November has arrived and we’ve booked for a genre of film that is very different than the cavalcade of horror we just got out of. For some, maybe it is horror, but all month long we’re going to discuss decades worth of Musical Films and we’ve calling it RAISE THE CURTAIN & BELT THE CHORUS. Many of these films started on the stage and others started as movies inspired by the stage and we kick it all off with a well regarded classic. Go watch this one with a grandparent, I’m sure they would appreciate the time spent with Gene Kelly, Donald O’Connor and Debbie Reynolds in Stanley Donen & Kelly’s beloved 1952 musical “SINGIN’ IN THE RAIN”. The silent era is fading and Hollywood talkies are looking for the full package, of which Lina Lamont is not it. Shallow and shrill she is, but she’s still got some Hollywood pull. Don and Cosmo have the talent that Lina doesn’t and they meet Kathy Selden, who could cover for Lina’s shrill voice in a new musical feature just so long as Lina doesn’t know. Of course Don and Kathy are in love and then there’s all the singing and dancing that you might have heard over the years even if you never formally sat down with this one. Donald O’Connor truly steals the show here. The talent level is something to be admired so check this out (last we checked it’s on MAX) and hear us talk of this beloved musical. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We’ve crawled out of Halloween Humpfest but the creeping dread continues for just a little bit longer because it’s time for another discussion in our overarching director topic for 2024. Yes, it is still a “dreary Year of von Trier” and what shit-hole year it’s been. Heading down the final stretch, it’s safe to say that the overall feeling of dread may bleed into the following year but we will be done with Lars von Trier, at least, until he gets around to making the third of his USA-Land of Opportunity trilogy. Today, we discuss the first of that trilogy and our introduction to Grace Mulligan in von Trier’s twisted take on American Folklore with his 2003 film “DOGVILLE” and it has a hell of cast that includes Nicole Kidman, Paul Bettany, Lauren Bacall, Stellan Skarsgård, Cloe Sevigny, Philip Baker Hall, James Caan and that’s only half of them. John Hurt narrates a tale of Grace who is on the run from mobsters and cops. She stumbles upon a strange tiny town. The town is skeptical but they give her a chance to be part of the village if she proves herself helpful by doing labor for each member of the town. When the heat turns up and questions continue they may need a little bit more from Grace to justify her presence. Then a little more. Just a little more. If this all becomes too much can Grace escape? We see the clues along the way (dude is reading “Tom Sawyer”) but when it’s all said and done, can glowing optimism make space for a sense of justice? All this within a minimal set design in which walls only exist within the minds of the characters. You know who made this movie so you should have specific expectations. That’s right. Call the in-laws. It’s movie night. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We’ve crawled through the shock and gore of HALLOWEEN HUMPFEST and we’ve come, once again, to that special day. Halloween. Last year on the holiday we dropped a 6 Pack discussion on the first 6 movies in the Halloween franchise created by John Carpenter and Debra Hill. Here’s you a link: https://www.youtube.com/watch?v=CTFVWja0MMg Peaks and valleys to the extreme. Today we might as well finish off all that’s available of the franchise. Actually there’s 7 movies left so it’s a 6 Pack Plus 1 episode and we’re retconning three different times. We’re taking in the return of Laurie Strode after 20 years in Steve Miner’s “HALLOWEEN H20: TWENTY YEARS LATER” from 1998 and it’s follow up, “HALLOWEEN: RESURRECTION” from 2002 directed by Rick Rosenthal. Following that we got Rob Zombie’s demystifying contributions to Michael Myers lore with 2007’s “HALLOWEEN” and “HALLOWEEN II” from 2009. Then it’s onto the most recent trilogy co-written by Danny McBride and directed by David Gordon Green. We’re talking “HALLOWEEN” from 2018, “HALLOWEEN KILLS” from 2021 and “HALLOWEEN ENDS” from 2022. In that jumble is a whole mess of stars including Jamie Lee Curtis, LL Cool J, Josh Hartnett, Michelle Williams, Busta Rhymes, Tyra Banks, Katie Sackhoff, Malcolm McDowell, Brad Dourif, Tyler Mane, Judy Greer, Will Patton, Anthony Michael Hall and many more. No better way to close out the spooky humpfest than with the oft imitated Michael Myers. There’s some shit movies in this franchise but we still love it all deep down in our hearts. Thank you for humping with us this month. Happy Halloween. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

EXTREMELY SPOILERY! We’ve arrived upon the eve of Halloween and the penultimate episode of HALLOWEEN HUMPFEST. We previewed every day except today because today was left to Angela to decide which horror movie, made in 2024, was going to be discussed. There were many to choose from but we went to the movies and picked a body horror flick that is getting a lot of buzz right now. If your ear is to the ground then you already know we’re talking about Coralie Fargeat’s newest film “THE SUBSTANCE” and it stars a resurrected Demi Moore, Margaret Qualley & Dennis Quaid. Fargeat’s second feature film is visceral, alluring, relentless, disgusting and overstimulating. Obvious satirical commentary on body image, the scumbaggery of entertainment and fear of aging but where does this hyper tale end up? Would you take THE SUBSTANCE? I would. I’m too curious to not do something like that. Having a super hunky, gay other of myself walking around? He’d probably have a giant TikTok following within a week. He would serve mega cunt until I looked like that dude who drank the wrong goblet at the end of that Indiana Jones movie. Demi is back and Mr. Skin’s servers are gonna crash after this flick hits their radar. You should definitely bring any parents and in-laws with you to see this one. Happy Halloween! Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We’ve reached the end of our weekday sub-theme discussions for Halloween Humpfest and we pop back into the 80s to end JOHN CARPENTUESDAY on a high note. It seems like a rather insane idea to adapt this Stephen King story about a killer car. In lesser hands it could be a laughable mess but John Carpenter’s 1980 horror “CHRISTINE” is an excellent example of how he can, more often than not, execute what seems to be a lofty idea onto film. Say a prayer for any shitter that would get between a car and her boyfriend. Arnie was a dripless nerd until he bought a busted looking 1958 Plymouth Fury from a strange man. The car is Christine and after Arnie puts his heart and soul into fixing her up, nothing can keep them apart. Not the cranky garage operator. Not his girlfriend who dresses like an English schoolboy. Not some dirtbag bullies and not his player hating best friend who can’t wait to movie in on his girl. While this movie opens up with the awful George Thoroughgood rendition of “Bad to the Bone”, Christine would never sully her speakers by playing that goofy nonsense. Though, what did Christine do with the poop on her dashboard? Hear us tell the story of a unique horror romance. Harry Dean Stanton appears so you know it’s good.  Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We’re in our final week of Halloween Humpfest and upon our final discussion for Universal Monster Mondays. Werewolves have come up this month already so we might as well go back to one of the celluloid originals from where so much of the modern lore derives. Lycanthrophiles know we’re talking about George Waggner’s 1941 horror classic “THE WOLF MAN” starring Lon Chaney Jr., Claude Rains, Evelyn Ankers & Bela Lugosi. We were expecting more full moons but the blooming wolfsbane will do. You go back to Wales to inherit your father’s business in Castle Astronomy, you meet some antique store babe and it seems to be going well (even though she’s engaged) THEN A GODDAMN WOLF BITES YOU! Of course you beat it to death but then there’s a dead guy where the wolf was and you’ve really been thinking about buttholes and how they smell. You can identify people around you just from the smell of their butt. That’s because you’re WOLF MAN now and you uncontrollably murder people. Congratulations on your horribly tragic life. All that’s left is getting beat to death with your silver cane by your father who is half your size. I think we need some DNA testing there. Larry’s mother must have been huge. Here’s the movie: https://archive.org/details/the-wolf-man-1941_202106 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We’re heading towards the finish line of this year’s HALLOWEEN HUMPFEST and our final FRIDAY NIGHT FIENDS edition is devoted to one of the lesser known 80’s slashers that did not blow away the box office but has found it’s cult appreciation over the years. Special Effects wiz, Stan Winston, made his directorial debut with the 1988 hillbilly horror “PUMPKINHEAD” starring Lance Henriksen, John D’Aquino and Kerry Remsen. Like any classic slasher, some horned up young adults roll up into someplace where they don’t belong. After the head douche accidentally kills his son with a dirt bike, Ed Harley seeks revenge through a mountain hag who can summon a demon of vengeance. The same one he saw as a child. He’s just got to go dig him up out of the pumpkin patch. Thus is born “Pumpkinhead” (pronounced “Punkinhead”) and this guy likes to play with his food. Will Ed Harley get his revenge quick and clean or does this monster take much more from him than he intended? I mean…it’s the latter. That much should be obvious. Hear us tell of this somewhat forgotten cult slasher. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

HALLOWEEN HUMPFEST is nearing its last leg and we speak on our final weekday sub-theme episode of TRUE THREAT THURSDAY. These spooky selections are based on “true events” and some garner more skepticism than others and you could say there’s a lot of skepticism in this discussion regarding this 1979 box office hit. It’s based upon the supposedly true accounts of a family haunted by evil spirits in a new home that was the sight of a brutal family murder a year before. Is it truth or just a grimy exploitation? I guess all “based on a true story” movies might have at least a little exploit in them but Stuart Rosenberg’s 1979 adaptation of the Jay Anson book “THE AMITYVILLE HORROR” starring Margot Kidder, James Brolin & Rod Steiger certainly evokes a range of opinions. Phantom Imaginary friends? A hell gate? A dad who might kill his whole family? Well tread tropes at this point but THE AMITYVILLE HORROR’s success, in both book and film, seem to be in it’s timing and place in history. This movie will always have an interesting place in the zeitgeist of hauntings and horror. Yeah, we found a link: https://www.dailymotion.com/video/x8vfrek Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Another HALLOWEEN HUMPFEST means another round of Hammer Horror classics in the can in this our final episode of HAMMER HORROR HUMPDAYS. We bounce ahead in the Frankenstein series to a portrayal of the iconic doctor that may be at it’s most confident and charming. The title of the 1964 Freddie Francis film “THE EVIL OF FRANKENSTEIN” may seem a little strange in that the Baron Victor Frankenstein is not even the most evil character in this movie. Peter Cushing plays him more as a rapscallion rogue that doesn’t take much nonsense. The babes likes it when he crashes into their rooms but we all know that it’s his assistant, Hans, who has his heart. Victor returns to his hometown and recalls something of a prequel to his resurrecting days and he finds his long lost creature frozen in a cave. Truly a Hammer Horror revelation. Can the Baron Frankenstein continue his experiments in peace or will con-men, Burgomeisters and Constables get in his way? Let the man cook! So long Hammer Films. See you next year. We found you a link right here: https://archive.org/details/the-evil-of-frankenstein Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

It’s another JOHN CARPENTUESDAY for HALLOWEEN HUMPFEST and we’ve been catching up with some Carpenter picks we’ve been long overdue to check out. John Carpenter made high end flicks for over a decade but the 90s are certainly his most divisive period. The guy has made, at least, ten good movies. More than many. Movies like Memoirs of an Invisible Man, Ghosts of Mars or The Ward doesn’t get the lip service of The Thing or Halloween for obvious reasons but of all the 90s Carpenter fare, today’s discussion from 1994 definitely stands out from that period even if it is far from perfect. It’s no small feat to adapt the disturbing psychological nature of an HP Lovecraft story but “IN THE MOUTH OF MADNESS” is John Carpenter giving it a shot. Sam Neill plays John Trent, a freelance insurance legend who must find a successful horror author that has gone missing whose books seem to be making the people who read them rather affected. From bleeding from the eyes affected to outright axe murder. John is skeptical. How could you not be when everyone is telling you that you’re a character in a fictional town that only exists in a fictional story? He’ll get to the bottom of this Sutter Cane business or he’ll lose his goddamn mind. The title, as well as the first ten minutes of the movie, will fill you in on what happens. Sutter Cane seemed too chill. You know the actual HP Lovecraft was a wide-eyed batshit mess. Here’s a link to that fun “My Dawg” song: https://www.tiktok.com/@dearsilas/video/7358210716412693791?lang=en Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

When you rank the Universal Monsters in order of lethality you’re gonna line up some heavy hitters. Frankenstein seems to be kinda sweet until suddenly you get snapped like a Lemmy Bunny. Dracula and Imhotep definitely have stacked some bodies off screen over their long life spans. Gill-Man only kills when you encroach his lagoon so that’s more “justice” than “murder”. The oft overlooked “Phantom of the Opera” is probably the least lethal. Just get that poor guy some attention and maybe a little sloppy top and he should calm down. None of these guys are more lethal than today’s UNIVERSAL MONSTER MONDAY character. The crazed Invisible Man killed 122 people in the span of a week or so! HE DERAILED A TRAIN FOR THE LAUGHS! Dude is a psychotic spree killer and he’s portrayed by the amazing Claude Rains in James Whale’s ground-breaking 1933 horror “THE INVISIBLE MAN”. Claude Rains introduction to U.S. audiences became legendary as he chewed up the screen while never seeing his face and only hearing his voice. The kids today might say that Claude Rains ATE in this movie. You could say that Claude Rains absolutely SERVED CUNT in this role. These James Whale monster classics don’t miss. Of course we got a link: https://archive.org/details/the-invisible-man-1933_202105 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Every Friday is FRIDAY NIGHT FIENDS during HALLOWEEN HUMPFEST and today we’re discussing the follow up to one of our favorite horror movies. Kirsty, Julia, Pinhead and the Lament Configuration are back and hotter than ever and we’re gonna be spending a lot of time down under under the gaze of Leviathan. We’re talking “HELLBOUND: HELLRAISER 2” from 1988 directed by Tony Randel and starring Claire Higgins, Ashley Laurence and Doug Bradley. The sultry Julia returns with the help of a sick doctor and she’s leading souls into hell for her master, LEVIATHAN. Kirsty’s brave ass wants to go and rescue her father and the Cenobites return with grandiose plans of torture. All the gore and eroticism work almost as well as in the original and then the last 30 minutes happen. Why did they go out like that? Still looks demented and cool but does the good outweigh the underwhelming? Hear us tell it. This movie definitely has its fans but boy does word of mouth drop off hard for the franchise after this one. Here’s a link to the movie: https://www.dailymotion.com/video/x8kbuuc Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

HALLOWEEN HUMPFEST means we stay spooky five days a week all October long and on “TRUE THREAT THURSDAYS” our scares are rooted in reality. For certain movies there is a level of skepticism and exploitation you can’t ignore but today’s discussion involves a film based on one of the most notorious unsolved serial killings in US history. The seemingly unending spiral that is the Zodiac Killer case can feel very lofty but David Fincher manages to adapt Robert Graysmith’s book on the killer in a way that strikes a fantastic line between terror, procedure and anxiety. We’re talking about Fincher’s 2007 true horror “ZODIAC” starring Jake Gyllenhaal, Robert Downey Jr., Mark Ruffalo, Anthony Edwards, Elias Koteas, Philip Baker Hall, Chloe Sevigny and many more. A real ensemble feast so well balanced and compelling that you can hardly tell it’s pushing three hours. Arguably one of the best films based on a true crime that exists with some of the most frightening scenes we will see all month. Can we eat this movies butt any harder? Following the discussion, Bob presents some of his own evidence on who he thinks the Zodiac killer might be and it shocks Angela to the core. Is this case solved right here, right now, on this YouTube/podcast show? Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

It’s Wednesday during October so that means it’s HAMMER HORROR HUMPDAY and we’re on the last of our three Oliver Reed starring films and we saved one of his most scene chewing performances for today. This is also the show’s first discussion of a film starring the classic British Scream Queen Janette Scott. A family is in shambles. The mother and father are dead. A brother, Tony,  gone from taking his own life. The surviving brother, Simon, is a psychotic alcoholic and the surviving sister thinks she might be losing her mind because she sees her dead brother around the estate. One day she decided to end it all the same way her brother did and throws herself off a cliff only to be rescued and returned home, in front of the whole family, by their supposedly late brother. Mystery, thrills, psychological chills and a very affecting jumpscare in this Freddie Francis flick from 1963 called “PARANOIAC” starring Janette Scott, Oliver Reed, Sheila Burrell & Alexander Davion. Sometimes we get way too close with our brothers and aunts and it’s kind of weird but also disturbingly normal for those British Blue Bloods. Hear us tell the unsettling tale and click this link here if you want to see it for yourself: https://archive.org/details/paranoiac_202107 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Every Tuesday during HALLOWEEN HUMPFEST is JOHN CARPENTUESDAY and we’re catching up with some John Carpenter selections that we’ve been long overdue to see. Especially this one considering the pro wrestling appreciation of the hosts as well as the pretty significant cultural reverberations that this particular movie inspired. Critics were not high on it at the time and executives were confused by it, but John Carpenter’s 1988 film “THEY LIVE” is practically the dictionary definition of a beloved cult hit. Then you have the lead, Roddy Piper who had a great year that year and perhaps we were robbed of more higher budget Roddy Piper action fare because he’s a worthy action lead. Nada is a drifter who stumbles upon an intergalactic plot. We’ve all been placated to be mindless consumers by aliens who have infiltrated us at all levels and are transmitting their brainwashing through a TV antenna. It takes some convincing but Nada recruits Frank, played by the great Keith David, to blow these formaldehyde faces to smithereens. Iconic one liners and what might be the greatest fight scene in a movie, you see why it’s beloved. It was only a matter of time before we got to it.  Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Every Monday is “Universal Monster Monday” all October for HALLOWEEN HUMPFEST and today we discuss probably the coolest looking one when you see a picture of all the monsters lined up. We’re talking about Gill-Man and he’s only defending his territory that humans have unfairly encroached on. You can’t just enter the Black Lagoon without presenting Gill-Man a gift of a human woman and if you’re not willing to come off it then he’s gonna maim your doctor and take her for himself. One half of Jack Arnold’s 1954 hit “CREATURE FROM THE BLACK LAGOON” is typical 50s sci-fi horror. The other half is stunning underwater technique with stunt sequences unlike anything seen prior to this point. A fish man has to swim and they captured that feat as good as you possibly could. If only Gill-Man killed them all and took his fleshy bride once and for all. I guess you can watch that Del Toro movie that won the awards if you really want to “pearl dive” while watching interspecies love scenes. Get your Gill Man right here: https://archive.org/details/creature-from-the-black-lagoon Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Every Friday during Halloween Humpfest is devoted to those Friday Night Fiends. Iconic creatures and monsters who give us the chills and today is the second of three werewolf flicks for the month. Dee Wallace plays “Karen” a TV news anchor who is being stalked by a predatory serial killer. She, quite bravely, attempts to entrap her stalker in the back of a porn store where police barely arrive in time to save her. She’s traumatized into amnesia and this dude is in her dreams, day and night, so her psychiatrist decides to send her and her husband to a retreat with a lot of folksy music. Ok, so it’s inhabited by a commune of werewolf swingers. Sure, they don’t say or show too much swinger stuff but you can tell what’s going on here. It’s kind of a sexy movie. That one lady is in heat. We’re talking Joe Dante’s reverential werewolf horror from 1981, “THE HOWLING” also starring Patrick Macnee, Christopher Stone & Slim Pickens. Yes, Slim Pickens. Imagine him in a werewolf orgy. Maybe he wanted to throw himself on that fire because he couldn’t participate in the werewolf orgy anymore? Happens to the best of us. Here’s a link: https://archive.org/details/thehowling1981_202002 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

HALLOWEEN HUMPFEST continues and we’re discussing our second “True Threat Thursday” selection! Every Thursday this month is horror based on true events and we hit up an early slasher film by “Legend of Boggy Creek” director Charles B. Pierce. In 1946 a masked man killed 5 people in Texarkana and seized the mid-size town in fear. Maybe if you removed the cop comedy and the trombone scene then Charles Pierce’s 1976 true crime thriller “THE TOWN THAT DREADED SUNDOWN” might hit a little better.  Controversial in the area after only 30 years of the crimes, now they watch this movie in Texarkana every year. I wonder if the crowd does a specific thing when they see the cameraman on the train like they might do during viewings of the Rocky Horror Picture show? This movie stars Ben Johnson, Andrew Prine & Dawn Wells. Of course some there are some changes made from fact. Like the part where the police almost get him after the killer takes a daytime stroll in the woods with his mask on. If it wasn’t for that damn train. This movie oughta be free and here it is: https://www.dailymotion.com/video/x8rbh2u Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

For HALLOWEEN HUMPFEST, our loaded celebration of horror, we will always make room for the thrills and chills of Hammer movies. Each Wednesday in October is “Hammer Horror Humpdays” and we’re tracking some Oliver Reed films. Today’s discussion is like a mystery/adventure/horror hybrid. Horror in a more classical sense as we go back to the late 18th century in the wake of the death of a notorious pirate. The township prospers but nobody goes to the marsh at night because it is haunted by skeletal phantoms that have scared at least one man to death. Seems strange so the British navy has come to investigate what they suspect is war-time bootlegging by the town Priest and his co-horts. Unfortunately for the Priest, these officers have brought a ghost from the past in tow. We’re talking “NIGHT CREATURES” (or “Captain Clegg” if you’re nasty) from 1962 directed by Peter Graham Scott and starring the great Peter Cushing, Oliver Reed, Patrick Allen & Milton Reid. An enjoyable, if troubling, movie in some ways but we got our own spin on what went on with the story before the story. Peter Cushing is pretty great in this and is, underhandedly, the biggest villain. They’re all villains, truly. Here’s a link: https://archive.org/details/night-creatures Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Every weekday during HALLOWEEN HUMPFEST represents a different horror them and we’re happy to kick off the first of four JOHN CARPENTUESDAY selections. Every Tuesday we discuss a John Carpenter film that we’ve been long overdue to watch and today is his follow up to his and Debra Hill’s smash hit “Halloween” that sees the return of Jamie Lee Curtis and Nancy Loomis. We’re discussing the salty 1980 horror “THE FOG” also starring Adrienne Barbeau, Tom Atkins, Janet Leigh & Hal Holbrook. A legacy of horror envelopes the town of Antonio Bay as strange things begin to happen on its 100th anniversary. A lot going on but Carpenter manages to execute this eerily serene horror in interesting ways. Seriously, we about fell asleep looking at these coastal landscapes and guilty whisperings of the village priest. Not a complaint. Why is this era of Carpenter so soothing? Here’s a link we found: https://archive.org/details/the.-fog.-1980.720p.-blu-ray.x-264.-yify Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

HALLOWEEN HUMPFEST HAS RETURNED! That means a horror movie discussion every weekday all October long and we often like to do classic film selections on Mondays. For Halloween this month, each weekday has a particular theme and every Monday is UNIVERSAL MONSTER MONDAYS! The iconic Universal Monster characters that have been the face of a studio for generations. Today we hit the strange romantic horror of the 1932 film “THE MUMMY” directed by Karl Freund and starring the legendary Boris Karloff and Zita Johann. Some thieves from the British Museum are excavating in Egypt when they happen upon a scroll that resurrects an ancient sorcerer named Imhotep who was wrapped and buried alive over three thousand years ago. Ten years later Imhotep is a dusty player in the ancient artifacts business and there’s a slinky, half Egyptian hottie with uneven plucked eyebrows walking around that really reminds him of his old girlfriend. Will love conquer across time or will the British Empire cockblock what is fated to be? Who knew Egyptians were such mystical people? This is a very informative documentary. Here’s a link: https://vimeo.com/660594850 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

All month long is HALLOWEEN HUMPFEST and that means a horror movie discussion every weekday for October. Each weekday represents its own horror sub-category and every Friday is “FRIDAY NIGHT FIENDS”. The creatures, the creeps, the monsters and the fiends get the spotlight at the end of every workweek and today we got an infamous monster that bucked the slow, quiet trend of slashers to get inside our heads and have a little fun. You know him. You love him until you’re reminded that he’s a a pedophile then you have mixed feelings but goddamn if he’s not entertaining. Michael Jackson and Freddy Krueger got a lot in common. Yes, we are discussing the 1984 classic by Wes Craven, “A NIGHTMARE ON ELM STREET” starring Robert Englund, Heather Langenkamp, John Saxon and a baby Johnny Depp. Why is a child serial murderer with knife fingers invading the dreams of the adolescents on Elm street and what do the parents know about it? All killer and no filler in one of the most creative slashers of all time. Always worth a revisit. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Every weekday during HALLOWEEN HUMPFEST represents a different theme and today is our first discussion for Thursdays’ theme we’re calling TRUE THREAT THURSDAYS. Scary and chilling movies that are based upon true stories. Some selections are understandably more speculative than others and for our first “true threat” talk we’re delving into an adaptation of an allegedly true alien abduction whose alien experimentation scene catapults what might have been a forgettable film into a certain level of notorious cult status. People around our age might know exactly what we’re talking about when we reference THAT alien abduction scene. Thank goodness the director Robert Lieberman, as well as the writers and producers, opted to embellish Travis Walton’s abduction details. Otherwise we wouldn’t have gotten what is maybe the best alien abduction scene in film history. That’s right, we’re talking about the 1993 adaptation of the Travis Walton UFO incident called “FIRE IN THE SKY” starring Robert Patrick, James Garner & DB Sweeney. The actual story is controversial, even amongst UFO buffs, but either it’s impressively real or almost equally impressively faked. We discuss this cult classic with the one legendary scene and compare it to the actual accounts at the end of the episode and give our thoughts on the matter. Bob kind of rambles like a conspiracy theorist. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

HALLOWEEN HUMPFEST has officially begun and last year we tackled some Hammer Horror starring ( mostly) Christopher Lee. This year, every Wednesday, we’re rocking even more Hammer Horror movies with another actor that will (mostly) appear. We’re talking about Mr. Funtimes himself, Oliver Reed. Today we discuss an emotional Oliver Reed performance in the 1961 film “THE CURSE OF THE WEREWOLF” directed by the prolific Terence Fisher and also starring Clifford Evans, Yvonne Roman & Catherine Feller. A young boy, whose conception is from a sexual assault, is born on Christmas Day. Apparently anybody who is born on this day, that isn’t Jesus, is cursed. If that’s not sad enough his mother dies after going through labor. A kind man and his housekeeper raise the boy as his own. A good kid is given a chance but fate says “fuck them kids” because the man’s feral curse is bigger than any kindness. Actual wolves are easier to tame than this poor Werewolf who becomes a serial killer every full moon by no fault of the man inside. Our first of three werewolf features this month and they’re all pretty much tragedies. We found a link to this one right here: https://archive.org/details/the-curse-of-the-werewolf Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We are back for that most magical time of the year. Spooky season. Autumn. October. Halloween. HALLOWEEN HUMPFEST 2! Every weekday all October we discuss a different horror movie discussion and we will have even more horror to discuss than last year because we’re bookending the month with TWO movie review 6-Pack episodes in which we discuss 6 movies within a franchise or genre within a specific time limit for each movie. It’s often where our lowest rated movies rear their heads and while that is no exception in today’s episode, the good well outweighs the bad because we’re discussing zombie fare from the master of the zombie movie, George A. Romero. A beloved horror icon and we have no less respect for the man because he invented a modern horror trope in such a way that no matter what you do  if you decide to make your own zombie movie, you’re always going to be ripping off George at least a little bit. A classic zombie gorefest? Commentaries on race, consumerism and class? Black lead actors surviving in horror? Funny zombie movies? George did it all and we discuss four decades of Romero zombie horror with the inventive “NIGHT OF THE LIVING DEAD” from 1968, the iconic “DAWN OF THE DEAD” from 1978, the brutal “DAY OF THE DEAD” from 1985, the zombie revolution of “LAND OF THE DEAD” from 2005, the wobbly “DIARY OF THE DEAD” from 2007 and the baffling “SURVIVAL OF THE DEAD” from 2009. We only got six minutes to discuss each one and you better believe we ignore that limitation well into the episode. We had fun. One thing that George Romero will always give you is a gory good time. HAPPY HALLOWEEN HUMPFEST! Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

What a journey. We’re rolling through our ninth discussion in our year-long theme of A DREARY YEAR OF VON TRIER. This US election year was guaranteed to feel heavy and hopeless and it’s lived up to that spectacularly. Add a dozen Lars von Trier movies to that because why not? Today we talk of his third in his “Depression Trilogy” and it’s definitely a fun one to trick your in-laws into watching. If you can talk your mother-in-law into watching the complete 5 hour and 20 minute director’s cut of the 2013 film “NYMPHOMANIAC” then you deserve a large trophy at the very least. That’s what Bob and Angela did. The whole damn thing. Charlotte Gainsbourg plays Joe, a nymphomaniac. She’s found beaten and pissed on by Seligman, played by Stellan Skarsgård, an asexual and learned man who helps her out and hears her sordid stories of BJs, DPs, S&Ms, MMFs and you figure you would hear more about VDs, STDs and other things after sleeping with hundreds, maybe thousands, of people but not really. HPV at the very least. I think most of us have that one except Seligman. There is a home abortion in this movie so make sure you don’t miss that. We got quite the ensemble that includes Shia LeBeouf, Stacy Martin, Christian Slater, Jamie Bell, Uma Thurman, Willem Dafoe, Mia Goth and more. The movie is called “Nymphomaniac” and it’s by Lars von Trier and it’s what you would expect so let’s get up in them guts and talk about it.  Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

With this episode we end September’s theme of EUROPEAN VACATION and we’ve hit up plenty of classic Euro bangers. The A and S-Tier lists are swelling. This is a good thing and today’s discussion is no different as we make our final stop in Germany to discuss our third Fassbinder movie for the show. One last fling before Halloween time and we got one of Rainer Werner Fassbinder’s most infamous. His 1974 film “ALI: FEAR EATS THE SOUL”. It’s strangely sweet story of human connection and the intense social layers that push us apart. Brigitte Mira plays Emmi, an elderly widow and cleaning lady who wanders into a bar lured in by some music she’s never heard before. She meets Ali, as played by El Hedi ben Salem, who has no problem asking this woman for a dance after his friends tease him to do so. They hit it off quite well and before you know it she’s the big gossip topic of her building, her cleaning lady buddies have abandoned her and her son is kicking her TV in. Ali is used to being treated like a dog. Can Emmi handle the heat?  Can love win or do these things truly ever last? Just make the man some couscous. Couscous is so good. You can jazz it up and put stuff in it like rice. Anyway. Hitler. Have you heard of him? Halloween Humpest Year 2 begins next week. Here’s a link to today’s movie: https://www.youtube.com/watch?v=cRM0vjTc5L8&list=PLrrKbHPKjy_Olj0GIYylwA1s9Vm5gerE3&index=4 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We’re winding down our European Vacation and we make a stop in Norway but there’s something that goes beyond the borders in Joachim Trier’s 2021 romance/comedy/drama/coming-of-age film “THE WORST PERSON IN THE WORLD”. Renate Reinsve plays “Julie” whose fickle and drifting life might seem a little too familiar especially if you’re in a certain age range. She meets Aksel, played by Anders Danielson Lie, a cartoonist about 10 years her senior and falls in love. The love and the eventual disconnect feel very real. She aslo meets and falls for Eivind, as played by Herbert Nordrum, a casual and sweet guy closer to her age. Relationships end and begin. Lives abruptly come to a close. Expectations fall through. It all seems so drifting and aimless so what can we possibly do about it? Force it? At best we can only hope for peace with however it goes. Trier’s third in his “Oslo” trilogy sets an illuminating spotlight on the romance of a certain generation and it’s as unsettling as it is sweet. It sure hit a little too close to home for our hosts. This feels like it could have taken place anywhere in the western world. Oh, look! We found a link but click it while it’s there. It might not be soon: https://www.dailymotion.com/video/x92wuh2 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We’re in our last stretch of September’s theme of EUROPEAN VACATION and we’re broke as fuck now. We spent way too much money in France on wine, cigarettes and food cooked in heavy cream and now we’ve come back to postwar Italy and we got to get a job. But we need a bike. When it comes to representing poverty on film Vittorio De Sica’s 1948 film “THE BICYCLE THIEF” (or “BICYCLE THIEVES”) stands among the absolute best. Antonio needs his bike back from hock so he can get a gig hanging Rita Hayworth posters, but first we gotta sell the bedsheets to get the bike back. Ok we got the bike but GODDAMMIT SOME KID STOLE IT! Antonio and his son, Bruno, scour markets and churches in a race against time. Desperation and rage against a community that is truly no better off than you are. What can this man do to feed his family? How far is he willing to go with his back against the wall? Surely, he finds a way? Right? Here’s your link to this Italian classic: https://www.youtube.com/watch?v=uQkDYXzsHJE Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought  

This is our last stop for French movies this month and the last of our most romantic week under September’s EUROPEAN VACATION theme. This movie bounces around from France to Spain and is one of the most bizarre romantic comedies out there. Pretty impressive for any director to hit it like this at the age of 80 but Luis Buñuel was a different breed. Fernando Rey plays a well-to-do widower who falls for a poor but beautiful 19 year old who lives with her mother. His obsessions overwhelm him as everything seems to be going spectacularly except he just can’t get that one thing that many men want. Despite that they can’t seem to keep away from each other. This woman seems so subtle and elegant or then again maybe she’s actually sultry and emotive? It’s like she’s two different people and why does she hang out with those street boys? Is she really a virgin? We’re discussing Luis Buñuel’s final film, the 1977 romantic comedy, “THAT OBSCURE OBJECT OF DESIRE” starring Fernando Rey and most notably featuring Carole Bouquet and Angela Molina both playing the female lead, “Conchita”. Also featuring terrorism! This is probably peak “domestic violence in a comedy” that we will probably ever get. Not saying it’s played for laughs but maybe that’s what wealthy middle aged European men will do when they don’t actually get to sleep with the young woman in the movie. Such chastitiy is a rare occurrence in these Euro flicks. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

A few more Frenchies this week as we hit peak romance for September’s theme of EUROPEAN VACATION and when it comes to French New Wave, today’s discussion is amongst the most infamous. Jean-Luc Godard’s 1960 international hit “BREATHLESS” helped set a standard in style at a time when the filmgoing world was hungry for more international flair. Like a few other movies we cover this month, it represents a distinct point in the global recognition of European film. The chemistry between Jean Seberg & Jean-Paul Belmondo is out of this world. Belmondo’s character of Michel sees it too. He calls Seberg’s Patricia a martian at one point. A romance so bright that it makes you forget that you’re watching a crime movie and that this dude is a car thief who killed a cop. They’re not fated to be together but we can still revel in the feelings they have for one another. Living. Dying. They look cool either way. A lot has been said about this iconic film and the ease of Belomndo’s performance and the shine of Jean Seberg. With Seberg it’s hard not to speak of her tragic life that our tax dollars helped destroy. Look that shit up. Here’s  a link to the film: https://archive.org/details/breathless-1960 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We’re backpacking across Europe all month long and we’ve been circling back around to France for weeks now. What can we say? France loves their movies. We’ve even got a couple of movies this month that are French movies whose directors aren’t even French. For today’s French feature we’re gonna get a little dirty like some stinky muskrats on the banks of the Seine. It’s the river barge life for a newlywed couple who live their lives on a barge with an old Salty Crewman, a Cabin Boy and about 20 cats. Seems like a fun romantic adventure for a hot second until you smell the cabin. How you gonna keep a girl on the farm after she’s been to town? How you gonna keep a girl in town after she’s seen a barge? How you gonna keep a girl on the barge after she’s seen ‘Ol Gay Paree? We discuss Jean Vigo’s final film from his all-too-short life. The 1934 romantic comedy “L’ATALANTE” moves along dreamily and displays a sense of love and passion that really isn’t as common in film as you want it to be. Great character acting and genuine laughs. You can see its foundational roots in French cinema. Here’s a link: https://www.youtube.com/watch?v=SYYjXTiK-R4 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Boy did we miss a golden opportunity the last time it fell on a Friday the 13th because the last one was during October. Maybe we should have done this then but we were grinding for Halloween Humpfest and we didn’t think about it. Today marks our first Friday the 13th since that time and we think it’s a good time to do another 6-Pack movie review. We’re diving into another spooky franchise whose tragic slasher has grown into a horror icon. It’s Friday the 13th so we’re discussing first first half of the FRIDAY THE 13TH franchise. We’re covering: FRIDAY THE 13TH (1980), FRIDAY THE 13TH PART 2 (1981), FRIDAY THE 13TH PART 3 (1982), FRIDAY THE 13TH: THE FINAL CHAPTER (1984), FRIDAY THE 13TH: A NEW BEGINNING (1985) and FRIDAY THE 13TH PART VI: JASON LIVES (1986). Horny young adults are getting gutted but is it really Jason Voorhees fault? Is he in control? Why must this poor boy suffer unless…he’s not “of Hell” at all but an agent of God sent to punish promiscuous teenagers and young adults? We got some theories on this prolific slasher. This franchise also features the likes of Kevin Bacon, Crispin Glover and Corey Feldman in early roles. The next Friday the 13th comes around this December where we will finish up the latter half of the franchise. Until then, let’s talk about how it all starts. That poor Ms. Voorhees. She kind of had a point. There was no justice for her poor child. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

September’s theme is EUROPEAN VACATION and it’s not all French! We head up to Norway in this episode. Way up by the Arctic circle in a small town where, in the summer, it can be 24 hour daylight for days. They call it the midnight sun and it’s gonna fuck up your circadian rhythm. A girl has been murdered and two Kripos are sent up from Oslo to investigate but horrible accidents happen and many bad decisions follow. The midnight sun can be maddening if you’re not used to it. If only Engstrom could get some sleep then maybe he could approach this case rationally. We’re discussing an impressive debut neo noir by Erik Skjoldbjærg from 1997 called “INSOMNIA” starring Stellan Skarsgård, Sverre Anger Ousdal and Bjørn Floberg. This movie is on prime last we checked. They made a remake in 2002 directed by Christopher Nolan but we’re OG in this one. We simply can’t pass up the possibility of seeing Stellan Skarsgård’s penis. There’s about a 30% chance of that whenever you see him in something. We’re the new Mr. Skin but exclusively for Scandinavian penis. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We’re spending a lot of time around France and ‘ol Gay Paris for September’s theme of EUROPEAN VACATION because Bob has a lot of French DVDs that he’s been holding on to for a while that need to be watched. We finally get to a movie by the notorious Austrian director Michael Haneke and if his other movies hit like this one? Well, we may need more uncomfortable Haneke movies to watch in the future. France, like many European nations, has its ghosts that it doesn’t care to speak much on. Too much emotional inconvenience. Some things should stay in the past. But then you get videos of your apartment from the outside. Violent drawings as though they were done by a child. You got your suspicions but it’s too emotionally inconvenient to explain. We can take care of it. Confront it. Surely it can be firmly resolved and you can keep what needs to be hidden where it belongs, right? The past is so inconvenient. Why can’t the past understand that it was a long time ago?  We’re talking Haneke’s 2005 modern thriller “CACHé” starring Daniel Auteuil and Juliette Binoche. It might not be what you think and it might not be about what you think. What should be our next Haneke movie to discuss down the road? Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

For this month’s EUROPEAN VACATION we got a lot of French features. They love their movies and we love movies so it all works out. Today we break the seal on Robert Bresson with his 1959 classic “PICKPOCKET” starring Martin LaSalle and Marika Green. The strange Michel is very driven into relieving people’s wallet weight and is so intent on it that it seems to overtake his life and his relationships. He even takes from his dying mother. The police chief suspects him but has no proof. His friend likes the girl in his building but, somehow, this innocent girl’s heart belongs to the man who does things she finds immoral. Also in this movie? Pickpocketing. Seems obvious given the title but this movie is very informative. The pickpocket advisor quit after working on this movie because he said he gave away all his secrets. I don’t think the meatheads on lower Broadway here in Nashville have seen Robert Bresson’s “PICKPOCKET” so let’s get down there and see what we can squirrel up with the education this movie provides. If I get locked up? No big deal. That’s how you get the girls. They like a strange pickpocket man with a vacant stare. ADHD hyper focus scores again. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

When we’re backpacking across the old countries for September’s theme of EUROPEAN VACATION we gotta stop and sample some of that fine French excellence that Orson Welles so drunkingly told us about. We’re playing it cool with today’s discussion of our second ever Jean-Pierre Melville movie for the show and it’s his swaggiest by far. We’re talking “Le Samouraï” from 1967 starring Alain Delon, Francois Perier, Cathy Rosier and more. Delon plays a cold-as-ice hitman who lives by a personal code of solitude. When an employer turns on him he keeps his contracts while plotting revenge for the betrayal even while knowing that half the police in Paris are on his trail. Why did that piano playing woman not sell him out? How does she know these dead men? What is this final contract for? A defining feature in French cinematic style. Do yourself a favor and take this one in. It’s on MAX last we checked. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

This month we’re taking a nice, long, EUROPEAN VACATION and we’re weaving in and out of about six countries throughout the theme.Today’s stop is Germany but don’t expect any of that stereotypical German dryness. No, Wim Wenders has a knack for humanity and sweetness that defies the stereotype. Fassbinder displays broad emotions as well but Wenders seems like a much nicer person. Our second discussion of a Wim Wenders movie (the first discussion, PARIS TEXAS, is way back in our very first 6-pack episode, link here: https://www.youtube.com/watch?app=desktop&v=gvRs2mMMNFQ )  Angels are in the skies and by our side in 1987 Berlin but one is curious about what it must feel like to be human. A beautiful trapeze artist becomes his biggest inspiration. Peter Falk is in this too. Playing himself. Who was once an angel. We love Peter Falk. We’re talking “WINGS OF DESIRE” from 1987 starring Bruno Ganz, Solveig Dommartin, Otto Sander, Curt Bois and, yes, Peter Falk who will always add a quarter of a point to any final film score. We also have two Australian bands with one of the being Nick Cave who I haven’t listened to since 2003. We love Peter Falk. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We’re leaving the future behind and decompressing with a nice EUROPEAN VACATION all September long. French, German, Norwegian, Dutch, Italian. We’re backpacking across the Old World and our first stop is Italy with a discussion of an iconic director and one of his biggest films. Federico Fellini’s 1960 film “LA DOLCE VITA” catapulted him and his lead, Marcello Mastroianni, into international superstardom. Reporter Marcello can see the disconnect of new trends covering the ashes of the old ways as he bounces between paparazzi and and high society women. His poor and lonely girlfriend can’t seem to give up the ghost as she desperately wants to pull Marcello into a traditional life. The trend sucking cafe lifestyle may be vapid but it’s hard to turn down. Not faith nor monogamy can stand against the strange allure of New Rome’s hip high society. Marcello may know better but he may be in too deep. Also starring Anita Ekberg, Anouk Aimee & Yvonne Furneaux, LA DOLCE VITA represents a turning point in the global representation of European film and an important representation of a changing time in Europe and Italy. Hear us tell of it. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Our month’s theme and our year’s theme have crossed over. You could call it “LARS VON TRIER’S BULLSHIT TOMORROW” but it may not be bullshit for Lars or the character of Justine so much as cathartic. Imagine being overwhelmed with crippling depression and then you discover a rogue planet is hurtling towards Earth. Guys who get their astronomy news from Joe Rogan aren’t too worried about it but you know exactly what’s going to happen. The end of the world. The world is shitting itself and you’re basking peacefully in the sun’s reflection off of the planetoid Melancholia as it looms towards Earth. Yes, we are discussing von Trier’s 2011 examination of extreme depression in “MELANCHOLIA” starring Kirsten Dunst and Charlotte Gainsbourg. Personally I would spend all of that time collecting as many Beanie Babies as I can. It’s a passion of mine and I’d rather go out doing what I love the most. I just hope the stores will be open until the very end. I want my last moments to be me handing my credit card to a cashier for a tie-dye Iggy Iguana. Signing that receipt right as I’m misted into nothing. I may need to borrow some money though. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We’re winding out our theme of dystopian futures in movies and we absolutely have to go back in time, once again, and try to prevent catastrophe. The Terminator is back and this time? He’s your new dad and he’s been sent back in time by your 45 year old self. Devastation may have been delayed but still imminent. There’s hope still in keeping John Connor alive to destroy Skynet tomorrow. The resistance hacked an Arnold bot and sent it back but Skynet sent a Liquid Metal prototype back too and he’s scary as fuck. A defining film for a generation, an exceptional action movie and a rare sequel that is better than the original. Of course we’re talking about “TERMINATOR 2: JUDGMENT DAY” from 1991 directed by James Cameron and starring Arnold Schwarzenegger, Linda Hamilton, Robert Patrick, Edward Furlong and Joe Morton. With the help of his pet Terminator, John Connor and his mother can prevent the future and stop Skynet on the cusp of its creation so long as they can survive the relentless T-1000. There’s always a few holes in any time travel story but we might enjoy this movie now even more than we did when we were kids. Jimmy knows what you want to see. Found a link right here: https://archive.org/details/t-2-ultimate-edition-with-original-ending-1 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We’re near the end of this month’s movie theme examining various futures in film. We’ve been calling it SOME BULLSHIT TOMORRROW and while most tomorrows have been bullshit, this near future has some optimism. This future is so concerned with CTE damage in combat sports that humans have been replaced by fighting robots. Imagine if your rock ‘em sock ‘em robots could dance and dismember. Shawn Levy’s 2011 film “REAL STEEL” made its money and seemed to fade back into pop culture obscurity. This flawed family drama starring Hugh Jackman, Dakota Goyo, Evangeline Lily and Anthony Mackie finds a beating heart amongst the mechanical carnage. Will this near future film find its cult appreciators? What works and what doesn’t? We got something to say about it. We always do. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

SOME BULLSHIT TOMORROW is the movie theme all August and how can we go through a month of strange futures without including a selection from the director that made today’s discussion? Yeah, a lot of our tomorrows are definitely bullshit but Cronenberg’s future doesn’t seem so stressed. Seems like your refrigerator could have fleshy bits and holes made just for you. The TV remote could look and feel like a ballsack and you know you love it you kinky freak. We’re discussing David Cronenberg’s inventive and wild gamer future film from 1999, “eXistenZ” starring Jennifer Jason Leigh, Jude Law, Ian Holm, Willem Dafoe and more. In the near future games get weird but maybe you won’t notice. A major game designer is the target of assassination due to her phenomenon gaming invention known as “eXistenZ”, Her and her nerd bodyguard gotta go into the game and build bone guns and stick umbilical chords into their tramps stamps (in real life and in the game) to help them play the game. We can be immersed in worlds that feel totally real but where does your character go and why? I’d love to play Mario on one of those fleshy clitorus pads. Or Elden Ring? I’m good on rooting through viscera at the “Trout Farm”. Tonguing port holes, though? Let’s do it. Where does the game end and real life begin? Found a movie link here: https://archive.org/details/eXistenZ.1999.1080p.Bluray.DTS.x264-NTb_201806 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

When you’re getting into the concepts of SOME BULLSHIT TOMORROWs many classic literary interpretations have stood the test of time. It’s felt “1984” a few times this month and today’s selection is no different but perhaps it feels a little closer in its mediocre society. Things are cluttered, disconnected and cartoonishly inept. Life lived under paperwork and forms in drab buildings, some of them you hope you never see inside of. The best of your reality is in your dreams but when the faces in your dreams appear in reality then you just might see a chance to rise above the drab world. A creative tour de force by Terry Gilliam early in his “post Python” film career, it remains a visually impressive work of humor and devastation that stands out amongst his unique filmmaking career. When talking about dystopia on film it’s hard not to include Gilliam’s 1985 film “BRAZIL” starring Jonathan Pryce, Kim Greist, Robert De Niro, Ian Holm, Michael Palin, Bob Hoskins & Katherine Helmond to name a few. There is some good in this world. Good men who want to help. Good people who want to care for their neighbors. Can they make it in this very familair ultra-propagandized society? God willing, return I will to Old Brazil. We found this link to the movie: https://archive.org/details/brazil-1985-1 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

For this month’s movie theme, SOME BULLSHIT TOMORROW, late stage humanity can come subtly. You live your life, as normal as far as you can see it, then you become accused. You assert some faith in the law and individual right that you’ve been told exists. Maybe you can maneuver these charges if only you knew what the charges were. If only you knew what they were saying behind the door that is only for you but you can’t enter. Your dystopia is here. We’re discussing “THE TRIAL” and this 1962 adaptation of the work from Franz Kafka holds the same philosophical intentions but this is an Anthony Perkins movie (he played Norman Bates in “Psycho”) and it’s directed by Orson Welles. Perkins was a complex closeted gay man of classic Hollywood and Orson Welles knew that at the time and used it to draw tension. Playing in this adds another tone. It can be interpreted in the Kafka way but also on what’s secretly within its lead who gives an incredible performance. It was said that Perkins was aware of this at the time. What would you do if you stood accused of something and no one told you what? We all have rights, right? I might shut the fuck up at the very least but it’s futile to think that would even matter win a world like this. Here’s the classic right here: https://archive.org/details/the-trial-1962-restored-movie-720p-hd Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

SOME BULLSHIT TOMORROW is the theme and it’s all about dystopian futures and perhaps familiar places of history, altered, from before their time. Today’s discussion is a time capsule of a corner of a music and subculture scene amongst the rubble of postwar England. This gaggle of strange kids, some more lethal than others, thrive whereas the countries greatest titles and traditions fall. Top of the Pops? Eurovision? Thankfully these still exist in this anarchic world. Buckingham Palace? Not so much. It’s probably owned by a Texan now. All this observed from the past by Queen Elizabeth I with the assistance of the angel Ariel. We’re talking about Derek Jarman’s early queer-art-punk film “JUBILEE” from 1978 starring Jenny Runacre, Jordan, Toyah Wilcox, Adam Ant, Little Nell, Orlando and many more. A worthy entry for those into popular music history and their subcultures. A unique dystopian film representing an extremely chaotic, yet familiar England on the eve of the Thatcher era. A prophetic sickness from the mind of Derek Jarman. The Queen seemed to take it all in stride, really. Jarman really should have made the little person play Catherine. Here’s a link to this cult punk gem: https://www.youtube.com/watch?v=GCVLpdpxHAs Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

How can you not sit down with a couple of 80’s heavy hitters for our month’s dystopian theme “SOME BULLSHIT TOMORROW”? Especially the one we’re discussing in this episode. This privatized authoritarian world of technocratic mediocrity might hit closer to home than any future film we’re discussing all month. The near future setting of Old Detroit is extremely violent and absurd. There are no deep solutions. Only increased repression by corporate funded police. Barely anything works so if you don’t die by getting shot 30 times then you’ll probably go out in a much dumber way when your technology shits the bed. Paul Verhoeven sets up his reputation nicely with his ultra-violent, ultra-satirical 1987 sci-fi film “ROBOCOP” starring Peter Weller, Nancy Allen, Kurtwood Smith and more. Officer Murphy meets his end and is reborn into a 24 hour policing cyborg. His natural training is essential but his memories of his old life are harder to deprogram. Robocop became an eighties cultural icon who once save the Pro Wrestler Sting from a cage after the four horseman tased him and locked him up. Unlike his mechanical contemporaries, Robocop stood the test of time. Robocop is really the only functional thing in this movie. Here’s a link we found if it still works: https://www.dailymotion.com/video/x1gutp9  Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

When it’s SOME BULLSHIT TOMORROW your dystopia can manifest in many forms and styles. Maybe your megacity is cold and logical, devoid of love and sorrow, but you got some level three seductress dime pieces walking around ready for whatever? But don’t catch feelings! If you do you’ll be machine gunned into a pool and the Alphaville Synchronized Swimming Club will surround you in the water and make sure you’re dead. We’re breaking the seal on Jean-Luc Godard in today’s dystopian discussion about a familiar detective played by Eddie Constantine who defined the role of “Lemmy Caution” prior to Godard coming along and making this notorious French new Wave sci-fi in 1965 called “ALPHAVILLE”. Lemmy never saw it like this before as he infiltrates a city called Alphaville that has become the center of a greater global conflict. A logic-based society ran by a computer called Alpha60 and its maker, Professor Von Braun. Posing as a reporter from the Outer Countries, Lemmy must withstand the tests of this society and keep his composure with the help of poetry and a villain’s daughter. A beautifully cool film with a genuine sense of humor that, in the end, defies its cynical world with the hope of feeling. Love. Yeah, it’s corny. Love wins, sure, but finding it during this strange adventure is a minor miracle. We don’t even know if Dick Tracy and Flash Gordon are still alive for fucks sake.  Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: [email protected] Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought