The idea of brotherhood has been an important philosophical concept for understanding community, equality, and justice. In Gendering Modern Jewish Thought (Indiana UP, 2021), Andrea Dara Cooper offers a gendered reading that challenges the key figures of the all-male fraternity of twentieth-century Jewish philosophy to open up to the feminine. Cooper offers a feminist lens, which when applied to thinkers such as Franz Rosenzweig and Emmanuel Levinas, reveals new ways of illuminating questions of relational ethics, embodiment, politics, and positionality. She shows that patriarchal kinship as models of erotic love, brotherhood, and paternity are not accidental in Jewish philosophy, but serve as norms that have excluded women and non-normative individuals. Gendering Modern Jewish Thought suggests these fraternal models do real damage and must be brought to account in more broadly humanistic frameworks. For Cooper, a more responsible and ethical reading of Jewish philosophy comes forward when it is opened to the voices of mothers, sisters, and daughters. Lea Greenberg is an editor, translator, and scholar of German and Jewish studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Virginia Woolf’s 1938 provocative and polemical essay Three Guineas presents the iconic writer’s views on war, women, and the way the patriarchy at home oppresses women in ways that resemble those of fascism abroad. Two great Woolf experts, Professor Anne Fernald, editor of two editions of Mrs. Dalloway which she movingly discusses on another Think About It episode, and Rajgopal Saikumar, who is completing a dissertation on Woolf, Hurston, Baldwin and Gandhi and the “duty to disobey” at NYU, explain Woolf’s arguments, the reasons for the shocked response by most of her peers, and why Three Guineas remains so relevant for our time. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email [email protected]; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ellen O'Hara was a young immigrant from Ireland at the end of the nineteenth century who, with courage and resilience, made a life for herself in New York while financially supporting those at home. Hereafter: The Telling Life of Ellen O'Hara (NYU Press, 2022) is her story, told by Vona Groarke, her descendant, in a beautiful blend of poetry, prose, and history. In July 1882, Ellen O'Hara stepped off a ship from the West of Ireland to begin a new life in New York. What she encountered was a world of casual racial prejudice that characterized her as ignorant, dirty, and feckless, the butt of many jokes. From the slim range of jobs available to her she, like, many of her kind, found a position as a domestic servant, working long hours and living in to save on rent and keep. After an unfortunate marriage, Ellen determined to win financial security on her own, and eventually opened a boarding house where her two children were able to rejoin her. Vona Groarke builds this story from historical fact, drawing from various archives for evidence of Ellen. However, she also considers why lives such as Ellen's seem to leave such a light trace in such records and fills in the gaps with memory and empathetic projection. Ellen--scrappy, skeptical, and straight-talking--is the heroine of Hereafter, whose resilience animates the story and whose voice shines through with vivid clarity. Hereafter is both a compelling account of an incredible figure and a reflection on how one woman's story can speak for more than one life. Hal Coase is a PhD candidate at La Sapienza, University of Rome. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Break Point: Two Minnesota Athletes and the Road to Title IX (University of Minnesota Press, 2022), Sheri Brenden examines how two teenage girls in Minnesota jump-started a revolution in high school athletics Peggy Brenden, a senior, played tennis. Toni St. Pierre, a junior, was a cross country runner and skier. All these two talented teenagers wanted was a chance to compete on their high school sports teams. But in Minnesota in 1972 the only way on the field with the boys ran through a federal court--so that was where the girls went. Break Point tells the story, for the first time, of how two teenagers took on the unequal system of high school athletics, setting a legal precedent for schools nationwide before the passage of Title IX.  As Peggy's younger sister, author Sheri Brenden is uniquely positioned to convey the human drama of the case, the stakes, and the consequences for two young women facing the legal machinery of the state, in court and in school. In an account that begins with Peggy painstakingly typing her appeal to the Minnesota Civil Liberties Union and concludes with a long view of what Brenden v. Independent School District 742 set in motion, Sheri Brenden summons the salient details of this landmark case as it makes its way through the courts. Peggy and Toni, coaches, administrators, and experts testify before Judge Miles Lord, whose decision, upheld in a precedent-setting appeal, would change these girls' lives and open up athletic opportunities for innumerable others. Grounded in newspaper coverage, court records, and interviews, Brenden's deeply researched, scrupulously reported book is at heart the story of two talented teenage girls whose pluck and determination--and, often, heartache--led to a victory much greater than any high school championship. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Finding Jackie: A Life Reinvented (Diversion Books, 2023), scholar and writer Oline Eaton examines the story of an era's biggest "star of life," Jaqueline Bouvier Kennedy Onassis, as she coped with trauma and built a new existence in an unstable world during the time between JFK's murder in 1963 and the death of her second husband, Aristotle Onassis, in 1975. Jackie Kennedy was universally loved and to this day is still remembered as dignified, classy, a superior wife, mother, decorator, and hostess. But what story lies beneath that of the former First Lady? What is the true tale of the woman who later wore leather miniskirts, grew her hair long, and married infamous Greek shipping tycoon Ari Onassis? Eaton charts the taboo and often dismissed story of Jackie, the life of a woman reinventing herself time and time again. In Finding Jackie, she follows the "star of life" through her tragedies and triumphs with all the urgency and uncertainty she faced. Revealed is the Jackie the world has never seen, the Jackie who climbed pyramids, held fascinating jobs, lived abroad, married a scandalous man, saw a sex movie with him in a theater, and then judo-flipped a photographer on her way out. She frolicked braless and barefoot in Capri. She saved Grand Central. She stepped outside the rarefied world she'd been born into and exemplified the cultural changes of the 1960s and 70s. With newly released archival evidence, Finding Jackie illuminates the disconnect between the public story and what is now known of Jackie Kennedy Onassis' actual private life. Jackie has long been celebrated for her style rather than her substance but, when set in its full historical context, her story resonates today. Learn more about your ad choices. Visit megaphone.fm/adchoices

In “Fame is Not Just for the Fellas”: Female Renown and the Childhood of Famous Americans Series (University of Massachusetts Press, 2022), Gregory Pfitzer examines the editorial and production choices surrounding the biographies of women in the popular children’s book series Childhood of Famous Americans, published between 1932 and 1958. Using conversations and disagreements among authors, editors, readers, reviewers, and sales agents at Bobbs-Merrill publishers, the book tells the story of how female subjects were chosen and what went into writing these histories for young readers of the time. Tensions between “feminism” and “femininity” reflected changing Cold War gender norms, and sources reveal ongoing negotiation of the virtues that the biographies should instill. Pfitzer illustrates how these books shaped children's thinking and historical imaginations around girlhood using tales from the past and considers the influence of the series on readers and American culture more broadly. "Fame Is Not Just for the Fellas" places the series in the context of national debates around fame, gender, historical memory, and portrayals of children and childhood for a young reading public--charged debates that continue to this day. Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks. Learn more about your ad choices. Visit megaphone.fm/adchoices

Western sanctions have slowed Iran's economy, causing protests against the absence of freedom and opportunities -- teachers their lack of pay; farmers their lack of water; retirees their fear of economic insecurity. But at the heart of this powerful new movement has been Iran's women, whose frustration with Iran’s misogynist theocracy had been mounting for four decades. This week on International Horizons, RBI Research Associate Ellen Chesler is joined by Mahnaz Afkhami, former Minister of Women's Affairs in Iran, and Kelly Shannon, Associate Professor of History at Florida Atlantic University, to discuss the rise of the women's movement in Iran. The interviewees describe how the different interpretations of the Quran have influenced politics and the role women play in Muslim societies, the prospects of the protests in Iran, and the importance of collective action in bringing about change. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wolfgang Muller, Marriage Litigation in the Western Church, 1215- 1517 (Cambridge University Press, 2021). From the establishment of a coherent doctrine on sacramental marriage to the eve of the Reformation, late medieval church courts were used for marriage cases in a variety of ways. Ranging widely across Western Europe, including the Upper and Lower Rhine regions, England, Italy, Catalonia, and Castile, this study explores the stark discrepancies in practice between the North of Europe and the South. Wolfgang P. Müller draws attention to the existence of public penitential proceedings in the North and their absence in the South, and explains the difference in demand, as well as highlighting variations in how individuals obtained written documentation of their marital status. Integrating legal and theological perspectives on marriage with late medieval social history, Müller addresses critical questions around the relationship between the church and medieval marriage, and what this reveals about both institutions. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

In histories of enslavement and in Black women's history, coercion looms large in any discussion of sex and sexuality. At a time when sexual violence against Black women was virtually unregulated—even normalized—a vast economy developed specifically to sell the sexual labor of Black women. In Consent in the Presence of Force: Sexual Violence and Black Women's Survival in Antebellum New Orleans (UNC Press, 2023), Emily A. Owens wrestles with the question of why white men paid notoriously high prices to gain sexual access to the bodies of enslaved women to whom they already had legal and social access. Owens centers the survival strategies and intellectual labor of Black women enslaved in New Orleans to unravel the culture of violence they endured, in which slaveholders obscured "the presence of force" with arrangements that included gifts and money. Owens's storytelling highlights that the classic formulation of rape law that requires "the presence of force" and "the absence of consent" to denote a crime was in fact a key legal fixture that packaged predation as pleasure and produced, rather than prevented, violence against Black women. Owens dramatically reorients our understanding of enslaved women's lives as well as of the nature of violence in the entire venture of racial slavery in the U.S. South. Unsettling the idea that consent is necessarily incompatible with structural and interpersonal violence, this history shows that when sex is understood as a transaction, women are imagined as responsible for their own violation. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

Though we are all one—“there is neither Jew nor Greek,” St. Paul wrote to the Galatians—each of us brings a particular heritage to the mosaic of God’s universal pilgrim church on Earth. Father Maurice Nutt helps us understand and celebrate the special contribution of African Americans in the Catholic Church. Father Maurice is a redemptorist priest and former director of the Institute for Black Catholic Studies at Xavier University in New Orleans, an apostolate that celebrates and connects Black Catholicism in the United States, the Caribbean, and Africa. And, as fewer Americans are embracing the vocation of the priesthood, more pastors are coming to us from other countries, which brings both cultural opportunities and challenges. In addition, Fr. Maurice tells us about his friend and mentor, Sister Thea Bowman, and the case he and others are making for her sainthood. Father Maurice’s spiritual direction ministry The case for Sr Thea Bowman’s canonization Sr Thea Bowman addressing the US Conference of Catholic Bishops in 1989 Learn more about your ad choices. Visit megaphone.fm/adchoices

“Raise your voice!” and “Speak up!” are familiar refrains that assume, all too easily, that gaining voice will lead to empowerment, healing, and inclusion for marginalized subjects. Marlene Schäfers’s Voices That Matter: Kurdish Women at the Limits of Representation in Contemporary Turkey (U Chicago Press, 2022) reveals where such assumptions fall short, demonstrating that “raising one’s voice” is no straightforward path to emancipation but fraught with anxieties, dilemmas, and contradictions. In its attention to the voice as form, this book examines not only what voices say but also how they do so, focusing on Kurdish contexts where oral genres have a long, rich legacy. Examining the social labor that voices carry out as they sound, speak, and resonate, Schäfers shows that where new vocal practices arise, they produce new selves and practices of social relations. In Turkey, recent decades have seen Kurdish voices gain increasing moral and political value as metaphors of representation and resistance. Women’s voices, in particular, are understood as potent means to withstand patriarchal restrictions and political oppression. By ethnographically tracing the transformations in how Kurdish women relate to and employ their voices as a result of these shifts, Schäfers illustrates how contemporary politics foster not only new hopes and desires but also create novel vulnerabilities as they valorize, elicit, and discipline voice in the name of empowerment and liberation. Marlene Schäfers is assistant professor in cultural anthropology at Utrecht University in the Netherlands. You may find some of the songs mentioned in the book and the episode here. Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the last five decades, Black women have been one of the fastest-growing segments of the global prison population, thanks to changes in policies that mandate incarceration for nonviolent offenses and criminalize what women do to survive interpersonal and state violence. In The Healing Stage: Black Women, Incarceration, and the Art of Transformation (Ohio State UP, 2022), Lisa Biggs reveals how four ensembles of currently and formerly incarcerated women and their collaborating artists use theater and performance to challenge harmful policies and popular discourses that justify locking up "bad" women.  Focusing on prison-based arts programs in the US and South Africa, Biggs illustrates how Black feminist cultural traditions--theater, dance, storytelling, poetry, humor, and protest--enable women to investigate the root causes of crime and refute dominant narratives about incarcerated women. In doing so, the arts initiatives that she writes about encourage individual and collective healing, a process of repair that exceeds state definitions of rehabilitation. These case studies offer powerful examples of how the labor of incarcerated Black women artists--some of the most marginalized and vulnerable people in our society--radically extends our knowledge of prison arts programs and our understanding of what is required to resolve human conflicts and protect women's lives. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Made-Up State: Technology, Trans Femininity, and Citizenship in Indonesia (Cornell UP, 2022), Benjamin Hegarty contends that warias, one of Indonesia's trans feminine populations, have cultivated a distinctive way of captivating the affective, material, and spatial experiences of belonging to a modern public sphere. Combining historical and ethnographic research, Hegarty traces the participation of warias in visual and bodily technologies, ranging from psychiatry and medical transsexuality to photography and feminine beauty. The concept of development deployed by the modern Indonesian state relies on naturalizing the binary of "male" and "female." As historical brokers between gender as a technological system of classifying human difference and state citizenship, warias shaped the contours of modern selfhood even while being positioned as nonconforming within it. The Made-Up State illuminates warias as part of the social and technological format of state rule, which has given rise to new possibilities for seeing and being seen as a citizen in postcolonial Indonesia. Like this interview? If so, you might also be interested in: David Reeve, To Remain Myself: The History of Onghokham Lynette J. Chua, The Politics of Love in Myanmar: LGBT Mobilization and Human Rights as a Way of Life Anjalee Cohen, Youth Culture and Identity in Northern Thailand: Fitting in and Sticking Out Professor Michele Ford is the Director of the Sydney Southeast Asia Centre, a university-wide multidisciplinary center at the University of Sydney, Australia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Carlos Eire, author of The Life of Saint Teresa of Ávila: A Biography (2019) and professor of medieval and early modern European history and religion at Yale University, discusses the life of St. Teresa and mysticism in sixteenth-century Spain. He also talks a bit about his immigration to the United States as a child refugee from Cuba in the 1960s; his commentary and scholarship has earned him the title of “enemy of the state” in today’s communist Cuba. ·      Here is Professor Eire’s faculty webpage at Yale University. ·      Here are books by Carlos Eire available from Amazon.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Characterized by a search for meaning, Hirsch’s oeuvre connects psychological, scientific, and philosophical implications of form, bringing together ideas in art, science, ecology, and human consciousness. The artworks in multiple and mixed media provide an evolving history of Hirsch’s ideas and craft as they illustrate the progression of her original research on the origin of all alphabets. Her elegant theory about five fundamental shapes in nature that reflect forms of neurons and neural processes of perception and cognition as the source of all letterforms in alphabets ancient to modern has gained acceptance in scientific circles. Her evidence shows that while cultures and languages bring unique beauty and richness to the world, we, as humankind, are more alike than different. Since the 1980s, Hirsch has also been a pioneer in the field of mind/body healing, developing a type of visualization practice that serves as an instrument toward wellness. By organizing seemingly disparate information into a far-reaching scientific theory, Hirsch is recognized internationally for these techniques and has advanced healing practices through the arts. Archaeology of Metaphor: The Art of Gilah Yelin Hirsch (Skira, 2022) connects the artist’s visual themes to her philosophy and ideas, simultaneously encouraging greater awareness of pattern recognition, social dynamics, and interconnectedness. Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vatican journalist Colleen Dulle discusses her biography of the French Mystic Madeleine Delbrêl, author of The Marxist City as Mission Territory (1957), and Catholic evangelist among the urban poor of Ivry. Colleen calls Madeleine the “Dorothy Day of France.” Colleen and I also talk about her career reporting on the Vatican as part of America Media, Pope Francis’s new Apostolic Constitution, and her pilgrimage to the Holy Land with Fr. James Martin. Inside the Vatican podcast The Pope’s Voice podcast Colleen Dulle’s 2018 article, “Who is Madeleine Delbrêl—the “French Dorothy Day” Pope Francis made venerable this weekend?” “Go Rebuild My House” blog Learn more about your ad choices. Visit megaphone.fm/adchoices

In A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being (Duke UP, 2021), Kaiama L. Glover champions unruly female protagonists who adamantly refuse the constraints of coercive communities. Reading novels by Marie Chauvet, Maryse Condé, René Depestre, Marlon James, and Jamaica Kincaid, Glover shows how these authors' women characters enact practices of freedom that privilege the self in ways unmediated and unrestricted by group affiliation. The women of these texts offend, disturb, and reorder the world around them. They challenge the primacy of the community over the individual and propose provocative forms of subjecthood. Highlighting the style and the stakes of these women's radical ethics of self-regard, Glover reframes Caribbean literary studies in ways that critique the moral principles, politicized perspectives, and established critical frameworks that so often govern contemporary reading practices. She asks readers and critics of postcolonial literature to question their own gendered expectations and to embrace less constrictive modes of theorization. Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Lives of Jessie Sampter: Queer, Disabled, Zionist (Duke UP, 2022), Sarah Imhoff tells the story of an individual full of contradictions. Jessie Sampter (1883-1938) was best known for her Course in Zionism (1915), an American primer for understanding support of a Jewish state in Palestine. In 1919, Sampter packed a trousseau, declared herself "married to Palestine," and immigrated there. Yet Sampter's own life and body hardly matched typical Zionist ideals. Although she identified with Judaism, Sampter took up and experimented with spiritual practices from various religions. While Zionism celebrated the strong and healthy body, she spoke of herself as "crippled" from polio and plagued by sickness her whole life. While Zionism applauded reproductive women's bodies, Sampter never married or bore children; in fact, she wrote of homoerotic longings and had same-sex relationships. By charting how Sampter's life did not neatly line up with her own religious and political ideals, Imhoff highlights the complicated and at times conflicting connections between the body, queerness, disability, religion, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Catherine Coleman Flowers, activist, author, founder of the Center for Rural Enterprise and Environmental Justice, and MacArthur “genius prize” winner, talks about her book Waste: One Woman’s Fight Against America’s Dirty Secret with Peoples & Things host Lee Vinsel. Waste examines the brutal realities of rural sanitation issues, particularly the lack of septic tanks, and how they affect poor, often black, people. Flowers also reflects on growing up in Lowndes County, Alabama and how her family, the Civil Rights Movement, and her faith life led her to be the leader she is today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Historian Ruth Schwartz Cowan talks about her book, More Work for Mother, with Peoples & Things host Lee Vinsel. The book examines the history of how Americans industrialized their homes over the past two hundred years and how supposedly labor-saving technologies led women to do increased housework. Cowan also reflects on what it was like to work as a professor as a woman and mother in the 1970s and how families have changed their relationship to technology and housework in the nearly forty years since the book was published. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Blue Beryl Podcast, Pierce Salguero sits down with Wakoh Shannon Hickey, who is a Soto Zen priest, hospice chaplain, scholar, and activist. She talks about her early experiences with social violence in the 1980s, her work as a hospital chaplain, and her 2019 book Mind Cure, which is a groundbreaking social history of religion and mindfulness in the U.S. Resources: Wakoh's Academia.edu page Hickey, Mind Cure: How Meditation Became Medicine (Oxford UP, 2019) Helderman, Prescribing the Dharma: Psychotherapists, Buddhist Traditions, and Defining Religion (2019) Brown, Debating Yoga and Mindfulness in Public Schools: Reforming Secular Education or Reestablishing Religion? (2019) Purser, McMindfulness: How Mindfulness Became the New Capitalist Spirituality (2019) Find all episodes of the Blue Beryl Podcast here. Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine (2010), and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia. He is also the host (with Lan Li) of the Blue Beryl podcast. Subscribe to Blue Beryl here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Ellen Cassedy about her new book  Working 9 to 5: A Women's Movement, a Labor Union, and the Iconic Movie (Chicago Review Press, 2022). Many people may identify 9 to 5 with the comic film starring Jane Fonda, Dolly Parton and Lily Tomlin or perhaps only know Parton’s hit song that served as its theme. But 9 to 5 wasn't just a comic film—it was a movement built by Ellen Cassedy and her friends. Ten office workers in Boston started out sitting in a circle and sharing the problems they encountered on the job. In a few short years, they had built a nationwide movement that united people of diverse races, classes, and ages. They took on the corporate titans. They leafleted and filed lawsuits and started a woman-led union. They won millions of dollars in back pay and helped make sexual harassment and pregnancy discrimination illegal. The women office workers who rose up to win rights and respect on the job transformed workplaces throughout America. And along the way came Dolly Parton's toe-tapping song and a hit movie inspired by their work. Working 9 to 5 is a lively, informative, firsthand account packed with practical organizing lore that will embolden anyone striving for fair treatment. Ellen Cassedy was a founder of the 9 to 5 organization in 1973. She is the coauthor with Karen Nussbaum of 9 to 5: The Working Woman's Guide to Office Survival and with Ellen Bravo of The 9 to 5 Guide to Combating Sexual Harassment. Ellen Cassedy is a former columnist for the Philadelphia Daily News, was a speechwriter in the Clinton administration, and has contributed to Huffington Post, Redbook, Woman's Day, Hadassah, Philadelphia Inquirer, and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eight women appear in Neo-Assyrian sources from the 7th and 8th centuries BCE with the ambiguous but intriguing title 'queen of the Arabs.' Despite providing a rare glimpse of power wielded by women in this period, these rulers remain under-studied and often misunderstood in Assyriology. Aiming to correct these misconceptions, 'the queens of the Arabs' formed the basis of Dr. Ellie Bennett's doctoral dissertation (University of Helsinki, 2021). In this episode Dr. Bennett joins me to talk about gender, language, king- and queenship, the "Arabs" and life in the Arabian Peninsula, and depictions and understandings of nomadism in the Neo-Assyrian Period. Follow Dr. Bennett on Twitter: @sharratu_EllieB . Read the dissertation "The 'Queens of the Arabs' during the Neo-Assyrian Period." *Content warning for descriptions of violence against women in this episode* Music in this episode: Desert City by Kevin MacLeod. License. Learn more about your ad choices. Visit megaphone.fm/adchoices

Examining infanticide cases in the United States from the late eighteenth to the late nineteenth centuries, Felicity M. Turner's Proving Pregnancy: Gender, Law, and Medical Knowledge in Nineteenth-Century America (UNC Press, 2022) documents how women—Black and white, enslaved and free—gradually lost control over reproduction to male medical and legal professionals. In the first half of the nineteenth century, community-based female knowledge played a crucial role in prosecutions for infanticide: midwives, neighbors, healers, and relatives were better acquainted with an accused woman's intimate life, the circumstances of her pregnancy, and possible motives for infanticide than any man. As the century progressed, women accused of the crime were increasingly subject to the scrutiny of white male legal and medical experts educated in institutions that reinforced prevailing ideas about the inferior mental and physical capacities of women and Black people. As Reconstruction ended, the reach of the carceral state expanded, while law and medicine simultaneously privileged federal and state regulatory power over that of local institutions. These transformations placed all women's bodies at the mercy of male doctors, judges, and juries in ways they had not been before. Reframing knowledge of the body as property, Felicity M. Turner shows how, at the very moment when the federal government expanded formal civil and political rights to formerly enslaved people, the medical profession instituted new legal regulations across the nation that restricted access to knowledge of the female body to white men. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

Author Heather King discusses her journey from the alcoholic abyss to redemption and new life (which she described in her book, Parched, 2006), St. Thérèse of Lisieux and the Little Way (whom she wrote about in her book, Shirt of Flame, 20011), the Communion of Saints, literature, women in the Church. In this conversation, we talk over the “Little Ways” that we may look for in our lives to follow the Way of Jesus—as women, men, parents, clerics, lay-people, writers, teachers, workers, and every other kind of human—whether or not anyone see us doing it, except God. Learn more about your ad choices. Visit megaphone.fm/adchoices

The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today. Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives. By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death. Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text Mairead Sullivan is Associate Professor of Women’s and Gender Studies at Loyola Marymount University. Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

The essential handbook for doing historical research in the twenty-first century The Princeton Guide to Historical Research (Princeton UP, 2021) provides students, scholars, and professionals with the skills they need to practice the historian's craft in the digital age, while never losing sight of the fundamental values and techniques that have defined historical scholarship for centuries.  Zachary Schrag begins by explaining how to ask good questions and then guides readers step-by-step through all phases of historical research, from narrowing a topic and locating sources to taking notes, crafting a narrative, and connecting one's work to existing scholarship. He shows how researchers extract knowledge from the widest range of sources, such as government documents, newspapers, unpublished manuscripts, images, interviews, and datasets. He demonstrates how to use archives and libraries, read sources critically, present claims supported by evidence, tell compelling stories, and much more. Featuring a wealth of examples that illustrate the methods used by seasoned experts, The Princeton Guide to Historical Research reveals that, however varied the subject matter and sources, historians share basic tools in the quest to understand people and the choices they made.  Zachary M. Schrag is professor of history at George Mason University and the author of Ethical Imperialism and The Great Society Subway. His teaching website is historyprofessor.org. He lives in Arlington, Virginia. Twitter @zacharyschrag Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices

A bonus episode in honor of Womens History Month! Learn all about Samsi, one of the queens of the ancient Arabs, and what her story can tell us about gender and the status of women among nomadic peoples and empires in the ancient Near East. Music in this episode: Desert City by Kevin MacLeod. License. Wretched Destroyer by Kevin MacLeod. License. Crusade Heavy Industry by Kevin MacLeod. License. All other sounds courtesy of the BBC Sound Effects Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jayne Mansfield (1933-1967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle. Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risqué promotional stunts caused her to be increasingly snubbed in Hollywood. In Jayne Mansfield: The Girl Couldn't Help It (UP of Kentucky, 2021), Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. While she always had her sights set on the silver screen, Mansfield got her start as Rita Marlowe in the Broadway show Will Success Spoil Rock Hunter?. She made her film debut in the low-budget drama Female Jungle (1955) before landing the starring role in The Girl Can't Help It (1956). Mansfield followed this success with a dramatic role in The Wayward Bus (1957), winning a Golden Globe for New Star of the Year, and starred alongside Cary Grant in Kiss Them for Me (1957). Despite her popularity, her appearance as the first celebrity in Playboy and her nude scene in Promises! Promises! (1963) cemented her reputation as an outsider. By the 1960s, Mansfield's film career had declined, but she remained very popular with the public. She capitalized on that popularity through in-person and TV appearances, nightclub appearances, and stage productions. Her larger-than-life life ended sadly when she passed away at age thirty-four in a car accident. Golden looks beyond Mansfield's flashy public image and tragic death to fully explore her life and legacy. She discusses Mansfield's childhood, her many loves—including her famous on-again, off-again relationship with Miklós "Mickey" Hargitay—her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. This funny, engaging biography offers a nuanced portrait of a fascinating woman who loved every minute of life and lived each one to the fullest. Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoices

Lauren N. Haumesser's The Democratic Collapse: How Gender Politics Broke a Party and a Nation, 1856-1861 (UNC Press, 2022) offers a fresh examination of antebellum politics comprehensively examines the ways that gender issues and gendered discourse exacerbated fissures within the Democratic Party in the critical years between 1856 and 1861. Whereas the cultural politics of gender had bolstered Democratic unity through the 1850s, the Lecompton crisis and John Brown's raid revealed that white manhood and its association with familial and national protection meant disparate--and ultimately incompatible--things in free and slave society. In fierce debates over the extension of slavery, gendered rhetoric hardened conflicts that ultimately led to the outbreak of the Civil War. Lauren Haumesser here traces how northern and southern Democrats and their partisan media organs used gender to make powerful arguments about slavery as the sectional crisis grew, from the emergence of the Republican Party to secession. Gendered charges and countercharges turned slavery into an intractable cultural debate, raising the stakes of every dispute and making compromise ever more elusive. Lauren N. Haumesser holds a Ph.D. in History from the University of Virginia. Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at [email protected] and follow him on Twitter @JTRhardt Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Dancer's Voice: Performance and Womanhood in Transnational India (Duke UP, 2022) Rumya Sree Putcha theorizes how the Indian classical dancer performs the complex dynamics of transnational Indian womanhood. Putcha argues that the public persona of the Indian dancer has come to represent India in the global imagination—a representation that supports caste hierarchies and Hindu ethnonationalism, as well as white supremacist model minority narratives. Generations of Indian women have been encouraged to embody the archetype of the dancer, popularized through film cultures from the 1930s to the present. Through analyses of films, immigration and marriage laws, histories of caste and race, advertising campaigns, and her own family’s heirlooms, photographs, and memories, Putcha reveals how women’s citizenship is based on separating their voices from their bodies. In listening closely to and for the dancer’s voice, she offers a new way to understand the intersections of body, voice, performance, caste, race, gender, and nation. Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black women continue to have a complex and convoluted relationship with their hair. From grammar and high schools to corporate boardrooms and military squadrons, Black and Afro Latina natural hair continues to confound, transfix, and enrage members of White American society. Why, in 2022, is this still the case? Why have we not moved beyond that perennial racist emblem? And why are women so disproportionately affected? Why does our hair become most palatable when it capitulates, and has been subjugated, to resemble Caucasian features as closely as possible? Who or what is responsible for the web of supervision and surveillance of our hair? Who in our society gets to author the prevailing constitution of professional appearance? Particularly relevant during this time of emboldened White supremacy, racism, and provocative othering, Lyzette Wanzer's Trauma, Tresses, and Truth: Untangling Our Hair Through Personal Narratives (Chicago Review Press, 2022) explores how writing about one of the still-remaining systemic biases in schools, academia, and corporate America might lead to greater understanding and respect. Iqra Shagufta Cheema writes and teaches in the areas of digital cultures, postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Check out their latest book: The Other #MeToos. Follow them on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Feminist Transformations and Domestic Violence Activism in Divided Berlin, 1968-2002 (Oxford University Press, 2022), Jane Freeland traces the development of the shelter movement in East and West Germany. In the 1970s, feminist activists exposed the harmful gender norms and lack of legal protections that left women vulnerable to abuse in the home. Their efforts led to the founding of the first women’s shelter in West Berlin in 1976 and a broadly successful campaign that changed legal and social attitudes toward domestic abuse. Situating domestic violence activism within a broader history of feminism in post-war Germany, the book traces the evolution of this movement both across political division and reunification and from grassroots campaign to established, professionalized social service. It links histories of feminism in East and West Germany and challenges historiographies of reunification that focus on feminist failures. Feminist Transformations reflects on the tensions between the activists who founded the shelter movement and the media and bureaucratic institutions that helped build popular and political support, with important consequences for the trajectory of German feminism up to today. Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bertha Maxwell-Roddey: A Modern-Day Race Woman and the Power of Black Leadership (UP of Florida, 2022) examines a life of remarkable achievements and leadership in the desegregated South. Sonya Ramsey modernizes the nineteenth-century term "race woman" to describe how Maxwell-Roddey and her peers turned hard-won civil rights and feminist milestones into tangible accomplishments in North Carolina and nationwide from the late 1960s to the 1990s. Born in 1930, Maxwell-Roddey became one of Charlotte's first Black women principals of a white elementary school; she was the founding director of the University of North Carolina at Charlotte's Africana Studies Department; and she cofounded the Afro-American Cultural and Service Center, now the Harvey B. Gantt Center for African-American Art + Culture. Maxwell-Roddey founded the National Council for Black Studies, helping institutionalize the field with what is still its premier professional organization, and served as the 20th National President of Delta Sigma Theta Sorority, Inc., one of the most influential Black women's organizations in the United States. Using oral histories and primary sources that include private records from numerous Black women's home archives, Ramsey illuminates the intersectional leadership strategies used by Maxwell-Roddey and other modern race women to dismantle discriminatory barriers in the classroom and the boardroom. Bertha Maxwell-Roddey offers new insights into desegregation, urban renewal, and the rise of the Black middle class through the lens of a powerful leader's life story. Learn more about your ad choices. Visit megaphone.fm/adchoices

Time magazine called her "the Dancer of the Century." Her technique, used by dance companies throughout the world, became the first long-lasting alternative to the idiom of classical ballet. Her pioneering movements--powerful, dynamic, jagged, edgy, forthright--combined with her distinctive system of training, were the epitome of American modernism, performance as art. Her work continued to astonish and inspire for more than sixty years as she choreographed more than 180 works. At the heart of Graham's work: movement that could express inner feeling. In Martha Graham: When Dance Became Modern (Knopf, 2022), Neil Baldwin, author of admired biographies of Man Ray and Thomas Edison, gives us the artist and performer, the dance monument who led a cult of dance worshippers as well as the woman herself in all of her complexity. Here is Graham, from her nineteenth-century (born in 1894) Allegheny, Pennsylvania, childhood, to becoming the star of the Denishawn exotic ballets, and in 1926, at age thirty-two, founding her own company (now the longest-running dance company in America). Baldwin writes of how the company flourished during the artistic explosion of New York City's midcentury cultural scene; of Erick Hawkins, in 1936, fresh from Balanchine's School of American Ballet, a handsome Midwesterner fourteen years her junior, becoming Graham's muse, lover, and eventual spouse. Graham, inspiring the next generation of dancers, choreographers, and teachers, among them: Merce Cunningham and Paul Taylor. Baldwin tells the story of this large, fiercely lived life, a life beset by conflict, competition, and loneliness--filled with fire and inspiration, drive, passion, dedication, and sacrifice in work and in dance creation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sandie Holguín (Professor of History and Coeditor of the Journal of Women’s History, University of Oklahoma) speaks with Rebecca Ingram (Associate Professor of Spanish in the Department of Languages, Cultures, and Literatures, University of San Diego) about her book, Women’s Work: How Culinary Cultures Shaped Modern Spain (Vanderbilt University Press, 2022). Today Spain is widely known for its culinary achievements, drawing tourists from around the world to sample delights from Michelin-starred restaurants. But in the early twentieth century, visitors to Spain complained unceasingly about the poor, primitive qualities of Spanish food and its preparation. To Spanish intellectuals, this denigrated place of Spanish food within the European pantheon of “civilized” cuisines seemed misplaced, and they set about to correct this mischaracterization. It is during this period of Spain’s great imperial losses and uneven economic modernization that Ingram enters to analyze the place of culinary writing in Spain’s modernization process. Ingram dives deeply into the culinary writings of Spanish feminists like Emilia Pardo Bazán and Carmen de Burgos, and the decidedly-not-feminist polymath physician, Gregorio Marañón’, and she examines the culinary training ground for working-class women at Barcelona’s Institut de Cultura i Biblioteca Popular de la Dona. Through her deep reading of culinary paratexts, she elucidates the numerous debates around women’s labor and domesticity and its relationship to Spanish modernity. Ingram reveals "how culinary writing engaged these debates and reached women at the site of much of their daily labor—the kitchen—and, in this way, shaped their thinking." Learn more about your ad choices. Visit megaphone.fm/adchoices

Ying-chen Peng’s Artful Subversion: Empress Dowager Cixi’s Image Making is a beautiful new volume on late Qing imperial art practice from Yale University Press (forthcoming in 2023). Peng’s book, rigorously researched and richly illustrated, presents a revisionist biography of the Empress Dowager through an analysis of her patronage and participation in making art. Each chapter follows Cixi’s her “artfully subversive” command of various media forms, from photography and portraiture, to architecture, porcelain, painting, and calligraphy. Considering Cixi as a patron and artist in her own right, Peng frames the regent as a canny political and aesthetic strategist who worked within and against conventions that circumscribed female power to craft an assertive role as the face of the Great Qing Empire at a moment of immense historical changes. Join us for a fascinating discussion of the artistic universe crafted by Cixi. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices

The first monograph devoted to women artists of the Republican period, The Golden Key: Women Artists and Gender Negotiations in Republican China (1911-1949) (Brill, 2020) , authored by Amanda Wangwright, recovers the history of a groundbreaking yet forgotten force in China's modern art world. Through its detailed examination of the lives and careers of six female artists—Guan Zilan, Qiu Ti, Pan Yuliang, Fang Junbi, Yu Feng, and Liang Baibo—this book argues that women were central to the emergence of modernist art in early twentieth-century China and to the nation’s larger modernization project. Amanda S. Wangwright’s analysis of a wealth of primary sources demonstrates how these women constructed public personas, negotiated space within art societies, applied feminist thought to their artistic praxis, and surmounted obstacles to their careers—wielding art as the “golden key” to professional advancement and gender equality. Huiying Chen is an Assistant Professor in History at Purdue University. She is interested in the circulation of people, goods, and ideas and how societies in history and today cope with the challenges wrought by increased travel in aspects of culture, politics, commerce, law, science, and technology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Britney Spears barely survived 2007. She divorced her husband, lost custody of her kids, went to rehab, shaved her head and assaulted a paparazzo. In the midst of her public breakdown, she managed to record an album, Blackout. Critics thought it spelled the end for Britney Spears' career. But Blackout turned out to be one of the most influential albums of the aughts. It not only brought glitchy digital noise and dubstep into the Top 40, but also transformed Britney into a new kind of pop star, one who shrugged off mainstream ubiquity for the devotion of smaller groups of fans who worshipped her idiosyncratic sound. Britney Spears’s Blackout (Bloomsbury, 2022) returns to the grimy clubs and paparazzi hangouts of LA in the 2000s as well as the blogs and forums of the early internet to show how Blackout was a crucial hinge between twentieth and twenty-first-century pop. Natasha Lasky is a writer and filmmaker living in Chicago, USA. Natasha on Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jane Stevenson’s newest book, Women and Latin in the Early Modern Period (Brill, 2022), tracks the history and historiography of women Latinists in the early modern period. She relates how the first early modern women Latinists lived in mid-fourteenth century Italy, and were educated as diplomats. By the fifteenth century, other upper-class women were educated in order to perform as prodigies on behalf of their city. Both strands of education for women spread to other European countries in the course of the sixteenth century: the principal women humanists were either princesses or courtiers. In the seventeenth century Latin lost its importance as a language of diplomacy and was no longer needed at court, but there was still a place for the ‘woman prodigy’, and a variety of women performed in this way. However, the productions of seventeenth and eighteenth-century women Latinists are more extensive and more varied than those of their predecessors, and include scientific writing and ambitious translations. By the mid-nineteenth century the integration of studious women into the wider academy was well under way. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 20th century, Europe and North America were undergoing a radical transformation. Scientific, technological, and political changes disrupted many traditional forms of life. The growth of cities opened up new freedoms and opportunities and scientists like Sigmund Freud and Ernst Mach were developing new theories about how we perceive the world and construct reality. These cultural changes gave birth to a form of art that reflected the new sensibilities of this era—modernism. The modernist literary movement was characterized in particular by its interest in revealing the inner psychology of its characters. And few texts were as successful in this goal as Virginia Woolf’s 1925 novel Mrs Dalloway. Dora Zhang is Associate professor of English and Comparative Literature at UC Berkeley. She is the author of Strange Likeness: Description and the Modernist Novel. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

Inna Perheentupa's book Feminist Politics in Neoconservative Russia: An Ethnography of Resistance and Resources (Policy Press, 2022) is a nuanced and compelling analysis of grassroots feminist activism in Russia in the politically turbulent 2010s. Drawing on rich ethnographic data, the author illustrates how a new generation of activists chose feminism as their main political beacon, and how they negotiated the challenges of authoritarian and conservative trends. As we witness a backlash against feminism on a global scale with the rise of neoconservative governments, this highly relevant book decentres Western theory and concepts of feminism and social movements, offering significant insights into how resistance can mobilize and invent creative tactics to cope with an increasingly repressed space for independent political action. Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Virginia L. Summey's book The Life of Elreta Melton Alexander: Activism within the Courts (U Georgia Press, 2022) explores the life and contributions of groundbreaking attorney, Elreta Melton Alexander Ralston (1919–98). In 1945 Alexander became the first African American woman to graduate from Columbia Law School. In 1947 she was the first African American woman to practice law in the state of North Carolina, and in 1968 she became the first African American woman to become an elected district court judge. Despite her accomplishments, Alexander is little known to scholars outside of her hometown of Greensboro, North Carolina. Her life and career deserve recognition, however, not just because of her impressive lists of “firsts,” but also owing to her accomplishments during the civil rights movement in the U.S. South. While Alexander did not actively participate in civil rights marches and demonstrations, she used her professional achievements and middle-class status to advocate for individuals who lacked a voice in the southern legal system. Virginia L. Summey argues that Alexander was integral to the civil rights movement in North Carolina as she, and women like her, worked to change discriminatory laws while opening professional doors for other minority women. Using her professional status, Alexander combatted segregation by demonstrating that Black women were worthy and capable of achieving careers alongside white men, thereby creating environments in which other African Americans could succeed. Her legal expertise and ability to reach across racial boundaries made her an important figure in Greensboro history. Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1. Learn more about your ad choices. Visit megaphone.fm/adchoices

Teaching in Black and White: The Sisters of St. Joseph in the American South (Catholic University of America Press, 2022) discusses the work of the Sisters of St. Joseph of (the city of) St. Augustine, who came to Florida from France in 1866 to teach newly freed blacks after the Civil War, and remain to this day. It also tells the story of the Sisters of St. Joseph of Georgia, who sprang from the motherhouse in St. Augustine. A significant part of the book is a comparison of the Sisters of St. Josephs’ work against that of their major rivals, missionaries from the Protestant American Missionary Association. Using letters the Sisters wrote back to their motherhouse in France, the book provides rare glimpses into the personal and professional (pun intended) lives of these women religious in St. Augustine and other parts of Florida and Georgia, from the mid-nineteenth century through the era of anti-Catholicism in the early twentieth century South. It carries the story through 1922, the end of the pioneer years of the Sisters of St. Josephs’ work in Florida, and the end of Sisters of St. Joseph of Georgia’s existence as a distinct order. Through the lenses of Catholicism, Florida and Southern history, gender, and race, the book addresses the Protestant concept of domesticity and how it was reinforced in Catholic terms by women who seemingly defied the ideal. It also relates the Sisters’ contributions in shaping life in the South during Reconstruction as they established elite academies and free schools, created orphanages, ministered to all during severe yellow fever epidemics, and fought the specter of anti-Catholicism as it crept across the rural regions of the country. To date, little has been written about Catholics in the South, much less the women religious who served there. This book helps to fill that gap. Teaching in Black and White provides rare glimpses into the personal and professional lives of women religious in Florida and Georgia, from the mid-nineteenth to early twentieth-century. Allison Isidore is a Religious Studies Ph.D. student at the University of Iowa and is the Assistant Director for the American Catholic Historical Association. Her research interest is focused on the twentieth-century American Civil Rights Movement and the Catholic Church’s response to racism and the participation of Catholic clergy, nuns, and laypeople in marches, sit-ins, and kneel-ins during the 1950s and 1960s. She tweets from @AllisonIsidore1. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cathy McClive (Florida State University) offers the first full-length bilingual edition of an extraordinary treatise on childbirth written by a seventeenth-century French midwife in The Art of Childbirth: A Seventeenth-Century Midwife's Epistolary Treatise to Doctor Vallant (University of Toronto Press, 2022). In 1671, Marie Baudoin (1625-1700), head midwife and governor of the Hôtel-Dieu of Clermont-Ferrand, sent a treatise on the art of childbirth to her powerful Parisian patron, Dr. Vallant. The story of how Baudoin's knowledge and expertise as a midwife came to be expressed, recorded, and archived raises the question: Was Baudoin exceptional because she was herself extraordinary, or because her voice has reached us through Vallant's careful archival practices? Either way, Baudoin's treatise invites us to reconsider the limits of what we thought we knew midwives "could be and do" in seventeenth-century France. Grounding Marie Baudoin's text in a microanalysis of her life, work, and the Jansenist network between Paris and Clermont-Ferrand, this book connects historiographies of midwifery, Jansenism, hospital administration, public health, knowledge and record-keeping, and women's work, underscoring both Baudoin's capabilities and the archival accidents and intentions behind the preservation of her treatise in a letter. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Women played an essential role in the international struggle against fascism during the interwar period, though their work has been neglected in broader historiography. In Anti-Fascism, Gender, and International Communism (Routledge, 2022), Jasmine Calver provides a comprehensive history of the Comité mondial des femmes contre la guerre et le fascisme (the International Committee of Women Against War and Fascism, or CMF), an international women's organization concerned with confronting the impact of fascism on women and children across the globe. Examining the CMF's key figures and campaigns during its short 1934-41 tenure, Calver reveals its place at the forefront of global debates about the threat posed by fascism and imperialism. This book explores how the professional women activists and the working-class women who populated the organization developed a committee which advocated for women on a global scale. CMF campaigns around the Spanish Civil War, rising Nazism in Germany, the Sino-Japanese War, and the Italian invasion of Ethiopia show its international ambitions. Using newly-available sources to assess CMF congresses, correspondence, travels, and publications, Calver uncovers the complexities of its links to the Communist International, and its status as an early Popular Front organization. The book comes at an important time to reevaluate the successes and failures of historical efforts to combat rising fascist movements. Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks. Learn more about your ad choices. Visit megaphone.fm/adchoices

While the story of women’s liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O’Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era. Kimberly Chrisman-Campbell's Skirts: Fashioning Modern Femininity in the Twentieth Century (St. Martin's Press, 2022) looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn―and the women who wore them―while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Women, Mysticism, and Hysteria in Fin-De-Siècle Spain (Vanderbilt UP, 2021) argues that the reinterpretation of female mysticism as hysteria and nymphomania in late nineteenth and early twentieth century Spain was part of a larger project to suppress the growing female emancipation movement by sexualizing the female subject. This archival-historical work highlights the phenomenon in medical, social, and literary texts of the time, illustrating that despite many liberals' hostility toward the Church, secular doctors and intellectuals employed strikingly similar paradigms to those through which the early modern Spanish Church castigated female mysticism as demonic possession. Author Jennifer Smith also directs modern historians to the writings of Emilia Pardo Bazán (1851-1921) as a thinker whose work points out mysticism's subversive potential in terms of the patriarchal order. The only woman author studied here, Pardo Bazán, unlike her male counterparts, rejected the hysteria diagnosis and promoted mysticism as a path for women's personal development and self-realization. Jennifer Smith is an associate professor of Spanish and chair of the Department of Languages, Cultures, and International Trade at Southern Illinois University. Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoices