-in-chief, review the year in fashion news. 2021 was eventful for fashion, to say the least. There were high-profile acquisitions, groundbreaking runway shows, notable deaths and abrupt executive departures. In this episode, the pair discuss three big stories from the year, toughing on all the interesting bits of news that fit those larger themes. They include: the growing dominance of resale in fashion; the rise of digital fashion, crypto and NFTs; and the new willingness for traditional rivals in luxury fashion to work together.
38:0629/12/2021
Aerosoles' Alison Bergen: We had to accept that we'd lose customers as we evolved

Aerosoles' Alison Bergen: We had to accept that we'd lose customers as we evolved

After becoming sold on accepting the CEO job at Aerosoles, Alison Bergen is hellbent on selling fashion fans on shopping the brand.  “I don’t think I ever thought I would end up at a comfort footwear brand. And I think [Aerosoles] offered me the job twice before I accepted it, because I had to get over my own snobbery,” Bergen said on the latest Glossy Podcast. Prior to Aerosoles, she held lead merchandising roles at Louis Vuitton, Michael Kors and Diane von Furstenberg.  “What finally attracted me to [Aerosoles] was the original story about the founder, Jules Schneider,” she said. “How and why he started the brand … felt like it was equally relevant today as it was revolutionary back in the late ’80s when he founded it… He thought, ‘Women shouldn't have to sacrifice comfort for style, or vice versa.’” Bergen joined the brand in 2018 with the goal of modernizing its approach to design and business — which has proven to be quite the feat.  “Taking a Titanic and trying to change the course doesn't happen by just hitting one button,” she said. “You’re really repositioning and realigning so many facets of the business. Whether it was distribution, product, branding, team structure -- all of those things were going to change, in order to push this brand into relevancy and a healthy future, from a profitability perspective.” Bergen also discussed the internal changes she’s made and the customer response to the brand's recent updates, including product pricing.
43:4922/12/2021
Week in Review: Nike acquires RTFKT, Chanel gets new CEO, Shein hires head of sustainability, Inditex preps for new leadership

Week in Review: Nike acquires RTFKT, Chanel gets new CEO, Shein hires head of sustainability, Inditex preps for new leadership

For this week's Glossy Week in Review podcast, senior fashion reporter Danny Parisi was joined by fashion reporter Zofia Zwieglinska to talk about the three biggest stories of the week. This week, Nike acquired digital fashion company RTFKT and Chanel hired a new CEO, fashion outsider Leena Nair. Also, Shein hired a new head of sustainability, in an effort to turn its image around, and Inditex shared how it's preparing for new leadership.
21:5017/12/2021
Cleobella's Angela O'Brien on building a "slow, sustainable and profitable" fashion company

Cleobella's Angela O'Brien on building a "slow, sustainable and profitable" fashion company

Cleobella founder and designer Angela O’Brien built her strong, 15-year-old business from an idea she had while galavanting around the globe. “My husband and I left our jobs in Southern California, and we did a trip around the world for a year -- we lived in a camper van in Europe, and we traveled all through Southeast Asia, Africa, Australia and New Zealand. And we felt this freedom that we wanted more of,” O’Brien said on the latest Glossy Podcast. “So the idea became, ‘How do we create a business and keep this journey going?’” Now, she splits her time between living in Bali and doing business in Los Angeles, the headquarters of her globally-inspired, ethically-made fashion brand produced by artisans around the world.  The brand has a story worth telling, too, O’Brien said. “The customer cares how her product is made. And having that openness, and telling the story of the people and the hands and the hearts that make our product, that's what's most important to me. And that's what builds a legacy brand.” Currently, the self-owned brand is in growth mode -- for example, it’s grown its DTC business 100% year-over-year, O’Brien said. She also discussed what’s fueling the growth, why she still believes in wholesale and why she won’t be fundraising any time soon.
37:4815/12/2021
Week in Review: Roblox and Ralph Lauren, Pete Davidson and Calvin Klein, and Chanel's Advent calendar

Week in Review: Roblox and Ralph Lauren, Pete Davidson and Calvin Klein, and Chanel's Advent calendar

On the Glossy Week in Review podcast, hosts senior fashion reporter Danny Parisi and editor-in-chief Jill Manoff discuss the biggest fashion stories of the week. This week, they discuss Ralph Lauren's metaverse ambitions, timed with a new Roblox activation, Pete Davidson's partnership with Calvin Klein and Chanel's Advent calendar controversy.
20:5510/12/2021
Designer Norma Kamali on how the pandemic 'fast-forwarded' her 50-year-old brand

Designer Norma Kamali on how the pandemic 'fast-forwarded' her 50-year-old brand

Norma Kamali may have launched her namesake fashion brand more than 50 years ago, but the last two years have presented challenges like she’s never seen before. Luckily, working through them has had positive effects on her business.  “Covid and everything that went with it was -- for me, in the workplace -- like nothing [that’s come before it]. We’ve all experienced this for the first time,” she said on the latest Glossy Podcast. “It really got me to fast-forward the company to where we should be. Plus, it made us more efficient and it made us better strategically.” It's paying off: The business has grown by almost 3X since 2019, she said.  Kamali can be credited with pioneering such timely industry trends as athleisure and an e-commerce focus. And, she said, though her business has evolved, she’s held true to her core focuses. In terms of her designs, that means sticking to “clothing you feel good in, that isn’t crazy expensive and that you wear a lot,” she said.  She talked more about her “classic, timeless style,” plus she explained why she’s dedicated to e-commerce channels, and how she's incorporating wellness into her fashion business.  Below are additional highlights from the conversation, which have been lightly edited for clarity.
46:5708/12/2021
Week in Review: Virgil Abloh, Black Friday and a report from Glossy's first UK event

Week in Review: Virgil Abloh, Black Friday and a report from Glossy's first UK event

On this week's episode of the Glossy Week in Review podcast, senior fashion reporter Danny Parisi is joined by editor-in-chief Jill Manoff and fashion reporter Zofia Zwieglinska to talk about some of the biggest news in the fashion world. As the biggest story of the week was the tragic passing of Virgil Abloh, we discussed his life and his influence on fashion. Also this week: a lackluster Black Friday and a report from Glossy's first U.K. event.
21:5503/12/2021
Mytheresa’s Michael Kliger on competing for luxury shoppers: 'In the end, the customer is the judge'

Mytheresa’s Michael Kliger on competing for luxury shoppers: 'In the end, the customer is the judge'

Luxury fashion has quickly morphed away from Old Hollywood glamour to sneakers and nylon belts. But for online retailer Mytheresa, that air of sophistication and charm is still the heart of its business. "We love the true luxury part of the [fashion] business," said Michael Kliger, CEO of Mytheresa, on this week's Glossy Podcast. "It is by definition a limited set of brands that you could count as luxury." With roots as a boutique in Munich starting in 1987, Mytheresa has evolved alongside changes in luxury, including with its launch of a menswear category in 2020 and the company's IPO in January. Although the retailer maintains a focus on "traditional" luxury brands, like Valentino, Prada and Gucci, as well as occasions, like a "garden party," Mytheresa also carries "cooler, new [brands] like Jacquemus," in response to evolving customer tastes, which accelerated during the pandemic, said Kliger.  In contrast to other luxury retailers, Mytheresa carries fewer than 250 brands, living up to its tagline of, 'The finest edit in luxury fashion." "We always say the journey of our customers starts with an occasion in mind, not with a product in mind," said Kliger. Mytheresa's focus on occasion did not falter during the pandemic, when sales of cashmere, knitwear, sneakers and slide shoes boomed as shoppers traded in galas for the living room couch. And on the other side of luxury, categories like vacation wear, formal dresses and party clothes have rebounded more recently, he said.
44:0801/12/2021
Hanky Panky’s Brenda Berger on refreshing the brand: 'We want women to feel supported'

Hanky Panky’s Brenda Berger on refreshing the brand: 'We want women to feel supported'

Although "The World's Most Comfortable Thong" may seem like an oxymoron, intimates and sleepwear brand Hanky Panky continues to hold the title unironically 35 years after the release of its cult-favorite 4811 thong. While the brand celebrates its heritage with the anniversary of the iconic one-size-fits-all thong, which makes up over 60% of Hanky Panky's sales, it's simultaneously going through a brand refresh, said Brenda Berger, co-CEO of Hanky Panky, on this week's Glossy Podcast. Berger, who served as the head of sales and marketing from 2004 to 2013, rejoined Hanky Panky as co-CEO in 2019 when the "rebrand conversation" started, she said.  After 44 years in business, Berger and the Hanky Panky team are focused on refreshing the brand while maintaining its sense of heritage, she said. Berger has overseen the launch of Hanky Panky's new website, logo and digital marketing strategies, as well as its new influencer partnerships and TikTok and Instagram strategies.  "[These tactics] better tell the stories of our core products," said Berger. "What was happening prior was word of mouth ... [We shifted our] marketing content to storytelling, and we're now taking more ownership of it and placing it on our platforms."
34:5224/11/2021
Week in Review: Nike's Travis Scott problem, Faire's big fundraising round, Bottega's new creative director and an inside look at Shein

Week in Review: Nike's Travis Scott problem, Faire's big fundraising round, Bottega's new creative director and an inside look at Shein

On the Glossy Week in Review podcast, hosts Danny Parisi and Zofia Zwieglinska break down some of the biggest fashion news stories of the week. In this week's episode: Nike paused its Travis Scott collaborations, wholesale marketplace Faire raised $400 million and Bottega Veneta got a new creative director (while rumors swirled about why Daniel Lee left so abruptly). Plus, a closer look at Shein's massive -- and unethical -- growth.
21:1519/11/2021
MCM’s Dirk Schönberger on maintaining 'a glimpse of heritage’ as the brand evolves

MCM’s Dirk Schönberger on maintaining 'a glimpse of heritage’ as the brand evolves

Out with the old and in with the ... old? In June 2021, MCM unveiled a novel, but old-school logo for the first time in its 45 year history. Although the new take on the iconic Visetos print signifies the brand’s evolution, the vintage-inspired Italian jacquard fabric is meant to convey MCM’s past in step with the ever-changing fashion industry.  “Heritage creates so much emotion for [the] consumer,” said Dirk Schönberger, global creative director of MCM, on this week’s Glossy Podcast.  Still, MCM knows adapting is a constant in fashion. Its computer-generated take on the logo and its choice of non-leather fabrics demonstrate the brand’s ongoing need for change. “If you look closer, you see the cubes that we have are consisting of the diamonds from our original logo,” he said, referring to MCM’s new Cubic Monogram, part of the second phase of the brand’s refresh that launched on October 4. In addition to the updated logos, Schönberger has facilitated MCM’s collaborations with Gen-Z heavyweights like Billie Eilish, for example, who starred in the brand’s fall/winter 2019 campaign.  Below are additional highlights from the conversation, which have been lightly edited for clarity. Luxury fashion’s "ivory towers" “Luxury fashion has changed because of the influence of street and sportswear. That had a major influence. That's why I'm saying Adidas was also fashion, but it was a different kind of fashion. And you could say that luxury fashion’s ivory towers [are] crumbling because of the influence of street and sportswear. But if you see, then, how luxurious the sportswear has become, maybe the ivory tower just got a little bit higher. Because now even the democratic pieces are exclusive and expensive. I wouldn't say that the ivory tower is crumbling, [but] it created little, extra towers that are also growing … With the influence of street and sportswear, it brought luxury fashion into a completely different space. It was not this rich, mature consumer all of a sudden, but it was again, the youth culture that influenced fashion.” A pandemic reset   “How we reacted [in the last two years] was, we focused, we were super concentrated, it was not panic mode. It was, ‘Okay, let's have a good look at ourselves, what could we improve from [the] product, from [the] size of [the] collection?’ The whole sustainability topic became even more important than it was already before. There were a lot of serious conversations, but they were always directed to the future. It was not, ‘How are we going to save the company?’ But it was, ‘What do we need to do to be a better brand once this is over?’ And this is what we've done and I'm proud of all the teams that have been working as if nothing has happened from home. And we still managed to do business as usual. And at the end, we came out as a more sustainable company, a more focused company. It forced us to cut off things that were not as necessary as we thought they would be.
39:2317/11/2021
Week in Review: Daniel Lee leaves Bottega Veneta, Dior's first London show in years and the biggest collab drops of the week

Week in Review: Daniel Lee leaves Bottega Veneta, Dior's first London show in years and the biggest collab drops of the week

On this week's Glossy Week in Review podcast, hosts fashion reporter Danny Parisi and editor-in-chief Jill Manoff review the fashion news that didn't get covered in Glossy's weekly reporting. This week, the biggest news was Daniel Lee's abrupt departure from Bottega Veneta, three years after taking over as creative director and earning the brand wide acclaim. Also on the show: Dior's first menswear show in London since 2016, the future of London as a fashion hub, the big collaborations that dropped or were announced this week, and the keys to a good collaboration.
25:2212/11/2021
CEO Mike Cirker on Alpha Industries' evolution from military outfitter to lifestyle brand

CEO Mike Cirker on Alpha Industries' evolution from military outfitter to lifestyle brand

Fashion has always existed on a spectrum, and right now, that runs the gamut from workleisure to platform Crocs and nightclub-lingerie. For all-American apparel brand Alpha Industries, its military-esque style neatly fits into those intersecting extremes. But, Alpha Industries' evolution from military outfitter to consumer-facing lifestyle brand does not mean sacrificing its roots. "We're never going to stop selling the [military] surplus," said Mike Cirker, president and CEO of Alpha Industries. Alpha Industries, founded by Cirker's grandfather in 1959, expanded the reach of its bomber coats, aviation flight jackets and parkas in the '70s as individuals became enamored by the style of the "American cool guys" in the military worldwide. While the brand continues to associate with service stars, such as with its Heritage Collection that pays homage to its original Mil-Spec Flight Jacket, Alpha Industries has also dipped into the world of entertainment. In 2016, the brand collaborated with Kanye West on the rapper's Yeezy tour merchandise bomber jacket. It also teamed with celebrity stylist Maeve Reilly, who dresses Hailey Bieber and Megan Fox, on Alpha's fall 2021 collection. "We're pushing the boundaries on reinventing old military or utilitarian wear for today's [consumer]," said Cirker. "It's about the story for us."
51:3310/11/2021
Week in Review: COP26, Nike in the metaverse and American Eagle's shipping acquisitions

Week in Review: COP26, Nike in the metaverse and American Eagle's shipping acquisitions

In this week's Glossy Week in Review podcast, which breaks down the biggest news stories in fashion, fashion reporter Danny Parisi is joined by fellow Glossy reporter Zofia Zwieglinska for a discussion on COP26 and fashion's responsibility to the environment. Also on this week's episode: Nike's trademarks signal that it may be entering the metaverse soon, and American Eagle acquired yet another shipping logistics company.
20:0905/11/2021
Patrick Henry, aka Richfresh, on how he manifested his mark on the luxury fashion industry

Patrick Henry, aka Richfresh, on how he manifested his mark on the luxury fashion industry

Adolescence -- the transitional stage between the ages of 13 and 19 -- typically signifies the development of a person’s social, romantic and career consciousness. For Patrick Henry, an L.A.-based tailor and luxury fashion brand founder, it encompassed just that. While his self-taught sewing endeavor at age 13 was motivated by his desire to pick up “pretty girls,” it led to his passion for fashion, which is now exemplified through his custom suits worn by stars including The Weeknd and Justin Bieber. “The term luxury in itself is evolving,” said Henry on the latest Glossy Podcast. "[For clothing,] it's all in the details: It's the stitching, it's the precision, it’s where the garment is produced, what material it’s produced with and the little trims.” Richfresh, known best for its custom suits, many of which are characterized by Henry's signature track stripes, has since become synonymous with the term “luxe-leisure,” a term coined by Henry himself to describe the “the luxury version of athleisure.” And its pieces have been sported by A-Listers including Kodak Black, Barack Obama and Reese Witherspoon. While the Richfresh business remains 95% custom, Henry’s business was not spared from the tribulations of Covid-19. But the challenges paved the path for the Binghampton collection, Henry’s first ready-to-wear line that was limited to 25 pieces. Looking ahead, Henry’s signature stripe, which he considers the closest thing to a Richfresh logo, will be available on a host of men’s and women’s silhouettes in 2022, he said. “It's important, as we move into ready-to-wear [and] potentially open up stores, that I do this right and I get the right funding,” he said.
50:0703/11/2021
Week in Review: Fendi x Skims, Poshmark opening up to brands and Bottega Veneta's Detroit show

Week in Review: Fendi x Skims, Poshmark opening up to brands and Bottega Veneta's Detroit show

On Glossy's Week in Review podcast, fashion reporter Danny Parisi and editor-in-chief Jill Manoff discuss the biggest fashion news of the week. This week, the Fendi and Skims collaboration that was leaked last month was finally, officially, announced; Bottega Veneta, guided by creative director Daniel Lee's affection for Detroit, had its third show off of the seasonal calendar in the Motor City; and Poshmark began letting brands sell directly on its platform.
22:0629/10/2021
Monique Lhuillier on pandemic weddings: 'Love was postponed, but not canceled'

Monique Lhuillier on pandemic weddings: 'Love was postponed, but not canceled'

In terms of the luxury industry, a silk mask was much more representative of the last, pandemic-riddled 19 months than a silk dress. Despite this, love and the respective multi-million-dollar wedding industry built around it were not canceled. ”Love was postponed, but not canceled,” said Monique Lhuillier, co-founder and creative director of her namesake luxury brand, on the latest Glossy Podcast.  Before she founded her brand in 1996, an engaged Lhuillier was faced with the two “extremes” of either “traditional” or “minimal” dresses, she said. “I wanted something that had the elements of tradition -- the lace, the long sleeve -- but with an open back, giving [brides] something unexpected. And that's what I set out to do.” As Monique Lhuillier, the brand, celebrates its 25-year anniversary, Lhuillier and Tom Bugbee, her co-founder and husband, are continuing to bridge the design gap with the brand’s extensive custom and ready-to-wear bridal and bridesmaid dresses, accessories and shoes.  When events came to a halt last year, Monique Lhuillier and its clientele held onto glimmers of tulle and lace, and the hope that traditional weddings would soon return. Using social media posts, the brand’s nationwide retail locations and customer service representatives, the company never lost contact with brides, Lhuillier said. In the future, Lhuillier said she hopes to continue growing the brand’s DTC business, as well as its presence internationally, on the red carpet and in the beauty space. “We are exploring everything,” she said. “Because you have to stay ahead.”
46:5227/10/2021
Week in Review: CFDA Awards, Richemont's Net-a-Porter problem and Farfetch's new private label

Week in Review: CFDA Awards, Richemont's Net-a-Porter problem and Farfetch's new private label

On this week's episode of the Glossy Week in Review podcast, fashion reporter Danny Parisi and editor-in-chief Jill Manoff start by discussing some of the honorees at this year's CFDA awards, including Zendaya, Anya Taylor-Joy and the Model Alliance. Also on the slate this week: the rumors that Richemont may divest from its stake in Net-a-Porter, the distinction between Net-a-Porter's and Farfetch's strategies, and Farfetch's new private label brand, There Was One.
22:4622/10/2021
Mack Weldon CMO Talia Handler on growing brand experience with integrated marketing

Mack Weldon CMO Talia Handler on growing brand experience with integrated marketing

While the pandemic caused many proverbial doors of opportunity to close, other doors were pushed open. That was the case for Talia Handler, CMO of men's basics brand Mack Weldon. Handler, who most recently worked as an e-commerce strategy consultant at TikTok, jumped from the agency side of marketing to her new position at 10-year-old Mack Weldon in May 2021.  "We benefited from working from home -- from people who want to be comfortable, but still look great," said Handler of the digital-first brand's latest campaign, on the Glossy Podcast. "It has been amazing to see that growth over the past few months with our new integrated campaign and our more integrated go-to-market approach." The TV-centric campaign Handler was referring to was centered on "the expression 'buy some time' [and also] what we now call our Daily Wear System, which is the sum of all the parts of everything that we make that works together," she said. Since its launch in 2011, the brand has expanded it product line from underwear to T-shirts, socks and sweatpants that together "produce radically efficient wardrobing," Handler said. For Handler, taking on a new role at the company during the pandemic carried more benefits than not, including engaging with its "amazing brand fans," she said. "We bring in our customers not to help us design a product, but to help us perfect it for the uses that they want to apply it towards," said Handler.  
42:2420/10/2021
Week in Review: Coach's bag-slashing controversy, LVMH's earnings and Vuori's $400 million fundraising round

Week in Review: Coach's bag-slashing controversy, LVMH's earnings and Vuori's $400 million fundraising round

In this week's Week in Review podcast, fashion reporter Danny Parisi and editor-in-chief Jill Manoff discuss the biggest fashion news of the week. Topping the list is the viral backlash surrounding Coach's policy of slashing bags that get thrown out. After that, the pair talk LVMH's earnings, including what impact supply chain obstructions will have on the conglomerate and how Tiffany & Co. is performing. And finally, they address activewear brand Vuori's staggering $400 million funding round.
25:0615/10/2021
Sam Ku of AG Jeans: 'Building a brand based on great product is the most important thing'

Sam Ku of AG Jeans: 'Building a brand based on great product is the most important thing'

From the Revolutionary War that facilitated the founding of the United States to the Black Lives Matter movement, America has shown that nothing is set in stone if people are willing to fight for change. Also intertwined within the country’s foundation is denim, which, despite its seemingly benign presence as a fabric, denotes social change, as well. As fashion brands across the industry respond to calls for eco-consciousness, AG Jeans, a denim brand founded in 2001, has been a trailblazer in promoting sustainable denim. “In the last 12-24 months, we're finding that customers are caring more than ever,” said Sam Ku, president and creative director of AG Jeans, on this week’s Glossy Podcast. “They've decided that, yes, I am willing to pay a little bit more for something that is better for the planet. I am [also] willing to buy a little bit less and buy better quality and make it last longer.” For AG, this shift in the industry manifested in the Jean of Tomorrow, a 100% biodegradable jean made of “eco-friendly” cotton and hemp fibers, complete with a “Coronado nut” button. “Building a brand based on great product is the most important thing,” said Ku. Unlike a majority of jean retailers, AG operates and manufactures its jeans at its L.A. and Mexico facilities that are “100% owned and operated by us,” said Ku. But despite this, the brand has not been exempt from the Covid-related supply chain challenges within the fashion industry. “We're able to stock a lot of our raw materials that we consistently use, [but] those that we don’t carry are hard to keep up with,” he said. As for the future, Ku is focused on getting the company back to 2019 sales levels and “continuing to deliver the right product on time,” he said. “The brands that can do that right now will win.”
40:3113/10/2021
Week in Review: Rent the Runway’s IPO, the Balenciaga x Simpsons PFW crossover and Glossy Fashion Summit takeaways

Week in Review: Rent the Runway’s IPO, the Balenciaga x Simpsons PFW crossover and Glossy Fashion Summit takeaways

In Glossy’s Week in Review podcast, fashion reporter Danny Parisi and editor-in-chief Jill Manoff discuss the most important fashion news of the week. This week, they discuss Rent the Runway’s IPO filing -- including its rebound from pandemic losses. Of course, they cover the highlight of Paris Fashion Week: Demna Gvasalia’s Balenciaga x Simpson’s episode and the brand’s growing presence in streetwear.  And from Glossy’s annual Fashion Summit in Miami, the duo share fashion brands’ takeaways, including supply chain difficulties like unreliable carriers, tariffs, rising costs and international factory delays that needed to be countered with advanced planning. This is especially important with the holiday season around the corner.
17:2708/10/2021
'What story can I tell for women?': Designer and model Aleali May on her journey with Air Jordans

'What story can I tell for women?': Designer and model Aleali May on her journey with Air Jordans

When Vashtie Kola became the first woman to design a Jordan sneaker in 2010 -- 25 years after the dawn of the shoe's revolutionary debut -- it was a feat for a woman to break into the boys club that is streetwear. Fortunately, Aleali May, a style consultant, designer and model, continued to break down the gendered walls of the sneaker industry in 2017. But for May, because "it's taken this long" to bring another female voice into the forefront of the design process, pledging to "get this whole women's market rolling," has been crucial in her journey with the Jordan brand, she said on this week's Glossy Podcast. After working at RSVP Gallery, an upscale and streetwear retailer in Chicago owned by Virgil Abloh and Don C, May was offered the opportunity to make her own mark in Jordan history. And with that opportunity came the guiding question of storytelling. With Air Jordan, “Every silhouette has its own story,” said May. As a force integral to both the ins and outs of the fashion industry, May’s unique perspective on the industry has continued to evolve, specifically concerning the peaks and troughs of the pandemic and its impact on inclusivity within the industry as a whole.  In terms of design, May continues to make her mark in the traditionally male-dominated sneaker industry. “The more seasoned I get in this, the more willing I am to try out new silhouettes,” she said.  And looking towards the future of streetwear and the fashion industry, “My whole focus is [to try] to include more women's brands, more women's ideas, more women's products, and, of course, unisex as well,” said May.  This week, on October 6-7, she's co-hosting Transfer, a two-day virtual festival on the livestream shopping platform NTWRK. It will feature exclusive drops from brands including Nike and Hood by Air, as well as experiential creator content, among other components.
36:4706/10/2021
Week in Review: Fendace, Tom Brady's new menswear brand and the Garment Workers Protection Act

Week in Review: Fendace, Tom Brady's new menswear brand and the Garment Workers Protection Act

In Glossy's Week in Review podcast, fashion reporter Danny Parisi and editor-in-chief Jill Manoff discuss the most important fashion news from the week. This week, they focus on the fashion crossover of the year, Fendace. They also spotlight Tom Brady's new menswear brand, developed with Frame's Jens Grede and Public School's Dao-yi Chow, and the passing of California's Garment Workers Protection Act, which guarantees a livable wage for California's 45,000 garment workers.
23:1601/10/2021
Faherty's Kerry Docherty: Being a sustainable brand means 'holding ourselves accountable'

Faherty's Kerry Docherty: Being a sustainable brand means 'holding ourselves accountable'

As calls for sustainability within the fashion industry swell, some brands have been quick to vocalize their sustainability strategies, while others have taken a different approach by working to meet sustainability goals in silence. In the case of Faherty, a sustainable clothing brand launched in 2013, “It's less about making political pronouncements, and [more about] putting our energy and words and actions behind the things that we care about,” said Kerry Docherty, co-founder and chief impact officer at Faherty, on the latest Glossy Podcast.  As CIO, Docherty’s focus on the brand’s sustainability and cultural initiatives was magnified in the past year-and-a-half. The brand opened 13 of its 30 stores at a time colored by the pandemic and the social justice movements that simultaneously took precedence.  “It was a real opportunity for us as a brand to put a stake in the ground and say, ‘What are we standing up for? What do we need to do internally to get to where we want to be?” she said.  The Native-American community is one community, in particular, that Faherty has invested in. “[The focus is] how we, as a brand, can differentiate ourselves as someone who's [allying] with the Native community, instead of exploiting it,” said Docherty. Rather than “appropriating” Native designs, Docherty is learning about Native culture and art and “focusing on long-term impact” and relationships with Native designers, she said.  In terms of sustainability, maintaining a sustainable brand means “holding ourselves accountable” for the materials and lifecycle of the clothing items, said Docherty. Faherty has done so with its concrete benchmarks of having 85% of fabrics be sustainable and 90% of packaging be “plastic-free,” she said.  “[For] our generation and the generation coming up, intentionality and sustainability are important, as are giving back,” she said. “The more brands that feel accountable for that, the better it is for all of us.”  
33:4829/09/2021
Week in Review: Balenciaga x Fortnite, LFW and Vestiaire Collective's mega-valuation

Week in Review: Balenciaga x Fortnite, LFW and Vestiaire Collective's mega-valuation

22:0825/09/2021
Neighborhood Goods’ Matt Alexander on disrupting the traditional department store model

Neighborhood Goods’ Matt Alexander on disrupting the traditional department store model

For many consumers, a well-curated Amazon homepage -- complete with a fall shoe edit and ‘customers’ most loved’ products, from toaster ovens to tote bags -- has replaced the need for the local department store. But the benefits of a brick-and-mortar store for brands and customers alike were not lost on Matt Alexander, co-founder and CEO of Neighborhood Goods, a department store for the new age. Unlike the traditional -- and dying -- breed of department stores, Neighborhood Goods, which launched in 2017, caters to the modern consumer with a selection of rotating brands and innovative restaurants.  For some brands, having a presence at Neighborhood Goods resembles “a pop-up,” while for others, it resembles “wholesale,” “testing real estate” or “a marketing channel,” said Alexander on the latest Glossy Podcast. “It creates this opportunity in this landscape and ecosystem where they can show up in a physical and digital way, [and] leverage the restaurants and different bits and pieces. [And they can] inexpensively get in front of a great consumer and accomplish all sorts of different goals.” Since the first Neighborhood Goods location opened in Plano, Texas, the company has continued to expand its physical footprint, with stores in Austin and Chelsea, as well as its digital presence. “With the [onset] of the pandemic, [all products] went online,” leading to a 1,000% year-over-year sales growth on digital last year, said Alexander.  “The more we can [translate] the ‘why’ and the storytelling that we do well in the stores to the digital realm, the better,” he said. “[Our website] can augment and create something special to exist alongside a lot of existing channels for the brands [and] consumers.”
56:0822/09/2021
Centric Brands' Suzy Biszantz: 'The most challenging obstacles are logistics and supply chain'

Centric Brands' Suzy Biszantz: 'The most challenging obstacles are logistics and supply chain'

In 2020, office spaces around the country began to resemble the ghost towns of the Wild West. Still, Suzy Biszantz, group president of men's and women's at Centric Brands, was determined to find an in-person space for her teams that would balance safety and productivity. To do so, she traversed to the Arts District of Los Angeles and secured a workspace that could also facilitate the growth of the company, where she oversees its Favorite Daughter, Herve Leger, Hudson, Buffalo Jeans and Izod brands. “It’s important that your creative people who touch product are able to actually touch and feel and be around the product,” said Biszantz on the Glossy podcast. “We rented a new building that’s 20,000 square feet, has 10 separate entrances and is all one story.” The building's other Covid-safe features include ample outdoor space for collaborative meetings, a lack of elevators, and separate exits and entrances. Each brand needs its own space because each is focused on different objectives, she said. “[For] each brand, you have to look at the total potential,” when determining its DTC, wholesale and retail strategies," she said. In the same way, not every brand is focusing its marketing strategy on collaborations with influencers, which is a unique challenge. “You have to strike the right balance of operational support, logistics support, strategic support,” she said, regarding a brand's role in influencer partnerships. “But you can’t lose and water down the authenticity of who you’re collaborating with.”
52:0015/09/2021
Bonus Podcast: Glossy staffers recap a whirlwind NYFW

Bonus Podcast: Glossy staffers recap a whirlwind NYFW

Glossy’s editorial team, like much of the fashion community, reunited with New York Fashion this past week, as the event returned by hosting a full schedule of IRL shows for the first time since February 2020. Going in, we had some expectations about how the event would play out, as we’ve covered NYFW every season for the past several years. But as the world has turned upside down since we last hit a runway show at Spring Studios, for example, we also had some questions. For example, how would event organizers make showgoers feel safe, as the Delta variant is still a big cause for concern? And would the usual editors, buyers and influencers show up, with most every brand also showing their collection virtually? On this bonus episode of the Glossy Podcast, editor-in-chief Jill Manoff and fashion reporter Danny Parisi break down what they experienced while show- and event-hopping this season. As they tell it, the event had highs and lows, plus a few surprises that hinted at the future of fashion week.
27:5214/09/2021
IMG’s Dominic Kaffka on the ‘festivalization’ of NYFW 

IMG’s Dominic Kaffka on the ‘festivalization’ of NYFW 

In his 13 years working on the events production side of IMG, Dominic Kaffka -- now svp of IMG Fashion Events -- has not only had an insider’s view of New York Fashion Week’s ongoing transformation, but he’s also had a hand in steering its course.  For example, he spent the past two show seasons fueling the event’s digital acceleration by ensuring the show went on, so to speak, without physical shows. In September 2020 and February 2021, the bi-annual event was largely carried out virtually, due to the pandemic. “We had 20-25 guests [per show] -- but for us, it was really important to not miss a full New York Fashion Week,” Kaffka said on the latest Glossy Podcast. “Most of our clients who chose not to do a live fashion show with guests came up with much more creative ways to present their collections. A lot of designers did lookbook shoots, a lot of designers produced very elevated fashion films on a cinematic level -- their budgets shifted from putting on a big show to putting on a big digital content production.”  But now, he said, “People are shifting their budgets, their intentions and their planning back to live events.”  Ahead of New York Fashion Week, which kicked off on Wednesday, Kaffka discussed how designers will strike a physical-digital balance this season and to what extent the event will be democratized moving forward.
33:5408/09/2021
Everlane’s Michael Preysman: 'Buying carbon offsets is an excuse to continue to reap carbon'

Everlane’s Michael Preysman: 'Buying carbon offsets is an excuse to continue to reap carbon'

“We have to be OK with riding the wave." That is the mantra Michael Preysman, founder and CEO of Everlane, has come to rely on throughout Covid-19. In other words, Preysman has learned that, while the Everlane team can't control what challenges are thrown at the fashion brand -- which was founded with a focus on transparency and ethical sourcing in 2010 -- they can control the way that they respond. From the initial waves of the pandemic to the Black Lives Matter movement to now the Delta variant, getting through the past year can be described as “running a sprint, and it turns out it’s a marathon,” said Preysman, on the most recent episode of the Glossy Podcast. While the vaccine rollout evoked hope in many for the return of normalcy, Everlane has been honest about the fact that the resulting supply chain issues and labor shortages will take “another 3-5 years” to come back from, said Preysman. Until then, Preysman remains determined to maintain transparency regarding Everlane’s prices and direct-to-consumer business model, overall.  “[Our] $100 cashmere is coming to an end in 2022, because the cost of cashmere is increasing, said Preysman. However, the typical Everlane customer, who ranges in age from their late 20s to early 30s, is “willing to pay more” for the brand’s environmentally conscious and quality pieces, said Preysman.  Everlane has also adapted the customer experience to be “seamless” online and offline, ensuring that “fitting rooms are the star of the [physical] space,” and that returns and shipping are made easy for customers.  Looking at the bigger picture of sustainable fashion, Preysman remains outspoken that sustainability has “completely been greenwashed,” he said.  "We try to avoid that word [sustainable] and use more factual statements, [like] organic, or clean water, etc.,” and to actively focus on reducing the brand’s carbon footprint. Everlane has done so by committing to the use of recycled materials and more efficient means of transport. “What we're trying to show is that you can both … live a great life and have a low environmental impact,” said Preysman.
43:3101/09/2021
Sene’s Ray Li on creating the Netflix of fashion: 'Each person has a unique shopping experience'

Sene’s Ray Li on creating the Netflix of fashion: 'Each person has a unique shopping experience'

The word “suit” may elicit visions of measuring tape, tailors and brick-and-mortar stores filled with crisp jackets and slacks. However, as consumption evolves from being within the mall to on the computer, and from cashmere to casual, Sene, an apparel brand that started with a focus on being the Lululemon of suits, has adapted accordingly. Since the brand launched in 2015, Ray Li, co-founder and CEO, has spearheaded Sene’s transition into an online purveyor of custom suits under the brand values of sustainability and inclusivity. In 2019, Li decided to close down Sene’s Los Angeles location and relaunch the brand on Kickstarter with a SmartFit Quiz to hone in on the custom sizing aspect of Sene. This changed the trajectory of the business, Li said. “Our mission was always to make custom clothing possible for everyone,” he said on the Glossy Podcast. “But it was a very long journey to get here.” After moving the brand fully online, Sene introduced its FlexTech Suit, a “custom suit [made of] athleisure fabric,” and soon after, its custom denim. Li, who sees a “$17 billion opportunity for custom denim,” plans to expand Sene’s denim selection with shorts and jackets. He also plans to introduce more athleisure styles like joggers.  “Each time we enter a category, we want to feel like we’re making the best possible version of the product we have,” said Li. “We also want to price it at an off-the-rack price.”
37:4125/08/2021
Mark Cross CEO Ulrik Garde Due: 'A different speed' is now required of luxury brands

Mark Cross CEO Ulrik Garde Due: 'A different speed' is now required of luxury brands

With 25 years of experience at luxury brands like Burberry and Céline, Ulrik Garde Due’s reputation for revitalizing companies led him to his current position as president and CEO of Mark Cross, America’s oldest luxury accessories brand.  “I saw a real opportunity in creating a lifestyle positioning," he said on this week’s episode of the Glossy Podcast. “[Not only with] women's accessories, but also [by] relaunching men's, which we [did] last year ... [and] creating more of a gifting destination for top-class quality and American luxury." When the pandemic hit, however, “We went from this survival to contingency planning to then, as I like to call it, ‘thrival’ mode,” said Garde Due. “It was our job to start thinking of the opportunities that this pandemic created for the industry and for the luxury consumer, and look at the post-pandemic era and what was needed to get executed during the pandemic to be ready for that.” That meant focusing on developing Mark Cross’ wholesale and directly operated channels and catering to consumers in the U.S. and in mainland China, which Due sees as ”an ever-growing market share” opportunity.  Mark Cross first began to cater to the preferences of the millennials and Gen-Z consumer demographics in the fall of 2019 by launching an “in-house vintage website.” Even more recently, the brand has reacted to the changes accelerated by Covid-19 by “investing heavily into the digital sphere.” That's included partnering with companies like Hero and a personalized delivery service.  “Getting back to the [20]19 [sales] volumes, as well as enlarging our community, are the two main goals this year," said Garde Due.
37:0018/08/2021
Fashion brand founder-influencer Amanda Steele on 'OG YouTube' and the importance of organic content

Fashion brand founder-influencer Amanda Steele on 'OG YouTube' and the importance of organic content

To be able to say that you’ve been an influencer for almost half of your life is a feat -- even for digitally native Gen Zers.  Multihypenate Amanda Steele, 22, has spent 12 years creating content for social channels including YouTube and also boasts the titles of fashion brand founder of Steele and working actress.  “Most of my success came from me doing it so early,” said Steele, of her influencer career. “When it gets overly saturated, whatever platform you're using, it's just hard to get your content seen.”  Steele, who launched her YouTube channel in 2011 with dreams to become a fashion designer, branched into makeup as the beauty industry took over social media. Now, as the founder of her own clothing line, Steele -- which she describes as “model-off-duty style" -- her aspirations in fashion have come full circle. The line includes “leather pants, so it’s edgy and sophisticated,” along with blazers and baggy jeans. “It’s not super trendy,” said Steele. “But you can walk into a business meeting or you can go out with your friends or get brunch, all in the same outfit.” Most recently, the creator has branched off into the acting world, starring in "Paradise City" on Amazon Prime. But this doesn’t undermine the power of social media platforms like YouTube, Instagram and TikTok, where she has about 6 million cumulative followers.  “YouTube will always be there,” said Steele. “TikTok is where our brains are at right now, the short-form content. But now we have Reels, and we can do that on Instagram, too.”
37:5011/08/2021
Celebrity stylist Law Roach on post-pandemic fashion: ‘We woke up and we chose glamour’

Celebrity stylist Law Roach on post-pandemic fashion: ‘We woke up and we chose glamour’

As the power of social media has grown, public opinion has become paramount in determining the next ‘"it" girl. Style and reliability are key components, but what the public often fails to consider is the impact of the motor behind the superstar machine, specifically as it pertains to a stylist. Law Roach, the fashion stylist to Zendaya and Celine Dion among his extensive résumé of A-listers, has proven the impact that refining one’s style can have on catapulting them to style icon status. Roach’s success in styling celebrities from TikTok to the silver screen -- see Addison Rae for the MTV Movie Awards and Anya Taylor Joy for both the Golden Globes and Critics Choice Awards -- is less formulaic and more “organic,” he said on the latest Glossy Podcast. “I don't necessarily have a wish list,” said Roach, of who he’d like to dress. “I work with people when it feels good or [when] I feel there's something that I can help them achieve, or vice versa.” Logistically, the process behind styling his star clients also varies based on each individual. While some clients are “heavily collaborative,” others “just want to be dressed,” said Roach. The “pop” and “finesse” that Roach brings to the table stem from his often unorthodox approach to fashion. For example, rather than pulling looks straight off of the runway, Roach deliberately utilizes vintage pieces from eBay, which he partnered with in June to “tell a story” through the looks that he curates. “I live in this world that’s very fantastical and whimsical and dreamy,” said Roach. “I'm always trying to use those clothes to help say something or make people feel something.”
32:3204/08/2021
Nasty Gal's Kelly Byrne: 'We can be more more agile and reactive' as an online-only business

Nasty Gal's Kelly Byrne: 'We can be more more agile and reactive' as an online-only business

Platforms like Depop may be synonymous with virtual thrifting and sustainability today, but Nasty Gal, the online fashion retailer under the Boohoo group, is trying to tap back into its early associations with sustainability. “Sustainable products have been what the business is built on” since it launched 15 years ago, said Kelly Byrne, Nasty Gal’s commercial director, on the latest episode of the Glossy Podcast. “Our vintage collections are still some of our fastest selling collections.” Byrne, whose main task is to “ensure the business reaches its commercial goals,” has been at the forefront of Nasty Gal’s responses to changing trends over the past year. That's included adapting to the pushes for comfort and eco-consciousness within the fashion industry. “We can react [to trends] in around 3-4 weeks,” said Byrne. For example, Nasty Gal quickly added casual items like sweatsuits to its online store in 2020. However, consumer preferences have begun to get “back to normal” since March 2021. “We’ve started to see a real uptick in those traditional summer categories,” like swimwear, footwear and dresses," she said. That brings "a lot of positivity” to the festival- and vacation-centric brand, she added. Still, the brand plans to remain focused on circularity. “By the end of this financial year, 20% of our product offering will be more sustainably produced,” said Byrne. She hopes to increase that to 40% by the following year.
31:1228/07/2021
Alpaca VC's Aubrie Pagano: 'The future of brands is omnichannel'

Alpaca VC's Aubrie Pagano: 'The future of brands is omnichannel'

As she has experience as a founder -- of fashion brand Bow & Drape, launched in 2012 -- Aubrie Pagano, a general partner at venture capital firm Alpaca VC, is adept at identifying whether or not a founder is worth investing in.  “It's understanding what your customer needs from the brand and how you can augment the brand with that founder voice,” said Pagano, on the latest Glossy Podcast. Pagano founded Bow & Drape at a time when customization, whether of a Chipotle bowl or a T-shirt, was growing in popularity. “We were super excited about creating more personal, expressive fashion,” said Pagano. She set out to focus on the millennial demographic at the time. “[We] launched our sweatshirt that became an eponymous product,” she said, referring to Bow & Drape’s best-selling style that reads "Goal Digger" in gold lettering. It was sported by Serena Williams in 2015. Although Pagano sold Bow & Drape in 2019, the seven years she spent growing it allowed her to experience the evolution of brands. When Bow & Brand entered the retail space with companies like Bloomingdale’s and Nordstrom in 2015, “It was a symbiotic opportunity at the time,” she said. The brand gained a platform, while the retailers were able to engage customers in a new way. Now, “The future of brands is omnichannel,” said Pagano. “It's going wherever your customers are, whether that's live commerce or retail, or online through a traditional PDP.” As Pagano has shifted from founder to investor with Alpaca VC, she’s also found that tenacity and magnetism are key traits when gauging a founder’s potential. “Alpaca is an early-stage fund focused on the intersection of the digital and physical worlds, where people are using technology to transform daily life,” she said. Pagano was drawn to the firm because of the team’s understanding of “the entrepreneur journey” and its “research-driven approach to how we invest in companies.” One of the areas that Pagano has invested in at Alpaca is the “re-commerce space,” or the reuse of goods. It has to do with the fact that “consumers, especially Gen Z, are saying, ‘There’s too much stuff,'” Pagano said. Live commerce, returns and cross-border commerce are also areas that Pagano deems worthy of investment. “The internet has allowed culture to atomize in such a way that you can speak very specifically to a very vertical audience,” said Pagano. “Speaking to a specific audience and having an affinity and community who you speak to is paramount.”
41:2621/07/2021
Founder and CEO Ippolita Rostagno: 'TikTok is not the right place to be telling this brand story'

Founder and CEO Ippolita Rostagno: 'TikTok is not the right place to be telling this brand story'

The move to working-from-home may have correlated with a rise in comfortable fashion, but as the work pants came off and sweatpants on, the desire for luxury brands did not falter. “Jewelry and accessories were favored because so many people were on Zoom all day long, [and] the only thing that you could [use to] accessorize were earrings," said Ippolita Rostagno, co-founder and CEO of Ippolita, on the Glossy Podcast. In addition, for Ippolita, the timelessness of the brand aligned with consumer desire for jewelry that can last beyond the pandemic. Rostagno, who founded the brand 20 years ago, said she focuses on “designing things that are relevant at this moment, but that, at the same time, have a classic enough feel that you know at the time of purchase you’ll love it 10 years from now.” Whether it can be attributed to Zoom or Ippolita’s philosophy or both, the brand’s recent success cannot be denied. Ippolita saw a “very steep increase” in online sales to 10% of total sales, up from 2% before Covid-19. “People have become much more comfortable with learning and making up their own minds, and therefore purchasing online,” said Rostagno. However, she said, "when you're in a store, you have that opportunity to think you're looking for something and find something else. And that is part of the retail experience that needs to be nurtured and come back.” As for Ippolita’s retail presence, while the brand will continue to team up with retailers, like Neiman Marcus and Bloomingdale’s, "owning our own retail is the direction that we'd like to take the business,” said Rostagno. Ippolita has seen success with trunk shows, which Rostagno attributes to the tangible experience that customers can have with the jewelry. “[That] was the motivating factor for completely redesigning the customer experience in my store that I opened in the middle of the pandemic, in Chicago,” said Rostagno. Rostagno was inspired by the concept of a physical jewelry box when designing Ippolita's Chicago Store. “You’re walking into a felt box, and then all the walls are magnetic and the jewelry is out; there are no cases,” she said, of the store’s layout. “The idea is that a customer can walk up to the jewelry, try it on, look at it, feel it … ahead of having a conversation with a salesperson.” In regard to Ippolita’s virtual presence, while many brands have chosen to use social media platforms like TikTok to spread brand awareness, Ippolita hasn't followed suit. “This is what women buy for themselves. This is not occasional jewelry, this is not what husbands buy for a woman’s birthday,” said Rostagno. “This state of mind, this sense of self-possession, is not something that is targeted to a young audience, so TikTok is not the right place to be telling this story.” Instead, Rostagno sees places like Milan as the right setting in which to grow Ippolita. Montenapoleone, where Ippolita's next store will open, is “the street for luxury in Milan, and also in Europe,” according to Rostagno. She added that she feels “very confident” about the future success of the store.
42:0514/07/2021
Kelly Cook of David's Bridal: The pandemic 'threw a hand grenade' into the wedding planning process

Kelly Cook of David's Bridal: The pandemic 'threw a hand grenade' into the wedding planning process

The bridal industry, one of the many markets that rely on in-person customer experiences, was not spared by Covid-19. However, “snowmageddons, hurricanes, Covid, murder hornets -- nothing can cancel love,” said Kelly Cook, chief marketing and IT officer at David’s Bridal, on the latest episode of the Glossy Podcast. “It’s a fun time to be in our business,” said Cook, who spent a year facilitating virtual wedding gown and bridal face mask shopping. She expects a 25-40% increase in weddings in 2021, “now that vaccines are out and the country’s opening up.” The height of the pandemic last year did not equate to a full stop in the bridal industry, however. While “about 10% of the brides just canceled their weddings,” according to Cook, “out of the remaining 90%, about half of them already moved their weddings into this year. The remaining half moved their weddings into fall of [2020].” For the brides that did get married during the pandemic, David’s Bridal was quick to adapt to their needs with solutions, like the production of “70,000 [face] masks in all colors," as well as improvements to its technology, according to Cook. “We've modernized and digitized our company,” said Cook. “Within a two-week period, we implemented curbside pickup and we implemented virtual stylists.” The latter was possible through partnerships with augmented reality-focused company Vertebrae, as well as Zoey, an automated concierge system, she said. “We sold $1 million in gowns just through text,” said Cook. “We wouldn't have been able to do any of that if we had not had a culture here of serving her and being relentless about solving problems.” Additionally, David’s Bridal hosted its first virtual fashion show in May 2020. It also found success with a YouTube Live channel “of nothing but wedding videos,” as well as with new TikTok and Instagram Reels accounts. Customers have benefitted from the changes, as well -- particularly those who have signed up for the company's new Diamond Loyalty Program. “It’s not a loyalty program for the number of times you get married. It’s a loyalty program around everybody at your wedding,” said Cook. “We launched it on December 8 of last year and have had 55 people earn enough for a honeymoon.” As for the future of David’s Bridal, “the power of our store [is] in making everyone feel absolutely stunning and beautiful in whatever they're wearing,” said Cook. “The trend is that people are going to want more human interaction and want to see more humanity in brands because we are becoming so digital.” The human touch of the bridal shopping experience is not fully replicable via digital. Until life returns to normal, Cook emphasized the importance of David's Bridal “partnering with people that make the [wedding] process easier,” such as WeightWatchers, Black Tux, popular venue Rustic Wedding Chic and micro-influencers. “We partner with the right micro-influencer, and we give her the product, and all of the content is in her own voice and style,” said Cook. She called out that David's Bridal has featured “employees, friends, and family” in shoots, in place of models, since last year. “It’s authentic and real, and it’s representative of who we are as a brand,” said Cook.
37:3307/07/2021