On this episode I spoke to Dr. Susie Porter, Professor in History and in Gender Studies at the University of Utah. She is the author Working Women in Mexico City: Public Discourses and Material Conditions, 1879-1931 published in 2003, and in today's podcast we will be talking about her more recent book From Angel to Office Worker: Middle-Class Identity and Female Consciousness in Mexico, 1890–1950, which is part of The Mexican Experience Series of the University of Nebraska Press. In late nineteenth-century Mexico a woman’s presence in the home was a marker of middle-class identity. However, as economic conditions declined during the Mexican Revolution and jobs traditionally held by women disappeared, a growing number of women began to look for work outside the domestic sphere. As these “angels of the home” began to take office jobs, middle-class identity became more porous. To understand how office workers shaped middle-class identities in Mexico, From Angel to Office Worker examines the material conditions of women’s work and analyzes how women themselves reconfigured public debates over their employment. At the heart of the women’s movement was a labor movement led by secretaries and office workers whose demands included respect for seniority, equal pay for equal work, and resources to support working mothers, both married and unmarried. Office workers also developed a critique of gender inequality and sexual exploitation both within and outside the workplace. From Angel to Office Worker is a major contribution to modern Mexican history as historians begin to ask new questions about the relationships between labor, politics, and the cultural and public spheres. Your host, Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. Editor New Books Network en español. Edita CEO. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Female Monasticism in Medieval Ireland: An Archaeology (Cork UP, 2021), Dr. Tracy Collins writes the first archaeological investigation into female monasticism in medieval Ireland, primarily from the twelfth to sixteenth centuries. Weaving in early medieval evidence, textual sources, and examples from Britain and the continent, new considerations are given to the archaeology, architecture, and landscape through the lens of gender. Introducing her results from her recent surveys and excavation, she reveals the fluidity and diversity of female religious communities in Ireland. Debunking stereotypes such as strict enclosure and uniformity, Collins provides a glimpse into the lives of medieval female religious and their connections locally as well as within Ireland and Europe. Dr. Tracy Collins was a co-founder of Aegis Archaeology Limited and currently work as a state archaeologist with the National Monuments Service in Ireland. She is also co-editor of the upcoming Brides of Christ: Women and monasticism in medieval and early modern Ireland (Dublin: Four Courts Press, 2022). Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who recently graduated with her PhD in History from the University of Liverpool. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elora Shehabuddin’s new book Sisters in the Mirror: A History of Muslim Women and the Global Politics of Feminism (University of California Press, 2021), traces the genealogy of the representation of Muslim women, and especially Bengali women, from colonial contexts to the contemporary moment. Weaving a rich analysis using diverse historical archives, the study highlights how notions of feminism did not develop in isolation, especially between the Anglo-Western world and South Asia but rather in tandem, as a result of entangled political realities, such as colonialism, partition, post-partition and the war on terror.  Sisters in the Mirror then tells a feminist story about how the changing global and local power disparities-between Europeans and Bengalis, between Muslims and non-Muslims, between Muslim feminists and Western feminists have shaped ideas about change in women's lives and also the resistance and activism that have unfolded as a result. In the postcolonial contemporary reality, which contains further economic and social imbalances, Muslim advocates for women's rights are forced to define their agendas, stories, and voices in the shadow of Western imperial and economic power. The powerful stories highlighted in this book capture that complex terrain in which justice and equality are fought for while emphasizing that no community or culture has a monopoly on how to define these concepts. This book will be of incredible interest and value to those who think and write on South Asia, feminism, and gender, especially Islamic and Muslim feminism. Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoices

When France fell to Hitler's armies in June 1940, a flood of refugees fleeing Nazi terror quickly overwhelmed Europe's borders and spilled across the Mediterranean to North Africa, touching off a humanitarian crisis of dizzying proportions. Nelly Benatar, a highly regarded Casablancan Jewish lawyer, quickly claimed a role of rescuer and almost single-handedly organized a sweeping program of wartime refugee relief. But for all her remarkable achievements, Benatar's story has never been told. In Years of Glory: Nelly Benatar and the Pursuit of Justice in Wartime North Africa (Stanford UP, 2021), Susan Gilson Miller introduces readers to a woman who fought injustice as an anti-Fascist resistant, advocate for refugee rights, liberator of Vichy-run forced labor camps, and legal counselor to hundreds of Holocaust survivors. Miller crafts a gripping biography that spins a tale like a Hollywood thriller, yet finds its truth in archives gathered across Europe, North Africa, Israel, and the United States and from Benatar's personal collection of eighteen thousand documents now housed in the US Holocaust Museum. Years of Glory offers a rich narrative and a deeper understanding of the complex currents that shaped Jewish, North African, and world history over the course of the Second World War. The traumas of genocide, the struggle for anti-colonial liberation, and the eventual Jewish exodus from Arab lands all take on new meaning when reflected through the interstices of Benatar's life. A courageous woman with a deep moral conscience and an iron will, Nelly Benatar helped to lay the groundwork for crucial postwar efforts to build a better world over Europe's ashes. Avery Weinman is a PhD student in History at the University of California, Los Angeles. She researches Jewish history in the modern Middle East and North Africa, with emphasis on Sephardi and Mizrahi radicals in British Mandatory Palestine. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the morning of July 1, 1800, a surveyor and mapmaker named Cayetano Díaz opened the window of his study in Guatemala City to find a horrific sight: a pair of severed breasts. Offering a meticulously researched and evocative account of the quest to find the perpetrator and understand the motives behind such a brutal act, this volume pinpoints the sensational crime as a watershed moment in Guatemalan history that radically changed the nature of justice and the established social order. In The Woman on the Windowsill: A Tale of Mystery in Several Parts (Yale UP, 2020), Sylvia Sellers-García reveals how this bizarre and macabre event spurred an increased attention to crime that resulted in more forceful policing and reflected important policy decisions not only in Guatemala but across Latin America. This fascinating book is both an engaging criminal case study and a broader consideration of the forces shaping Guatemala City at the brink of the modern era. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices

In February, 1853, Augustus De Morgan, Professor of Mathematics at University College London, drew the last of a series of diagrams illustrating logical syllogisms. A the center roof this one was a face, writes Joan L. Richards, of “a calmly alert being… For [De Morgan] this image of the human and the divine meeting in logical space was…an expression of his aspiration to find…a map of reason that encompassed both the human and divine mind.” De Morgan was one of a series of fascinating people whose family experience, and intellectual and spiritual lives, are chronicled by Richards in her book Generations of Reason: A Family Search for Meaning in Post-Newtonian England (Yale UP, 2021). She describes an all-encompassing pursuit of reason that takes readers into all of the chief events in English cultural and political history, as well as into some rather more obscure corners. Joan L. Richards is emeritus professor of history at Brown University, where she served as director of the Program of Sciences, Society, and Technology. Al Zambone is the host of the excellent podcast "Historically Thinking," where this episode first appeared.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Laywoman Project: Remaking Catholic Womanhood in the Vatican II Era (UNC Press, 2020), Mary J. Henold considers how these committed parishioners experienced their religion in the wake of Vatican II (1962-1965). This era saw major changes within the heavily patriarchal religious faith--at the same time as an American feminist revolution caught fire. Who was the Catholic woman for a new era? Henold uncovers a vast archive of writing, both intimate and public-facing, by hundreds of rank-and-file American laywomen active in national laywomen’s groups, including the National Council of Catholic Women, the Catholic Daughters of America, and the Daughters of Isabella. These records evoke a formative period when laywomen played publicly with a surprising variety of ideas about their own position in the Catholic Church. While marginalized near the bottom of the church hierarchy, laywomen quietly but purposefully engaged both their religious and gender roles as changing circumstances called them into question. Some eventually chose feminism while others rejected it, but most, Henold says, crafted a middle position: even conservative, nonfeminist laywomen came to reject the idea that the church could adapt to the modern world while keeping women’s status frozen in amber. Allison Isidore is an Instructor of Record for the Religious Studies department at the University of Alabama. Her research interest is focused on the twentieth-century American Civil Rights Movement and the Catholic Church’s response to racism and the participation of Catholic clergy, nuns, and laypeople in marches, sit-ins, and kneel-ins during the 1950s and 1960s. Allison is also a Video Editor for The Religious Studies Project, producing videos for the podcast and marketing team. She tweets from @AllisonIsidore1. Learn more about your ad choices. Visit megaphone.fm/adchoices

Erin Jessee of the University of Glasgow, with her Rwandan co-author Jerome Irankunda, and illustrator Christian Mugarura, and translator Sylvere Mwizerwa have published a graphic novel titled Nyiragitwa (Mudacumura Publishing House, 2021). It tells the story of Nyiragitwa, a Rwandan woman who is thought to have lived in the 17th century. The first in a series of graphic novels about Rwandans living in the pre-colonial era, Nyiragitwa provides insight into how Rwandan women might have lived and contributed to their communities in the past. The story is based on the oral histories of Jan Vansina, of the University of Wisconsin, in the 1950s and 1960s. Nyiragitwa’s life history was shared with Vansina by a Rwandan elder named Ndamyumugabe. Erin and I had a wide-ranging conversation about publishing for Rwandans, the absence of women in Rwanda’s pre-colonial history and the value of collaborative work. Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of producing academic knowledge about African places and people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Want to read a fantastic book about art, love, politics, and resistance during the Second World War? Jeffrey H. Jackson's Paper Bullets: Two Artists Who Risked Their Lives to Defy the Nazis (Algonquin Books, 2020) is a riveting account of the lives of Lucy Schwob/Claude Cahun) and Suzanne Malherbe/Marcel Moore, two French artists whose remarkable creative and romantic relationship spanned many tumultuous decades. The story of their love and work activates important themes and questions regarding the histories of art, gender, sexuality, the avant-garde, Jewishness, and more during this period of French and European history. Offering readers fresh perspective on the deep connection that Lucy/Claude and Suzanne/Marcel shared, the book is focused on the period from the late-1930s through the end of the Second World War when the pair lived together on the German-Occupied island of Jersey in the English Channel. Drawing on extensive research in archives hitherto been neglected by other scholars, Paper Bullets tells the fascinating story of the ways Lucy and Suzanne challenged German authority through a secret campaign of "paper bullets," notes and other tokens they left for German soldiers to find in unexpected places--a church collection box, the windshield of a car, a coat pocket, etc. These missives posed questions, made jokes, expressed resistance, and eventually got the two arrested, tried, and sentenced to death (the sentence was appealed just before the end of the war). Exciting and inspiring, this history will be compelling to readers across multiple fields and interests. I just couldn't put it down and was delighted to have this chance to speak to its author. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email ([email protected]). Learn more about your ad choices. Visit megaphone.fm/adchoices

Midori Yamamura’s Yayoi Kusama: Inventing the Singular (MIT Press, 2015) is an in-depth examination of the famed artist’s early years in Japan and the United States. Based on extensive research in Kusama’s archives as well as interviews with Kusama herself, Inventing the Singular both tracks the evolution of Kusama’s artistic practice and maps the artistic, social, and political contexts in which Kusama developed as an artist. The result is as much an analysis of the development of a globalized art world after the end of World War II as a study of one artist, however influential. The book begins with Kusama’s childhood in Japan before following her integration into artist groups, styles, and themes with a steadily more international focus. Yamamura’s careful scholarship seizes on connections to movements as diverse as Surrealism, Pop Art, and the Dutch Nul group to show how art dealers’ nascent control of the global art market encouraged the careers of white male artists at the expense of artists such as Kusama. Yamamura’s highlighting of the context in which Kusama’s career was established brings into stark relief just how striking the artist’s many achievements are. The book further shows how a variety of artists from around the world responded to the post-World War II end of their fascist governments by experimenting in similar ways and questioning the role of art in society. Inventing the Singular is the first book-length treatment of Kusama’s oeuvre in English outside of exhibit catalogues, an opportunity that Yamamura exploits to cross continents and art movements in a virtuosic analysis of the post-WWII art world. Amanda Kennell is a scholar of modern Japanese media who works on digital and public humanities projects. I'm currently finishing up a book about Japanese adaptations of Lewis Carroll's Alice in Wonderland novels as an Assistant Teaching Professor of International Studies at North Carolina State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kirsten Williams Lawson used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten is the author of the picture book released several months back, A TRUE WONDER: The Comic Book Hero Who Changed Everything, illustrated by Katy Wu (Clarion, 2021). She is also author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), and THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle, 2023), and the middle grade, graphic nonfiction, THE LIGHT OF RESISTANCE, illustrated by Barbara McClintock, (Roaring Brook, 2023). Kirsten lives near Los Angeles with her husband, lhasa-poo, and two curious kids. Her house is filled with LEGOs, laughter, and lots of books! Mel Rosenberg is a professor of microbiology (Tel Aviv University, emeritus) who fell in love with children's books as a small child and now writes his own. He is also the founder of Ourboox, a web platform that allows anyone to create and share awesome flipbooks. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kristin Waters' book Maria W. Stewart and the Roots of Black Political Thought (U Mississippi Press, 2021) tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston’s Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination. Between 1831 and 1833, Stewart’s intellectual productions, as she called them, ranged across topics from true emancipation for African Americans, the Black convention movement, the hypocrisy of white Christianity, Black liberation theology, and gender inequity. Along with Walker’s Appeal to the Coloured Citizens of the World, her body of work constitutes a significant foundation for a moral and political theory that is finding new resonance today―insurrectionist ethics. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Afterlives of Affect: Science, Religion, and an Edgewalker’s Spirit (Duke UP, 2020), Matthew C. Watson considers the life and work of artist and Mayanist scholar Linda Schele (1942-1998) as a point of departure for what he calls an excitable anthropology. As part of a small collective of scholars who devised the first compelling arguments that Maya hieroglyphs were a fully grammatical writing system, Schele popularized the decipherment of hieroglyphs by developing narratives of Maya politics and religion in popular books and public workshops. In this experimental, person-centered ethnography, Watson shows how Schele’s sense of joyous discovery and affective engagement with research led her to traverse and disrupt borders between religion, science, art, life, death, and history. While acknowledging critiques of Schele’s work and the idea of discovery more generally, Watson contends that affect and wonder should lie at the heart of any reflexive anthropology. With this singular examination of Schele and the community she built around herself and her work, Watson furthers debates on more-than-human worlds, spiritualism, modernity, science studies, affect theory, and the social conditions of knowledge production. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Electrifying athletes like Olga Korbut and Nadia Comaneci helped make women’s artistic gymnastics one of the most popular events in the Olympic Games. But the transition of gymnastics from a women’s sport to a girl’s sport in the 1970s also laid the foundation for a system of emotional, physical, and sexual abuse of gymnasts around the world.  In Degrees of Difficulty: How Women's Gymnastics Rose to Prominence and Fell from Grace (University of Illinois Press, 2021), Dr. Georgia Cervin has written “one of the first books to examine the history of women’s gymnastics as an international sport. It aims to do this in the context of international sport and global politics, as well as the social norms that have been constructed within the sport. Hence, the book fluctuates between looking inwardly at the sport and outwardly at gymnastics’ place in the world. It reviews the origins of gymnastics and its position in the Olympic movement, how it was governed and the reasons behind the rules, where the sport fits into nationalism and international relations, who teaches gymnastics and how they do so, and what it all represents about class, gender, and race…This book thus offers insights into how and why women’s gymnastics developed the way it did, including insights into how dangerous sporting cultures are created, as well as challenging what we know about the Cold War and international relations throughout this period.” This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Dr. Melcher is also a long-standing gymnastics fan. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Marion Thompson Wright Reader, edited by Graham Russell Gao Hodges, the George Dorland Langdon, Jr. Professor of History and Africana and Latin American Studies at Colgate University, and the author of Black New Jersey: 1664 to the Present Day (Rutgers University Press, 2019), is the first book-length text on Marion Thompson Wright—the first African American woman to earn a PhD in history from a U.S. college or university. This Reader includes a seventy plus page biographical essay on Wright, a reviews and notes section, essays and Wright’s The Education of Negroes in New Jersey first published by Columbia University Press in 1941. Hodges utilizes a set of letters written by Wright to friends and family members as well as never published before images of Dr. Wright with family members; including photos of her children. There exists no more comprehensive a text on Wright in terms of the bibliographic sketch contained in this book and coupled with the writings of one of the foremost historians of the early twentieth century: Marion Thompson Wright. Wright was a prolific writer and scholar. Her dissertation advisor was famed historian Merle Curti with whom she kept up a life-long correspondence. She published widely in the Journal of Negro Education and the Journal of Negro History (now the Journal of African American History) as evidenced with some of the essays in this Reader and was respected as a leading scholar of the history of African Americans and segregation in the public school system—the subject of her dissertation at Columbia. In his autobiographical sketch of Wright, Hodges does not shy away from the more personal aspects of her life including the fact that she lost custody of her children to her first husband after she chose to pursue her academic career and the fact that she suffered from depression, and eventually ended her own life. This book is a powerful and necessary text in the field of Black women’s intellectual history given Wright’s monumental impact on social work, historical studies, education and higher education counseling. Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices

The overwhelming majority of tea practitioners in contemporary Japan are women, but there has been little discussion on their historical role in tea culture (chanoyu). In Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan (U Hawaii Press, 2019), Rebecca Corbett (USC East Asian Library) writes women back into this history and shows how tea practice for women was understood, articulated, and promoted in the Edo (1603–1868) and Meiji (1868–1912) periods. Viewing chanoyu 茶の湯 from the lens of feminist and gender theory, she sheds new light on tea’s undeniable influence on the formation of modern understandings of femininity in Japan. Corbett overturns the iemoto 家元 tea school’s carefully constructed orthodox narrative by employing underused primary sources and closely examining existing tea histories. She incorporates Pierre Bourdieu’s theories of social and cultural capital and Norbert Elias’s “civilizing process” to explore the economic and social incentives for women taking part in chanoyu. Although the iemoto system sought to increase its control over every aspect of tea, including book production, eighteenth- and nineteenth-century popular texts aimed specifically at women evidence the spread of tea culture beyond parameters set by the schools. The expansion of chanoyu to new social groups cascaded from commoner men to elite then commoner women. Shifting the focus away from male tea masters complicates the history of tea in Japan and shows how women of different social backgrounds worked within and without traditionally accepted paradigms of tea practice. The direct socioeconomic impact of the spread of tea is ultimately revealed in subsequent advances in women’s labor opportunities and an increase in female social mobility. Through their participation in chanoyu, commoner women were able to blur and lessen the status gap between themselves and women of aristocratic and samurai status. Cultivating Femininity offers a new perspective on the prevalence of tea practice among women in modern Japan. It presents a fresh, much-needed approach, one that will be appreciated by students and scholars of Japanese history, gender, and culture, as well as by tea practitioners. This book is now available for free in open access at DOAB, ProjectMuse, and JSTOR.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Suzanne Cope about her new book Power Hungry: Women of the Black Panther Party and Freedom Summer and Their Fight to Feed a Movement (Lawrence Hill Books, 2021) In early 1969 Cleo Silvers and a few Black Panther Party members met at a community center laden with boxes of donated food to cook for the neighborhood children. By the end of the year, the Black Panthers would be feeding more children daily in all of their breakfast programs than the state of California was at that time. More than a thousand miles away, Aylene Quin had spent the decade using her restaurant in McComb, Mississippi, to host secret planning meetings of civil rights leaders and organizations, feed the hungry, and cement herself as a community leader who could bring people together--physically and philosophically--over a meal. These two women's tales, separated by a handful of years, tell the same story: how food was used by women as a potent and necessary ideological tool in both the rural south and urban north to create lasting social and political change. The leadership of these women cooking and serving food in a safe space for their communities was so powerful, the FBI resorted to coordinated extensive and often illegal means to stop the efforts of these two women, and those using similar tactics, under COINTELPRO--turning a blind eye to the firebombing of the children of a restaurant owner, destroying food intended for poor kids, and declaring a community breakfast program a major threat to public safety. But of course, it was never just about the food. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Vivian Kirkfield about her book Making Their Voices Heard: The Inspiring Friendship of Ella Fitzgerald and Marilyn Monroe (Little Bee Books, 2020). Ella Fitzgerald and Marilyn Monroe. On the outside, you couldn't find two girls who looked more different. But on the inside, they were alike--full of hopes and dreams and plans of what might be. Ella Fitzgerald's velvety tones and shube-doobie-doos captivated audiences. Jazz greats like Louis Armstrong and Duke Ellington couldn't wait to share the stage with her, but still, Ella could not book a performance at one of the biggest clubs in town--one she knew would give her career its biggest break yet. Marilyn Monroe dazzled on the silver screen with her baby blue eyes and breathy boo-boo-be-doos. But when she asked for better scripts, a choice in who she worked with, and a higher salary, studio bosses refused. Two women whose voices weren't being heard. Two women chasing after their dreams and each helping the other to achieve them. This is the inspiring, true story of two incredibly talented women who came together to help each other shine like the stars that they are. Mel Rosenberg is a professor of microbiology (Tel Aviv University, emeritus) who fell in love with children's books as a small child and now writes his own. He is also the founder of Ourboox, a web platform that allows anyone to create and share awesome flipbooks. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Dressed for Freedom: The Fashionable Politics of American Feminism (University of Illinois Press, 2021), Einav Rabinovitch-Fox examines how clothes empowered women, and particularly women barred from positions of influence due to race or class. Moving from 1890s shirtwaists through the miniskirts and unisex styles of the 1970s, Rabinovitch-Fox shows how the rise of mass media culture made fashion a vehicle for women to assert claims over their bodies, femininity, and social roles. She highlights how trends in women's sartorial practices expressed ideas of independence and equality. As women employed new clothing styles, they expanded feminist activism beyond formal organizations and movements and reclaimed fashion as a realm of pleasure, power, and feminist consciousness. Dressed for Freedom examines how fashion and clothing are everyday feminist practices.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

My conversation with Laurie Lambert, author of Comrade Sister: Caribbean Feminist Revisions of the Grenada Revolution (University of Virginia Press, 2020). This book asks us to rethink the Grenadan Revolution through the literature of authors including Merle Collins, Dionne Brand, Derek Walcott and others. Lambert's attention to gender offers new narratives through which to consider the relationships between violence, memory, trauma, and colonialism. We talk about her writing process and methods, and about the broader implications of her book to Caribbean historiography.  Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor. The Play in the System is available as an open-source download. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shajar al-Durr--known as "Tree of Pearls"--began her remarkable career as a child slave, given as property to Sultan Salih of Egypt. She became his concubine, was manumitted, became his wife, served as governing regent, and ultimately rose to become the legitimately appointed sultan of Egypt in 1250 after her husband's death. Shajar al-Durr used her wealth and power to add a tomb to his urban madrasa; with this innovation, madrasas and many other charitably endowed architectural complexes became commemorative monuments, a practice that remains widespread today. A highly unusual case of a Muslim woman authorized to rule in her own name, her reign ended after only three months when she was forced to share her governance with an army general and for political expediency to marry him. Despite the fact that Shajar al-Durr's story ends tragically with her assassination and hasty burial, her deeds in her lifetime offer a stark alternative to the continued belief that women in the medieval period were unseen, anonymous, and inconsequential in a world that belonged to men. D. Fairchild Ruggles' Tree of Pearls: The Extraordinary Architectural Patronage of the 13th-Century Egyptian Slave-Queen Shajar Al-Durr (Oxford UP, 2020)--the first ever in English--places the rise and fall of the sultan-queen in the wider context of the cultural and architectural development of Cairo, the city that still holds one of the largest and most important collections of Islamic monuments in the world. Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1963, sisters Barbara Ann and Rosa Hawkins and their cousin Joan Marie Johnson traveled from the segregated South to New York City under the auspices of their manager, former pop singer Joe Jones. With their wonderful harmonies, they were an immediate success. To this day, the Dixie Cups’ greatest hit, “Chapel of Love,” is considered one of the best songs of the past sixty years. In Chapel of Love: The Story of New Orleans Girl Group the Dixie Cups (University Press of Mississippi, 2021), Rosa Hawkins and Steve Bergsman discuss the ups and downs of one of the most successful girl groups of the early 1960s. Telling their story for the first time, in their own words, Chapel of Love reintroduces the Louisiana Music Hall of Famers to a new audience. Podcast guest Steve Bergsman is a longtime journalist who has written over a dozen books. His most recent book was a biography of Screamin’ Jay Hawkins. Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Elena Poniatowska is a legendary Mexican journalist who has chronicled popular celebrities, politicians as well as important social movements in Mexico since the 1968 Tlatelolco students massacre. Today I talked to Lynn Stephen, a professor of anthropology at the University of Oregon who has described in her book Stories That Make History: Mexico through Elena Poniatowska’s Crónicas (Duke UP, 2021) how Poniatowska’s personal and political trajectory intertwined with Mexico’s growing critical public after 1968. The earthquake of 1985, the Chiapas uprising and Subcomandante Marcos as well as the recent occupation of the Zócalo in Mexico City are in Stephen’s words “historical moments when the status quo is cracked open, when people take to the streets and demand change, when another future seems possible”. These are the moments when gifted writers and artists step up and document movements and create new historical actors. We might have read Elena Poniatowska but we didn't know her. Lynn Stephen has reflected on the beautiful and strong parts of this woman who beat the odds in her own life to rewrite Mexican history. Minni Sawhney is a professor of Hispanic Studies at the University of Delhi. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lucie Fremlova's book Queer Roma (Routledge, 2021) offers in-depth insight into the lives of queer Roma, thus providing rich evidence of the heterogeneity of Roma. The lived experiences of queer Roma, which are very diverse regionally and otherwise, pose a fundamental challenge to one-dimensional, negative misrepresentations of Roma as homophobic and antithetical to European and Western modernity. The book platforms Romani agency and voices in an original and novel way. This enables the reader to feel the individuals behind the data, which detail stories of rejection by Romani families and communities, and non-Romani communities; and unfamiliar, ground-breaking stories of acceptance by Romani families and communities. Combining intersectionality with queer theory innovatively and applying it to Romani Studies, the author supports her arguments with data illustrating how the identities of queer Roma are shaped by antigypsyism and its intersections with homophobia and transphobia. Thanks to its theoretical and empirical content, and its location within a book series on LGBTIQ lives that appeals to an international audience, this authoritative book will appeal to a wide range of readers. It will a be useful resource for libraries, community and social service workers, third-sector Romani and LGBTIQ organisations, activists and policymakers. Dr. Lucie Fremlova is an independent researcher who works at the interface between academia, social movements and policy. Her close-up, transdisciplinary research focuses on ethnic, ‘racial’, sexual and gender identities, particularly in relation to queer Roma. Her article ‘LGBTIQ Roma and queer intersectionalities: the lived experiences of LGBTIQ Roma’, published by the European Journal of Politics and Gender in 2019, won the EJPG 2021 Best Article and the Council for European Studies Gender and Sexuality Research Network 2019 Best Article Award. Her article ‘Non-Romani researcher positionality and reflexivity: queer(y)ing one’s privilege’ was the most-read article published in 2019 in volume 1, number 2 of the Critical Romani Studies Journal. Steven Seegel is Professor of Slavic and Eurasian Studies at The University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the second edition of her book, The Sisters Are Alright: Changing the Broken Narrative of Black Women in America (Berrett-Koehler, 2021), Tamara Winfrey Harris interviews over 100 diverse Black women about marriage, motherhood, health, sexuality, beauty, and more. Winfrey Harris examines the Mammy, Sapphire, and Jezebel stereotypes that persist in American popular media and culture.   Winfrey Harris explores the evolution of stereotypes of Black women, with new real-life examples, such as the rise of blackfishing and digital blackface (which help white women rise to fame) and the media’s continued fascination with Black women’s sexuality (as with Cardi B or Megan Thee Stallion). The second edition includes a new chapter on Black women and power that explores how persistent stereotypes challenge Black women’s recent leadership and achievements in activism, community organizing, and politics. The chapter includes interviews with activists and civic leaders and interrogates media coverage and perceptions of Stacey Abrams, Vice President Kamala Harris, and others. Winfrey Harris exposes anti–Black woman propaganda and shows how real Black women are pushing back against racist, distorted cartoon versions of themselves. She counters warped prejudices with the straight-up truth about being a Black woman in America. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

The 2015 #WakingTheFeminists Campaign for gender equality in Irish theatre highlighted the marginalization of women in this industry and led to several significant initiatives that interrogated existing theater practices and pushed for inclusion and representation. Inspired by this movement, three academics, David Clare, Fiona McDonagh, and Justine Nakase, joined forces to co-edit a two-volume collection of scholarship on Irish women playwrights. In this episode, these three scholars discuss their new volumes entitled The Golden Thread: Irish Women Playwrights (1716-2016) (Liverpool UP 2021). Spanning from the eighteenth-century to the present day, The Golden Thread brings together the work of leading scholars in Irish theater and women’s writing with that of theater practitioners to recover the often-hidden contributions of women playwrights. The collection develops a counter-canon of Irish playwrights that examines issues of class, sexuality, and disability. Colleen English is a scholar of Irish and Romantic literature based at Loyola University Chicago. She co-convenes the Irish Studies Scholarly Seminar at the Newberry Library. Twitter feed: https://twitter.com/colleenjenglish Learn more about your ad choices. Visit megaphone.fm/adchoices

The idea that a woman may leave a biological trace on her gestating offspring has long been a commonplace folk intuition and a matter of scientific intrigue, but the form of that idea has changed dramatically over time. Beginning with the advent of modern genetics at the turn of the twentieth century, biomedical scientists dismissed any notion that a mother--except in cases of extreme deprivation or injury--could alter her offspring's traits. Consensus asserted that a child's fate was set by a combination of its genes and post-birth upbringing. Over the last fifty years, however, this consensus was dismantled, and today, research on the intrauterine environment and its effects on the fetus is emerging as a robust program of study in medicine, public health, psychology, evolutionary biology, and genomics. Collectively, these sciences argue that a woman's experiences, behaviors, and physiology can have life-altering effects on offspring development. Tracing a genealogy of ideas about heredity and maternal-fetal effects, Sarah S. Richardson's The Maternal Imprint: The Contested Science of Maternal-Fetal Effects (U Chicago Press, 2021) offers a critical analysis of conceptual and ethical issues--in particular, the staggering implications for maternal well-being and reproductive autonomy--provoked by the striking rise of epigenetics and fetal origins science in postgenomic biology today. Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eighteen months after Iran’s Revolution in 1979, hundreds of thousands of the country’s women participated in the Iran-Iraq War (1980–88) in a variety of capacities. Iran was divided into women of conservative religious backgrounds who supported the revolution and accepted some of the theocratic regime’s depictions of gender roles, and liberal women more active in civil society before the revolution who challenged the state’s male-dominated gender bias. However, both groups were integral to the war effort, serving as journalists, paramedics, combatants, intelligence officers, medical instructors, and propagandists. Behind the frontlines, women were drivers, surgeons, fundraisers, and community organizers. The war provided women of all social classes the opportunity to assert their role in society, and in doing so, they refused to be marginalized. Despite their significant contributions, women are largely absent from studies on the war. In Iranian Women and Gender in the Iran-Iraq War (Syracuse UP, 2021), Farzaneh chronicles in copious detail women’s participation on the battlefield, in the household, and everywhere in between. Mateo Mohammad Farzaneh is associate professor of history and the Principal of the Mossadegh Initiative at Northeastern Illinois University in Chicago. He is an expert in the history of Iran and the modern Middle East. His first book, The Iranian Constitutional Revolution and the Clerical Leadership of Khurasani won the National History Honor Society Best First Book Award in 2016. For more info visit https://www.mateofarzaneh.com. Amir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the turn of the millennium, American media, scientists, and environmental activists have insisted that the global population crisis is “back”—and that the only way to avoid catastrophic climate change is to ensure women’s universal access to contraception. Did the population problem ever disappear? What is bringing it back—and why now? In On Infertile Ground: Population Control and Women's Rights in the Era of Climate Change (New York University Press, 2018), Jade S. Sasser explores how a small network of international development actors, including private donors, NGO program managers, scientists, and youth advocates, is bringing population back to the center of public environmental debate. While these narratives never disappeared, Sasser argues, histories of human rights abuses, racism, and a conservative backlash against abortion in the 1980s drove them underground—until now. Using interviews and case studies from a wide range of sites—from Silicon Valley foundation headquarters to youth advocacy trainings, the halls of Congress and an international climate change conference—Sasser demonstrates how population growth has been reframed as an urgent source of climate crisis and a unique opportunity to support women’s sexual and reproductive health and rights. ­Although well-intentioned—promoting positive action, women’s empowerment, and moral accountability to a global community—these groups also perpetuate the same myths about the sexuality and lack of virtue and control of women and the people of global south that have been debunked for decades. Unless the development community recognizes the pervasive repackaging of failed narratives, Sasser argues, true change and development progress will not be possible. On Infertile Ground presents a unique critique of international development that blends the study of feminism, environmentalism, and activism in a groundbreaking way. It will make any development professional take a second look at the ideals driving their work. Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. witter: @iheid_history and @GC_IHEID Learn more about your ad choices. Visit megaphone.fm/adchoices

When Cassandra Lane finds herself pregnant at thirty-five, the knowledge sends her on a poignant exploration of memory to prepare for her entry into motherhood. She moves between the twentieth-century rural South and present-day Los Angeles, reimagining the intimate life of her great-grandparents Mary Magdelene Magee and Burt Bridges, and Burt's lynching at the hands of vengeful white men in his southern town. We Are Bridges: A Memoir (Feminist Press, 2021) turns to creative nonfiction to reclaim a family history from violent erasure so that a mother can gift her child with an ancestral blueprint for their future. Haunting and poetic, this debut traces the strange fruit borne from the roots of personal loss in one Black family--and considers how to take back one's American story. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Postscript, Susan Liebell and Lilly Goren review this morning’s U.S. Supreme Court decision in Texas SB-8, the oral arguments in last week’s Mississippi abortion case, and the wider issues of the Court’s legitimacy, electoral backlash, ripple effects beyond abortion to marriage equality or protection of sexuality, the effect of a ruling on electoral politics, and the effectiveness of grassroots organizing. We are joined by Dr. Rebecca Kreitzer (Associate Professor of Public Policy and Adjunct Associate Professor of Political Science at the University of North Carolina at Chapel Hill), Dr. Andrew R. Lewis (Associate Professor of Political Science at the University of Cincinnati) and Dr. Joshua C. Wilson (Professor of Political Science at the University of Denver). Daniella Campos assisted with this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to the remarkable Fiona Hill about her new memoir There Is Nothing for You Here: Opportunity in an Age of Decline (Mariner Books, 2021). We talked about the decline of older coal and steel industries (and economic dislocation generally), how this decline relates to the rise of populism in the Russia and the West, and her decision to join the Trump administration as a national security advisor. She is insightful and interesting about all of it. Enjoy.  Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1952 to 1985, Louise Bourgeois (1911-2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition--and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois's work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois's literary archivist, provides an overview of the artist's life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst's viewpoint on the artist's long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud's own relationship to art and artists. Featuring excerpts from Bourgeois's copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, Freud's Daughter (Yale UP, 2021) opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints. Isak de Vries is psychoanalyst in private practice in New York, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices

For a majority of African women, the “colonial encounter” occurred at the maternity ward, the health centre, or Maternal and Infant Welfare Centres. In Être mère en situation coloniale: Gold Coast (années 1910-1950) (Editions de la Sorbonne, 2020), Anne Hugon analyzes the consequences of colonialism on colonized women, through a history of maternal and child health institutions in the Gold Coast (present-day Ghana). How were colonial biomedical interventions around pregnancy and childbirth implemented? How did the women who sought care in these centres perceive and repurpose such interventions? By relying on administrative archives of medical services, oral history with retired midwives, private archives, and newspapers, this book sheds light on the multifaceted experiences of African mothers in a colonial context. Anne Hugon is an Associate Professor of African History at Paris 1-Panthéon Sorbonne and a member of the Institut des Mondes Africains (IMAf). Thomas Zuber is a PhD Candidate in History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Born in Prague to Holocaust survivors, Hadassah Lieberman and her family immigrated in 1949 to the United States. She went on to earn a BA from Boston University in government and dramatics and an MA in international relations and American government from Northeastern University. She built a career devoted largely to public health that has included positions at Lehman Brothers, Pfizer, and the National Research Council. After her first marriage ended in divorce, she married Joe Lieberman, a US senator from Connecticut who was the Democratic nominee for vice president with Al Gore and would go on to run for president. In Hadassah: An American Story (Brandeis UP, 2021), Lieberman pens the compelling story of her extraordinary life: from her family's experience in Eastern Europe to their move to Gardner, Massachusetts; forging her career; experiencing divorce; and, following her remarriage, her life on the national political stage. By offering insight into her identity as an immigrant, an American Jew, a working woman, and a wife, mother, and grandmother, Lieberman's moving memoir speaks to many of the major issues of our time, from immigration to gender politics. Featuring an introduction by Joe Lieberman and an afterword by Megan McCain, it is a true American story. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Work of Rape (Duke UP, 2021), Rana M. Jaleel argues that the redefinition of sexual violence within international law as a war crime, crime against humanity, and genocide owes a disturbing and unacknowledged debt to power and knowledge achieved from racial, imperial, and settler colonial domination. Prioritizing critiques of racial capitalism from women of color, Indigenous, queer, trans, and Global South perspectives, Jaleel reorients how violence is socially defined and distributed through legal definitions of rape. From Cold War conflicts in Latin America, the 1990s ethnic wars in Rwanda and Yugoslavia, and the War on Terror to ongoing debates about sexual assault on college campuses, Jaleel considers how legal and social iterations of rape and the terms that define it—consent, force, coercion—are unstable indexes and abstractions of social difference that mediate racial and colonial positionalities. Jaleel traces how post-Cold War orders of global security and governance simultaneously transform the meaning of sexualized violence, extend US empire, and disavow legacies of enslavement, Indigenous dispossession, and racialized violence within the United States. Work of Rape is the recipient of Duke University Press Scholars of Color First Book Award. Rana M. Jaleel is Associate Professor in the Department of Gender, Sexuality, and Women's Studies at the University of California, Davis, where she is also the Faculty Advisor for the Sexuality Studies Minor. Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of the twentieth century, campaigns to increase access to modern birth control methods spread across the globe and fundamentally altered the way people thought about and mobilized around reproduction. This book explores how a variety of actors translated this movement into practice on four islands (Jamaica, Trinidad, Barbados, and Bermuda) from the 1930s-70s. The process of decolonization during this period led to heightened clashes over imperial and national policy and brought local class, race, and gender tensions to the surface, making debates over reproductive practices particularly evocative and illustrative of broader debates in the history of decolonization and international family planning. Nicole C. Bourbonnais' book Birth Control in the Decolonizing Caribbean: Reproductive Politics and Practice on Four Islands, 1930–1970 (Cambridge UP, 2016) is at once a political history, a history of activism, and a social history, exploring the challenges faced by working class women as they tried to negotiate control over their reproductive lives. Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tanya L. Roth's Her Cold War: Women in the U.S. Military, 1945–1980 (University of North Carolina Press, 2021) explains that while Rosie the Riveter had fewer paid employment options after being told to cede her job to returning World War II veterans, her sisters and daughters found new work opportunities in national defense. The 1948 Women's Armed Services Integration Act created permanent military positions for women with the promise of equal pay. Her Cold War follows the experiences of women in the military from the passage of the Act to the early 1980s. In the late 1940s, defense officials structured women's military roles on the basis of perceived gender differences. Classified as noncombatants, servicewomen filled roles that they might hold in civilian life, such as secretarial or medical support positions. Defense officials also prohibited pregnant women and mothers from remaining in the military and encouraged many women to leave upon marriage. Before civilian feminists took up similar issues in the 1970s, many servicewomen called for a broader definition of equality free of gender-based service restrictions. Tanya L. Roth shows us that the battles these servicewomen fought for equality paved the way for women in combat, a prerequisite for promotion to many leadership positions, and opened opportunities for other servicepeople, including those with disabilities, LGBT and gender nonconforming people, noncitizens, and more. Jane Scimeca is Professor of History at Brookdale Community College. You can watch Professor Scimeca's YouTube channel on Women's History here.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Following Tunisian independence in 1956, President Habib Bourguiba centered women’s liberation as part of the identity of the new nation. In Tunisia’s Modern Woman: Nation-Building and State Feminism in the 1960s (Cambridge University Press, 2021), Amy Aisen Kallander uses this political appropriation of women's rights to look at the importance of women to post-colonial state-building projects in Tunisia. She explores how the notion of modern womanhood was central to a range of issues from economic development and family planning to intellectual life and the growth of Tunisian academia. Looking at political discourse, popular culture, the women's press, fashion, and ideas about love, the book traces how this concept was reformulated by women through transnational organizing and in the press in ways that proposed alternatives to the dominant constructions of state feminism. Situating Tunisia within broader Afro-Asian networks and global Cold War politics, it highlights comparisons with other state-feminist projects, and how women served as symbolic envoys for the new Tunisian state in the international arena. Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks. Learn more about your ad choices. Visit megaphone.fm/adchoices

Karla Huebner’s Magnetic Woman: Toyen and the Surrealist Erotic (University of Pittsburgh Press, 2020) follows the life and career Czech artist Toyen (Marie Čermínová, 1902-1980). Toyen’s career spans the twentieth century, from the cultural flux of interwar Prague to postwar France. Huebner traces the growth, divergence, and fluidity of Czech as well as international avant-gardes. Eroticism, Huebner argues, centered Toyen’s life, settings, and art. Toyen’s ambiguous gender equally found its own place in the predominantly male Czech Devětsil group, lesbian milieus of interwar Paris, and André Breton’s postwar Surrealist network. So too did Toyen’s work in erotic drawings, book commissions, collage, and oil paintings, all generously represented in this monograph. Magnetic Woman hence unites art history with cultural and intellectual history. Huebner analyzes Toyen’s artistic collaborations and friendships with figures as diverse as Jindřich Štyrský, Karel Teige, and Philippe Soupault. She traces Toyen’s wide reading of European classics, contemporary writing, and psychological and sexual literature of the day. Huebner anchors Toyen’s artwork in these contexts throughout the monograph while showcasing its inherent originality and formal innovations. Magnetic Woman: Toyen and the Surrealist Erotic furnishes readers with both a fascinating biography of the artist and a map of the entangled histories of the Czech and French avant-gardes. Huebner’s work will interest scholars of interwar European history, of European sexuality and gender, art history, and international history alike, and the heavily illustrated monograph will intrigue scholars, general readers, and artists in equal measure. John Raimo is a PhD. Candidate in History at NYU finishing up my dissertation (on postwar publishing houses) this summer in European history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beginning on the shores of West Africa in the sixteenth century and ending in the U.S. Lower South on the eve of the Civil War, Alexis Wells-Oghoghomeh traces a bold history of the interior lives of bondwomen as they carved out an existence for themselves and their families amid the horrors of American slavery. With particular attention to maternity, sex, and other gendered aspects of women's lives, she documents how bondwomen crafted female-centered cultures that shaped the religious consciousness and practices of entire enslaved communities. Indeed, gender as well as race co-constituted the Black religious subject, she argues—requiring a shift away from understandings of "slave religion" as a gender-amorphous category. Women responded on many levels—ethically, ritually, and communally—to southern slavery. Drawing on a wide range of sources, Wells-Oghoghomeh shows how they remembered, reconfigured, and innovated beliefs and practices circulating between Africa and the Americas. In The Souls of Womenfolk: The Religious Cultures of Enslaved Women in the Lower South (UNC Press, 2021), she redresses the exclusion of enslaved women from the American religious narrative. Challenging conventional institutional histories, this book opens a rare window onto the spiritual strivings of one of the most remarkable and elusive groups in the American experience. Learn more about your ad choices. Visit megaphone.fm/adchoices

Annabel Abbs’s Windswept: Walking the Paths of Trailblazing Women (Tin House Books, 2021) is a beautifully written meditation on connecting with the outdoors through the simple act of walking. In captivating and elegant prose, Abbs follows in the footsteps of women who boldly reclaimed wild landscapes for themselves, including Georgia O’Keeffe in the empty plains of Texas and New Mexico, Nan Shepherd in the mountains of Scotland, Gwen John following the French River Garonne, Daphne du Maurier along the River Rhône, and Simone de Beauvoir―who walked as much as twenty-five miles a day in a dress and espadrilles―through the mountains and forests of France. Part historical inquiry and part memoir, the stories of these writers and artists are laced together by moments in Abb’s own life, beginning with her poet father who raised her in the Welsh countryside as an “experiment,” according to the principles of Rousseau. Abbs explores a forgotten legacy of moving on foot and discovers how it has helped women throughout history to find their voices, to reimagine their lives, and to break free from convention. As Abbs traces the paths of exceptional women, she realizes that she, too, is walking away from her past and into a radically different future. Windswept crosses continents and centuries in a provocative and poignant account of the power of walking in nature. Thalia Laughlin is a PhD Candidate at the University of Melbourne, researching Louise Hanson-Dyer’s (1884-1962) patronage and artistic support of women in the first half of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrea Warner's Buffy Sainte-Marie: The Authorized Biography (Graystone Books, 2018) tells the story, often in Buffy's own words, of the life of the remarkable artist and activist. Buffy Sainte-Marie's musical career is as varied and fascinating as those of her Canadian contemporaries Neil Young, Joni Mitchell, and Leonard Cohen, but he work has not always achieved the recognition it deserves. Warner's book is in part an attempt to rectify that by presenting Buffy's complete story to a new generation of readers and listeners. We encounter Buffy as a coffee shop folkie, an electronic music pioneer, and indigenous activist, a Sesame Street cast member, and finally as an elder stateswoman of Canadian music. This is a book for longtime fans or for new initiates who have never heard songs like Power in the Blood, Now That the Buffalo's Gone, The Universal Soldier, or The War Racket. Learn more about your ad choices. Visit megaphone.fm/adchoices

A ’90s time capsule buried inside a coming-of-age memoir set against the neon backdrop of the San Francisco Bay Area's rave scene, Raver Girl (She Writes Press, 2021) chronicles Samantha’s double life as she teeters between hedonism and sobriety, chaos and calm, all while sneaking under the radar of her entrepreneur father—a man who happened to drop acid with LSD impresario Owsley Stanley in the ’60s. Samantha keeps a list of every rave she goes to—a total of 104 over four years. During that time, what started as trippy fun morphs into a self-destructive roller coaster ride. Samantha opens the doors of her mind, but she's left with traumas her acid-fried brain won't let her escape; and when meth becomes her drug of choice, things get progressively darker. Through euphoric highs and dangerous lows, Samantha discovers she’s someone who lives life to the fullest and learns best through alternative experience rather than mainstream ideals. She’s a creative whose mind is limitless, whose quirks are charms, whose passion is inspirational. She’s an independent woman whose inner strength is rooted in unwavering family ties. And if she can survive high school, she just might be okay. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did reproductive justice—defined as the right to have children, to not have children, and to parent—become recognized as a human rights issue? In Reproductive Rights as Human Rights: Women of Color and the Fight for Reproductive Justice (New York University Press, 2020), Zakiya Luna highlights the often-forgotten activism of women of color who are largely responsible for creating what we now know as the modern-day reproductive justice movement. Focusing on SisterSong, an intersectional reproductive justice organization, Luna shows how, and why, women of color mobilized around reproductive rights in the domestic arena. She examines their key role in re-framing reproductive rights as human rights, raising this set of issues as a priority in the United States, a country hostile to the concept of human rights at home. An indispensable read, Reproductive Rights as Human Rights provides a much-needed intersectional perspective on the modern-day reproductive justice movement. Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early eighteenth century, the noblewoman Ōgimachi Machiko composed a memoir of Yanagisawa Yoshiyasu, the powerful samurai for whom she had served as a concubine for twenty years. Machiko assisted Yoshiyasu in his ascent to the rank of chief adjutant to the Tokugawa shogun. She kept him in good graces with the imperial court, enabled him to study poetry with aristocratic teachers and have his compositions read by the retired emperor, and gave birth to two of his sons. Writing after Yoshiyasu’s retirement, she recalled it all—from the glittering formal visits of the shogun and his entourage to the passage of the seasons as seen from her apartments in the Yanagisawa mansion. In the Shelter of the Pine is the most significant work of literature by a woman of Japan’s early modern era. Featuring Machiko’s keen eye for detail, strong narrative voice, and polished prose studded with allusions to Chinese and Japanese classics, this memoir sheds light on everything from the social world of the Tokugawa elite to the role of literature in women’s lives. Machiko modeled her story on The Tale of Genji, illustrating how the eleventh-century classic continued to inspire its female readers and provide them with the means to make sense of their experiences. Elegant, poetic, and revealing, In the Shelter of the Pine is a vivid portrait of a distant world and a vital addition to the canon of Japanese literature available in English. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue’s Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices