Hosts Tasha Huo and Josh Hallman discuss the Training Montage. Use it? Don't use it? What are the most iconic training montages and why do they work? Where do training montages fail and slow down the movie? How can you incorporate them into your own writing? Let's get hyped, and train.   Follow us @ACTTWOWRITERS Questions/Comments: [email protected] Edited by Paul Lundquist 

Hosts Tasha Huo and Josh Hallman answer your questions, including - what is the difference between the "Call to Action" and the "Inciting Incident", how do you avoid common pitfalls in adapting IP, what are the do's and don'ts for recent film school grads, and how did Tasha go about choosing the emotional throughline in her show Tomb Raider: The Legend of Lara Croft?   Follow us @ACTTWOWRITERS Questions/Comments: [email protected] Edited by Paul Lundquist 

Ever feel like a movie or show disappoints you? Like they missed an opportunity? Like they let you down somehow but you can't quite place it? Well, it might be a Chekhov's Gun problem. In this episode, hosts Tasha Huo and Josh Hallman discuss what Checkhov's Gun is, why it's important in writing stories, how to use it, and examples of great and failed uses of Chekhov's Gun in popular movies.   Follow us @ACTTWOWRITERS Questions/Comments: [email protected] Edited by Paul Lundquist 

Happy Halloween (week). Josh is joined by special co-host Dave Levinson to discuss their favorite horror sequels (Tasha is back next week). They discuss what makes a great sequel and how to improve from the original concept. If we missed anything, let us know.     Follow us @ACTTWOWRITERS Questions/Comments: [email protected] Edited by Paul Lundquist   

Halloween is upon us. Joe Russo and Deve Levinson join the pod to discuss Rules and Mystery in horror films with a focus on 'The Ring.' Co-Host Josh Hallman steers the ship while Tasha travels... but she's here in spirit.  We also dive into the Variety article: The 100 Best Horror Movies Of All Time.   Questions / Comments: [email protected] Edited by Paul Lundquist   

It is still TOMB RAIDER: THE LEGEND OF LARA CROFT month! Co-host and Showrunner/Executive Producer Tasha Huo discusses changes from script to screen and how to tackle notes. Also, more Q&A. If you haven't already, check out Tomb Raider: The Legend Of Lara Croft on NETFLIX!    Questions / Comments: [email protected] Edited by Paul Lundquist 

October is TOMB RAIDER: THE LEGEND OF LARA CROFT month! Co-host and Showrunner/Executive Producer, Tasha Huo, is answering listener questions about the show, releasing October 10 on Netflix. Tasha is fielding any and all questions about process, craft, specific questions around scenes, dialogue, moments, and more! If you ever wanted to ask a showrunner how the sausage is made, now's your chance! In this first installment, Tasha addresses overall questions about how she got the job, how she handled oversight of such a beloved IP, her approach to the IP and specific characters, and more!   Questions / Comments: [email protected] Edited by Paul Lundquist 

Tasha is traveling the world and doing press, so we're reposting our episode on 8 sequence structure. When she's back, we'll tackle all things Tomb Raider - craft, process, pitching, episodes, etc. If you have any questions, please email [email protected]. October is going to be an amazing month!   Tomb Raiders comes to Netflix on October 10th. 

We all have different paths in this industry, and it's important to understand where those paths lead and what jobs you'll be asked to do. Hosts Tasha Huo and Josh Hallman discuss showrunning, producing, and setting expectations as screenwriters.  Also .... TWIW!   Questions / Comments: [email protected] Edited by Paul Lundquist   

As screenwriters, we work in a collaborative medium. But we also need to be the arbiters of great storytelling and are hired for our creative and unique visions. We work with other writers, producers, actors and directors, all of whom have opinions and thoughts that may conflict with your own. How do you captain the ship (script) while also respecting their input? Hosts Tasha Huo and Josh Hallman discuss!   TWIW: Josh went to the Emmys! And is writing a difficult sport on the body?  Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman are at a mental low point in writing and discuss how they got there, the patterns of writing-depression they've noticed, and their helpful tips and tricks on how to get through it and keep writing. The ultimate deterrent to a writing career is giving up. Let's talk about how not to give up!   TWIW: The Bear S3 is taking chances!   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman discuss what it's like to break and write a script in a TV Writer's Room, including the expectations you have as a writer versus the realities.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman talk with writer-director Joe Russo about his latest horror film, THE INHERITANCE, which nearly became a victim of the latest wave of studio tax write-offs. Joe talks about how the idea for the script originally came together in 2018, about the process of writing an ensemble horror movie, producing the film during COVID, and the consequent difficulties of getting it to the public.    Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman discuss the oft used (and incorrect) advice to writers of "Write what you know." Instead, they argue you should write anything you f***ing want! But if you do, make sure it is believable and well-researched, and Tasha and Josh give some examples from their own jobs where research has both served and hindered their writing. They address questions like How much research is too much? At what point in the process should you research? And how do you research effectively?   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman discuss what a "Central Question" is when it comes to screenwriting, why you need one and how to find it for your specific story. Inspired by a Screencraft Blog Post, they break down how a Central Question works in current movies and in their own work as practical ways to understand the concept and its use in your own stories.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman discuss what it's like to go to San Diego Comic-Con as a writer, and some panels that proved useful in thinking about Screenwriting. Also, Summer movies are in full swing this year -- are movies back?!    Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

We're off this week, so we're re-releasing a conversation that we loved... Tasha and Josh break down the mother/daughter story in Pixar’s BRAVE with special guest Michele Wolkoff (EP, Pigeon Tunnel and Rook). They discuss what works, what doesn’t (and why), and analyze how a directorial overhaul 18 months prior to release affected the story and underlying themes.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist    

Hosts Tasha Huo and Josh Hallman field email questions from listeners, including ways to better improve your dialogue, how to think about a "high-concept" idea, and what their process is when they approach different and distinct genres, like a Western vs. Sci-Fi, etc. TWIW: Beverly Hills Cop Axel F, Longlegs, Ryan Reynolds' sacrifices on Deadpool, and how Tasha figured out how to find time for reading.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman discuss their This Week in Writings, including a story from Josh about pitching a father-son story and the personal feedback he got in return, Tasha's meeting with her manager that transformed her working methods, an LA Times article saying Management is dead but is it really?, and what to do if you want to write a biopic but don't have the life rights?   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman discuss an interview with Bryan Cranston where he talks about how acting is a lifestyle, not a job. That same philosophy applies to a Screenwriting career, so they discuss how and why you must consider whether you want the lifestyle of a Screenwriter as much as the job of one.    TWIW: Do you flash your fangirl/boy tattoo in a meeting? / INSIDE OUT 2    Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman break down all the many skills required of a Screenwriter to have a long-lasting career and not just a one-hit wonder. Spoiler alert: it's not just about great writing.   TWIW: Tasha has a breakthrough with AI / Is theater popcorn a meal replacement?   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

We are halfway through the year, so it's time to look back on our New Year's Goals! Join hosts Tasha Huo and Josh Hallman as they do an honest mid-year check-in on their own goals for this year (which they have definitely not nailed) and discuss how we can all make stronger plans to accomplish those unfinished goals in the latter half of the year.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

You just got notes and you want to curl into a ball and cry. Please don't do that. Hosts Tasha Huo and Josh Hallman discuss what happens after you get notes. It can be intimidating. What's the process? Where to begin? Each scenario is different, and it's important to have a clear idea when you jump back into your writing.    Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman have a great conversation with Matt Misetich from Script Pipeline. We discuss how Script Pipeline is an asset for writers, contests, Brag Bars, and dive into the state of the industry,    Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman sit down again with Act Two writer and Screenwriter of AIR, Alex Convery, to discuss how his screenwriting career and craft has changed since AIR was released in April 2023, and how the flurry of accolades during award season changed his career. With AIR being an original spec, Alex also talks about where the power of a Screenwriter lays, and how to combat the stalemate that often accompanies a Screenwriting career.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

