What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can’t dance, I don’t want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman’s progression as an anarchist and feminist. Goldman’s feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman’s radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices

In It's Always Been Ours: Rewriting the Story of Black Women's Bodies (Hachette Go, 2023) eating disorder specialist and storyteller Jessica Wilson challenges us to rethink what having a "good" body means in contemporary society. By centering the bodies of Black women in her cultural discussions of body image, food, health, and wellness, Wilson argues that we can interrogate white supremacy's hold on us and reimagine the ways we think about, discuss, and tend to our bodies. A narrative that spans the year of racial reckoning (that wasn't), It's Always Been Ours is an incisive blend of historical documents, contemporary writing, and narratives of clients, friends, and celebrities that examines the politics of body liberation. Wilson argues that our culture's fixation on thin, white women reinscribes racist ideas about Black women's bodies and ways of being in the world as "too much." For Wilson, this white supremacist, capitalist undergirding in wellness movements perpetuates a culture of respectability and restriction that force Black women to perform unhealthy forms of resilience and strength at the expense of their physical and psychological needs. With just the right mix of wit, levity, and wisdom, Wilson shows us how a radical reimagining of body narratives is a prerequisite to well-being. It's Always Been Ours is a love letter that celebrates Black women's bodies and shows us a radical and essential path forward to rediscovering their vulnerability and joy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Taking Sides: A Memoir about Love, War, and Changing the World (Scribe, 2023) is a personal memoir by Sherine Tadros, the United Nations Representative and Deputy Director of Advocacy for Amnesty International. An award-winning broadcast journalist and war correspondent for Sky News and Al Jazeera English, where she reported on the Gaza War, the Arab Spring, and rise of the Islamic State, Tadros decided in 2016 to leave journalism for human rights activism after concluding that her reporting work “ended up at the wrong point”. In this wide-ranging interview she talks about overcoming discrimination as an Egyptian-British “halfie”, a woman, and an immigrant, the importance and limits of being an acclaimed war correspondent, the duty she feels to fight for the rights of others and why individual action makes a difference. Nicholas Bequelin is a human rights professional with a PhD in history and a scholarly bent. He has worked about 20 years for Human Rights Watch and Amnesty International, most recently as Regional director for Asia. He’s currently a Visiting Scholar and Lecturer at Yale Law School. Learn more about your ad choices. Visit megaphone.fm/adchoices

The long nineteenth-century--the period beginning with the French Revolution and ending with World War I--was a transformative period for women philosophers in German-speaking countries and contexts. The period spans romanticism and idealism, socialism, Nietzscheanism, and phenomenology, philosophical movements we most often associate with Hegel, Schopenhauer, Kierkegaard, Nietzsche, and Marx--but rarely with women. Yet women philosophers not only contributed to these movements, but also spearheaded debates about their social and political implications. While today their works are less well-known than those of their male contemporaries, many of these women philosophers were widely-read and influential in their own time. Their contributions shed important new light on nineteenth-century philosophy and philosophy more generally: revealing the extent to which various movements which we consider distinct were joined, and demonstrating the degree to which philosophy can transform lives and be transformed by lived experiences and practices. In the nineteenth century, women philosophers explored a wide range of philosophical topics and styles. Working within and in dialogue with popular philosophical movements, women philosophers helped shape philosophy's agenda and provided unique approaches to existential, political, aesthetic, and epistemological questions. Though largely deprived formal education and academic positions, women thinkers developed a way of philosophizing that was accessible, intuitive, and activist in spirit.  Dalia Nassar and Kristin Gjesdal's Women Philosophers in the Long Nineteenth Century: The German Tradition (Oxford UP, 2021) makes available to English-language readers―in many cases for the first time―the works of nine women philosophers, with the hope of stimulating further interest in and scholarship on their works. The volume includes a comprehensive introduction to women philosophers in the nineteenth century and introduces each philosopher and her position. The translations are furnished with explanatory footnotes. The volume is designed to be accessible to students as well as scholars. Kristin Gjesdal is a Norwegian philosopher and Professor of Philosophy at Temple University. She is known for her expertise in the field of hermeneutics, nineteenth-century philosophy, aesthetics, and phenomenology. Gjesdal is a member of The Norwegian Academy of Science and Letters Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on International Horizons, Ellen Chesler interviews Rebecca Adami and Fatima Sator, editor and co-author of Women and the UN: A New History of Women's International Human Rights (Routledge, 2022) that debunks the myth that the UN Charter and the Universal Declaration of Human Rights were Western male-dominated inventions. Moreover, the authors discuss how women did not act as a unified bloc in the first chapters of global governance, and that it has been women from the Global South such as Marie Sivomey from Togo, Jaiyeola Aduke Moore from Nigeria, Jeanne Martin Cissé from Guinea, Aziza Hussein from Egypt, Artati Marzuki from Indonesia, and Carmela Aguilar from Peru, Bertha Lutz from Brazil and Minerva Bernardino from Dominican Republic who were the main drivers of feminism in the early stages of the UN. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mary Kelley, member of the NEQ editorial board, interviews Deirdre Clemente about her article "'Prettier Than They Used to Be': Femininity, Fashion, and the Recasting of Radcliffe's Reputation, 1900-1950" which appears in the December 2009 issue of The New England Quarterly. The conversation was recorded on December 21, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Megan Buskey about her book Ukraine Is Not Dead Yet: A Family Story of Exile and Return (Ibidem-Verlag, 2023). When Megan Buskey’s grandmother Anna dies in Cleveland in 2013, Megan is compelled in her grief to document her grandmother’s life as a native of Ukraine. A Ukrainian American, Buskey returns to her family’s homeland and enlists her relatives there to help her in her quest—and discovers much more than she expected. The result of this extraordinary journey that traces one woman’s story across Ukraine’s difficult twentieth century, from a Galician village emerging from serfdom, to the “bloodlands” of Eastern Europe during World War II, to the Siberian hinterlands where Anna spent almost two decades in exile before receiving the rare opportunity to emigrate from the Soviet Union in the 1960s. Yet Megan’s wide-ranging inquiries keep leading her back to universal questions: What does family mean? How can you forge connections between generations that span different cultures, times, and places? And, perhaps most hauntingly, how can you best remember a complicated past that is at once foreign and personal? John Vsetecka is a PhD Candidate in the Department of History at Michigan State University where he is finishing a dissertation that examines the aftermath of the 1932-33 famine in Soviet Ukraine (Holodomor). Learn more about your ad choices. Visit megaphone.fm/adchoices

