Today, the Spotlight shines On experimental music producers and label owners Taylor Deupree and Joseph Branciforte.Back in 2002, Taylor Deupree released an electronic album called Stil. That release captivated listeners with its quiet, repeating patterns and stark digital sound. Twenty years later, Taylor and producer Joseph Branciforte linked up to reimagine the album as Sti.ll, rebuilding the entire work using only non-electronic instruments.The new version takes all of the computer-generated sounds from the original and puts them in the hands of live musicians playing clarinets, strings, and percussion. It is an ambitious and adventurous project from two collaborators enmeshed in experimental music—Taylor runs 12k Music and has spent years blending electronic and natural sounds, while Joe’s built Greyfade into a label that keeps finding creative ways to present creative music.They’re here to walk us through this one-of-a-kind project while covering several other topics related to creativity and the modern music business.(The musical excerpts heard in the interview are from the albums Stil. and Stil.ll, played side-by-side.)–Dig DeeperVisit Taylor Deupree and 12k at 12k.comVisit Joseph Branciforte and greyfade at greyfade.comPurchase Stil. from 12k or Bandcamp, and listen on your streaming platform of choicePurchase Sti.ll from greyfade, 12k, Qobuz, Bandcamp, and listen on your streaming platform of choiceA Voyage of Seeing: On Hiroshi Sugimoto’s SeascapesDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On legendary Danish organist Anders Koppel.Great music often runs in the family, and as proof, we have our first father-son episodes of Spotlight On. Last November, we had Benjamin Koppel, son and collaborator of today’s guest.But today’s story starts decades ago when Anders played Newport with his band Savage Rose. Fast forward to now, and Anders is back at the Hammond B3, making magic with Benjamin on alto sax and the incredible Brian Blade on drums.This trio came together naturally. Benjamin and Brian have been close friends and collaborators since 2011. Something special clicked when they invited Anders to join them on the organ. Their latest album, Time Again, swings hard while aiming for the heart.(The musical excerpts heard in the interview are from the album Time Again by Benjamin Koppel, Brian Blade, & Anders Koppel)–Dig DeeperLearn more about Anders Koppel at wisemusicclassical.comPurchase Time Again on Qobuz or Bandcamp, and listen on your streaming platform of choiceTime Again teaser videoCheck out Benjamin Koppel at benjaminkoppel.com and his check out his label Cowbell MusicBenjamin Koppel plays jazz with a novelist’s narrative (Spotlight On podcast)The Savage RoseBrian Blade | DrummerAll About Jazz Organ: Inside the Hammond B-3Kenny Werner | PianistNewport Jazz Festival - 1969–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Christian McBride, a musician, recording artist, prolific composer, arranger, producer, cultural curator, dedicated educator, and mentor.Christian has been called the hardest-working person in jazz, and based on what I just rattled off, that might be underselling it. From his early days in Philadelphia soaking up the sounds of Philly Soul to sharing stages with legends like Ray Brown and Chick Corea, Christian has become a bridge between jazz’s rich history and its vibrant future.These days, you’ll find him leading his new band, Ursa Major, hosting NPR’s Jazz Night in America, mentoring the next generation of musicians, and somehow finding time to work on a new big band album featuring twelve different vocalists. He’s also preparing for an upcoming funk tribute show with none other than George Clinton and Savion Glover at NJPAC.Whether laying down the groove with Inside Straight, his Big Band, or any other celebrated ensemble, Christian brings an irresistible combination of soul, swing, and storytelling to everything he touches. Today, we’ll explore his journey from Philly to the world stage, his passion for record collecting, and why he believes being uncomfortable might be the best way to grow as a musician.Quick note: this conversation occurred when our baseball teams were still in contention. One had a better outcome than the other, and neither made it all the way…–Dig DeeperVisit Christian McBride at christianmcbride.comListen to Christian McBride on Qobuz, Bandcamp, or your streaming platform of choiceFollow Christian McBride on Instagram, Facebook, and YouTubeTribute to Funk!The curious mind—and hard work—of bassist Christian McBrideJazz House Kids | School For JazzDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

What can be scarier than Halloween ghouls? How about a trip through the LSD underground?Today, the Spotlight shines On Erik Davis, and this trip is no bummer. Erik is an author, award-winning journalist, and teacher in San Francisco. He is the author, most recently, of Blotter: The Untold Story of an Acid Medium_, a study of LSD blotter art. And that’s what he’s joined us to talk about.Erik also wrote one of my favorite books, High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies. His scholarly and popular essays on music, technoculture, drugs, and spirituality have appeared in many books, magazines, and journals. He is also one of the founders of Alembic, a center in Berkeley, California, devoted to meditation, movement, and visionary arts and culture.Enjoy our talk about the hysteria surrounding LSD, the cultural significance and risks of the LSD blotter art trade, as well as the intersection between that art and the illicit drug market.–Dig DeeperVisit Erik Davis at techgnosis.comSubscribe to Erik Davis’s newsletter Burning Shore at burningshore.comPurchase Blotter: The Untold Story of an Acid Medium and other books by Erik Davis from MIT Press, Bookshop, Amazon, Barnes & Noble, and Powell’sEight LSD Blotters That Defined Psychedelic CultureInside the LSD Museum That the DEA Somehow Hasn’t Torn to the Ground‘I’m high as a Georgia pine’: Dock Ellis’s no-hitter on LSD, 50 years onDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Josh Johnson, the Los Angeles-based saxophonist, composer, multi-instrumentalist, and Grammy Award-winning producer.Josh joined me earlier this year to talk about his second solo album, Unusual Object, which came out this past April on Northern Spy Records. Equal parts futuristic jazz and modern composition, Josh uses processed saxophone and subtle samples in his unique compositions.In addition to examining Unusual Object, we discussed the relevance and impact of genre classifications in music, how Josh’s Grammy has led to more opportunities and connections in various music communities, the impact of Chicago’s artistic community on Josh’s development as a musician, courage in the pursuit of creative avenues, and of course, it would not be an episode of Spotlight On if we did not dig into process. So we did.Josh will be at the Village Vanguard in New York from October 29 through November 3 with Vibraphonist Joel Ross’s Good Vibes ensemble. It should be a good one.(The musical excerpts heard in the interview are from Josh Johnson’s Unusual Object)–Dig DeeperVisit Josh Johnson at joshjohnsonmusic.comFollow Josh Johnson on InstagramPurchase Unusual Object at Northern Spy Records, Qobuz, or Bandcamp, and listen on your streaming platform of choiceMeshell Ndegeocello Wins Inaugural Best Alternative Jazz Album Award at 2024 GrammysThe lessons of Wayne Shorter, engine of imaginationJosh Johnson “Marvis” live performanceThe Conversations That Make a Voice // Josh JohnsonDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On composer and percussionist Shawn Mativetsky. A renowned tabla player, Shawn is a pioneer in bridging the worlds of Western and Indian classical music.We discussed the intricacies of traditional Indian music, including the setup and tuning of the instruments, the guru-disciple relationship, and the reception of Western musicians in the Hindustani community. We also explored the importance of deep learning, consistent practice, and research in mastering a musical instrument, with Shawn sharing his personal journey and commitment to his craft.Shawn and I spoke much earlier this year, around the April release of his album, Temporal Waves. Enjoy.(The musical excerpts heard in the interview are from the album Temporal Waves)–Dig DeeperVisit Shawn Mativetsky at shawnmativetsky.comVisit Temporal Waves at temporalwaves.comPurchase Temporal Waves on Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Temporal Waves on Instagram, Facebook, Threads, and YouTubeIntro to Tabla & North Indian Rhythm – Shawn MativetskyIntroduction to Classical TablaPandit Sharda SahaiCanadian Percussionists: Shawn MativetskyDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Paul Stache, co-owner (with his wife and partner Molly Sparrow Johnson) of Smoke Jazz Club, one of New York City’s premier live music venues. Smoke is celebrating its 25th anniversary throughout 2024 and Paul joined us to talk about the storied venue’s past, present, and future.In addition to the club’s 25th Anniversary Celebration plans, we hit on topics like how their business has navigated the transition to a digital world, insight into managing an independent venue, as well as many of the amazing artists who have graced their stage over the years. Enjoy.–Dig DeeperVisit Smoke Jazz Club online at smokejazz.comFollow Smoke Jazz Club on Instagram, Facebook, and YouTubeVisit Smoke Sessions Records at smokesessionsrecords.com or on BandcampSmoke Rises: A Jazz Room Returns on the Upper West SideSmoke Jazz & Supper Club reopens (video)Harold Mabern “The Iron Man: Live at Smoke” (video)Smoke Jazz Club NYC: Talking with Co-owner Paul Stache–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight is going to shine a little differently. Instead of a single guest, we will have three segments dealing with the importance of local music scenes.Our first guest is Shain Shapiro. Shain is a thought leader working at the intersection of music, culture, and urban policy. His book, This Must Be The Place: How Music Can Make Your City Better, came out last year on Repeater Books. Shain has defined a new way to think about the value of music and the creative economy in cities and places. He is the founder and chairman of Sound Diplomacy, a global research and strategy consultancy that demonstrates the impact of the creative industries on community development and economic growth. He is also the founder and executive director of the not-for-profit global Center for Music Ecosystems, where he collaborates with leaders and policymakers to foster policies that lead to social and economic development at local, national, and global levels.Our second segment features trumpeter and composer Thomas Marriott, who takes us through the modern history of the Seattle jazz scene, with its current challenges and opportunities.We end with Seattle House Mafia, a three-member DJ collective that tell tales of the evolution of Seattle’s dance music scene.If you enjoy this episode, please let us know, and support live music wherever you are.–Dig DeeperVisit Shain Shapiro at shainshapiro.com and follow him on LinkedInVisit Thomas Marriot at thomasmarriott.net and follow him on Facebook and YouTubeVisit Seattle House Mafia at seattlehousemafia.com and follow them on Instagram, Facebook, Twitter (X), and YouTubeDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On drummer and composer Devin Gray.Like me, Devin is a born New Englander who made his way to Brooklyn, though unlike me, he splits his time between Brooklyn and Berlin.Devin has performed with Spotlight On alumni Angelica Sanchez and Satoko Fuji, as well as a who’s who of the creative music scene: David Liebman, Sylvie Couvoisier, Tim Berne, Nate Wooley, and many others.Our conversation ranged from Devin’s earliest exposures to music, his self-taught approach to drumming, genre divisions in music, local and regional art scenes, the different approaches to arts funding he’s encountered in the US and Europe, the appeal of creating an artistic universe of work, sincerity and authenticity, more.Devin will be performing in Seattle in the next few days and I hope to continue our conversation then. Enjoy.(The musical excerpts heard in the interview are from Devin Gray’s album Most Definitely)–Dig DeeperVisit Devin Gray at devingraymusic.comPurchase Devin Gray’s Most Definitely on Qobuz or Bandcamp, and listen on SpotifyFollow Devin Gray on Instagram, Facebook, TikTok, Twitter (X), and YouTube7 Questions for Devin GraySatoko Fujii: composing beyond the jazz spiritMelt All the Guns (feat. Ralph Alessi & Angelica Sanchez)Dig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Brad Mindich, an entrepreneur who works directly with artists, athletes, and others in music, culture, and sports to expand their legacies and create powerful connections with their fans.Brad currently does this work as the founder and CEO of Inveniem/Definitive Authentic, which helps its clients organize, catalog, present, and oftentimes monetize their archives directly to their audiences.Brad has worked with Metallica, Def Leppard, Stephen Stills, basketball star Devin Booker, Monty Python co-founder Eric Idle, and many others.Our conversation took some fascinating turns, exploring the concept of “pre-nostalgia”, the longing for a future that was imagined in the past. We discussed the powerful impact of nostalgia on individuals and communities and how it can evoke positive or negative emotions.We also talked about the cultural influences and connections between various subcultures, particularly Rastafarianism, with its historical and social roots in and connection to Hinduism and Indian immigrants.At its most basic, Brad’s work is about preserving cultural heritage, something his family has contributed to. Brad’s father owned the Boston rock station WFNX and was the longtime publisher of The Boston Phoenix, the fabled underground newspaper with roots stretching back to 1965.–Dig DeeperVisit Definitive Authentic at definitiveauthentic.com and Inveniem at inveniem.comFollow Definitive Authentic on Instagram, Facebook, and Twitter (X)The Inveniem Company: Dedicated to Preserving and Expanding the Cultural Legacies of Bands, Artists, and OthersWhat Happened to the Boston Phoenix?WFNX | The Music Museum of New EnglandBehind The Metallica Black BoxDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Andy McCluskey, the singer, songwriter, musician, and producer best known as the lead singer and bass guitarist of Orchestral Manoeuvres in the Dark (also known as OMD). Andy joined Spotlight On producer and guest host Michael Donaldson to discuss topics as varied as the political messages behind their latest work, post-modern society, Kraftwerk, and the Bauhaus art school.OMD is not working the nostalgia circuit, though no one would blame them if they were. Instead, they continue to release new music that fans and critics rate as among the best of their classics and already have plans to spend a large portion of 2025 on the road.Bauhaus Staircase, OMD’s latest album, and their recent EP, Kleptocracy, are out everywhere you get your music.(The musical excerpts heard in the interview are from the OMD album Bauhaus Staircase)–Dig DeeperVisit Orchestral Manoeuvres in the Dark at omd.uk.comPurchase OMD’s Bauhaus Staircase from The OMD Store or Qobuz, and listen on your streaming platform of choiceFollow OMD on Facebook, Instagram, Threads, YouTube, and Twitter (X)Kraftwerk changed my life: 20 artists pick their favourite Kraftwerk records of all timeThe Man in the Machine: How Oskar Schlemmer’s Triadic Ballet left its mark on David Bowie and New OrderDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On JUNO Award-winning oud player and guitarist Gordon Grdina.Gordon’s work defies limitations, be they geographical, distance, time, or genre. He incorporates avant-garde jazz, free improvisation, indie rock, and Arabic tradition into his music.So much music, so many collaborators, and so much ground to cover in our talk. We made the most of our time together, exploring projects, processes, the fusion of musical traditions, appropriation, authenticity, and more.If you are open to the idea that music can be a tool for communication and understanding between people and peoples, Gordon Grdina will give you plenty to consider.(The musical excerpts heard in the interview are from Gordon Grdina’s The Marrow with Fathieh Honari and the Grdina/Lillinger album Duo Work)–Dig DeeperVisit Gordon Grdina at gordongrdinamusic.comPurchase Grdina/Lillinger’s album Duo Work from Qobuz or Bandcamp, and listen on your streaming platform of choicePurchase Gordon Grdina’s The Marrow with Fathieh Honari from Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Gordon Grdina on Instagram and FacebookGordon Grdina - Free Form Improvisation on OudDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On trailblazing songwriter and now memoirist Steve Wynn.Steve first hit public consciousness in the early 1980s with his band The Dream Syndicate, frequently mentioned in the same breath as REM and The Replacements as the pioneers of American indie rock.The Dream Syndicate’s initial run did not outlast the decade that birthed them, but Steve’s career did, with over 30 years of solo albums and collaborations to his credit—including a relaunched Dream Syndicate in the early 2010s.Steve’s latest projects are something of a pair—I Wouldn’t Say It If It Wasn’t True, a memoir recounting his early life through the initial run of The Dream Syndicate, and Make It Right, a new album of music inspired by the writing and reflections for the book.Our conversation spanned Steve’s formative years, his musical relationships over time, his process, roads not taken, and a glimpse into his near-term future activities, which include a bunch of time on the road promoting the book and dates with the indie rock “supergroup” The Baseball Project.(The musical excerpts heard in the interview are from Steve Wynn’s album Make It Right)–Dig DeeperVisit Steve Wynn at stevewynn.netPurchase Steve Wynn’s memoir I Wouldn’t Say It If It Wasn’t True from Bandcamp or AmazonPurchase Steve Wynn’s album Make It Right from Fire Records, Qobuz, or Bandcamp, and listen on your streaming platform of choiceFollow Steve Wynn on Instagram, Facebook, YouTube, and Twitter (X)Dig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On the acclaimed and intriguing composer, bandleader, and improviser Graham Reynolds.The Austin-based Reynolds has composed for countless film, television, dance, and theatrical productions, serving most notably as the sonic collaborator of director Richard Linklater. He is also Artistic Director of the new music-focused non-profit Golden Hornet.Graham joined me on the occasion of his solo release from earlier this year, Music for Prophet (Parts 1–4), on Fire Records. We discussed the benefits of having a dedicated workspace at home and the importance of balancing practical tasks with creative ones. We explored the relationship between composition and improvisation in music, Graham’s feelings about live performance, our musical upbringings, the state of the arts and film, and, my favorite, the role of humor in music.(The musical excerpts heard in the interview are from Graham Reynolds' latest release, Music For Prophet)–Dig DeeperVisit Graham Reynolds at grahamreynolds.comPurchase Graham Reynolds' Music For Prophet at Fire Records, Qobuz, or Bandcamp; and listen on your streaming platform of choiceFollow Graham Reynolds on Facebook and InstagramGraham Reynolds | composer (IMDb)Golden Hornet | a composer laboratory for the 21st centuryAnother fearless collaboration: Graham Reynolds & Bill Burgess & Utah Hamrick at TEDxAustinDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On pianist and composer Satoko Fujii, an incredibly unique and prolific artist.Satoko works at the intersection of jazz, contemporary classical, rock, and traditional Japanese music, composing for ensembles of many sizes and configurations. However, she is especially adept with the jazz orchestra format. For all of her efforts, Satoko is widely decorated as an improviser, composer, arranger, and band leader.Satoko has released over 100 albums as leader or co-leader, at a clip of several each year. Music seems to tumble out of her.The discussion you are about to hear was recorded back in late March of this year. Satoko was a thoughtful and generous conversationalist and provided insight into her creative and production process and her evolution as an artist. She also shared a bit about the unique challenge of making a life as an artist in Japan.(The musical excerpts heard in the interview are from the albums Jet Black by the Satoko Fujii Tokyo Trio and Unwritten by the quartet Kaze, also featuring Satoko Fujii)–Dig DeeperVisit Satoko Fujii at satokofujii.comPurchase Unwritten by Kaze (featuring Satoko Fujii) on Qobuz and Bandcamp and listen on your streaming platform of choicePurchase the Satoko Fujii Tokyo Trio’s Jet Black on Bandcamp and listen on Apple MusicFollow Satoko Fujii on Instagram, Facebook, Twitter (X), and YouTubeSatoko Fujii, a Pianist Who Finds Music Hidden in the Details of LifeDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On the musician and producer David John Haskins, better known to the world as David J, bassist and co-founder of both post-punk goth band Bauhaus and, subsequently, Love and Rockets.As if having such a luminary visiting our podcast isn’t enough, today’s talk is guest-hosted by Spotlight On producer Michael Donaldson, who filled in for me for this and another special episode we will tell you about soon.David came by to talk about Tracks from the Attic (released on Independent Project Records), his career-spanning triple album made up of home demos recorded between 1984 and 2004, hand-selected for inclusion by the artist himself. He also discussed the Love and Rockets tour opening for Jane’s Addiction (which kicks off this week) and a lot of very, very interesting esoterica.(The musical excerpts heard in the interview are from David J’s album Tracks from the Attic)–Dig DeeperVisit David J at davidjhaskins.comPurchase David J’s Tracks from the Attic from Independent Project Records, Qobuz, or Bandcamp, and listen on your streaming platform of choiceFollow David J on Patreon, Facebook, Instagram, and Twitter (X)Love and Rockets (Bandcamp)The ultimate beginner’s guide to BauhausShiva SavesDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight was meant to shine On drummer, percussionist, and composer Ches Smith, whose album Laugh Ash was released earlier this year on Pyroclastic Records. As we arranged to get together, Ches suggested we include Shara Lunon, the transdisciplinary poet, vocalist, composer, and improviser featured on the album.Laugh Ash is one of the most intriguing records I have encountered in quite some time, with its mix of form and improvisation, acoustic and synthetic, quiet and explosiveness.In addition to Ches and Shara, the album includes an all-star cast from today’s creative music scene: flutist Anna Webber, clarinetist Oscar Noriega, tenor saxophonist James Brandon Lewis, trumpeter Nate Wooley, violinist Jennifer Choi, violist Kyle Armbrust, cellist Michael Nicolas, and bassist/keyboardist Shahzad Ismaily.It is an exciting work and we had a great conversation. Enjoy.(The musical excerpts heard in the interview are from Ches Smith’s album Laugh Ash)–Dig DeeperPurchase Ches Smith’s Laugh Ash on Qobuz or Bandcamp, and listen on your streaming platform of choiceVisit Ches Smith at chessmith.com and follow him on Instagram and FacebookVisit Shara Lunon at sharalunon.com and follow her on InstagramChes Smith’s ‘Laugh Ash’ Is Exhilarating MusicChes Smith About ImprovisationListN Up Playlist: Shara LunonDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today’s episode is a recording of our recent live event, which took place at The Royal Room in Seattle, WA, on June 22, 2024. The event, Improvisation in Music and Life, featured me in conversation with and performances by James Falzone’s Division Ensemble.The Division Ensemble is a group of master improvisers that includes James Falzone on clarinet, Ray Larsen on trumpet, Wayne Horvitz on piano, Abbey Blackwell on bass, and Rocky Martin on drums.During the live show, we explored the nature of improvisation in music and how its principles are relevant to all aspects of life. James and the band performed his compositions and a completely free, composed-in-the-moment piece.The music in this episode:G.F.O.P. (Falzone)There Is Often Another Way (Falzone)Brooklyn Lines (Falzone)Everything Is Now Equalized (an open improvisation) (Falzone/Larsen/Horvitz/Blackwell/Martin)Room 307 (Falzone)A Dream In Which Appeared Marc Chagall (Falzone)We are offering a poster, t-shirt, and mug based on the artwork from our live show, which is now available at spotlightonpodcast.com/store. Have a look.Special thanks to James Falzone and the members of his Division Ensemble: Ray Larsen, Wayne Horvitz, Abbey Blackwood, and Rocky Martin. Thank you to Aleida, Sheridan, Simon, Ben, and the entire team at the Royal Room. Thank you to David Gorman for the wonderful poster art. Thank you to Alyssa Seng, JazzED, and Tim Carey at Jazz Night School. And thank you to everyone who attended the live show.–Dig Deeper with the extensive show notes and links found at https://www.spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Modena, Italy-based sound artist and percussionist Riccardo La Foresta.Riccardo has spent the last several years exploring the Drummophone—an array of bass drums that create sound by being confronted with compressed air and which, in turn, produce complex acoustic drones. By combining the Drummophone with other electro-acoustic devices and changes in the air pressure in the room where it is set up, a generative system results, one that can create endless possibilities in sound.In this engaging conversation, we discussed Riccardo’s musical journey, his experimentation in percussion, and his exploration of new techniques and approaches to drumming. We also got into the evolution of drums and percussion instruments, the influence of acoustics on composition, and the potential for drumming education in conservatory settings.(The musical excerpts heard in the interview are from Riccardo La Foresta & James Ginzburg’s album Six and Forty​-​Six)–Dig DeeperVisit Riccardo La Foresta at riccardolaforesta.comPurchase Riccardo La Foresta & James Ginzburg’s Six and Forty​-​Six on Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Riccardo La Foresta on Instagram and YouTubeRiccardo La Foresta: playing drums without playing (video)Drummophone’s ManifestoThe Experimental Underbelly of Italian Electronic MusicRiccardo La Foresta: ‘Curating has taught me how to share’Dig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Berlin-based drummer, composer, and producer Janek van Laak.Janek grew up in post-reunification Berlin which gave birth to a vibrant culture of music and art. He joined me earlier this year, around the Sonar Kollektiv release of his debut solo album, Circle Of Madness, a work that makes me glad I do not own a record store because I have no idea where I would file it. That said, it might not get filed at all because it would be playing all day.Listeners will find jazz, improvisation, funk, some Berlin electronica, and more—sometimes all in the same song. Genre is not important when the music is this compelling.Janek was as much fun to talk to as his record is to listen to. Please enjoy both.(The musical excerpts heard in the interview are from Janek van Laak’s album Circle Of Madness)–Dig DeeperPurchase Janek van Laak’s Circle Of Madness on Qobuz or Bandcamp, and listen on your streaming platform of choice.Follow Janek van Laak on InstagramA Music Lover’s Guide to BerlinRhythm and Raga: Learn the basics of Indian musicWhat Makes John Bonham Such a Good Drummer?Liquid Brain Orchestra on SoundCloudThe 15 Loudest Bands in the WorldJanek van Laak: Fifteen Questions about DrummingDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Seattle pianist and composer Bill Anschell.We’ve had award winners of all types on the podcast, but as far as I can remember, Bill is the first to have won an award for humor: in 2014, Bill was the winner of the inaugural Paul Desmond Award, the website All About Jazz’s celebration of the funniest jazz artists. We get to that and his satirical essay, “Careers in Jazz,” which is the all-time most-read piece on All About Jazz.As a much younger man, Bill left Seattle to study at Oberlin College and Wesleyan University. At Wesleyan, he worked with saxophone great Bill Barron and South Indian mridangam master T Ranganathan, developing an affinity for diverse and interesting rhythms that can be heard throughout his work.In Atlanta, Bill served as Jazz Coordinator for the Southern Arts Federation, the South’s regional arts agency. While building their jazz program, Bill made time to publish a book on grant writing and created JazzSouth, a syndicated radio show heard on more than 200 stations around the world. And he worked as a sideman around town and led his own trio. Bill is a celebrated composer and his tunes have been heard in shows like The West Wing, NCIS: LA, The Wire, and Yellowstone.Our talk touched on the evolution of jazz, the impact and legacy of fusion music, the integration of electronic music into jazz, Bill’s time in Atlanta, his potential upcoming projects, and more.(The musical excerpts heard in the interview are from Bill Anschell’s album Improbable Solutions)–Dig DeeperVisit Bill Anschell at billanschell.comPurchase Bill Anschell’s Improbable Solutions from billanschell.com or Qobuz, and listen to it on your streaming platform of choiceFollow Bill Anschell on Instagram and FacebookTop Five Funniest People In JazzCareers In Jazz - Bill AnschellDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On vocalist, composer, and improviser 王睿琪 Ruiqi Wang (pronounced as “Ray-Chee Wong”).Ruiqi Wang creates stunning experimental music, combining influences from jazz, contemporary Euro-classical music, and traditional Chinese music.Ruiqi Wang joined me earlier this year on the heels of the release of her debut album, Subduing the Silence, out through Orchard of Pomegranates. This profound, 36-minute album boasts an all-female cast of collaborators and expresses a musical vision seldom articulated in a debut work.In addition to composing, performing, and recording in a variety of contexts and projects, Ruiqi Wang is pursuing a Masters degree in Music Composition - Contemporary Jazz at the Bern Academy of the Arts in Switzerland.(The musical excerpts heard in the interview are from Ruiqi Wang’s album Subduing the Silence)–Dig DeeperVisit Ruiqi Wang at ruiqiwangsings.comPurchase Ruiqi Wang’s Subduing the Silence on Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Ruiqi Wang on Instagram, Facebook, and YouTubeCraft EnsembleAyelet Rose GottliebImprove Your Musical Concentration — John HollenbeckThe Center For Deep ListeningFifteen Questions: Ruiqi Wang Talks SoundBe sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On singer, songwriter, and multi-instrumentalist Paul Chastain.Paul is one half of the duo The Small Square, with drummer, percussionist, and vocalist John Louis Richardson. He is also a songwriter for and co-founder of the group Velvet Crush and has worked with Matthew Sweet, Roger McGuinn, Susanna Hoffs, the late Tommy Keene, and many others.Paul and John released the second record from The Small Square, Ours & Others, on Farm to Label Records in October 2023. While separated by a continent and ocean (Paul lives in Japan, John in Wisconsin), they co-produced the record and created a modern sound using modern techniques rooted in classic songwriting and musicianship in the Beatles, Beach Boys, and Big Star tradition.Enjoy!(The musical excerpts heard in the interview are from The Small Square’s album Ours & Others)–Dig DeeperPurchase The Small Square’s Ours & Others from Qobuz, Bandcamp, or directly from Farm to Label Records. You can also listen to the album on your streaming platform of choiceFollow The Small Square on Facebook and InstagramVelvet Crush | Trouser PressA beginners' guide to the heyday of power-pop, 1972–1986Paul Chastain Talks Synthesizers, Songwriting, and The Small Square’s ‘Ours & Others’Be sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On’s next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On musician, songwriter, journalist, and returning guest, Jeff Slate.Jeff joined us about two years ago and while that discussion was more focused on his work as a writer and cultural observer, this talk focuses on his music career.Based in New York City, Jeff has traveled quite an interesting road from his roots in the mid-80s post-punk world to rubbing shoulders and working with luminaries like Steve Jones of the Sex Pistols, Pete Townshend, Roger McGuinn, Jeff Tweedy, Willie Nile, Margo Price, and Sheryl Crow.Jeff has a new record out, The Last Day of Summer, featuring Dave Stewart, Duff McKagan, Earl Slick, as well as members of Paul Weller’s band and Noel Gallagher’s High Flying Birds. The album even boasts photos shot by famed rock photographer Bob Gruen.It was a real blast getting to know this side of Jeff’s life and work. He’s fun to spend time with and is someone who speaks his mind and who clearly cares. Check out Jeff’s music (links are in the show notes) and enjoy our talk.(The musical excerpts heard in the interview are from Jeff Slate’s album The Last Day of Summer)–Dig DeeperVisit Jeff Slate at jeffslatehq.comPurchase Jeff Slate’s album The Last Day of Summer on Qobuz or listen on your streaming platform of choiceFollow Jeff Slate on Instagram, Facebook, Twitter (X), and YouTubeJeff Slate visits Spotlight On in 2022James Honeyman-Scott: The Complete 1981 Pretenders InterviewBe sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On’s next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On bassist and vocalist Katie Ernst. In addition to many other things, Katie is one half of the duo Wayfaring with last week’s guest James Falzone.Katie is also co-leader of the Chicago-based jazz trio Twin Talk, and the indie rock band Edith Judith, and has garnered much acclaim for her Dorothy Parker poetry song cycle Little Words, which premiered at the Kennedy Center in Washington, DC.Katie is a working musician, performing as part of many jazz and improvised music ensembles in the Chicago area. She is also a committed educator, working with young musicians in her work as a teaching artist for the Jazz Institute of Chicago’s Jazz Masters Residency Program in Chicago Public Schools, and by serving on the faculty at Birch Creek Music Academy summer program.I was very fortunate to see Katie perform as part of Wayfaring earlier this year and even more fortunate to have this conversation. Enjoy.(The musical excerpts heard in the interview are from Twin Talk’s 2019 album Weaver and Wayfaring’s recent Intermezzo)–Dig DeeperVisit Katie Ernst at katieernst.comListen to music from Katie Ernst’s projects: Wayfaring, Twin Talk, and Edith JudithFollow Katie Ernst on Instagram, Facebook, and BandcampTwin Talk (website)Edith Judith – Bones And StructureKatie Ernst joins Iron & Wine on tourBe sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On’s next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines on clarinetist, penny whistle player, composer, improviser, and educator James Falzone.James and I have been collaborating on an upcoming live event, Improvisation in Music and Life, taking place on June 22 at the Royal Room in Seattle. This will be a unique program of performance and conversation between me and the five-piece James Falzone Division Ensemble. We will explore the nature of improvisation in music and how its principles can be useful in all aspects of life, not just for musicians. Tickets are available at theroyalroomseattle.com. We recorded this talk in person in a very special space at Cornish College, where James is both a Dean and Professor of Music. It was a thrill to consider that I passed through rooms where John Cage and Merce Cunningham likely met or spent time. James and I spoke for nearly two hours. His instinct to record in person on a Saturday in Seattle allowed us to go slow and let the conversation unfold. Enjoy! (The musical excerpts heard in the interview are from Six Artifacts, James Falcone’s new improvised collaboration with Lisa Cay Miller and Bonnie Whiting, as well as the song “Who Put the Blood” by Wayfaring)–Dig DeeperVisit James Falzone at allosmusica.orgPurchase music from James Falzone and Allos Documents on Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow James Falzone on Instagram, Facebook, and YouTubeSpotlight On: Improvisation in Music and Life with the James Falzone Division EnsembleBe sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon.• Check out Spotlight On’s next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines on jazz pianist, composer, and educator Francesco Crosara.Francesco was born and raised in Rome, Italy, where both jazz and classical music came into his life early on, particularly through his mother, the influential jazz singer, broadcaster, and educator Lilian Terry. Lilian presented many of the most important names in American jazz, and some—like Max Roach, Abbey Lincoln, Chick Corea, and Dizzy Gillespie—influenced young Francesco’s artistic growth.We spoke in early March, several weeks after Francesco’s recent album, Circular Motion, was released on Origin/OA2 Records. The record consists of all original material, including a revisiting of his compositions dating back over 40 years.It was a treat to sit across the table from Francesco, in person, and talk about music, pianists, and his work as an educator and mentor. Enjoy our talk.(all musical excerpts heard in the interview are taken from Francesco Crosara’s album Circular Motion)–Dig DeeperVisit Francesco Crosara at francescojazz.comPurchase Francesco Crosara’s Circular Motion from Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Francesco Crosara on Facebook, LinkedIn, and YouTubeMusic Discovery Center (MDC)Listen: Bill Anschell and Francesco Crosara Piano Duo | KNKXBe sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On’s next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On award-winning vocalist, composer, ethnomusicology researcher, and educator Kavita Shah.Kavita’s work sits at the intersection of modern jazz, new creative music, and world traditions. The impetus for her visit today was her 2023 tribute to African legend Cesária Évora, Cape Verdean Blues (2023). We discuss that music as well as her personal experiences as a lifelong New Yorker of Indian origin, her work as an advocate for gender and racial equity in the arts, and more.(all musical excerpts heard in the interview are taken from Kavita Shah’s album Cape Verdean Blues)–Dig DeeperVisit Kavita Shah at kavitashahmusic.comPurchase Cape Verdean Blues on Qobuz or Bandcamp, and listen on your favorite streaming platformFollow Kavita Shah on Instagram, Facebook, TikTok, Twitter (X), and YouTubeCheck out Folkalist Records at folkalistrecords.comMorna: on the trail of traditional music in the Cape Verde islandsOri-Gen Live Stream Rebroadcast | A Concert with Kavita ShahPermission to Daydream: A Conversation with Gwen Laster and Kavita ShahBe sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon.• Check out Spotlight On’s next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On legendary writer, vocalist and digital culture commentator, Ken Goffman, better known as R.U. Sirius.Most will know R.U. from his time as co-publisher and editor-in-chief of the 1990s cyberpunk magazine MONDO 2000. MONDO covered topics like transhumanism, virtual reality and smart drugs at a time when these things offered hope for a better or at least more interesting world, though the editorial tone always subversively poked at the soft white underbelly of technoculture. If Wired has become Kenny G, MONDO was Sun Ra, through and through.R.U. is author or coauthor of books including Counterculture Through the Ages: From Abraham to Acid House, Everybody Must Get Stoned: Rock Stars on Drugs, How to Mutate and Take Over the World, and nearly a dozen more.We covered a lot of ground, including but not only: online subcultures, societal repercussions of digital technologies, conspiracy theory, the shortcomings of transhumanism, post-scarcity philosophy, the limitations of irony, and a ton more. Music is a big part of the R.U. experience, as you will hear in our talk. He’s been a lyricist and composer for projects including Phriendz, Party Dogs and Mondo Vanilli. R.U.’s various works have served as a guidepost for me since I was a much younger man. It was a special treat to connect with him now, in this time of reckoning with what the digital and internet revolution has wrought, to talk about the state of life and affairs.(all musical excerpts heard in the interview are taken from R.U. Sirius’s Infinite Gesture (A Work in Progress)) –Dig DeeperVisit R.U. Sirius on his Bandcamp page and mondo2000.comFollow R.U. Sirius on Instagram, Twitter (X), Facebook, and LinkedInBe sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On’s next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On returning guest, the innovative musician and composer Markus Reuter.Markus originally joined us for Episode 130 back in November 2022. He joins us now to discuss his project Sea of Hopeless Angels (Unsung Records), which began as several unedited studio solo improvisations by Markus on his electric touch guitar. Those recordings were turned over to mixer Stefano Castagna, whose sonic wizardry included not only mixing but fully collaborating with the recordings, adding new sounds and instruments as inspiration struck, including his own voice, various samples, bass, synthesizers, and other electronics.There are other inspirations at work in this project, but we will leave those to be revealed in the course of our discussion. It is important to mention the final collaborator for Sea of Hopeless Angels, though, and that is Aldo Grazzi, an Italian painter and video artist, who, back in the early 1980s, made visual experimentations interfacing a video camera with a cathode ray TV screen. The resulting video retains every imperfection of what was then state-of-the-art technology. All of the pieces on Sea of Hopeless Angels feature video accompaniment drawn from these videos, which are in the Grazzi archives, with two of them also accompanied by studio footage of Markus’ original performances.(all musical excerpts heard in the interview are taken from Markus Reuter and Stefano Castagna's album Sea of Hopeless Angels) -- Dig DeeperVisit Markus Reuter at markusreuter.comDownload Sea of Hopeless Angels on Qobuz or Bandcamp, and listen on your streaming platform of choice.Follow Markus Reuter on Instagram, Facebook, and YouTubeSea of Hopeless Angels visuals + videosBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com-- • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Berlin-based electronic music composer and performer Hainbach.I have come to view Hainbach as much an archeologist or audio specimen collector as he is a musician. While he makes beautiful music and soundscapes, they are often showcase pieces for the devices he works on, which include not only vintage and rare modular synthesizers but also tape machines, test equipment, and other industrial machinery. A particular highlight of his work is his YouTube channel, where Hainbach brings experimental music techniques and the history of electronic music to a wider audience, frequently displaying how he gets usable sounds from these forgotten devices. We have included a link to that in the show notes.He is a fun and creative human, someone I am grateful to have spent some time with.(all musical excerpts heard in the interview are taken from Hainbach's The One Who Runs Away Is the Ghost soundtrack) -- Dig DeeperVisit Hainbach at hainbachmusik.com and on his excellent YouTube ChannelPurchase Hainbach's music on Qobuz or Bandcamp, and listen on your favorite streaming platformFollow Hainbach on Patreon, Instagram, Facebook, TikTok, and Twitter (X)Meet the German Producer Making Music With Salvaged Nuclear Lab EquipmentBe sure to check out this episode's complete show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On saxophonist/composer Kevin Sun.Kevin joined us to discuss, among other things, his dramatic double album from 2023, The Depths of Memory, which was released in two halves: From All This Stillness in July of that year and The Depths in Slow Motion in October of that year.Kevin’s an intense yet accessible player and composer—and a true working musician. He leads an ensemble most Tuesday nights at Lowlands Bar and appears regularly at Bar Bayeux and Ornithology, all three in Brooklyn, NY.In the time since we recorded this talk back in January, Kevin has released a new record, a live one, recorded at Lowlands. Fate of the Tenor has him leading a trio which, to my ears, gives more than a passing nod to Joe Henderson’s great 1985 live trio recordings with Ron Carter and Al Foster, State of the Tenor. Even the cover art seems a bit of an homage. The saxophone trio is one of my favorite configurations, and Kevin’s new record is a terrific contribution to the canon.(all musical excerpts heard in the interview are taken from Kevin Sun's double album The Depths of Memory) -- Dig DeeperVisit Kevin Sun on kevinsun.comPurchase Kevin Sun's music on Qobuz and Bandcamp, or listen on your favorite streaming platformFollow Kevin Sun on Instagram, Facebook, Twitter (X), and YouTubeFifteen Questions with Kevin SunKevin Sun Quintet plays Ryuichi Sakamoto's "Riot In Lagos" at LowlandsBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Will Barnes, leader of the Will Barnes Quartet, who joins me to talk about his life in music and, specifically, his ongoing collaboration with landscape artist Erin Hughes.Their first album together, Source of the Severn, is a 21st-century take on classic bebop-era sounds. Erin’s nine original works of art respond to Will and the Quartet’s music, using her own hand-marbled papers as a palette to create collages that evoke the Mid-Wales landscape in which the participants all dwell.The Will Barnes Quartet, featuring Erin Hughes, will tour throughout the year. At each performance, Erin will provide a special live visual show, leading to unique interactions between her, the band, and the audience.(all musical excerpts heard in the interview are taken from the album Source of the Severn by the Will Barnes Quartet) -- Dig DeeperVisit Will Barnes and the Will Barnes Quartet at willbarnesmusic.co.ukVisit Erin Hughes and check out her artwork at erinlaurahughes.comPurchase Source of the Severn by the Will Barnes Quartet on Bandcamp or Qobuz, or listen on your streaming platform of choiceFollow Will Barnes on Instagram, Facebook, and YouTubeFollow artist Erin Hughes on InstagramRob Williams — Truly Inspiring Hand Crafted Guitars and BassesBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On in a much different way than usual, as I am turning the microphone over to guest host Miriam Boulos.Miriam has been a guest contributor to Bonus Tracks, the official blog of Spotlight On, since August 2023. Miriam publishes with us frequently, and her work has included interviews with and essays about a diverse array of artists like James Walsh of Starsailor, Chappell Roan, Fuera, Ella More, Chagall, and most recently PEPTALK. As an international contributor, MIriam consistently broadens our view and uncovers new voices for us. Even more importantly, she is shining the spotlight on gender inclusivity and other forms of diversity that we are very grateful for. It has been a privilege to share our platform with her.Miriam is joined in conversation for this episode by Swedish alt-pop artist Lucky Lo. This bit about the artist, quoted from her bio, gives a glimpse of what to expect in their talk: “Lucky Lo unites people through her music by shedding light on the dark side of existence and turning trauma into triumph.” As a mission statement, it’s pretty strong.Enjoy MIriam Boulos's conversation with Lucky Lo.(all musical excerpts heard in the interview are taken from Lucky Lo's album The Big Feel) -- Dig DeeperVisit and learn more about Lucky Lo at luckylo.netLIsten to Lucky Lo's latest album, The Big Feel, released by TAMBOURHINOCEROS, on Bandcamp or your favorite steaming platformFollow Lucky Lo on Instagram, Facebook, TikTok, and YouTubeFollow MIriam Boulos on Instagram-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On the Belfast, Ireland, band Chalk.Chalk is Ross Cullen on vocals, Ben Goddard on guitar, and Luke Niblock on drums. They cook up a pretty stunning racket with a unique sound that is nonetheless recognizable in its post-punk, dance, and industrial lineages. If that makes sense to you, you will love Chalk. If it does not, give them a listen. Chances are you will dig what they do.This is the second of two episodes I recorded on-site, in my hotel room/recording studio, at the SXSW Conference and Festival in Austin, Texas.The recording took place two days after Chalk pulled out of SXSW to protest the festival’s commercial alignment with the US Army and multiple weapons manufacturers, one of at least ten Irish artists to do so.The band opened up about their process and development in this great discussion. Enjoy.(all musical excerpts heard in the interview are taken from Chalk's new EP, Conditions II) -- Dig DeeperListen to Chalk's latest EP, Conditions II, on Bandcamp or your streaming platform of choiceFollow Chalk on Instagram, Facebook, Twitter (X), and YouTubeWatch Chalk play live on KEXPIrish Bands Cancel SXSW Concerts Over Arms Companies and US Army SponsorshipSXSW Protest is About More than PalestineChris W. Ryan — Producer / Musician / ComposerMeet Chalk, the Belfast experimentalists making ‘trauma techno’-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Chinese-Malaysian Australian artist, musician and creative producer, Sui Zhen.This is the first of two episodes I recorded on-site at the SXSW Conference and Festival in Austin, Texas.This year’s edition of South By Southwest has been the subject of controversy related to event’s work with the US Army and several weapons manufacturers as sponsors for various programming segments throughout, and the reactions — including withdrawals from and boycotts of the event — by artists.Sui Zhen spoke in both personal and general ways about the different options available to artists. She discussed who the protests help and harm and how, as an artist visiting through an arts visa, she had binding commitments tied to her participation in the festival. There is also a case for artists to use SXSW’s platform to stay engaged and present their points of view.This was not why Sui Zhen joined us. We got together to talk about her compelling new work, the 13-minute piece “Sleepless.” To quote from the artist’s website, “Sleepless” is “‘about grief and persevering through it… first conceived in 2018, as a stream-of-consciousness response to her mother’s passing. The catharsis of musical improvisation served as a refuge, a way to navigate the fog of sleepless nights and immense pain. The track has evolved gradually, transforming through reiteration and further losses… the piece stretches out like a horizon, more a landscape than a song, mirroring the way grief warps our perception of time.”We did get to discuss her work, though not to the extent intended. But we agreed that we had the conversation that needed to be had. Enjoy.(all musical excerpts heard in the interview are taken from Sui Zhen's latest single, "Sleepless")--Dig DeeperVisit Sui Zhen at suizhen.com.auListen to Sui Zhen's latest release, "Sleepless," on Bandcamp or on your streaming platform of choiceFollow Sui Zhen on Instagram, Facebook, SoundCloud, and YouTubeSee Sui Zhen's Instagram statement on on SXSWBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com--• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On musician and songwriter Nicholas Dembling, aka Nic North, aka Nic West, of seminal New York CIty New Wave Pop band, Comateens.The New York that birthed Comateens was in the midst of a particularly vibrant musical moment. There was new music everywhere. Jazz cats were staging loft concerts in pre-glitz SOHO. The punks and no wavers were holding court on the Lower East Side. Philip Glass and the minimalists were premiering new works and way up in the Bronx, hip hop was coming on strong.Nic was working at New York’s MediaSound recording studio where he and co-worker Ramona Lee Jan began to write songs together. With necessity as the mother of invention, Nic and Ramona began to play gigs with only a bass, a guitar and an electronic rhythm box, so that the band and its equipment could fit into one New York City taxi cab. This self-imposed constraint led to the original Comateens, a concept shared by Alan Vega and Martin Rev, who were doing something with a similar lineup with their duo, Suicide.Nic takes us through both his and Comateens musical upbringing and development, as well as how he is documenting and preserving the band’s legacy.(the musical excerpts heard in the interview are taken from the Comateen's reissued 1979 single "Danger Zone"/"Elizabeth's Lover") -- Dig DeeperCheck out the exhaustive Comateens archive at comateens.comListen to the Comateens' 1979 single "Danger Zone"/"Elizabeth's Lover" on BandcampFollow Comateens on Facebook, Instagram, Twitter (X), and YouTubeRamona Jan & Nic North Reflect on Their Life and Times as Synth-Punk Band ComateensNew Wave Central: CBGBs And The Birth Of New York PunkGoFundMe for Romona JanDon't miss this episode's extensive show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On drummer, composer, and improviser Phil Haynes.Phil published a unique memoir last November, which includes not only his reflections on a life in and of music but also stands as an important document of nearly 40 years of music in New York City and beyond.Phil delivers plenty of inside observations of his work with figures like Lee Konitz, Anthony Braxton, Dave Liebman, and Paul Smoker, as well as his own poetry, musical analysis, philosophical musings, and lessons learned along the way.It’s a charming book, and Phil has created a towering body of musical work. This conversation is classic Spotlight On, with an engaged, sincere guest. Listen to our talk and then get yourself a copy of Chasing the Masters: First Takes of a Modernist Drumming Artist.(all musical excerpts heard in the interview are taken from Phil Haynes's 62-track retrospective, A Life Improvised - Chasing The Masters) -- Dig DeeperVisit Phil Haynes at philhaynes.com, Bandcamp, and FacebookLearn more about Phil Haynes' memoir Chasing The Masters at chasingthemasters.com and purchase the book from AmazonHerb RobertsonPaul SmokerLee Konitz on Spontaneity, Originality, Drugs & Playing SharpEllery EskelinEllery Eskelin, Paul Smoker, Drew Gress, Phil Haynes - Joint Venture4 Horns and What?Brooklyn Academy Finds Room for the Outsiders of JazzBe sure to peruse the rest of this episode's extensive show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Dave Wish, founder and Chief Vision Officer for Music Will. This nonprofit organization funds and runs one of the largest instrumental and vocal music programs in US public schools.Dave, a former Palo Alto, California school teacher, launched Music Will due to frustration with the lack of music programming in his school. He started by borrowing instruments from friends and hitting area flea markets for deals. From there, he began offering free guitar lessons after school using popular music—the actual music his students wanted to play. What started out as an informal effort to provide musical education to his students has become the largest nonprofit music program in the U.S. public school system. Music Will has taught over a million and a half students how to play music. To hear the story in detail, as you will, is amazing.Dave’s enthusiasm for his cause is infectious, and we are very happy to bring Music Will to the attention of our listeners.-- Dig DeeperVisit Music Will and learn more at musicwill.orgFollow Music Will on Instagram, Facebook, Twitter, LinkedIn, TikTok, and YouTubeBabyface Brings Music Education To 20 Indianapolis Schools With Nonprofit Music WillTom Morello brings his ‘school of rock’ to Van Nuys High SchoolPhoebe Bridgers Re-Releases “Waiting Room” for CharityBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On musician and producer Daniel Ögren.Daniel is one of the artists propelling Sweden’s contemporary new music scene. He has an extensive body of work as a solo artist and as a member of Sven Wunder, The Greys, and, most notably, Dina Ögon. He also works as a producer and musician for other artists.Daniel joined us upon the release of his album Fastingen-92 on the Mr Bongo label. The record “draws from Daniels's love of South American folk music, soul, Nordic folk music and film soundtracks, resulting in something unique, dreamlike and transformational.”It is a terrific record, very much worth a listen, as is our talk with Daniel. Enjoy.(all musical excerpts heard in the interview are taken from Daniel Ögren's album Fastingen-92) -- Dig DeeperListen to Daniel Ögren's Fastingen-92 on Bandcamp or your favorite streaming platformFollow Daniel Ögren on Instagram, Facebook, and YouTubeAnd be sure to check out the other projects Daniel is a part of: Dina Ögon, Sven Wunder, and The GreysDigging Deeper: An Interview with Daniel ÖgrenThe Essential Pat MethenyEvolution of Swedish Folk MusicFifteen Questions Interview with Daniel ÖgrenBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Mareike Wiening.Mareike is a drummer and composer who joined us on the occasion of the release of her third record as bandleader, Reveal, out on Greenleaf Music. Featuring her long-time group: tenor saxophonist Rich Perry, pianist Glenn Zaleski, guitarist Alex Goodman, and bassist Johannes Felscher, the band is joined on three tracks by trumpeter and Greenleaf founder Dave Douglas.After several years in New York City, Mareike is now based in Cologne, in her native Germany, where she has observed and been personally impacted by the upheavals — personal and global — in the world today. Reveal is not an album of despair. Instead, the music channels hope, joy, and connection, with an uncommon sensitivity amongst the players in the group.Marieke studied jazz drums in Mannheim, Copenhagen, and New York City. In addition to her performing and recording work, she is a jazz drum instructor at the Zurich University of the Arts.Please enjoy our talk and the album Reveal, which is linked to this episode in the show notes.(all musical excerpts heard in the interview are taken from Mareike Wiening's album Reveal.) -- Dig DeeperListen to Mareike Wiening's Reveal on Bandcamp or your streaming platform of choiceVisit Mareike Wiening online at mareikewiening.comFollow Mareike Wiening on Instagram, Facebook, Twitter (X), and YouTubeMareike Wiening about Drumming, Doubts, and the Disappearance of EducationMareike Wiening - "The Girl By The Window" (live video version 1)Mareike Wiening - "The Girl By The Window" (live video version 2)Be sure to peruse this episode's extensive show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On music impresario Jonathan Shank, the CEO and Founder of Terrapin Station Entertainment.Jonathan is known for his instincts and successes in sniffing out unique opportunities in under-served spaces in the live entertainment industry, creating business successes in categories and markets often overlooked by the large corporations that dominate so much of the entertainment sector today.Jonathan has developed projects for names as disparate as the Bob Marley Estate, Mickey Hart of the Grateful Dead, and multiple family entertainment properties: Disney Junior Dance Party On Tour, Peppa Pig Live!, and The Fresh Beat Band Live - all while generating more than $80 million in gross box office sales.Jonathan earned a Grammy Award in 2009 for his role in creating the groundbreaking album Global Drum Project with Mickey Hart and in 2020, he received the T.J. Martell Trailblazer Award for his work producing such charity events as The Homeward Bound Concert and A Tribute to the Music of Linda Ronstadt.Jonathan has had a fascinating run so far, and by the end of this talk, you will see that he’s just getting started.------------------Dig DeeperBe sure to check out Terrapin Station Entertainment at terrapinent.comFollow Terrapin Station Entertainment on Instagram, LinkedIn, and YouTubeQ’s With Jonathan Shank: On Terrapin Station’s Legacy Of IntelligenceHow Jam Bands inspired Terrapin Station Entertainment's Jonathan ShankBob Marley One Love Experience at the Saatchi GalleryThe Future Of Immersive Entertainment Is Now – The Sphere Experience Has BegunBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On multi-instrumentalist, composer, educator, and performer Brendan Grey of the Canadian hip-hop group Super Duty Tough Work.In addition to his duties as MC, drummer, and band leader, Brendan has become a sought-after performance, session, and touring drummer.We spoke back in the autumn of 2023 for a conversation that still sticks with me. I look forward to hearing what you think.(all musical excerpts heard in the interview are taken from the album Paradigm Shift by Super Duty Tough Work) ------------------Dig DeeperVisit Super Duty Tough Work at sdtw.caListen to Super Duty Tough Work's Paradigm Shift on Bandcamp or your streaming platform of choiceFollow Super Duty Tough Work on Facebook, Instagram, and YouTubeHip-hop group Super Duty Tough Work is keeping its grind aliveWinnipeg State of Mind – Top 100 Winnipeg Hip-Hop SongsSuper Duty Tough Work Nominated for Polaris PrizeS N A K E S & L A D D E R S - S L E E P I N G G I A N T S [2014]Style WarsThe Importance Of The Message by Grandmaster Flash & The Furious FiveWinterruption At Home 2021 featuring Super Duty Tough WorkBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On the innovative pedal steel guitar player Susan Alcorn.While Susan got her start playing in country & western bands in Texas, she has taken the pedal steel into new and uncharted territories, exploring 20th-century classical music, improvisational jazz, and various world musics.On her latest project, CANTO, Susan explored Chilean folk music and nueva canción, which translates as “new song” and refers to an intertwined musical and leftist social movement so important to the pro-Democracy organizations throughout Latin America over the last 50 years or more.Released back in November 2023 on Relative Pitch Records, CANTO features Alcorn’s Septeto del Sur, a new ensemble featuring a cross-generational group of musicians versed in folk and improvisational traditions.(all musical excerpts heard in the interview are taken from the album CANTO by Susan Alcorn and Septeto del Sur) ------------------Dig DeeperListen to CANTO by Susan Alcorn and Septeto del Sur on Bandcamp or your streaming platform of choiceVisit Susan Alcorn at susanalcorn.net and on Instagram and BandcampMourning and Hope: A Conversation with Susan AlcornA Brief History of the Nueva Canción MovementLa Nueva Canción: The New Song Movement in South AmericaSusan Alcorn Live at The Orange Show Monument - April 23, 2022Be sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Grammy-winning pianist and composer Kris Davis.Kris joined us in the wake of the September 2023 release of her album Live at the Village Vanguard, out on her own Pyroclastic Records label.Live at the Village Vanguard is the second release from her band Diatom Ribbons, an adventurous quintet featuring drummer Terri Lyne Carrington, turntablist and electronic musician Val Jeanty, bassist Trevor Dunn – and new addition guitarist Julian Lage.In addition to talking about that band and album, Kris guides us through her musical path and development while hipping us to her important work at the Berklee Institute of Jazz and Gender Justice.(all musical excerpts heard in the interview are taken from Live at the Village Vanguard by Kris Davis and Diatom Ribbons)------------------Dig DeeperListen to Live at the Village Vanguard by Kris Davis and Diatom Ribbons on Bandcamp or your streaming platform of choiceVisit Kris Davis at krisdavis.netVisit Pyroclastic Records at pyroclasticrecords.comFollow Kris Davis on Instagram, Facebook, and Twitter (X) and Pyroclastic Records on Instagram, Facebook, and Twitter (X).Kris Davis Is A Powerhouse and A PolymathKris Davis, a Pianist Fighting for Fringe MusicBerklee Institute of Jazz and Gender JusticeBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On pianist and composer Angelica Sanchez, who joined us late last year to discuss her latest record, Nighttime Creatures, out on Pyroclastic Records.Since moving to New York from Arizona in 1994, Angelica has collaborated with artists including Wadada Leo Smith, Paul Motian, Richard Davis, Tim Berne, Ben Monder, and many others.On Nighttime Creatures, Angelica leads a nonet through material she composed while living in a secluded cabin in Upstate New York. There, she was inspired by the sights, sounds, and, yes, creatures of the nocturnal environment surrounding her.Angelica has been recognized with awards, grants, and fellowships that honor her creativity. She is also an assistant professor at Bard College.And now, she is a guest of Spotlight On.(all musical excerpts heard in the interview are taken from the album Nighttime Creatures by The Angelica Sanchez Nonet) ------------------Dig DeeperListen to Nighttime Creatures by The Angelica Sanchez Nonet on Bandcamp or your streaming platform of choiceVisit Angelica Sanchez at angelicasanchez.comFollow Angelica Sanchez on Facebook, Instagram, and YouTubeComposer Angelica Sanchez takes inspiration from the sound of the woods at nightA Toy Piano Played Like A Grand, BabyBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On composer, improviser, and master percussionist Adam Rudolph.A global performer - and global citizen - Adam has been called "a pioneer in world music" by the New York Times. With dozens of recordings to his credit, he joined us upon the release of Timeless from his percussion group, Hu: Vibrational, on his own Meta Records.Adam has worked with artists including Don Cherry, Jon Hassell, Sam Rivers, Pharaoh Sanders, and many others but had a particularly extensive collaboration with Yusef Lateef over many years, releases, and ensemble configurations.Adam and I connected immediately and had a terrific conversation, which I am ever-so-pleased to share with you. Enjoy.(all musical excerpts heard in the interview are taken from Hu: Vibrational's latest album, Timeless)------------------Dig DeeperCheck out Hu: Vibrational's Timeless on Bandcamp or your streaming platform of choiceFind out more about Adam Rudolph on his homepage, Discogs, and YouTubeVisit Adam's label, Meta Records, on Bandcamp, Facebook, or metarecords.comOrder Adam Rudolph's book Sonic Elements: Matrices, Cosmograms, and Ostinatos of Circularity from BandcampFor Adam Rudolph, Collaboration is CommunicationBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On trumpet virtuoso and international superstar Ibrahim Maalouf.Ibrahim is exactly the type of artist we love hosting - sensitive, open and unwilling to be limited by genre or expectations. His work mixes jazz, pop, classical, electronic, Middle Eastern, and African influences into a cosmopolitan sound all his own.Ibrahim and his family fled the civil war in Beirut when he was still a child, settling in France, where his musical education and accomplishments took flight. In addition to winning prestigious international competitions and working with the likes of Wynton Marsalis, Jon Batiste, Josh Groban, and Sting, Ibrahim is currently enjoying his second Grammy nomination in the “Best Global Music Performance” category for his song “Todos Colores” from his 2022 full-length, Capacity to Love.Ibrahim will be touring throughout France and North America in 2024. To stay on top of all he gets up to, you can check out his website through a link in our show notes.Happy and safe New Year to you and yours. Thank you for all of your support in 2023. See you next year!(all musical excerpts heard in the interview are taken from the Ibrahim Maalouf's latest album, Capacity to Love)------------------Dig DeeperVisit Ibrahim Maalouf at ibrahimmaalouf.comFollow Ibrahim Maalouf on Instagram and FacebookListen to Ibrahim Maalouf's Capacity to Love on your favorite streaming platformThe Four-Valve Trumpeter Who Uses Sharon Stone and Charlie Chaplin to Make JazzMaalouf Masters of the Quarter-Tone TrumpetIbrahim Maalouf - Yves Saint Laurent (Original Motion Picture Soundtrack)Ibrahim Maalouf concert datesBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.