One of the most exciting things about Screenwriting is that everyone finds a different path to becoming a professional. Hosts Tasha Huo and Josh Hallman sit down with Keely Macdonald (AVATAR: THE LAST AIRBENDER, SLEEPY HOLLOW) to discuss her path to discovering a career in Screenwriting through her fan fiction, one big fat coincidence, and the Fox Writers Incubator program.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Thank you all for an awesome mixer! Hosts Tasha Huo and Josh Hallman tell stories from their 2nd Act Two Podcast Mixer in Los Angeles and, since writers groups were created on the night, they discuss what makes a successful writer's group and what has made their group run strong for 15 years.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

The Act Two Mixer is fast approaching, and hosts Tasha Huo and Josh Hallman discuss what to expect from the event and gain more from your writing community.    TWIW: Can you send out an old version of a new script to different producers? / An awkward general and how to handle. / Josh watched UNFROSTED and has thoughts. / How editing footage is actually a writing skill.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Screenwriting has its own special language, things that might sound insane if you aren't in the industry. We were inspired by the Screencraft article: 33 Terms Every Screenwriter Needs To Know. So, we dive into the article and discuss terms that screenwriters will hear and use...    Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

After weeks of hard work, you've finally made it to the room and are pitching your take on a movie or show. Congrats! Now for the hard part... Whether it's to producers, studio execs, a director, actor/actress, or another creator -- you are going to get thoughts and questions after your pitch that you absolutely cannot predict. What do you do, and how can you possibly prepare? Hosts Tasha Huo and Josh Hallman discuss some real questions and feedback they've gotten after their pitches, and how best to improv your answers. Pitching is terrible, but the more prepared we are, the slightly less terrible it becomes.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman take on the hotly debated topic amongst Screenwriters of whether to include a character's Internal Dialogue in action descriptions, or simply write a blueprint for the camera (as we are taught in film school). Using examples from successful spec scripts that have sold and their own scripts, Tasha and Josh break down the benefits of adding Internal Dialogue and why it can work.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

What should you write next? It's common not to know what your next move should be, and it can be overwhelming knowing you'll spend months on a script. Hosts Tasha Huo and Josh Hallman discuss how they determine what to write next and ways to prioritize certain projects.    Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman answer listener and Screenwriting Twitter questions about what to do with conflicting notes, and discuss some TWIW in their own lives, from the many tiers of a single pitch before getting the job to their feelings (and realities) about a 10-year-old being hired to develop a studio movie.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman talk about where the ideas for three of their Film & TV scripts came from, where they were in their lives when it happened, and what can be learned about Idea Creation from that process.   TWIW - Revising Strategy: Start with a Blank Page / Is Roadhouse in the zeitgeist?    Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

The favorite thing a screenwriter can do is to Network! Not really. Hosts Tasha Huo and Josh Hallman dive into all things networking and what that means for a screenwriter. We discuss the dos and don'ts when you're forced out of your comfort zone and find yourself trying to make new connections.  Questions/Comments: [email protected] -- Edited by Paul Lundquist

We all get notes, but sometimes we know they're not the right notes. Hosts Tasha Huo and Josh Hallman discuss when to take the note or when to stand your ground. There is a lot to consider: Are you getting paid? Are you writing on spec? Who is giving the note? How long have you been working on the script? Will it change the script? For better or worse, no scenario is the same. Questions/Comments: [email protected] -- Edited by Paul Lundquist

Tasha has lost her voice so this is a Retake: Hosts Tasha Huo and Josh Hallman talk with spec master Daniel Kunka to discuss his latest script: LIFT. Kunka’s spec created a frenzy that resulted in him teaming up with Netflix, Simon Kinberg, and Matt Reeves. The Act Two Podcast loves (LOVES) specs, and it was great to have Kunka offer inspiration while sharing his insight.   Questions/Comments: [email protected] -- Edited by Paul Lundquist

Hosts Tasha Huo and Josh Hallman discuss their Oscar predictions and why, what movies they feel were snubbed, their favorite Oscar traditions, and what makes a script adapted vs. original? Also they ANNOUNCE their first ever Act Two Patreon Oscar Pool! Join now to receive the Oscar Ballot and try your hand at winning this year's prize!   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Host Tasha Huo brings on her Gersh agent, Mark Hartogsohn, for the first in a series designed to help Screenwriters navigate what it means to get an Agent and maximize your working relationship once you have an Agent. In this introductory installment, Tasha and Josh discuss how Mark became a Hollywood agent, what it means to be a Lit Agent for Screen and TV Writers, and how he goes about finding new clients.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Fresh from being told she *didn't* get the job, host Tasha Huo talks about the process of putting together a series pitch for one of her favorite IPs, what her process was, and what it was like to be told you didn't get the job.    Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman take you through a Fireside Chat of real-life stories of working Screenwriters, including real hurdles, obstacles and situations that professional Screenwriters have come up against and what to do in those situations.   TWIW: Are you too old to start your Screenwriting career? / Why you shouldn't copyright your scripts. / Tasha & Josh finished breaking their spec, what next? / Is the Apple Vision Pro going to change Screenwriting? / The value of traditional weekly-released TV shows. / What is the tone of the new Mr. & Mrs. Smith TV show?   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

It is the bane of any Screenwriter's existence when they turn in their perfect screenplay only to be told they need to cut 10 pages. Whether it's for the read or for production, hosts Tasha Huo and Josh Hallman discuss their step-by-step process for cutting pages when you absolutely don't want to, but HAVE to.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Where ideas come from and then how to turn that into an actual movie or TV show is THE hardest part of being a writer, and one of the most-asked questions between writers: "How did you come up with that?" So this episode, hosts Tasha Huo and Josh Hallman break down in detail how they went from Idea to Outline for their new Murder Mystery spec.   TWIW: Tasha's unexpected self-sabotage moment / To reference other movies in your action description, or not to? / Some new thoughts on pitch language   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman discuss all the ways a Screenwriter feels uncomfortable in their day to day working lives, and how they tackle those feelings when they come up, whether it be a Pitch, a General Meeting, or discussing difficult ideas in their scripts.   TWIW: How Act Two's first Patreon Live Q&A went, Tasha's Screenwriting nightmare, Short Form content and how difficult it is to crack.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

We all feel it. That voice in our head telling us we are Imposters and someone will finally figure out we don't know how to write, pitch or create stories. Hosts Tasha Huo and Josh Hallman discuss what their own Imposter Syndrome looks like and how they have managed to not only combat it, but in some cases, completely defeat it.    TWIW: Is Barbie an "adapted" or "original" screenplay? / Tasha is watching Pokemon! / How to get over rambling and apologizing while pitching / Where ideas come from can be so surprising!   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman discuss what a General Meeting is and how to impress once you're in one. They also discuss why reps are key, but not imperative, to a Screenwriting career, and how to meet with reps if you are taking meetings with Agents and Managers.   TWIW: 22 Jump Street's surprising improv scene, The importance and beauty of listening to others on set, and Josh & Tasha list their Top 5 favorite movies of 2023 (which may surprise you).   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Happy 2024! Hosts Tasha Huo and Josh Hallman discuss goals in the new year. Get ready. It's an exciting time.    Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman discuss their Top 3 Christmas movies, why they work, and what they would do if they wrote a Christmas movie.   TWIW: The Oscars are now honoring "fan favorite" films / How NFL has cornered the market on character-driven storytelling / and the pain in the ass that is living with a writer.   Questions / Comments: [email protected] Edited by the GREAT Paul Lundquist