One of the most difficult things for a Screenwriter is figuring out how to work with your Execs. They pay you, so are they your boss? They can veto your choices (because they're paying you), so should you just do what they say? What should the dynamic between a Writer and a Producer look like? Hosts Tasha Huo and Josh Hallman speak with a Producer about real-life Writer/Producer scenarios that haven't worked, and discuss why and what lessons Screenwriters can learn from those experiences.   Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Holidays are here, and it’s time to panic about what to get your reps. Freak out no more! Hosts Tasha Huo and Josh Hallman give some great gift ideas, and share some insider info from reps themselves on what gifts they are actually looking for this year.   Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Action is its own unique writing skill and different masters craft their action differently. That's why, in this episode, hosts Tasha Huo and Josh Hallman dive into the specific writing techniques used by some of the best action writers in the business, including Derek Kolstad, James Cameron and Shane Black.    Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

If you are a working Screenwriter, you will receive Submissions from Producers as a regular part of your job. Screenwriters Tasha Huo and Josh Hallman discuss how to handle those submissions, what producers are expecting of you when they submit to you, and how to succeed in the submission game.   Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Hosts Tasha Huo and Josh Hallman chime in on some of the most hotly-debated topics on Screenwriting Twitter going on right now.   Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Hosts Tasha Huo and Josh Hallman surprise each other with popular Film prompts that they have to, on the spot, pitch as a TV show. It's an exercise in how to think about adaptation, about the difference between TV and Film, and how to jumpstart the idea process when thinking about your own original TV ideas. How would YOU adapt your favorite movie as a TV show?   Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Hosts Tasha Huo and Josh Hallman discuss where they get their ideas and inspiration from, what tricks they use in Act Two, and how to start asking more questions about your world to get the brain juices flowing.   Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

To write for free or not to write for free, that is the oft-asked Screenwriter’s question. So, hosts Tasha Huo and Josh Hallman discuss situations in their own careers when they’ve been asked to do free work, what that looked like and why they did it. They also discuss the various ways free work can come up for Screenwriters, and debate whether writers should or should not engage.   Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Austin Film Festival 2021 runs from October 21 - 28, so host Tasha Huo chats with co-host Josh Hallman who has been to AFF twice. First in 2014, when he won the Fade to Black Award for his action-comedy I F****d James Bond and also met his Agent, and again in 2019 with his festival favorite short, Robu (now available on YouTube starring Emmy winner, Jharrel Jerome). Act Two’s resident expert on AFF, Josh spills the beans on what it’s like to go to the festival and shares practical tips and tricks on how to maximize your experience as a Screenwriter.   Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Host Josh Hallman makes co-host Tasha Huo tell the story of how she became a Showrunner on TOMB RAIDER: THE ANIMATED SERIES, what the job entails, what surprises there were, and steps writers can take to prepare for the job.   Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Sit down with hosts Tasha Huo and Josh Hallman as they chat about a new slew of real-life problems and complications that have come up for Screenwriters working in the industry right now, and how the Screenwriter overcame them.    Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Knowing how to break your ideas and scripts into Notecards can be an extremely valuable tool in your writer’s tool chest, and is key to understanding a career in TV development. In this episode, hosts Tasha Huo and Josh Hallman get into the nitty gritty of what developing with Notecards looks like, lessons they’ve learned about the process, and how to make them useful in your own Screenwriting career.   Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Hosts Tasha Huo and Josh Hallman discuss a topic every screenwriter loves... your reps! Specifically, how to maintain a good relationship with your reps and what a working relationship looks like. This episode is a companion piece to a previous episode, which you can find here: How to have a good relationship with your reps.    Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Hosts Tasha Huo and Josh Hallman hang out with September Act Two Mentor, Mr. Monty Bennett, to discuss the daily life of a staff writer in a TV room. They share stories on everything from when you're expected to file in for the day, what's the snack situation, room politics, and how to pitch a good idea.   Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Hosts Tasha Huo and Josh Hallman sit down and talk about their favorite thing -- action setpieces in movies. Breaking down iconic action sequences from four different films, they discuss how story structure, reversals, and character development are all key ingredients to crafting an action scene. Turns out, action is so much more than just punching someone in a really cool way.    Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Part II of the Notes Commandments series, wherein hosts Tasha Huo and Josh Hallman break down the best, most effective (and simultaneously, the kindest) way to GIVE notes to Screenwriters, and what Screenwriters should expect in their own notes meetings with producers and executives.   Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

Hosts Tasha Huo and Josh Hallman sit down with Screenwriter James Stoteraux, Executive-Producer of "Batwoman", after his thread about his volatile experience at Columbia's graduate film program went viral on Twitter. We get honest with James as we all share our Film School experiences, how we feel Film School failed us, where film academia excels, and how to make the most of your program if you are taking the college plunge or are actively in Film School already.    Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg

There are many ways to stay proactive in your writing life. If you're sitting on a script you're passionate about, there are (creative) ways to get it into the world. Hosts Tasha Huo and Josh Hallman talk about the different outlets screenwriters have and ways to be an advocate for yourself.    Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: [email protected]

Some Screenwriters think Open Writing Assignments (OWAs) are a waste of time and a product of the Devil, other Screenwriters build sustainable careers off of them, and still others believe they are a unique gateway for up & coming Screenwriters to get their foot in the door. Hosts Tasha Huo and Josh Hallman walk through what OWAs are, the different types, and the Pros & Cons to engaging on them.    Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: [email protected]

In this Screenwriter-nerd episode, hosts Tasha Huo and Josh Hallman get specific about how they and other professional Screenwriters organize their files. Easy and clear organization becomes extremely important as you receive notes that could take you through years of development on the same project. A clean organization of your documents will allow you to refer back to single scenes from months ago, easily call back old drafts that suddenly become relevant with new producers, or for any number of unexpected reasons that come up when you're a working Screenwriter. Do you have a unique way of organizing your drafts and notes? Let us know!    Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: [email protected]

Hosts Tasha Huo and Josh Hallman sit down with screenwriter and master of the adaptation Evan Spiliotopoulos (Snake Eyes, The Huntsman: Winter's War, Beauty and the Beast) to discuss how he approaches adaptation vs. an original idea, and how his latest film, the horror movie THE UNHOLY, based on the novel "Shrine" by James Herbert, was a unique adaptation experience. Evan also opens up about what it's like to be a Screenwriter making his directorial debut (and during a global pandemic!).  Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: [email protected]

This was the description I wrote — Writing for the small screen is not the same as writing for the big screen. They are completely different skills. In this episode, hosts Tasha Huo and Josh Hallman sit down with feature writer David Levinson -- who is currently writing his first TV pilot -- to discuss the growing pains between writing for Film vs. TV, how each requires a different way of thinking about story, and how they've approached adapting their screenwriting skills to the small screen.   Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: [email protected]    

Hosts Tasha Huo and Josh Hallman discuss the personal stories they consider turning points in their Screenwriting careers.    Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: [email protected]

It turns out there is a crucial moment after you pitch -- the ten-minute window when the pitch is finished. In part four of this multi-episode series hosts Tasha Huo and Josh Hallman discuss this moment and how it can make or break your pitch. It's important and pitching is the greatest/worst!!!    Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: [email protected]

To have a sustainable Screenwriting career, you need to know more than just how to write a brilliant screenplay. Eventually, every Screenwriter is asked to revise. But taking notes and executing them effectively is a whole other part of the brain and a different skillset than simply writing a genius spec. For that reason, hosts Tasha Huo and Josh Hallman kick off their Notes Series with the “10 COMMANDMENTS FOR NOTE TAKERS”, a handy how-to-guide for Screenwriters on how to think about notes like a professional, and set yourself up for continued success.   Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg 

In this inaugural edition of WHY MOVIES WORK, hosts Tasha Huo and Josh Hallman discuss three recently-released movies — NOBODY, MORTAL KOMBAT and THE MITCHELLS VS. THE MACHINES — and, more specifically, why these movies work on a screenwriting level. *Do be warned — SPOILERS AHEAD*   Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg 

Development Hell is part of every Screenwriter’s career, great and small. In this first in an ongoing series about real-life development stories, hosts Tasha Huo and Josh Hallman kick things off with a break down of just how a writer gets caught in Development Hell, what exactly that means, and even tell a few epic stories of how some hellish development stories have produced movies we all know and love.   Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg 

Chances are, the Screenwriters of your favorite movies have hired a Ghostwriter to do everything from joke punch-ups to full on writing of your favorite scenes and set-pieces. Ghostwriting is one of the best kept secrets in Hollywood Screenwriting. In this episode, hosts Tasha Huo and Josh Hallman go full investigative journalist and bring to light real stories from real working Ghostwriters in Hollywood who have ghost written everything from TV shows to studio franchise movies. These Ghostwriters dish (anonymously) on what it’s like to have big writers ask you to do their work for them. The stories that came up may shock you.   Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg     

The Walt Disney Television Writing Program is one of the most sought-after programs for up-and-coming writers because of its extremely high success rate in transitioning its program participants into working staff writers on Disney/ABC TV shows. In this interview with 2020 alums Adrian Viña and Allyson Philobos, we break down how the program works and why it's so successful. We discuss everything from the grueling interview process, the fantastic education in real-life skills to help develop you as both a writer and a professional, and how the program goes about connecting its participants to staff writing jobs.    Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg 

Hosts Tasha Huo and Josh Hallman talk with spec master Daniel Kunka to discuss his latest script: LIFT. Kunka’s spec created a frenzy that resulted in him teaming up with Netflix, Simon Kinberg, and Matt Reeves. The Act Two Podcast loves (LOVES) specs, and it was great to have Kunka offer inspiration while sharing his insight.    Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg 

"That writer has a great voice," is a comment often uttered by producers and reps when talking about writers they love. And it's what buyers and producers look for in hiring the best writer for the job. Using examples from masters of voice in the industry (JJ Abrams, Shane Black, Mike Flanagan, and others), hosts Tasha Huo and Josh Hallman break down what the hell "voice" even means, why your voice is so important as a Screenwriter, and how to find your unique voice in your own writing.     Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg 

Hosts Tasha Huo and Josh Hallman watch the 4-hour Snyder Cut of JUSTICE LEAGUE and both rant and rave about it, while also bringing it back to writing -- How do you write good mythology, and what are some of the pitfalls to avoid if you are creating your own mythology in a script?   Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg 

Screenwriting is an isolating career by its very nature, but in Act Two, we believe that it doesn't have to be. If we support one another, we are all supported. For that reason, Act Two has partnered with Coverfly to connect up-and-coming writers with professional Screenwriters in the Act Two community for a 6-month career & industry mentorship program where new Mentees will be chosen every month to join a unique Mentorship opportunity with one of Act Two's incredible working writers. Mentorship is incredibly important in a writer's career, whether they are just starting out or are showrunning their own show. To find out more about this unique opportunity, whether you're looking to be a Mentee or a Mentor, join hosts Tasha Huo and Josh Hallman as they chat with Tom Dever, Head of Writer Success (what a title!) at Coverfly about how this Mentorship was conceived and why it's so important in the life of a Screenwriter.   Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg 

TED LASSO deserves all the awards (all the things!), so say hosts Tasha Huo and Josh Hallman. In this Breakdown episode, they break down how writers Jason Sudeikis and Bill Lawrence introduced the now iconic characters in the Pilot of their hit show on Apple TV, how they created "villains" in a feel-good dramedy, and how they flip expectations to keep you leaning in. *SPOILERS AHEAD* (but also, you really need to watch TED LASSO).   Questions/comments: [email protected] - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.   Questions/comments: [email protected] - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.

Being a professional Screenwriter doesn't mean you're just good at writing scripts. You must become a master/mistress of a slew of other document types, from Format Documents to Scriptments and Bibles, all of which have different definitions depending on who you ask. In this practical-use episode, hosts Tasha Huo and Josh Hallman wade through the minefield and break down the definitive WGA definitions of each non-script document you'll be asked to write as a professional Screenwriter, what they're for, why they're important, and how much you should be getting paid for them.   Questions/comments: [email protected] - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.

It's a big month in the news for co-host Tasha Huo, who has been hired to create and executive produce the animated series TOMB RAIDER for Netflix, and to adapt the comic RED SONJA for Millennium. So in this episode, Josh Hallman forces Tasha to finally talk about herself and discuss the process behind getting both those jobs, and what comes next.   Questions/comments: [email protected] - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.

A Hufflepuff and a Slytherin examine the first act that started it all: HARRY POTTER AND THE SORCERER'S STONE! Harry Potter is one of the greatest and most influential film franchises of all time. It effortlessly brought us into a magical world that felt grounded and introduced an unsung hero. If you're world-building, write fantasy, or have that unassuming hero... grab your butterbeer and get ready. Questions/comments: [email protected] - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.

You have to learn the rules before you can break them. In this episode, hosts Tasha Huo and Josh Hallman discuss why Three Act Structure is important and they break down some of the most popular structure guidelines out there, including Blake Snyder's "Save the Cat" model. They also discuss how to avoid becoming a slave to structure guidelines, and how to instead use them as a valuable tool in your writing tool chest.   Questions/Comments: [email protected]   Edited by Paul Lundquist   Music by 414beg

"Hope is like the sun. If you only believe it when you see it, you'll never make it through the night." - General Laia, Star Wars: The Last Jedi. Hope is what every Screenwriter's dreams are built on, and it is also the hardest thing to sustain during the dark nights of your career. In this unique episode, hosts Tasha Huo and Josh Hallman illustrate the importance of hope in the Screenwriting journey through the inspirational origin stories of two now famous Screenwriters who lost all hope right before they achieved massive success -- Sylvester Stallone and George Lucas.   Questions/Comments: [email protected]   Edited by Paul Lundquist   Music by 414beg  

Becoming a member of the Writer's Guild of America is an important milestone for every Screenwriter, and a significant hurdle in accessing a consistent and successful career. In this episode, hosts Tasha Huo and Josh Hallman sit down with Screenwriter and WGA Captain Ben Shiffrin to discuss the basics of WGA membership, the pitfalls of a non-WGA deal and how to combat them, and the myriad of helpful resources available to Screenwriters that few even know exist (whether you're a member or not!).    ----more---- Questions/Comments: [email protected] ----more---- Edited by Paul Lundquist ----more---- Music by 414beg  

Pixar storytellers are some of the best in the history of our business. In this episode, hosts Tasha Huo and Josh Hallman walk through a viral Twitter feed where former Pixar storyboard artist Emma Coates posted Pixar's 22 Rules of Storytelling, and they talk about how those rules can be applied to your screenwriting in very real and practical ways.   You can find the original post here -- https://io9.gizmodo.com/the-22-rules-of-storytelling-according-to-pixar-5916970   Questions/Comments: [email protected] Edited by Paul Lundquist Music by 414beg

Pitching is terrible. But one of the biggest ways to set yourself up for success is by adding visuals to your pitch presentation. So whether you're pitching over Zoom, or you're back in a room with real humans, hosts Tasha Huo and Josh Hallman discuss all the different ways to use visuals to great effect in your pitch.   In addition, Act Two has a fantastic and talented in-house layout designer to help you with all your lookbook and pitch presentation needs if doing your own visuals just isn't your thing. Check out professional layout designer Katie Olsen's visual pitch portfolio for Screenwriters at LuckyDelaney.com   Questions/Comments: [email protected] Edited by Paul Lundquist Music by 414beg

Fellowships have become a formidable way to jumpstart (or restart) your Screenwriting career. In this episode, hosts Tasha Huo and Josh Hallman sit down with bRock Newell, winner of the 2018 Screencraft Fellowship to chat about what exactly the Fellowship entails, why he refused a free hotel stay in LA, and the incredible effects the Fellowship has had on his career.  Questions/Comments: [email protected] Edited by Paul Lundquist Music by 414beg

Sure, New Year's Resolutions suck and never work. But, what if your writing resolutions DID work? What if by Dec. 31st of next year, your career looked vastly different? It can happen. You (and only you) have the power to progress your career over the next year. In this special End of Year episode, hosts Tasha Huo and Josh Hallman talk in detail about how they make writing goals, their tricks on how to keep them, and how to wield those goals into real actionable, career-changing steps. Next year, take control of your career. Questions/Comments: [email protected] Edited by Paul Lundquist Music by 414beg

There is a legend among Screenwriters that Shane Black wrote LETHAL WEAPON right out of college, sold it immediately, and that his first draft was what went into production. Tearing down that myth are hosts Tasha Huo and Josh Hallman, with Special Guest David Levinson, who go behind the scenes of how this holiday action movie really came to be. The truth is nowhere close to mythic, and much closer to the hard reality of what it takes to get a movie made. Hint: Shane Black wasn't the only writer! It is an Act Two belief that the best writers never stop learning -- so the Breakdown Series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Sit back, grab a drink, and let's see what we all can learn! Questions/Comments: [email protected] Edited by Paul Lundquist Music by 414beg  

BACK TO THE FUTURE, crafted by Robert Zemeckis and Bob Gale, has one of the most satisfying endings in film. It accomplishes this through building continuous Obstacles and Paying Off all the Setups from Act One. In this last installment of The Breakdown: BTTF Edition, hosts Tasha Huo and Josh Hallman break down just how a perfect, satisfying ending is pulled off at the writing level. The Breakdown Series is a special, ongoing series where hosts Tasha Huo and Josh Hallman tear into the Screenwriting of masterful films and television episodes, breaking down how the sausage is made. It is an Act Two belief that the best writers never stop learning -- so this series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Sit back, grab a drink, and let's see what we all can learn! Questions/Comments: [email protected] Edited by Paul Lundquist Music by 414beg

BACK TO THE FUTURE, written by Robert Zemeckis and Bob Gale, is a masterclass in how to craft the perfect Act Two. It has a powerful story engine, unexpected twists and turns, emotional ups and downs, and it forces the audience to be an active participant in the adventure. In this second installment of The Breakdown: BTTF Edition, Tasha Huo and Josh Hallman break down just how Zemeckis and Gale pulled all this off to create one of the most perfect films in history -- Hint: Cause & Effect.   The Breakdown Series is a special, ongoing series where hosts Tasha Huo and Josh Hallman tear into the Screenwriting of masterful films and television episodes, breaking down how the sausage is made. It is an Act Two belief that the best writers never stop learning -- so this series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Sit back, grab a drink, and let's see what we all can learn!   Questions/Comments: [email protected] Edited by Paul Lundquist Music by 414beg

You've written your first script and you're ready to show it to the world. Where do you share it? Who do you trust with feedback, and what do you do with it? When is your ego getting in the way, and how can you tell? Hosts Tasha Huo and Josh Hallman talk about their first scripts and the hard lessons they learned when they were confident film school grads just starting out.   Questions/Comments: [email protected]  Edited by Paul Lundquist Music by 414beg