Rewriting Citizenship: Women, Race, and Nineteenth-Century Print Culture (U Georgia Press, 2022) provides an interdisciplinary approach to antebellum citizenship. Interpreting citizenship, particularly how citizenship intersects with race and gender, is fundamental to understanding the era and directly challenges the idea of Jacksonian Democracy. Susan J. Stanfield uses an analysis of novels, domestic advice, essays, and poetry, as well as more traditional archival sources, to provide an understanding of both the prescriptions for womanhood espoused in print culture and how those prescriptions were interpreted in everyday life. While much has been written about the cultural marker of true womanhood as a gender ideology of white middle-class women, Stanfield reveals how it served an even more significant purpose by defining racial difference and attaching civic purpose to the daily practices of women. Black and white women were actively engaged in redefining citizenship in ways that did not necessarily call for suffrage rights but did claim a relationship to the state. The prominence of true womanhood relied upon a female-focused print culture. The act of publication gave power to the ideology and allowed for a shared identity among white middle-class women and those who sought to emulate them. Stanfield argues that this domestic literature created a national code for womanhood that was racially constructed and infused with civic purpose. By defining women’s household practices as an obligation not only to their husbands but also to the state, women could reimagine themselves as citizens. Through print sources, women publicized their performance of these defined obligations and laid claim to citizenship on their own behalf. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina’s “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States. Even in today’s more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime. In Dress Codes: How the Laws of Fashion Made History (Simon & Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history’s red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you’ll never think of fashion as superficial again—and getting dressed will never be the same. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

US Congresswoman Barbara Jordan is well-known as an interpreter and defender of the Constitution, particularly through her landmark speech during Richard Nixon's 1974 impeachment hearings. However, before she developed faith in the Constitution, Jordan had faith in Christianity. In "My Faith in the Constitution is Whole" Barbara Jordan and the Politics of Scripture (Georgetown UP, 2022), Robin L. Owens shows how Jordan turned her religious faith and her faith in the Constitution into a powerful civil religious expression of her social activism. Owens begins by examining the lives and work of the nineteenth-century Black female orator-activists Maria W. Stewart and Anna Julia Cooper. Stewart and Cooper fought for emancipation and women's rights by "scripturalizing," or using religious scriptures to engage in political debate. Owens then demonstrates how Jordan built upon this tradition by treating the Constitution as an American "scripture" to advocate for racial justice and gender equality. Case studies of key speeches throughout Jordan's career show how she quoted the Constitution and other founding documents as sacred texts, used them as sociolinguistic resources, and employed a discursive rhetorical strategy of indirection known as "signifying on scriptures." Jordan's particular use of the Constitution--deeply connected with her background and religious, racial, and gender identity--represents the agency and power reflected in her speeches. Jordan's strategies also illustrate a broader phenomenon of scripturalization outside of institutional religion and its rhetorical and interpretive possibilities. Learn more about your ad choices. Visit megaphone.fm/adchoices

Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter. A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers. Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices

To fend off American and European imperialism in the nineteenth century, Japan strove to strengthen itself by drawing on the most updated ideas and practices from around the world. By the 1880s, this included the introduction of Western-derived psychiatry and its ideas about mental illness. The first Japanese psychiatrists claimed that mental illnesses required medical treatment in specialized institutions rather than confinement at home, as had been common practice. Yet the state implemented no social welfare policies to make new medical services more accessible and affordable to the public. The family, especially women, thus continued to carry the burden of caring for those considered mad. Madness in the Family: Women, Care, and Illness in Japan (Oxford UP, 2022) examines how the family in Japan came to be seen as the natural provider of care for those suffering from mental illnesses. It centers on the experiences of women and families, which have long been obscured by the voices of male psychiatrists, state officials, and lawmakers. H. Yumi Kim traces how women and families negotiated a dizzying array of claims about madness and its proper management across various settings. In the countryside, psychiatrists tried to refute the notion that fox spirits could cause madness, and the government regulated the use of cage-like structures inside homes. In cities, a booming medical marketplace spread ideas about feminized illnesses such as hysteria, and female defendants were evaluated for menstruation-induced disorders. As women and families navigated this shifting therapeutic landscape, they produced their own gendered approaches to madness that would take precedence over the claims of psychiatry, the law, and the state in everyday life. Decoupling the history of mental illness from the discipline and institutions of psychiatry, Madness in the Family reveals the power and fragilities of gender, kinship, and care in the creation of different modes of caring for and understanding mental illness that persist to this day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lilly: The First Latina Rockette (Lilly Enterprises, 2021) is the improbable story of a Puerto Rican toddler, confined by her father for 15 years to a Bronx orphanage—the former Kennedy estate--and her emergence as a successful jazz and Broadway dancer on the way to becoming the first Latina Rockette. Equally important: a thoughtful exploration of Roman Catholic charitable institutions, the New York City’s fabled High School of Performing Arts, the uncertainties and brutality of Puerto Rican family life and the joy of discovering a Latina identity during a troubled time. James Wunsch is Emeritus Professor of Historical and Education Studies at SUNY Empire State. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her latest book, Fearless Women: Feminist Patriots from Abigail Adams to Beyoncé (Harvard University Press, 2023), New York Times bestselling author Elizabeth Cobbs shows us that the quest for women’s rights is deeply entwined with the founding story of the United States. When America became a nation, a woman had no legal existence beyond her husband. If he abused her, she couldn’t leave without abandoning her children. Abigail Adams tried to change this, reminding her husband John to “remember the ladies” when he wrote the Constitution. He simply laughed—and women have been fighting for their rights ever since. Fearless Women tells the story of women who dared to take destiny into their own hands. They were feminists and antifeminists, activists and homemakers, victims of abuse and pathbreaking professionals. Inspired by the nation’s ideals and fueled by an unshakeable sense of right and wrong, they wouldn’t take no for an answer. In time, they carried the country with them. The first right they won was the right to learn. Later, impassioned teachers like Angelina Grimké and Susan B. Anthony campaigned for the right to speak in public, lobby the government, and own property. Some were passionate abolitionists. Others fought just to protect their own children. Many of these women devoted their lives to the cause—some are famous—but most pressed their demands far from the spotlight, insisting on their right to vote, sit on a jury, control the timing of their pregnancies, enjoy equal partnerships, or earn a living. At every step, they faced fierce opposition. Elizabeth Cobbs gives voice to fearless women on both sides of the aisle, most of whom considered themselves patriots. Rich and poor, from all backgrounds and regions, they show that the women’s movement has never been an exclusive club. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Silver Women: How Black Women's Labor Made the Panama Canal (U Pennsylvania Press, 2023), Joan Flores-Villalobos argues that Black West Indian women made the canal construction possible by providing the indispensable everyday labor of social reproduction. West Indian women built a provisioning economy that fed, housed, and cared for the segregated Black West Indian labor force, in effect subsidizing the construction effort and the racial calculus that separated pay in silver for Black workers and gold for white Americans. But while also subject to racial discrimination and segregation, West Indian women mostly worked outside the umbrella of U.S. canal authorities. They did not hold contracts, had little access to official services and wages, and received pay in both silver and gold. From this position, they found ways to skirt, and at times subvert, the legal, moral, and economic parameters imperial authorities sought to impose on the migrant workforce. West Indian women developed important strategies of claims-making, kinship, community building, and market adaptation that helped them navigate the contradictions and violence of U.S. empire. In the meantime, these strategies of social reproduction nurtured further West Indian migrations, linking Panama to places like Harlem and Santiago de Cuba. The Silver Women is thus a history of Black women’s labor of social reproduction as integral to U.S. imperial infrastructure, the global Caribbean diaspora, and women’s own survival. Nicole Ramsey is a Postdoctoral Fellow at the Carter G. Woodson Institute for African & African American Studies at the University of Virginia. Her research examines formations of blackness, indigeneity, identity, and nation in Belize and the circum-Caribbean. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Global Feminist Autoethnographies During COVID-19: Displacements and Disruptions (Routledge, 2022) bears witness to our displacements, disruptions, and distress as tenured faculty, faculty on temporary contracts, graduate students, and people connected to academia during COVID-19. The authors document their experiences arising within academia and beyond it, gathering narratives from across the globe—Australia, Canada, Ghana, Finland, India, Norway, South Africa, the United Kingdom, the United States along with transnational engagements with Bolivia, Iran, Nepal, and Taiwan. In an era where the older rules about work and family related to our survival, wellbeing, and dignity are rapidly being transformed, this book shows that distress and traumas are emerging and deepening across the divides within and between the global North and South, depending on the intersecting structures that have affected each of us. It documents our distress and trauma and how we have worked to lift each other up amidst severe precarities. A global co-written project, this book shows how we are moving to decolonize our scholarship. It will be of interest to an interdisciplinary array of scholars in the areas of intersectionality, gender, family, race, sexuality, migration, and global and transnational sociology. Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who built the twentieth century birth control movement? In Women's Medicine: Family Planning and British Female Doctors in Transnational Perspective, 1920-70 (Manchester University Press 2020), Dr. Caroline Rusterholz highlights British female doctors' key contribution to the production and circulation of scientific knowledge around contraception, family planning and sexual disorders between 1920-70. It argues that women doctors were pivotal in developing a holistic approach to family planning and transmitting this knowledge across borders, playing a more prominent role in shaping scientific and medical knowledge than previously acknowledged.  The book locates women doctors' involvement within the changing landscape of national and international reproductive politics. Illuminating women doctors' agency in the male-dominated field of medicine, this book reveals their practical engagement with birth control and later family planning clinics in Britain, their participation in the development of the international movement of birth control and family planning and their influence on French doctors. Drawing on a wide range of archived and published medical materials, Rusterholz sheds light on the strategies British female doctors used and the alliances they made to put forward their medical agenda and position themselves as experts and leaders in birth control and family planning research and practice. Nicole Bourbonnais is Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational, historical perspective. Profile here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Francine Lazarus survived WWII in Belgium hidden with strangers, isolated from her family, and moved from place to place. She witnessed murder and was often injured herself. With her father murdered in Auschwitz, her story continues post-war with the young Francine, neglected and abused by her family, being sent into foster care. At 13 she was sent to work and forced to abandon education. Like most child Survivors, she was told to forget about her war experiences. After an involuntary migration to Australia, her life began to improve. She created a loving family and, in middle age, earned a bachelor's and master's degrees. However, this testimony is much more than a chronicle of Francine's life. Plagued by secrecy, guilt, and shame, she explains how silence affected her life, and the events that prompted her to share her story.  A Hidden Jewish Child from Belgium: Survival, Scars and Healing (Vallentine Mitchell, 2017) is particularly valuable because Francine relates her memories, emotions and introspection to the existing literature on Hidden Children. The research on her life, family and their history (including books, papers, archives, and museum documents) is interspersed throughout the book, offering a detailed portrayal of her situation. This description by a Survivor of her reconstruction and self-healing process is rare in existing literature. Furthermore, her immigration, part of the recovery process, is a fascinating and under-researched topic, which allows for a unique insight into post-war expatriation. The issue of reconstruction is what makes this book a considerable addition to current literature. It fills the gap between the intimacy of individual memoirs and the past ten years' academic research conducted on elderly hidden Jewish children by historians, psychologists, and other professionals.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the late twentieth century, the Venetian courtesan Veronica Franco has been viewed as a triumphant proto-feminist icon: a woman who celebrated her sexuality, an outspoken champion of women and their worth, and an important intellectual and cultural presence in sixteenth-century Venice. In Veronica Franco in Dialogue (U Toronto Press, 2022), Marilyn Migiel provides a nuanced account of Franco’s rhetorical strategies through a close analysis of her literary work. Focusing on the first fourteen poems in the Terze rime, a collection of Franco’s poems published in 1575, Migiel looks specifically at back-and-forth exchanges between Franco and an unknown male author. Migiel argues that in order to better understand what Franco is doing in the poetic collection, it is essential to understand how she constructs her identity as author, lover, and sex worker in relation to this unknown male author. Veronica Franco in Dialogue accounts for the moments of ambivalence, uncertainty, and indirectness in Franco’s poetry, as well as the polemicism and assertions of triumph. In doing so, it asks readers to consider their ideological investments in the stories we tell about early modern female authors and their cultural production. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the histories of diplomacy and sociality. Her publications have appeared in The Italianist and the Routledge Encyclopedia of the Renaissance World, with forthcoming research on the intersections across affect, masculinity, early modern poetics, and Baroque opera. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Kenneth R. Stow about his book Anna and Tranquillo: Catholic Anxiety and Jewish Protest in the Age of Revolutions (Yale UP, 2016). After being seized by the papal police in Rome in May 1749, Anna del Monte, a Jew, kept a diary detailing her captors' efforts over the next thirteen days to force her conversion to Catholicism. Anna's powerful chronicle of her ordeal at the hands of authorities of the Roman Catholic Church, originally circulated by her brother Tranquillo in 1793, receives its first English-language translation along with an insightful interpretation by Kenneth Stow of the incident's legal and historical significance. Stow's analysis of Anna's dramatic story of prejudice, injustice, resistance, and survival during her two-week imprisonment in the Roman House of Converts--and her brother's later efforts to protest state-sanctioned, religion-based abuses--provides a detailed view of the separate forces on either side of the struggle between religious and civil law in the years just prior to the massive political and social upheavals in America and Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices

From Marion Davies's humble days in Brooklyn to her rise to fame alongside press baron William Randolph Hearst, the public life story of the film star plays like a modern fairy tale shaped by gossip columnists, fan magazines, biopics, and documentaries. Yet the real Marion Davies remained largely hidden from view, as she was wary of interviews and trusted few with her true life story. In Captain of Her Soul: The Life of Marion Davies (U California Press, 2022), Lara Gabrielle pulls back layers of myth to show a complex and fiercely independent woman, ahead of her time, who carved her own path. Through meticulous research, unprecedented access to archives around the world, and interviews with those who knew Davies, Captain of Her Soul counters the public story. This book reveals a woman who navigated disability and social stigma to rise to the top of a young Hollywood dominated by powerful men. Davies took charge of her own career, negotiating with studio heads and establishing herself as a top-tier comedienne, but her proudest achievement was her philanthropy and advocacy for children. This biography brings Davies out of the shadows cast by the Hearst legacy, shedding light on a dynamic woman who lived life on her own terms and declared that she was "the captain of her soul." Lara Gabrielle is a film writer and researcher whose work on Marion Davies has been featured in The Missouri Review, The Wall Street Journal, and on PBS’s American Experience. She has spoken about Davies at film festivals and retrospectives worldwide and has served as a consultant on her life and legacy for books, dissertations, and film projects. Gabrielle’s biography of Davies, Captain of Her Soul, is included in Alta Journal’s Top 16 Books to read this September. She lives in Oakland, California. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1863 and 1871, Harriet M. Buss of Sterling, Massachusetts, taught former slaves in three different regions of the South, in coastal South Carolina, Norfolk, Virginia, and Raleigh, North Carolina. A white, educated Baptist woman, she initially saw herself as on a mission to the freedpeople of the Confederacy but over time developed a shared mission with her students and devoted herself to training the next generation of Black teachers. The geographical and chronological reach of her letters is uncommon for a woman in the Civil War era. In each place she worked, she taught in a different type of school and engaged with different types of students, so the subjects she explored in her letters illuminate a remarkably broad history of race and religion in America. Her experiences also offer an inside perspective of the founding of Shaw University, an important historically Black university. Now available to specialists and general readers alike for the first time in My Work Among the Freedmen: The Civil War and Reconstruction Letters of Harriet M. Buss (U Virginia Press, 2021), her correspondence offers an extensive view of the Civil War and Reconstruction era rarely captured in a single collection. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Hit Girls: Women of Punk in the USA, 1975-1983 (Feral House, 2023), Jen B. Larson takes readers throughout the United States on a punk history lesson. Dividing the country into regions, Larson documents local and regional bands and scenes, many of which have stories that were in danger of being lost. Profiling over 80 bands and artists, Hit Girls shares women's experiences as pioneers of punk. Highlighting their successes and documenting the sexism and racism within the scene, Hit Girls includes over 100 images, a comprehensive playlist of all the artists, and interviews with many of the artists including Texacala Jones, Alice Bag, Nikki Corvette, and Penelope Houston. Hit Girls is an important text in the history of popular music and punk and adds to the work of centering women in music history.  Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

Margery Kempe: A Mixed Life (Reaktion Books, 2022) is a new account of the medieval mystic and pilgrim Margery Kempe. Kempe, who had fourteen children, traveled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts Kempe’s life and tells her story through the places, relationships, objects, and experiences that influenced her. Extensive quotations from Kempe’s Book accompany generous illustrations, giving a fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and her religious visions and later years put in context. And lastly, Bale tells the extraordinary story of the rediscovery, in the 1930s, of the unique manuscript of her autobiography. Anthony Bale is professor of medieval studies at Birkbeck, University of London. He has published many articles and books on medieval literature and culture, including The Jew in the Medieval Book: English Antisemitisms 1350–1500 and a translation of The Book of Margery Kempe. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Frankie de la Cretaz, a sports journalist whose work focuses on the intersection of sport and gender, and one of the authors alongside Lyndsey D’Arcangelo of Hail Mary: The Rise and Fall of the National Women’s Football League (Bold Type Books, 2021). In our conversation, we discussed the beginnings of women’s gridiron football in the United States’ the reason why so many women wanted to play a “man’s game” in the 1970s and 80s; and the successes, failures and legacies of the NWFL. In Hail Mary, de la Cretaz and D’Arcangelo recover the lost history of the National Women’s Football League, a professional gridiron competition that ran from 1974 to 1988. To revive this hidden history of women’s football, the authors interviewed dozens of women from and consulted archives around the country. They discovered a competitive, vibrant, and popular sporting entertainment that rose in the Rust Belt, spread to the football meccas of Texas and California, before collapsing due to financial issues in the 1980s. The book is organized chronologically – except for a first chapter that showcases one of the most dramatic confrontations between two teams – the Toledo Troopers and Oklahoma City Dolls. De la Cretaz and D’Arcangelo’s archival history work, which relies mostly on newspapers, shows the spread and popularity of women’s football. They illustrate how male coaches, journalists, and owners framed the league in gendered ways. Many advocated for the league, particularly promoters like Sid Friedman who hoped to make lots of money, but lots of others genuinely enjoyed the athleticism of the competitors. More impressively, their oral history interviews also allow the authors to move beyond the social history of the league and to tell the story of individual football players. Through their conversations with former players, they explore why so many women wanted to play the “masculine” game of football, even when they were no longer being paid, what they got out of their competition, the difficulties they faced as players, and what they thought about the failure of the NWFL. Sexual orientation and race play important roles in the NWFL history. One team basically formed in a lesbian bar and many of the players were lesbians, although the league averred a strict heteronormativity. On the other hand, unlike the better known All-American Girls Professional Baseball League during the Second World War, the NWFL was very visibly racially integrated. Black athletes played crucial roles on teams – the best player in the league was a black woman from Toledo, Linda Jefferson, who racked up more yards and touchdowns per year than better known male running backs. The NWFL also gave opportunities to black head coaches at a time when the NFL unofficially barred them. In the final chapter, “The Legacy of the NWFL”, the authors discuss the successes, failures and legacies of the league. For a while the NWFL opened the door to professional women’s gridiron football in the United States. Many women interviewed discuss it as one of the formative experiences of their life. Nevertheless, the league collapsed due to financial weakness (although perhaps not unusually when compared to the early men’s gridiron competitions.) Its legacies continue in semi-professional and amateur women’s competitions in the US today. De la Cretaz and D’Arcangelo’s innovative account recovers a very poorly known history of hundreds of women’s professional athletes in the United States. It should be read by scholars interested in women’s sport, gridiron football in the United States, and LGBTQI+ people in sport. It will also be very useful to classroom teaching. Learn more about your ad choices. Visit megaphone.fm/adchoices

Victorine Elizabeth du Pont, the first child of Eleuthère Irénée du Pont and his wife Sophie, was seven years old when her family emigrated to America, where her father established the humble beginnings of what would become a corporate giant. Through correspondence with friends and relatives from the ages of eight to sixty-eight, Victorine unwittingly chronicled the first sixty years of the du Pont saga in America. As she recovered from personal tragedy, she became first tutor of her siblings and relations.  Leonard C. Spitale's biography Victorine Du Pont: The Force Behind the Family (U Delaware Press, 2022) makes the case that Victorine has had the broadest—and most enduring—influence within the entire du Pont family of any family member. The intellectual heir of her venerable grandfather, Pierre Samuel du Pont de Nemours, although Victorine grew up in an age where women's opportunities were limited, her pioneering efforts in education, medicine, and religion transformed an entire millworkers’ community. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices

From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the US Open. In this comprehensive biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927-2003). Based on extensive archival work and oral histories, Serving Herself: The Life and Times of Althea Gibson (Oxford UP, 2023) sets Gibson's life and choices against the backdrop of the Great Migration, Jim Crow racism, the integration of American sports, the civil rights movement, the Cold War, and second wave feminism. Throughout her life Gibson continuously negotiated the expectations of her supporters and adversaries, including her patrons in the black-led American Tennis Association, the white-led United States Lawn Tennis Association, and the media, particularly the Black press and community's expectations that she selflessly serve as a representative of her race.  An incredibly talented, ultra-competitive, and not always likeable athlete, Gibson wanted to be treated as an individual first and foremost, not as a member of a specific race or gender. She was reluctant to speak openly about the indignities and prejudices she navigated as an African American woman, though she faced numerous institutional and societal barriers in achieving her goals. She frequently bucked conventional norms of femininity and put her career ahead of romantic relationships, making her personal life the subject of constant scrutiny and rumors. Despite her major wins and international recognition, including a ticker tape parade in New York City and the covers of Sports Illustrated and Time, Gibson endeavored to find commercial sponsorship and permanent economic stability. Committed to self-sufficiency, she pivoted from the elite amateur tennis circuit to State Department-sponsored goodwill tours, attempts to find success as a singer and Hollywood actress, the professional golf circuit, a tour with the Harlem Globetrotters and her own professional tennis tour, coaching, teaching children at tennis clinics, and a stint as New Jersey Athletics Commissioner. As she struggled to support herself in old age, she was left with disappointment, recounting her past achievements decades before female tennis players were able to garner substantial earnings. A compelling life and times portrait, Serving Herself offers a revealing look at the rise and fall of a fiercely independent trailblazer who satisfied her own needs and simultaneously set a pathbreaking course for Black athletes. Learn more about your ad choices. Visit megaphone.fm/adchoices

We love the tradition of the Amsterdam red light district, where many women stand in the windows in their underwear. Busloads of tourists and school children come by every day to look at them. In the Netherlands, where it has been taken out of the dark and made legal, we can even be proud of this age old profession. It is legal, so it must be okay, right? In England, Israel and other countries, we see the street prostitutes standing alongside the road in skimpy clothes, waiting for customers. We often walk by indifferent to their situation, thinking it is their own choice. Of course, we must realize that behind the scenes the reality is different? Red Alert: The Inside Story of Prostitution and Human Trafficking (Scholten Uitgeverij BV, 2016) takes you undercover into the world of prostitution. Not the outside story of how we think it is, but the inside story, told by the prostitutes from the streets and behind the windows, the windows where many people walk past giggling and pointing, blind to the bitter reality. After seeing a group of school children walking past the red light windows in Amsterdam, laughing and making fun of the women, and seeing the ashamed and broken look in the women's eyes, Jane Lasonder decided that this book must be written. To give a voice to the voiceless. To open our eyes and our hearts. Learn more about your ad choices. Visit megaphone.fm/adchoices

An exploration of the intersection of feminism, human rights, and memory, Ethical Encounters: Transnational Feminism, Human Rights, and War Cinema in Bangladesh (Temple University Press, 2022) examines contemporary, woman-centered Muktijuddho cinema--features and documentaries that focus on the Bangladesh Liberation War of 1971. Elora Chowdhury shows how these films imagine, disrupt, and reinscribe a gendered nationalist landscape of trauma, freedom, and justice. She analyzes the Bangladeshi feminist films Meherjaan, Guerilla, and Itihaash Konna, as well as socially engaged films by activist-filmmakers including Rising Silence, Bish Kanta, Jonmo Shathi, and Shadhinota, to show how war films of Bangladesh can conjure a global cinematic imagination for the advancement of human rights. Focusing on women-centric films, and steeped in Black and transnational feminist critiques, Chowdhury engages shared histories, experiences, and identities in the region to encourage transnational solidarity among women across borders. Ethical Encounters reveals how Bangladeshi national cinema can foster a much-needed dialogue among ordinary citizens who have grown up with the legacy of liberty and violence of nationalist and anti-colonial struggles. Dr. Elora Halim Chowdhury is a Professor of Women's, Gender, and Sexuality Studies, College of Liberal Arts, at the University of Massachusetts, Boston, as well as an Affiliate Faculty of the Asian Studies Department; the Asian American Studies Program; the Cinema Studies Program; and the Department of Conflict Resolution, Human Security and Global Governance. She is also an Affiliated Researcher, Consortium on Gender, Security and Human Rights, and the Series Editor for the Dissident Feminisms Series at the University of Illinois Press. Dr. Rine Vieth is a researcher studying how the UK Immigration and Asylum tribunals consider claims of belief, how claims of religious belief are evidenced, and the role of faith communities in asylum-seeker support. Learn more about your ad choices. Visit megaphone.fm/adchoices

In A Lovely Girl: The Tragedy of Olga Duncan and the Trial of California's Most Notorious Killer (Pegasus Crime, 2022), Deborah Larkin tells the incredible story of a 1958 murder that ended with the last woman to ever be executed in California—a murder so twisted it seems ripped from a Greek tragedy. Larkin was only ten years old when the quiet calm of her California suburb was shattered. Thirty miles north, on a quiet November night in Santa Barbara, a pregnant nurse named Olga Duncan disappeared from her apartment. The mystery deepens when it is discovered that Olga’s mother in-law—a deeply manipulative and deceptive woman—had been doing everything in her power to separate Olga and her son, Frank, prior to Olga’s disappearance. From a forged annulment to multiple attempts to hire people to “get rid” of Olga, to a faked excoriation case, Elizabeth seemed psychopathically attached to her son. Yet she denied having anything to do with Olga’s disappearance with a smile. But when Olga’s brutally beaten body is found in a shallow grave, apparently buried alive, a young DA makes it his mission to see that Elizabeth Duncan is brought to justice. Adding a wrinkle to his efforts is the fact that Frank—himself a defense attorney—maintained his mother’s innocent to the end. How does a young girl process such a crime along with the fear and disbelieve that rocked an entire community? Decades later, Larkin is determined to revisit the case and bring the story of Olga herself to light. Long overshadowed by the sensationalism and scandal of Elizabeth and Frank, A Lovely Girl seeks to reveal Olga as a woman in full. Someone who was more than the twisted family that would ultimately ensnare her.  Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

The essential contribution of The Woman with the Cure (Berkley Books, 2023) can be summarized in one sentence: like most of its future readers (I assume), I had never before heard of Dorothy Horstmann and her fundamental role in the research that led to the near-eradication of polio, despite having benefited hugely from her work. Throughout the 1940s, 1950s, and into the 1960s, she devoted her considerable talents and endless hours to tracking how polio spread throughout the body, but like the other remarkable women portrayed in this novel, she was forced because of her gender to play second fiddle to Doctors Jonas Salk and Albert Sabin, her academic colleagues. Their contributions, of course, were also real and worthy of acclaim, but it was Dr. Horstmann—too often dismissed as “Dottie” or “Dot,” as if she were someone’s secretary—who made the crucial discovery that early in its path from the digestive to the nervous system, the polio virus created antibodies in the blood. That finding made the polio vaccine possible by defining an entry point for medical intervention. Reading this novel has a particular resonance at this moment, when polio outbreaks are again affecting US cities because of vaccine hesitancy and the final eradication of the disease has been deterred in certain countries by political concerns—not to mention the COVID-19 pandemic, which has changed everyone’s experience of quarantine and disease. But I would like to emphasize that this is, first and foremost, a novel, centered on complex characters, a gripping plot, and the age-old battle between science and nature. I don’t know, for example, whether Dorothy’s love interest is a real person or the author’s way of contrasting the attractions of home with the pull exerted by fulfilling work. In the end, it doesn’t matter, because The Woman with the Cure works as a story, provoking questions about the choices its heroine makes and what we might do in similar circumstances—and that’s what counts. Lynn Cullen is the bestselling author of the historical novels The Sisters of Summit Avenue, Twain’s End, Mrs. Poe, Reign of Madness, and I Am Rembrandt’s Daughter. The Woman with the Cure is her latest book. C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and three other novels. Her next book, Song of the Storyteller, appeared in January 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the time of her death in 1962, Kathleen M. Murphy was recognized as “the most widely and most knowledgeably travelled Irish woman of her time . . . insofar as she let herself be known to the public at all.” An abiding interest in sacred sites and ancient civilizations took Murphy down the Amazon and over the Andes, into the jungles of Southeast Asia and onto the deserts of the Middle East, above the Arctic Circle and behind the Iron Curtain. After the Second World War, Murphy began publishing a series of vivid, humorous, and often harrowing accounts of her travels in The Capuchin Annual, a journal reaching a largely Catholic and nationalist audience in Ireland and the United States. At home in the Irish midlands, Murphy may have been a modest and retiring figure, but her travelogues shuttle between religious devotion and searching curiosity, primitivist assumptions and probing insights, gender decorum and bold adventuring.  Unaccompanied Traveler: The Writings of Kathleen M. Murphy (Syracuse UP, 2021), with its wide-ranging introduction, detailed notes, and eye-catching maps, retrieves these remarkable accounts from obscurity and presents them to a new generation of readers interested in travel and adventure. Marci Mazzarotto is an Assistant Professor and Program Coordinator of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on mass media, popular culture and avant-garde art. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the excellent expansive book, Rebellious Wives, Neglectful Husbands: Controversies in Modern Qur'anic Commentaries (Oxford UP, 2022), Hadia Mubarak explores the many different interpretations of four Qur’anic verses: 4:128 on nashiz or neglectful husbands, 4:34 on nashiz or rebellious wives, 4:3 on polygyny, and 2:228 on divorce. She does this through a careful examination of four of the most influential Arab male Sunni Qur’anic commentators of the 20th century, namely Seyyed Qutb, Muhammad Abduh, Rashid Rida, and Ibn Ashur; she also compares their interpretations with several medieval, pre-modern commentators from the 9th to the 14th centuries. A part of Mubarak’s conclusion is that interpretations of the Qur’an cannot simplistically be reduced to a monolithic assessment like either patriarchal or feminist but that they are an evolving, complex engagement with phenomena such as colonialism, nationalism, modernity, and the commentator’s own personal background. In our conversation today, we discuss the individual modern exegetes on whom this study centers, their specific interpretations of the four verses, the unique ways in which they all depart from their predecessors’ interpretations of these verses, and the limits of the current genre of tafsir studies. For example, must we keep defining tafsir in such a way that it justifies our exclusion of scholarly interpretations of the Qur’an provided by those who have not written a complete commentary on the Qur’an? We also discuss whether the specific interpretations of the four verses are indeed diverse and if so, what exactly are those nuances that express diversity. Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Comfort women" or ianfu is the euphemism used by the Japanese military for the women they compelled to do sex work in the Second World War. The role of comfort women in history remains a topic of importance — and emotion — around the world. It is well-known that an elaborate series of comfort stations, or comfort houses, were organised by the Japanese administration across Singapore during the Occupation from 1942 to 1945. So why did no local former comfort women come forward and tell their stories when others across Asia began to do publicly in the 1990s? To understand this silence, The Comfort Women of Singapore in History and Memory (National University of Singapore Press, 2022) by Dr. Kevin Blackburn details the sex industry serving the Japanese military during the wartime occupation of Singapore: the comfort stations, managers, procuresses, girls and women who either volunteered or were forced into service and in many cases sexual slavery. Could it be that no former comfort women remained in Singapore after the war? Dr. Blackburn shows through a careful weighing of the different kinds of evidence why this was not the case. The immediate post-war years, and efforts to repatriate or ‘reform’ former comfort women fills in a key part of the history. Dr. Blackburn then turns from history to the public presence of the comfort women in Singapore's memory: newspapers, novels, plays, television, and touristic heritage sites, showing how comfort women became known in Singapore during the 1990s and 2000s. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Greg Marchildon interviews Sarah Carter on her book Ours by Every Law of Right and Justice: Women and the Vote in the Prairie Provinces published by the University of British Columbia Press in 2020. She examines the reasons why Manitoba, Saskatchewan and Alberta were the first provinces to extend the vote to women in 1916 and why this same franchise was not extended to First Nations men and women as well as targeted minorities such as Chinese-Canadians until much later. Sarah Carter is professor and Henry Marshall Tory Chair of History and Classics at the University of Alberta and has published extensively on Indigenous history and gender in the Prairie Provinces. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the turn of the twentieth century, the US government viewed education as one sure way of civilizing “others” under its sway—among them American Indians and, after 1898, Filipinos. Teaching Empire: Native Americans, Filipinos, and Us Imperial Education 1879-1918 (UP of Kansas, 2019) considers how teachers took up this task, first at the Carlisle Indian Boarding School in Pennsylvania, opened in 1879, and then in a school system set up amid an ongoing rebellion launched by Filipinos. Drawing upon the records of fifty-five teachers at Carlisle and thirty-three sent to the Philippines—including five who worked in both locations—the book reveals the challenges of translating imperial policy into practice, even for those most dedicated to the imperial mission. These educators, who worked on behalf of the US government, sought to meet the expectations of bureaucrats and supervisors while contending with leadership crises on the ground. In their stories, Elisabeth Eittreim finds the problems common to all classrooms—how to manage students and convey knowledge—complicated by their unique circumstances, particularly the military conflict in the Philippines. Eittreim’s research shows the dilemma presented by these schools’ imperial goal: “pouring in” knowledge that purposefully dismissed and undermined the values, desires, and protests of those being taught. To varying degrees these stories demonstrate both the complexity and fragility of implementing US imperial education and the importance of teachers’ own perspectives. Entangled in US ambitions, racist norms, and gendered assumptions, teachers nonetheless exhibited significant agency, wielding their authority with students and the institutions they worked for and negotiating their roles as powerful purveyors of cultural knowledge, often reinforcing but rarely challenging the then-dominant understanding of “civilization.” Examining these teachers’ attitudes and performances, close-up and in-depth over the years of Carlisle’s operation, Eittreim’s comparative study offers rare insight into the personal, institutional, and cultural implications of education deployed in the service of US expansion—with consequences that reach well beyond the imperial classrooms of the time. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Practicing shame investigates how the literature of medieval England encouraged women to safeguard their honour by cultivating hypervigilance against the possibility of sexual shame. A combination of inward reflection and outward comportment, this practice of 'shamefastness' was believed to reinforce women's chastity of mind and body, and to communicate that chastity to others by means of conventional gestures.  Practicing Shame: Female Honour in Later Medieval England (Manchester UP, 2019) uncovers the paradoxes and complications that emerged from these emotional practices, as well as the ways in which they were satirised and reappropriated by male authors. Working at the intersection of literary studies, gender studies and the history of emotions, it transforms our understanding of the ethical construction of femininity in the past and provides a new framework for thinking about honourable womanhood now and in the years to come. Mary C. Flannery is a Swiss National Science Foundation Eccellenza Professorial Fellow at the University of Bern Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Texts After Terror: Rape, Sexual Violence, and the Hebrew Bible (Oxford UP, 2021) offers an important new theory of rape and sexual violence in the Hebrew Bible. While the Bible is filled with stories of rape, scholarly approaches to sexual violence in the scriptures remain exhausted, dated, and in some cases even un-feminist, lagging far behind contemporary discourse about sexual violence and rape culture. Graybill responds to this disconnect by engaging contemporary conversations about rape culture, sexual violence, and #MeToo, arguing that rape and sexual violence - both in the Bible and in contemporary culture - are frequently fuzzy, messy, and icky, and that we need to take these features seriously.  Texts after Terror offers a new framework informed by contemporary conversations about sexual violence, writings by victims and survivors, and feminist, queer, and affect theory. In addition, Graybill offers significant new readings of biblical rape stories, including Dinah (Gen. 34), Tamar (2 Sam. 13), Bathsheba (2 Sam. 11), Hagar (Gen. 16), Daughter Zion (Lam. 1-2), and the unnamed woman known as the Levite's concubine (Judges 19). Texts after Terror urges feminist biblical scholars and readers of all sorts to take seriously sexual violence and rape, while also holding space for new ways of reading these texts that go beyond terror, considering what might come after. Rhiannon Graybill is Associate Professor of Religious Studies, at Rhodes College, Memphis, Tennessee. Rachel Adelman is Associate Professor of Hebrew Bible in the rabbinic program at Hebrew College in Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this podcast episode, Greg Marchildon interviews Stacey Barker and Krista Cooke on the lives of Canadian women and their involvement in the two world wars of the 20th century. They along with co-author Molly McCullough wrote Material Traces of War: Stories of Canadian Women and Conflict, 1914-1945 published by the University of Ottawa Press in 2021 as part of the Canadian Museum of History’s Mercury Series. This book provides short biographies of selected women who served as military nurses, volunteers and workers or who suffered great loss during the two wars. Stacey Barker is an historian in Arts and Military History at the Canadian War Museum in Ottawa while Krista Cooke is a Parks Canada curator with two decades of experience in archives and museums. This podcast was produced by Jessica Schmidt. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shailaja Paik's book The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) is an important reflection on the question of Dalit women and their sexuality question. Through the performance of Tamasha, Paik has relooked into the lifeworld of Dalit women and has argued about what the performance of Tamasha means in Dalit women’s everydayness rather than conventionally understanding it through a moral lens of good vs bad. The framework of ‘manuski’ and ‘assli’ reflects upon the Dalit women quest to transgress ascribed identities and it reinforces Dalit performance as a weapon for the weak. The work is a watershed as it re-centers Dalit woman’s experiences in the sex-gender-caste complex, rather than looking at them as passive recipients of male-centered Dalit assertion. Shailaja Paik is an Associate Professor at the University of Cincinnati. She is Taft's Distinguished Professor of History and Affiliate Faculty in Women's, Gender, and Sexuality Studies, and Asian Studies. Her research lies at the intersection of fields concerning Modern South Asia, Dalit Studies, Women’s Studies, and oral History to mention a few.  Kalyani Kalyani is a sociologist and currently teaches at School of Arts and Sciences in Azim Premji University at Bengaluru. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lesly Deschler Canossi and Zoraida Lopez-Diago's edited volume Black Matrilineage, Photography, and Representation: Another Way of Knowing (Leuven UP, 2022) questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. Drawing on a wide range of scholarly inquiry and contemporary art, this book addresses these misconceptions and fills in the gaps that exist in the photographic representation of Black motherhood, mothering, and mutual care within Black communities. The essays and interviews, paired with a curated selection of images, address the complicated relationship between Blackness and photography and in particular its gendered dimension, its relationship to health, sexuality, and digital culture - primarily in the context of racialized heteronormativity. This collection, then, challenges racist images and discourses, both historically and in its persistence in contemporary society, while reclaiming the innate brilliance of Black women through personal stories, history, political acts, connections to place, moments of pleasure, and communal celebration. This visual exploration of Black motherhood through pictures made by Black woman-identifying photographers thus serves as a reflection of the past and a portal to the future and contributes to recent scholarship on the complexity of Black life and Black joy. This book emerges from the project Women Picturing Revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Abortion is an issue like no other. Our attitudes towards it and how we define when life begins determine the very words we use when discussing abortion. We don’t even agree about how many people are involved in the matter of abortion. Two people—the mother and the baby? Or only one—the mother? And here, even the word “mother” is avoided by many, who prefer “woman.” Or, in some quarters, “pregnant person.” Is it a “baby” or a “fetus?” Has abortion always had the tacit approval of most Americans and only been criminalized by powerful societal forces (which can change sides dramatically over the decades, as is the case with much of the medical establishment)? Or is it something that has been regarded as abhorrent for centuries and only very recently been treated as not only necessary but a badge of pride for the modern woman? How was abortion portrayed in the pages of American publications c. 1830, 1870, 1920 or 1940 and in the media diet of our own day? These are among the many issues discussed in the 2023 book, The Story of Abortion in America: A Street-Level History, 1652–2022 (Crossway, 2023) by Marvin Olasky and Leah Savas. This book is riveting reading but is not for the fainthearted—much of the material is graphic. It will interest those in such fields as legal history, women’s history, the history of journalism, the history of medicine, political history and history in general and readers with an interest in biography and true crime. The latter term is not inappropriate here given the book’s fascinating account of how many news stories in much of the 19th and early and mid-20th centuries reveled in lurid details of attractive young women murdered after botched abortions or accidentally killed during one and then dismembered and discovered later due to the ineptitude of the abortionist and the men who had impregnated the women and who feared scandal or marriage to the women they had seduced. The authors also provide detailed accounts of the enormous amounts of money that some female abortionists (such as the notorious Madame Restell 1812 –1878) made and the flashy lifestyles and prison sentences that punctuated their lives. The authors show that male jurors were often reluctant to convict abortionists given many a juror’s own complicity in such events and the immense political power that the abortion trade wielded via graft. The book tells heartrending stories of women who underwent abortions and traces how the popular press moved over the decades from referring to two victims in such cases to only the woman to eventually hardly covering at all cases when abortions created female and infant victims (as in the infamous case of the physician Kermit Gosnell), many reporters and editors preferring to stick to the narrative of female empowerment via abortion. No matter where one stands on the issue of abortion, it cannot be denied that this book movingly, authoritatively tells the story of the women whose lives were shaped by it, as the title says, at “the street level.” It is model social history and engrossing reading for the general reader and scholar alike. Let’s hear from one of the two authors of the book, Leah Savas. Hope J. Leman is a grants researcher. Learn more about your ad choices. Visit megaphone.fm/adchoices

According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners. Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at [email protected] and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices

Life will always bring us experiences and uncertainty, risks, losses - never planned, never found - emotional upheaval that defines what it means to be vulnerable; to break down to our breakthrough. It is here we find the courage to rise up, become our authentic selves and live our purpose. In this book, twelve women expose their vulnerability, their pain, their truth, their intuitive guidance and insights that led to the courage it has taken to go from the depths of fear, grief, and heartbreak to finding their place in the world. They have come to own their sovereignty, become more empathic, found a new sense of creating a life they love and tapping into gifts that were not recognized prior and found a new vision on their journey. Women Standing Strong Together: Stories of Surrendering to Your Authentic Self (2019) is about finding that powerful place within; our strength from our life experiences. It’s about courage in a world where we feel not good enough and giving ourselves the permission to examine our lives, become uncomfortable and step into the fire to grow stronger. The shattered pieces in our lives create the magic that waits for us to claim our power within. When we allow ourselves to surrender to the divine plan great things are illuminated before us and our path becomes clear, we climb higher and our goddess emerges. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Rachael E. Adelman's monograph The Female Ruse: Women's Deception and Divine Sanction in the Hebrew Bible (Sheffield Press, 2017) she explores how the feminine trickster archetype plays a central role in the Hebrew bible and is an important forces that drives the narrative forward and unmasks wisdom. From Eve to Esther, the Hebrew Bible is replete with gendered tales of trickery. A lie is uttered, a mask donned, a seduction staged, while redemption is propelled forward, guided by the divine hand. From the first 'female ruse' - Eve presenting the fruit of the tree of knowledge to Adam - humanity becomes embodied, engaged in history, moving from the Garden to exile, from wandering to homeland and redemption (and back again). Consider Rebekah dressing her beloved son in goatskins to steal the blessing from his blind father; Lot's daughters lying with their drunken father, and then conceiving the founding fathers of Ammon and Moab; Leah and Rachel, the mothers of the twelve tribes of Israel, duping Jacob on their wedding night; Tamar's seduction of Judah, her father-in-law, who then bears the progenitor of the Davidic line; Naomi sending Ruth to the threshing floor to seduce Boaz by night; Bathsheba invoking an oath that King David had supposedly made in order to forward Solomon, her son, as successor to the monarchy; and Queen Esther concealing her Jewish identity in the Persian imperial court. Over the course of nine chapters, the author traces these narratives of deception; in each case, God is in cahoots with these feminine agents in advancing the providential plan. A tension holds between the 'best laid plans' of men and the divine will as forwarded by women. Drawing on classic rabbinic sources and modern literary exegesis, the author exposes the conflict between the simple progression of genealogies and the process of selection through alliances of family and kin. Women are at the crux of that conflict, seemingly compelled to choose the indirect route while the deity appears to endorse their lie. Learn more about your ad choices. Visit megaphone.fm/adchoices

When she was chosen as the EU's first High Representative for Foreign Affairs and Security Policy (HR/VP) in 2009, Catherine Ashton admits she "felt no exhilaration", fearing she had "few obvious credentials and lukewarm support". On leaving office five years later - 19 months before the Brexit referendum - this former British minister had confounded her inner doubter. A new European External Action Service had been built from scratch and the HR/VP had become a pivotal global player - brokering what had seemed an impossible settlement between Serbia and Kosovo and performing the role of closer in the multi-party Iranian nuclear negotiations. Ashton's memoirs of those five years - And Then What?: Inside Stories of 21st-Century Diplomacy (Elliott & Thompson, 2023) - go behind the scenes during critical moments in recent diplomatic history including Egypt's excruciating transition from dictatorship to uneasy democracy, the Iranian nuclear deal, the fragile Serb-Kosovan talks, and the 2014 Ukrainian crisis and its aftermath. She writes: "Success is rarely the effect of one moment but of thousands of interlocking actions over a sustained period; and tiny details, especially in difficult negotiations, can make the difference between success and failure even if they seem arbitrary or inconsequential". *Her book recommendations are Essence of Decision: Explaining the Cuban Missile Crisis by Graham Allison (Longman, 1971) and Never by Ken Follett (Macmillan, 2021) Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the Twenty-Four Two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices