As 2022 draws to a close, your WFM hosts take a moment to celebrate winter traditions, especially those commemorating the start of a new year! But... what is a year, even? Does your culture have that conception? Is it tied to seasons, to floods, to the stars, or something else? And if they do recognize a regular rotation of time, how do they mark the observation? Is it a time for gift-giving and wild parties, or for somber reflection? For cleansing and spiritual purifying, or for hedonistic indulgence? The decisions may say a lot about what a particular culture values, about how they relate to their history, or about their religion! This episode also includes a few year-in-review highlights, as well as the excitement we've got coming up in 2023!   Transcript of Episode 92 (tk)

When you've added a fantastical, super-science-y, or paranormal element to your world, how do you make that feel well-integrated, baked-in, and totally normal for that world? Guest Charlaine Harris joins us to discuss using history, society, and your imagination to fill in the corners of a world and make it feel like a place you could actually go visit. Sometimes, that work is about making sure a world is internally consistent -- and sometimes, it's about giving your werewolves fast food restaurants. What choices will make your reader an active participant in co-creating your world? (Transcript tk) Our Guest:  Charlaine Harris is an American author who specializes in mysteries. She is best known for her book series The Southern Vampire Mysteries, which was adapted as the TV series True Blood. The television show was a critical and financial success for HBO, running seven seasons, from 2008 through 2014. A number of her books have been bestsellers and this series was translated into multiple languages and published across the globe. Harris was born and raised in a small town in the Mississippi River Delta area of the United States. She now lives in Texas with her husband; they have three grown children and grandchildren. She began writing from an early age, and changed from playwriting in college to writing and publishing mysteries, including several long series featuring recurring characters.

We're big believers in doing all the work when it comes to the worldbuilding, but when it comes to putting it in the book, how do you know how much you need to have in the text?  What do the readers need to know, and what goes in the ephemera or appendices?  Who can help you figure that out?  An editor, of course! So we sat down with Orbit Books executive editor Brit Hvide-- who's worked with authors like N.K. Jemisin, C.L. Clark, Django Wexler, Andrea Stewart and many more-- to get her thoughts on what really works in fantasy worldbuilding. Our Guest: Brit E. B. Hvide is a writer and Hugo Award nominated editor. She studied creative writing and physics at Northwestern University. Originally from Singapore, she now lives in Brooklyn with her husband, their son, and their dog. Follow her on Twitter @bhvide or visit her website brithvide.wordpress.com.

Many fantasy authors draw from history to shape their worlds and inform their worldbuilding choices. Where do you draw the line between hewing to the record and just using it for inspiration? How much do accuracy and authenticity matter? And, when those research rabbit holes are so very alluring, how do you make yourself stop? Guest Laura Anne Gilman joins us to talk about the various ways to approach historical research and integrate it into your worldbuilding, as well as what to do with the many, many tidbits of knowledge that end up in your head, taking up space. From antiquated toilets to questionably decorated tapestries, this episode explores some gloriously weird historical tidbits! Transcript for Episode 89 (tk!) Our Guest: Laura Anne Gilman is the author of more than twenty novels, including the Nebula award-nominated The Vineart War trilogy and the award-winning Devil’s West series from Saga Press/ Simon & Schuster.  Her forthcoming projects include the Gilded Age historical fantasy, UNCANNY TIMES (October 2022),  and a series of paranormal romance novellas focusing on non-traditional partners, starting with SOMETHING PERFECT. She has also dipped her pen into the mystery field, writing as L.A. Kornetsky (Collared, Fixed, Doghouse, and Clawed).

We throw the word "aesthetic" around a lot on this podcast -- but we've never really slowed down to talk about what it means. How do we define the aesthetic of a work? Is that different from the aesthetic of a world? How do subgenres and plot structures intertwine with those ideas? Guest Mary Robinette Kowal joins us to explore the crafting of aesthetics in worldbuilding and storymaking! We discuss pacing, word choice, set dressing, the theatre of the mind, the "breath" of the written word, and so much more. We also examine how aesthetic can be a shorthand to help your reader with an on-ramp into your story -- but how you may also need to teach your reader where your particular world deviates from what aesthetic may lead them to assume. Transcript for Episode 88 (in-progress -- email us if you're interested in joining the scribal team!) Our Guest: Nebula and Hugo Award-winning author, Mary Robinette Kowal is a novelist and professional puppeteer. In 2008 she won the Astounding Award for Best New Writer and her debut novel Shades of Milk and Honey (Tor 2010) was nominated for the 2010 Nebula Award for Best Novel. In 2019, the first book in the Lady Astronaut series The Calculating Stars (Tor 2018), won the Hugo, Nebula and Locus awards, becoming one of only eighteen novels to do so. Her stories have appeared in Strange Horizons, Asimov’s, and several Year’s Best anthologies, as well as in her collection Scenting the Dark and Other Stories from Subterranean Press. Her short story collection Word Puppets was published in 2015, and includes both of her Hugo Award-winning stories in addition to fifteen others, running the full range of speculative fiction. In 2016, her World War I fantasy novel Ghost Talkers was published by Tor books, followed in 2018 by her alternate history Lady Astronaut series. From 2019-2021, Kowal was the President of the Science Fiction and Fantasy Writers of America. In 2011, after several appearances as a guest star on the podcast Writing Excuses, Kowal became a permanent member of the cast. In 2013, the seventh season of the podcast won the Hugo Award for Best Related Work. Her involvement in the podcast also contributed to the creation of the Shadows Beneath anthology, in which Kowal and her three co-hosts contributed short stories alongside materials charting the unique creative process of each author. Kowal is also an award-winning puppeteer. In high school, she took up puppetry as a hobby, but as Kowal says, she “never thought of it as something you could get paid for.” Instead, she went to East Carolina University to pursue an art degree, minoring in theater and speech. While performing as Audrey II in a performance of Little Shop of Horrors, she learned that a professional puppeteer had come to the show. It was a turning point. Kowal went on to intern at the Center for Puppetry Arts in Atlanta, GA. With over twenty years of experience, she has performed for LazyTown (CBS), the Center for Puppetry Arts, Jim Henson Pictures, Sesame Street, and founded Other Hand Productions. Her designs have garnered two UNIMA-USA Citations of Excellence, the highest award an American puppeteer can achieve. Her career in puppetry consumed much of Kowal’s creative energy for over ten years. Although she wrote in high school and college, it wasn’t until her brother moved his family to China that she began writing again. Like Lewis Carroll and J.M. Barrie, she started creating children’s fantasy as a way to stay connected to her young niece and nephew. Reminded of how much she enjoyed writing, she began submitting short stories and made her first sale in 2005, and her first professional sale to Strange Horizons in 2006. When she isn’t writing or puppeteering, Kowal brings her speech and theater background to her work as a voice actor. She is a member of SAG/AFTRA. She has recorded audio books and short stories for authors such as Seanan McGuire, Cory Doctorow and John Scalzi. She likes to describe voice acting as “puppetry, without the pain.” Mary Robinette lives in Nashville with her husband Rob and over a dozen manual typewriters. Sometimes she even writes on them.

Can you see the climate fiction for the trees? In this episode, Brandon Crilly joins us to discuss solarpunk, cli-fi, hopepunk, and the places where these concepts overlap and intertwine. How do you build a world with a deliberately optimistic outlook? How much of that is about technology, and how much is about social paradigms? What other considerations go into storytelling from this particular worldview? Transcript for Episode 87 (in-progress) Our Guest: An Ottawa teacher by day, Brandon Crilly has been previously published by Daily Science Fiction, Apex Magazine, Fusion Fragment, PULP Literature, Flame Tree Publishing and other markets. In 2021, he co-founded Bag of Giving, a monthly Twitch series where authors play TTRPGs for charity. He’s also an Aurora Award-nominated podcaster, conference organizer for Can*Con, a reviewer, and regularly has too many D&D campaign ideas than he could ever fit into his schedule. His debut novel Catalyst will be published by Atthis Arts in Fall 2022.

This episode was recorded in a panel session at WorldCon/ChiCon 8 on September 4th, 2022. Many thanks to everyone who attended in-person! We had a blast, and it's so great to get to field your questions in real-time. We discuss favorite bits of worldbuilding from our own projects -- and the things about worldbuilding that we love less! Then, we answer questions about world-generating seeds, deciding on tech levels for our worlds, intentionality in designing magical systems, and more! Transcript for 86 (in-progress! If you'd like to join our scribal team, please send us an email to learn about the process!)

Where's the love? It makes the world(building) go 'round and 'round and 'round... At least, it does when things are going well! In this episode, guest Sara Mueller joins us to discuss how to get yourself re-engaged with your fantasy worlds when you've drifted away from them, for one reason or another. When you've gotten jaded, what can bring you back in? Do you cling to a particular detail of life that fascinates you? Return to the map and start filling in the blank spaces? Pivot to another project, read a book outside your genre, or binge a TV show? And when might it be important to allow yourself to have a fallow period rather than trying to force productivity? Transcript for Episode 85 (in-progress -- to join our scribing team, email us!) Our Guest: A seamstress and horsewoman, Sara A. Mueller writes speculative fiction in the green and rainy Pacific Northwest, where she lives with her family, numerous recipe books, and a forest of fountain pens. In a nomadic youth, she trod the earth of every state but Alaska and lived in six of them. She’s an amateur historical costumer, gamer, and cook. The Bone Orchard is her debut novel, from Tor Books.

The Magical Nude Gate is a what we call a tentpole idea: a concept that touches on so many other elements of a world that it can't be just a throwaway shiny idea. It has to be well-integrated. Culture, economy, language, religion, politics -- the MNG has implications so wide-reaching and fundamental that they cannot be ignored. So what is the MNG? A network of magical portals connecting our world -- but the catch is, it only allows living creatures through, so you come out on the other side naked as the day you were born! In this episode, we finally pin down some of the Big Questions about the MNG. What counts as a "living creature"? How did the MNG come to be? Is it stagnant or mutable? Are there gate-rich and gate-poor areas? Are all connections multidirectional? We discuss all this and more as we set the parameters for this major concept of our co-built world! Additionally, your hosts will be at WorldCon in Chicago, September 1-5th! Find Marshall, Rowenna, and Cass both together and separately. Ask us questions, come to our TableTalks, come to our live recording, buy us a drink, or come look over our shoulders as we sketch out our MNG map! Transcript for Episode 84 (in-progress)

Here in the dwindling days of summer, we want to know: what do the people in your world do on vacation? Are they relaxing by a beach, wandering museums, hiking in the wilderness? Unpacking that idea ties into a surprising number of other worldbuilding concepts, including economy, labor, and transportation. In this episode, we explore some of the conditions that even allow for vacation to be conceptually available, the practicalities of arranging time off, and whether or not you can board your dragons and griffins in a kennel. Then, we apply these concepts to our co-built world and decide what vacation looks like for the Fjallaniri, the Al’notliri, or Griasta Man. Transcript for Episode 83 (Or so the intention goes. Would you like to help our scribal team? Send us an email!)

In this bonus episode, your hosts gather together in real life at ArmadilloCon 2022! We talk about why we love worldbuilding, what our strategies are, and take a bunch of really fabulous questions from the audience. Because this episode was recorded on-site in a convention hall and because it is a bonus episode, this is essentially raw audio! So you're getting us unfiltered and unedited... and you're getting the chaos of recording in a large open room, with the various intrusions and fuzziness inherent in those conditions. We apologize for any audial oddities!

What happens when you have to build not just one world, but a whole passel of them? In this episode, guest Valerie Valdes joins us to talk about how an author can craft compelling adventures in spaaaaaaaaaaace. The vastness and potential diversity of space makes for an appealing sandbox for writers to play in. In a genre that often depends on the element of handwavium to make its interplanetary travel, interstellar stations, and laser swords possible, how can you still build cultures and societies that feel lived-in? Do you want to lean into the idea of single-biome "trope planets" or challenge it? How internally consistent do you need to be in order to keep a reader's suspension of disbelief intact? Transcript for Episode 82 (Our scribal team can always use assistance! If you'd like to join, email us at worldbuildcast at gmail dot com) Our Guest: Valerie Valdes’s work has been featured in Uncanny Magazine, Time Travel Short Stories and Nightmare Magazine. Her debut novel Chilling Effect was published by Harper Voyager in September 2019 and Orbit UK in February 2020, with starred reviews in Kirkus Reviews and Library Journal. It was shortlisted for the 2021 Arthur C. Clarke Award, and was also named one of Library Journal’s best SF/fantasy novels of 2019. The sequel, Prime Deceptions, was published in September 2020, and the third book in the trilogy, Fault Tolerance, is forthcoming in August 2022. Valerie is co-editor of Escape Pod, and currently works as a freelance writer and copy editor. She is a graduate of the University of Miami and the Viable Paradise workshop and has taught classes and given lectures for Clarion West and Georgia State University. She has also served as a Municipal Liaison for National Novel Writing Month since 2005. She lives in Georgia with her husband, children and cats.

DUN-DUN. Law & Order. What does it mean in your world? Who makes the laws, and by what power do they do so? How easy or difficult is it to change the rules? Guest Victor Manibo, author and real-life lawyer, joins us to discuss how different structures of formal and informal policy could affect the choices your characters make. So much of law comes down to "who is allowed to do what." But where's the line between a law and a policy? Where does power reside -- and how did it get there? All of these systems of control, influence, taxation, and representation can provide your world with endless spectacle and drama. Transcript for Episode 81 (Our wonderful scribe team could use your help! Email us if you'd like information on joining them) Our Guest: Victor Manibo is a Filipino speculative fiction writer living in New York. As a queer immigrant and a person of color, he writes about people who live these identities and how they navigate imaginary worlds. He is a 2022 Lambda Literary Emerging Voices Fellow, and his debut science fiction noir novel, THE SLEEPLESS, is out August 2022 from Erewhon Books. Find him online at victormanibo.com or on Twitter @victormanibo.

We've talked about big holidays and religious observations before, but what about the small, weird, highly-location-specific festivals and traditions that might dot the landscape of your world? From cheese-rollings to local saints' days to parades to "hey, all our squash came ripe at once, guess we better do something with it!", how do the people in your world make their lives a little more interesting with periodic celebrations? We also invent some tiny, specific festival occurrences for our co-created world! Transcript for Episode 80 (Would you like to join our scribal team and get early access to episodes? Shoot us an email at [email protected] for details!) Hugo Voting is now open, and we'd love your consideration for Best Fancast! The Hugo packet, which you get for an Attending or Supporting membership, gets you an absolutely boggling amount of reading, viewing, and listening material. Your hosts will also be at ChiCon 8 for the Hugos, and before that we'll be at ArmadilloCon in Austin, TX -- so if you'll be at either, please come say hi!

We kick off our fourth year of the podcast with a conversation about how to fill in the rest of your world, beyond the immediate scope of your plot. What's outside the borders your characters are familiar with? What's beyond the woods we know? Is it "here there be dragons" or a highly-detailed map with every corner marked? Your methods of showing that may vary depending on if your characters are isolated village folk, citizens of a bustling port town, or merchants moving through many cosmopolitan surroundings. Choices you make here can both create a fuller, more lived-in world and help a reader get inside a character's perspective. Also! In this episode, we set ourselves a pretty big goal for the fourth season. Be sure to listen to the end to find out what it is! Also also! Hugo Voting is now open, and we'd love your consideration for Best Fancast! The Hugo packet, which you get for an Attending or Supporting membership, gets you an absolutely boggling amount of reading, viewing, and listening material. Your hosts will also be at ChiCon 8 for the Hugos, and before that we'll be at ArmadilloCon in Austin, TX. Transcript for Episode 79 (and hey! Our scribes would love some more assistance. If you're interested in joining the team, please email us!)

Your characters and the relationships they have -- romantic, sexual, friendly, familial, professional -- will drive much of what readers connect to in your stories. So what sort of relationship dynamics do you want to build into your world's cultures? Foz Meadows joins us to discuss all the things that make up the space between two or more hearts. From power structures and politics to financial inheritance and gender roles, there's a lot to consider. What kinds of relationships are possible in your world? Is marriage even a thing? If so, how many people can be in a marriage? Is your world totally queernorm, not at all, or somewhere on the spectrum in-between? And how about sex positivity? Who embraces free love, and who prefers chastity? These considerations can help you build a world that feels emotionally real, even if it challenges a reader's preconceptions of what a "relationship" means.   Transcript for Episode 78 (with thanks to our scribes! Want to join the team? Email us at worldbuildcast at gmail dot com)   Our Guest: Foz Meadows is a genderqueer fantasy author, essayist, reviewer, blogger and poet. She has most recently published An Accident of Stars and A Tyranny of Queens with Angry Robot, and Coral Bones with Rebellion; a full list of her publications can be found here. Foz is a reviewer for Strange Horizons, and has been a contributing writer for The Book Smugglers, Black Gate and The Huffington Post, as well as a repeat contributor to the podcast Geek Girl Riot. Her essays have appeared in various venues online, including The Mary Sue, A Dribble Of Ink and Uncanny Magzine. She is a four-time Hugo Award nominee for Best Fan Writer, which she won in 2019; she also won the 2017 Ditmar Award for Best Fan Writer, for which she has been nominated three times. In 2017, An Accident of Stars was a finalist for the Bisexual Book Awards, and in 2018, ‘Coral Bones’ won the Norma K. Hemming Award in the short fiction category. An itinerant Australian, Foz currently lives in California with not enough books, her very own philosopher and their voluble spawn. Surprisingly, this is a good thing.

When it comes to worldbuilding, what's the difference between going deep and going wide? Kritika H. Rao joins us to discuss finding the balance between the things that are tentpoles of your world and things that can be window dressing. How do you choose what to focus on? How many worldbuilding innovations might be too many innovations? In this episode, we discuss different processes of worldbuilding and how an author's choices might cause revelations or problems down the line. Transcript for Episode 77 (Our scribes are amazing! Would you like to join the scribal team? Email us at [email protected]) Our Guest: Kritika H. Rao is a science-fiction and fantasy writer, who has lived in India, Australia, Canada and The Sultanate of Oman. Kritika’s stories are influenced by her lived experiences, and often explore themes of consciousness, self vs. the world, and identity. The Surviving Sky, a Hindu philosophy-inspired epic science-fantasy, is her debut novel and will be out in Fall 2022 by DAW Books and Titan Books UK. When she is not writing, she is probably making lists. She drops in and out of social media; you might catch her on Twitter or Instagram @KritikaHRao. Visit her online at www.kritikahrao.com.

Everybody's got to eat. But where does the food in your world come from? Who tends livestock, who transports it, who turns it into a meal -- and how? In this episode, guest Sarah Gailey helps us think through the practicalities of feeding your characters so that their hanger doesn't derail your plot! We also examine the intersection of food production and consumption with colonization and imperialist violence. Please note that this episode contains some frank discussion of the butchery of livestock for human consumption. If this is a sensitive topic for you, we suggest listening with caution.   Transcript for Episode 76 (with thanks to our scribes! Interested in joining our scribe team? Send us an email at worldbuildcast at gmail dot com!) Our Guest: Sarah Gailey is a Hugo Award Winning and Bestselling author of speculative fiction, short stories, and essays. They have been a finalist for the Hugo, Nebula, and Locus awards for multiple years running. Their bestselling adult novel debut, Magic For Liars, was published by Tor Books in 2019. Their most recent novel, The Echo Wife, and first original comic book series with BOOM! Studios, Eat the Rich, are available now. Their shorter works and essays have been published in Mashable, The Boston Globe, Vice, Tor.com, and the Atlantic. Their work has been translated into seven different languages and published around the world. You can find links to their work at sarahgailey.com and on social media at @gaileyfrey.

What makes a nation? Who decides where borders are, or even what borders are? What unites a people, within a country or across those borders? What differences are there between cultural identities, ethnicities, and nationalities -- and where do those concepts overlap and intersect? In this episode, we discuss ideas of citizenship, belonging, invasion, defense, and self-definition -- and how you can complicate or literalize all of those ideas in your fantasy worldbuilding! Please note: This episode does include brief discussion of the Russian invasion of Ukraine toward the end. If this is a difficult topic for you, you may wish to zip through that section! It runs from about 1:00:20 to 1:01:45. Slava Ukraini. Transcript for Episode 75 (with thanks to our scribes! And hey, would you like to join our scribal team? Email [email protected] for details!)

Worldbuilding is, often, about choices. What bits stick out at the top of the iceberg, and what stays beneath the surface? What shiny ideas can you make tentpoles of your world, what might be cool ornaments but are not essential to the book's functioning, and what can you simply not find the room or justification for? In this episode, we return to our co-built world and play a good honest game of fuck-marry-kill with some worldbuilding concepts! Transcript for Episode 74 (Our scribes? They're awesome. Would you like to be one? Email us at [email protected]!)

Where does worldbuilding fit into your overall process of writing, rewriting, revising, writing some more, and writing again? In this episode, we welcome back Melissa Caruso to help us think about the granular details of synthesizing your worldbuilding with your drafting and editing. Characters exist within their worldbuilding, and worldbuilding can drive plots, but how do you bring all those things together during the act of creation in a way that will feel seamless and natural to a writer? Do you thread it into your outline? Or do you cast your ideas to the winds and see where things settle? Transcript for Episode 73 (with thanks as ever to our devoted scribes!) Our Guest: Melissa Caruso writes books of magic, murder, and mayhem. Her debut novel, THE TETHERED MAGE (Orbit, 2017), was shortlisted for the Gemmell Morningstar award and begins the Swords and Fire trilogy, which also includes THE DEFIANT HEIR (Orbit, 2018) and THE UNBOUND EMPIRE (Orbit, 2019). Her second fantasy trilogy, Rooks and Ruin, consists of THE OBSIDIAN TOWER (Orbit, 2020), THE QUICKSILVER COURT (Orbit, 2021), and THE IVORY TOMB (forthcoming in 2022 from Orbit Books. Melissa is also a tea drinker, larper, mom, and all-around geek. Despite being born on the summer solstice and going to school in an old mansion with a secret door, she has yet to develop any known superpowers. She lives in Massachusetts with her video game designer husband, two superlative daughters, and assorted pets.

Fashion: not just a frivolity, but a component of worldbuilding that can communicate so much about your world's resources, industry, and power structures, as well as characters' individual choices and personalities. Guest Natania Barron joins us to explore the potential presented by frills and furbelows of all kinds. From bifurcated Celts to Tudor sumptuary laws to lavender pocket squares, what inspiration can you find for complicating the "standard fantasy wardrobe" into something specific to your world? How can you interrogate the intersection of clothing and gender, clothing and economy, clothing and oppression, clothing and political statements?   Transcript for Episode 72 (Thank you, scribes!) Our Guest:  The award-winning author of Queen of None, a feminist Arthurian retelling, Natania Barron is preoccupied with mythology, monsters, mayhem, and magic. From medieval-inspired tales to Regency fantasy romance, her often historically-inspired novels are lush with description and vibrant characters. Natania’s shorter work has appeared in Weird Tales, EscapePod, and various anthologies and RPG settings. On Twitter, she’s known for her #ThreadTalks, which dive deep into the unseen world of fashion history–one of their favorite topics–as well as a meme or two. She identifies bisexual and demisexual, and goes by she/her/they pronouns. In terms of academics, the author holds a BA in English/Writing from Loyola University Maryland and an MA in English with a concentration in medieval literature from the University of North Carolina at Greensboro. Though she left academia physically, she’s never stopped researching. Natania can regularly be found deep in the tomes of digitized illuminated manuscripts around the world. As a mental health activist, especially regarding adolescent care, Natania has drawn nationwide attention for her writing, including mainstream news and television appearances. Additionally, she writes extensively about her own later-in-life ADHD diagnosis. When not traveling through imagined worlds, she lives in North Carolina with her family, where she traipses through the forest on a regular basis, bakes incessantly, drinks an inordinate amount of tea, and dreams of someday owning a haunted house of her own.

This one's for the cartography geeks! We know that's a lot of our followers. Peng Shepherd joins us to think about what a map of your fantasy world can tell your readers, what the social and cultural implications of a map's presentation might be, and how much time you should spend squiggling in all those little fjords. Plus: Schrodinger’s Continents, a bowling alley on the Enterprise, and an augmentation for our Magical Nude Gate system of travel! Transcript for Episode 71 (thank you, scribes!) Our Guest:  Peng was born and raised in Phoenix, Arizona, where she rode horses and trained in classical ballet, and has lived in Beijing, Kuala Lumpur, London, Los Angeles, Washington, D.C., New York, and Mexico City. Her first novel, The Book of M, won the 2019 Neukom Institute for Literary Arts Award for Debut Speculative Fiction, and was chosen as a best book of the year by Amazon, Elle, Refinery29, and The Verge, as well as a best book of the summer by the Today Show and NPR On Point. A graduate of the NYU MFA program, Peng is the recipient of a 2020 fellowship from the National Endowment for the Arts, as well as the Elizabeth George Foundation’s emerging writers 2016 grant. Her second novel, The Cartographers, is forthcoming from HarperCollins in March 2022.

When you've introduced elemental, supernatural, ethereal, or diabolical powers into your world, what does that do to your society? Guest Kate Heartfield joins us to discuss the rules, regulations, and roguery of magical worldbuilding! In this episode, we explore the two levels that magical ethics can operate on: within your world, and within our world. What are you saying when you decide who has access to magic, how they control it, or how they use it to control others? Magic literalizes many issues of consent, manipulation, and power-brokering that we deal with in our daily lives -- so how can you build it into your world thoughtfully and hang interesting plot hooks on those choices? Transcript for Episode 70 (with thanks to our scribes!) Our Guest: Kate Heartfield is the author of The Embroidered Book, a historical fantasy novel out in February 2022, and the Alice Payne time travel novellas (2018/2019). Her debut novel Armed in Her Fashion (2018) won Canada’s Aurora Award. She also writes interactive fiction, including The Road to Canterbury, and The Magician's Workshop, published by Choice of Games. Her short fiction has been shortlisted for the Nebula, Locus, Aurora, Sunburst and Crawford awards, and her journalism for a National Newspaper Award. Her short stories have appeared in Strange Horizons, Lackington's, Podcastle and elsewhere. A former newspaper journalist, Kate lives near Ottawa, Canada.

When your characters push boundaries, defy authority, and get down and dirty -- well, how do they do it, where do they do it, and just how much trouble are they going to get in? In this episode, guest Elsa Sjunneson joins us for an extremely naughty exploration of obscenity and transgression. Engaging with obscenity means building complex social dynamics within your world and communicating those ideas to your reader. How can you bring all of that across? How do you show your reader what's normal and what's considered disreputable, dirty, or downright degenerate? Transcript of Episode 69 (with both thanks and, in this case, apologies to our wonderful scribes!) Our Guest: Hugo, Aurora and British Fantasy Award Award winner Elsa Sjunneson writes and edits speculative fiction and non-fiction. She has been a finalist for the Best Fan Writer and Best Semiprozine Hugo Awards, a winner of the D. Franklin Defying Doomsday Award, and a finalist for the Best Game Writing Nebula Award. Her debut memoir Being Seen: One Deafblind Woman’s Fight to End Ableism was released by Tiller Press (an imprint of Simon & Schuster) October 5, 2021.

It's time for another Listener Q&A episode! Wherein we discuss fjords, metallurgy, giant Martian otters, bouncy castles, starch-based food categorization, and much more. And, because you asked, here's how you can nominate Worldbuilding for Masochists for a 2022 Best Fancast Hugo Award: Eligiblity: You can nominate us (and all your other favorite works from the past year!) if you either had a qualifying membership to DisCon 3 (WorldCon 2021) or if you have a qualifying membership to ChiCon 8 (WorldCon 2022). What's a qualifying membership? For DisCon 3, it was a Supporting, Attending, Virtual, or Young Adult membership. For ChiCon 8, it's a Supporting or Adult, Young Adult, Teen or Child Membership. So: If you voted on the 2021 ballots, you're already qualified. If you didn't but would like to become qualified this year, you have until January 31, 2022, 11:59 PM Pacific Standard Time (PST) (UTC-8) to purchase a qualifying ChiCon 8 membership. It's worth noting that a qualifying membership will also get you an amazing packet of Finalist works, including novels and short fiction. Supporting memberships truly do more than pay for themselves with the amount of awesome stuff you get in the packet! Okay, I'm eligible. What now? You will receive an e-mail to your registered e-mail address with a customized login link. Click on the link and you will be able to begin your nominations ballot. You can keep adding to or changing your nominations until Tuesday, March 15, 2022, 11:59 PM Pacific Daylight Time (UTC-7). More questions? Check out the ChiCon 8 website! Transcript for Episode 68, with thanks to our scribes! (And if you are interesting in joining the scribing team, please send us an email!)

Happy New Year! In this minisode, your WFM hosts take a little time to reflect on this podcast's growth, our Hugo Award nomination and the ceremonies, our experiences at WorldCon, and where we're going from here. Many, many thanks to all you listeners, to our amazing scribes, and to every guest who has joined us to discuss the wildness of worldbuilding! Transcript for Episode 67 Join us on Discord!

So you've got lore galore, complex sociopolitical tangles, and a history that reaches back through the ages. How do you show that on the page without infodumping? Marie Brennan and Alyc Helms, who together make up M. A. Carrick, help us explore building a world with deep historical roots while communicating that history in a way that feels natural and exciting for a reader. How do your characters think of their world's history? What different perspectives are there on historical events, and how have those perspectives shaped the present? Transcript for Episode 66 (with thanks to our scribes!) Our Guests:  Alyc Helms prefers tea over all other beverages. They sometimes refer to their work as “critical theory fanfic,” which is a fancy way to say that they are obsessed with liminality, gender identity, and foxes (and tea!). They are the author of the Adventures of Mr. Mystic novels from Angry Robot and, as M.A. Carrick, the co-author (with Marie Brennan) of The Mask of Mirrors, first in the Rook & Rose trilogy from Orbit Books. Marie Brennan is a former anthropologist and folklorist who shamelessly pillages her academic fields for inspiration. She recently misapplied her professors’ hard work to The Night Parade of 100 Demons and the short novel Driftwood. She is the author of the Hugo Award-nominated Victorian adventure series The Memoirs of Lady Trent along with several other series, over sixty short stories, and the New Worlds series of worldbuilding guides; as half of M.A. Carrick, she has written The Mask of Mirrors, first in the epic Rook and Rose trilogy.

On this podcast, we talk a lot about how economics play into other elements of worldbuilding, from death to politics to food -- but we've never before looked at finance and currency by themselves! In this episode, we take the plunge and explore how to build an economy into your fantasy realm. Do the people in your world have currency, or are they bartering? Or do they even conceive of value in that way at all? Do they have a complex system that requires accountants and stock brockers? How is money tied to labor and employment? And how can you use all of those considerations as plot hooks to drive your characters into interesting choices?

Y'know, the thing about the world is... It isn't static! It changes, all the time, and if you want your invented world to feel real and full of life, a great way to do that is to make sure it also changes. But how do you build societal change into your fictional world? Guest Fonda Lee joins us to discuss cultural diaspora, temporal shifts, geopolitical cross-pollination, and other exciting ways to show the natural shifts and turns of society. We also discuss how sci-fi seems to incorporate the idea of diaspora and change more readily than fantasy has often done, and we examine how magic might affect ideas of cultural shifts across space and time. Transcript for Episode 64 (Thank you, scribes!) Our Guest: Fonda Lee is the author of the epic urban fantasy Green Bone Saga (beginning with Jade City and continuing in Jade War and the forthcoming Jade Legacy) and the science fiction novels Zeroboxer, Exo and Cross Fire. Fonda is a winner of the World Fantasy Award, as well as a three-time winner of the Aurora Award (Canada’s national science fiction and fantasy award), and a multiple finalist for the Nebula Award, the Locus Award, and the Oregon Book Award. Her novels have garnered multiple starred reviews, been included on numerous state reading lists, named Junior Library Guild selections, and appeared on Best of Year lists from NPR, Barnes & Noble, Syfy Wire, and others. Jade City has been translated in multiple languages and optioned for television development. In addition, she has written acclaimed short fiction and comic books for Marvel. She is a frequent speaker and instructor at writing workshops including Viable Paradise and Clarion West. Fonda is a former corporate strategist and black belt martial artist who loves action movies and  Eggs Benedict. Born and raised in Canada, she currently resides in Portland, Oregon.

Dirty clothes, grayed-out color palettes, and terrible things happening unrelentingly to everyone: that's the stereotype of grimdark. But in this episode, Anna Smith Spark joins us to explore what that term really means, from interrogating ideas of heroism and villainy to unraveling toxic masculinity and examining the consequences of supposedly noble choices. Transcript for Episode 63 (Thank you, beloved scribes!) Our Guest: Anna Smith Spark lives in London, UK. She loves grimdark and epic fantasy and historical military fiction. Anna has a BA in Classics, an MA in history and a PhD in English Literature. She has previously been published in the Fortean Times and the poetry website www.greatworks.org.uk. Previous jobs include petty bureaucrat, English teacher and fetish model. Anna's favourite authors and key influences are R. Scott Bakker, Steve Erikson, M. John Harrison, Ursula Le Guin, Mary Stewart and Mary Renault. She spent several years as an obsessive D&D player. She can often be spotted at sff conventions wearing very unusual shoes.

As Halloween draws close and the veil between the realms grows thin, we wonder... how, exactly, do you build a world that, by design, touches other worlds? Seanan McGuire joins us to discuss portal realms, alternate realities, multiverses, and designing the liminal, the permeable, the spaces in-between. Transcript for Episode 62 (thank you, beloved scribes!) Our Guest: Seanan is the author of the October Daye urban fantasies, the InCryptid urban fantasies, and several other works both stand-alone and in trilogies or duologies. In case that wasn't enough, she also writes under the pseudonym "Mira Grant." For details on her work as Mira, check out MiraGrant.com. Seanan lives in an idiosyncratically designed labyrinth in the Pacific Northwest, which she shares with her cats, Alice and Thomas, a vast collection of creepy dolls and horror movies, and sufficient books to qualify her as a fire hazard. She has strongly-held and oft-expressed beliefs about the origins of the Black Death, the X-Men, and the need for chainsaws in daily life. Seanan was the winner of the 2010 John W. Campbell Award for Best New Writer, and her novel Feed (as Mira Grant) was named as one of Publishers Weekly's Best Books of 2010. In 2013 she became the first person ever to appear five times on the same Hugo Ballot.

From aliens to AI, from dragons to dwarves, from to nebulous clouds to sapient mushrooms, how do we conceive of non-human intelligence in our speculative worlds? Martha Wells joins us to discuss the various considerations in building a culture from a perspective entirely unlike our own, perhaps operating on different levels of consciousness, or through a hive mind, or dealing with entirely different biologies and ecologies. How do you on-board a reader to something beyond the human brain? Is that culture in conflict with human culture, or in peaceful coexistence, or do humans even exist in their world? How do we apply some of our basics of worldbuilding to this kind of crafting? Our Guest: Martha Wells has been an SF/F writer since her first fantasy novel was published in 1993, and her work includes The Books of the Raksura series, The Death of the Necromancer, the Fall of Ile-Rien trilogy, The Murderbot Diaries series, media tie-in fiction for Star Wars, Stargate: Atlantis, and Magic: the Gathering, as well as short fiction, YA novels, and non-fiction. She has won Nebula Awards, Hugo Awards, and Locus Awards, and her work has appeared on the Philip K. Dick Award ballot, the BSFA Award ballot, the USA Today Bestseller List, and the New York Times Bestseller List. Her books have been published in twenty-two languages. Transcript for Episode 61 (Thank you, dear scribes!)

Worldbuilding is often considered part of the pre-writing process -- but sometimes, more worldbuilding happens mid-manuscript or even mid-series. What do you do with those interjections? Can you graft them in, or do some of them need to be deferred? What happens when answering one worldbuilding need knocks something else askew? How much can you retcon in, and what do you do if you've written yourself into a corner? In this episode, we examine the ongoing process of worldbuilding, once the plot is already in motion. We also look to our co-created world and consider what gaps and glaring omissions we currently have in our worldbuilding there! Transcript for Episode 60 (with thanks, as ever, to our lovely scribes!)

Worldbuilding can lead an author to generate a lot of fun ideas. But how do you figure out which of those ideas can actually be integrated into your story? Is there an upper limit on how many shiny notions the weight of the narrative will bear? In this episode, we discuss the balance in worldbuilding, as well as discussing how that balance is different in novels vs role-playing games. We also return to our collectively invented world and spend some time applying the concepts explored in recent episodes to our personal nations and our geopolitics! Transcript for Episode 59 (with thanks to our glorious scribes!)

Most speculative fiction takes place in a society that has a government of some kind. But what, exactly is a state? And how does it come to be? C.L. Polk joins us to discuss the making and breaking of nations within your fantasy worlds. From farmboy kings to scheming dukes with surprisingly benevolent control of their printing presses, from the trials and tribulations of parliaments to the somewhat horrifying implications of magical lobbyists, we hope that you'll find ideas in here to help you craft a government to your preferred level of wonkiness. Transcript for Episode 58 (with thanks to our lovely scribes!) Our Guest: C. L. Polk (they/them) is the author of the World Fantasy Award winning novel Witchmark, the first novel of the Kingston Cycle. Their newest novel, The Midnight Bargain, was a finalist in the CBC Canada Reads Competition, and was nominated for the Nebula, FIYAH Ignyte, and World Fantasy Awards. After leaving high school early, they have worked as a film extra, sold vegetables on the street, and identified exotic insect species for a vast collection of lepidoptera before settling down to write fantasy novels. Mx. Polk lives near the Bow River in the traditional territories of the Blackfoot Confederacy (Siksika, Kainai, Piikani), the Tsuut’ina, the Îyâxe Nakoda Nations, and the Métis Nation (Region 3). They keep all their stuff in a tiny apartment with too many books and a yarn stash that could last a decade. They ride a green bicycle with a basket on the front. They drink good coffee because life is too short. They spend too much time on twitter. You can subscribe to their free newsletter on TinyLetter, or subscribe to their Patreon for content writing nerds like. Mx. Polk is represented by Caitlin McDonald of the Donald Maass Literary Agency.

How do people in your world handle death? Spiritually, financially, emotionally -- and, as may be relevant to your plot, how do they deal with actual dead bodies? Amanda Downum joins us to discuss the details of the deceased -- and she's both a writer and a licensed mortician, so she can answer some of the questions you've been afraid to Google, lest you end up on a government watchlist! Transcript for Episode 57 (thanks to our scribes!) Our Guest: Amanda was born in Virginia, and has since then spent time in Indonesia, Micronesia, Missouri, and Arizona, with brief layovers in California and Colorado. In 1990 she was sucked into the gravity well of Texas, and hasn't managed to escape. Yet. ​She lives in Austin with her partner and their snake, and can be found haunting absinthe bars, goth clubs, and other liminal spaces. Her hobbies used to include cooking hearts and rock climbing, but now most of her time is devoted to studying Mortuary Science. Her day job sometimes lets her dress as a giant worm. She can be summoned at a crossroads on the new moon, or through Facebook, Twitter, or Patreon.

Let's get granular! How much can your literal language -- the individual words you use, the cadence of your sentences, a conlang, a poetic tradition -- help convey your worldbuilding? Sarah Beth Durst joins us to talk about the fine tool of wordcraft in your prose and dialogue, as well as the importance of white space on the page. She also reminds us that fantasy fiction is always better with talking cats. Our Guest: Sarah Beth Durst is the award-winning author of over twenty fantasy books for kids, teens, and adults, including Spark, Drink Slay Love, and The Queens of Renthia series. She won an American Library Association Alex Award and a Mythopoeic Fantasy Award and has been a finalist for SFWA's Andre Norton Nebula Award three times. Sarah was born in Northboro, Massachusetts, a small town that later became the setting for her debut novel. At the age of ten, she decided she wanted to be a writer. (Before that, she wanted to be Wonder Woman, except with real flying ability instead of an invisible jet. She also would have accepted a career as a unicorn princess.) And she began writing fantasy stories. She later attended Princeton University, where she spent four years studying English, writing about dragons, and wondering what the campus gargoyles would say if they could talk. Sarah lives in Stony Brook, New York, with her husband, her children, and her ill-mannered cat. -- Transcript for Episode 56 (thank you, dear scribes!)

The fantasy genre comes in many flavors -- but how do we tease those apart? How important are they when worldbuilding, and how much are they inventions of the demands of marketing? In this episode, we explore the structural conventions, aesthetic flourishes, and reader expectations the define the many glorious subgenres of speculative fiction. Transcript for Episode 55 (thank you, wonderful scribes!)

When you're building for the near future, how far can you go? Is technology going to doom us, save us, or a bit of both? How does a society make that determination -- and how can your worldbuilding show those choices in action? In this episode with guest PJ Manney, we explore cyberpunk, technothrillers, and other alternate-near-future fiction. We also spend some time teasing apart the ideas of genre, aesthetic, and plot device, and where they overlap. Our Guest: PJ Manney is the author of the bestselling and Philip K. Dick Award nominated science fiction technothriller, (R)EVOLUTION (2015), published by 47North in the Phoenix Horizon trilogy with, (ID)ENTITY (2017), and (CON)SCIENCE, (2021). Set as alternate, future American histories, the novels chart the influence of world-changing technologies on power and nations.  A former chairperson of Humanity Plus, she helped rebrand the organization, launch H+ Magazine and organize the first multi-org conference on futurist topics, Convergence ’08. She authored "Yucky Gets Yummy: How Speculative Fiction Creates Society"​ and "Empathy in the Time of Technology: How Storytelling is the Key to Empathy,"​ foundational works on the neuropsychology of empathy and media.  Manney presented her ideas to National Geographic, the Producers Guild of America, Directors Guild of America, NASA-JPL, M.I.T., Huffington Post, The H+ Summit, and the Institute for Ethics and Emerging Technologies, is a frequent guest on podcasts/webshows including StarTalk, The World Transformed, Singularity 1on1 and Amazing Mind, and has published in BoingBoing, Live Science and Tor.com. She is also the first person to create and transfer a digital autograph for a novel verified by the blockchain. Manney consults for varied organizations about the future of humanity and technology, including artificial intelligence, robotics, cyborgs, nanotechnology, biotechnology, brain-computer interfaces, space, blockchains and cryptocurrencies. Manney graduated from Wesleyan University double majoring in Film and American Studies. She worked for over 25 years in film/TV: motion picture PR at Walt Disney/Touchstone Pictures; story development for independent film production companies; and writing as Patricia Manney for the critically acclaimed hit TV shows Hercules — The Legendary Journeys and Xena: Warrior Princess. She also co-founded Uncharted Entertainment, writing and/or creating many pilot scripts for television networks, including CBS, Fox, UPN, Discovery, ABC Family and Comedy Central. Manney lives with her husband in Southern California and is a dual citizen of the US and New Zealand. She is a member of the WGA, SFWA, ITW and PEN America. -- Transcript for Episode 54 (with thanks to our scribes!)

Our third season begins! We go back to the basics of worldbuilding -- and then we think about how to level up! When we're digging deep on our motto of "Choose, don't presume," what does that mean as we do more and more of it? How much work do you make for yourself as a writer? How does your worldbuilding serve your story and your characters? And, as always, we examine the craft of communicating those choices to the reader. Transcript for Episode 53 (with great thanks to our scribes!)   To celebrate our third season starting, we're hosting a giveaway! Enter to win a fantastic bundle of prizes from your WFM hosts, including: Signed copies of Rowenna Miller's Torn, Cass Morris's Give Way to Night, and Marshall Ryan Maresca's The Velocity of Revolution, A Murder of Mages, and An Import of Intrigue An Audible code for your choice of The Thorn of Dentonhill/The Alchemy of Chaos or A Murder of Mages/An Import of Intrigue An Audible code for a book of your choice (Any book at all! Excellent if you've been intending to check out some of our guests' amazing work!) Bookmarks handmade by Rowenna Aven Cycle stickers from Cass For shipping purposes, please note that all physical prizes are available to US addresses only. This contest is open for one week, until June 30th. We will select three winners, each of whom gets that bundle of goodies, and announce those winners in Episode 55!

We close out our second year of the podcast with another listener Q&A episode! Thanks to all of our wonderful listeners who supplied us with themes to riff on, from military ranks to looms to particular tools of worldbuilding. Transcript for Episode 52 (Thank you, wonderful scribes!)

Gender is a construct -- so how is it built in your fantasy world? There's hardly a better place to interrogate our assumptions about societies, from ideas about marriage and family to established power structures to fashion and fripperies. E. J. Beaton joins us for a wide-ranging discussion about how we can examine, investigate, challenge, and reimagine gender and gender relations in our worldbuilding. Our Guest: E. J. Beaton is the author of the fantasy novel The Councillor, to be published by DAW Books on March 2, 2021. She has previously published a poetry collection, Unbroken Circle (Melbourne Poets Union), and has been shortlisted for the ACU Prize for Poetry and the Ada Cambridge Poetry Prize. She studied literature and writing at university, and her PhD thesis included analysis of Machiavellian politics in Shakespearean drama and fantasy literature. She lives in Melbourne, Australia.  Transcript for Episode 51, with thanks to our scribes! If you would like to join the scribe team, send us a line at worldbuildcast (at) gmail.com and we'll get you set up! Volunteering for the team comes with perks like early access to episodes and fancy Discord swag.

For our fiftieth episode, we welcome an all-star panel of guests who write in major franchises! Delilah Dawson, Tini Howard, David Mack, and Mike Chen tell us what it's like to write for Star Wars, Star Trek, Marvel comics, and other IP worlds, from having seventeen editors to bringing their own perspectives and values to established universes. Transcript for Episode 50 (with special kudos to our scribes for taking on the challenge of differentiating seven different voices!)   Our Guests:  Delilah Dawson: Delilah S. Dawson is the New York Times bestselling writer of Star Wars: PHASMA, plus Galaxy’s Edge: Black Spire, The Secrets of Long Snoot, The Perfect Weapon, and Scorched; the Blud series, Servants of the Storm, the HIT series, Wake of Vultures and the Shadow series (as Lila Bowen), and a variety of short stories in anthologies such as Death & Honey, Robots vs. Fairies, Hellboy: an Assortment of Horrors, Violent Ends, Carniepunk, Three Slices, and Last Night a Superhero Saved My Life. With Kevin Hearne, she is the co-writer of the Tales of Pell series. Her next projects are MINE, a middle grade horror novel with Delacorte in Fall 2021 and THE VIOLENCE, a generational trauma tale set during a pandemic of random outbreaks of violence, out with Del Rey in 2022. Her comics credits include the creator-owned Ladycastle #1-4, Sparrowhawk #1-5, Star Pig #1-4, Firefly: The Sting, The X-Files Case Files: Florida Man #1-2, Adventure Time comics #66-69, Rick and Morty Presents: Pickle Rick, and Jim Henson's Labyrinth 2017 Special from BOOM! Studios, as well as stories in Star Wars Adventures #5, #6, #18, #25, and Star Wars: Forces of Destiny: Rose and Paige for IDW. Her most recent comics project is WELLINGTON, written with Aaron Mahnke of the Lore podcast. Delilah is the winner of the 2015 Fantasy Book of the Year from RT Book Reviews for WAKE OF VULTURES and the 2013 Steampunk Book of the Year and May Seal of Excellence for WICKED AS SHE WANTS. Her work has earned multiple stars from Kirkus, Publishers Weekly, Booklist, and Library Journal. She lives in Florida with her family.   Tini Howard: Tini Howard is an American writer of comic books, essays, and at least one upcoming novel. Since 2018, she has been writing comics exclusively for Marvel, including Thanos: Zero Sanctuary, Strikeforce, and Excalibur from the best-selling Dawn of X.  Tini's other graphic novel work spans several beloved properties, including Rick and Morty, GLOW, and Mighty Morphin Power Rangers. She has produced two graphic novels with IDW's Black Crown imprint — the critically-acclaimed Euthanauts with Nick Robles, and Assassinistas with Eisner Hall of Fame-inductee Gilbert Hernandez. She broke into comics in 2014 as a winner of the Top Cow Talent Hunt, which saw the publication of her first comic, Magdalena: Seventh Sacrament.  She lives in Los Angeles with her husband, Blake, and their two sons Orlando and General Hugs, who are cats.    David Mack: David Mack is the award-winning and The New York Times bestselling author of more than thirty-six novels and numerous short works of science-fiction, fantasy, and adventure, including the Star Trek Destiny and Cold Equations trilogies. Mack’s writing credits span television (for episodes of Star Trek: Deep Space Nine), film, and comic books. His latest novels are The Shadow Commission, the final volume of his Dark Arts trilogy published by Tor books; and his long-postponed Star Trek novel More Beautiful Than Death. His newest projects include the short story “Fiasco” in the pulp-homage anthology Thrilling Adventure Yarns 2021, and a new novel, Star Trek: Coda, Book III: Oblivion’s Gate, coming November 30, 2021. He currently works as a consultant on the upcoming animated television series Star Trek: Prodigy. Mack resides in New York City with his wife, Kara.   Mike Chen: Mike Chen is the author of We Could Be Heroes, Here And Now And Then (a finalist for Goodreads Choice - Best Sci-Fi, CALIBA Golden Poppy, and the Compton Crook Award) and A Beginning At The End ("a brilliant, fragile path through the darkness" -- Library Journal). His short fiction is featured in Star Wars: From A Certain Point Of View -- The Empire Strikes Back, and he has covered geek culture for sites such as Tor.com, The Mary Sue, and StarTrek.com. In a previous life, he covered the NHL for Fox Sports, SB Nation, and other outlets. A member of SFWA, Mike lives in the Bay Area with his wife, daughter, and rescue animals.

Picture it: It's a sweltering summer day, ninety degrees in the shade, heat mirages glimmering on the horizon. Can your characters strip down to their skivvies? Roll up their sleeves? Hike up their skirts? Or might they be shamed for so much as unbuttoning their collar? What cultural factors of religion, economy, gender, and sexuality play into that decision? In this episode, we discuss conventions of modesty, nudity, bragging, virtue-signalling, and other details of culture that you can use when building a multi-faceted and nuanced fantasy world! We also take a few moments to (immodestly) discuss our new status as Hugo Finalists for Best Fancast and to introduce ourselves to new listeners! Transcript for Episode 49, with thanks as ever to our wonderful scribes!

If your character finds an ancient mask half-buried in a field, is that just a cool remnant of an older culture, or are they about to unleash a demonic apocalypse? This week, Marina Lostetter joins us to talk about artefacts, archaeology, and the interpretation of material culture over time! Some of the ancient artefacts in your world might be plot-driving vessels of magic, wonder, or absolute chaos, but the everyday objects that get preserved and protected --or not! -- can communicate a lot of information about your world's history, values, and cultural shifts. Transcript for Episode 48 (with, as ever, great thanks to our scribes!) Our Guest: The open skies and dense forests of the Pacific Northwest are ideal for growing speculative fiction authors–or, at least, Marina would like to think so. Originally from Oregon, she now resides in Arkansas with her spouse, Alex. In her spare time she enjoys globetrotting, board games, and all things art-related. Her original short fiction has appeared in venues such as Lightspeed, Uncanny, and Shimmer Magazine.  Her debut novel, NOUMENON, and its sequels, NOUMENON INFINITY and NOUMENON ULTRA, are available from Harper Voyager.  Her first fantasy novel, THE HELM OF MIDNIGHT, is forthcoming from Tor. In addition, she has written tie-in materials for Star Citizen and the Aliens franchise. She is represented by DongWon Song of the Howard Morhaim Literary Agency, and she tweets as @MarinaLostetter.

Does anybody really know what time it is? Does anybody really care? Well... Yeah! If you're building a world, the concept of the passage of time is likely to matter. How long is your year? How do you name the months and days? How small or large are your units of measuring time? And how can you convey all of that to a reader without making it feel like a freshman year language course? In this wibbly-wobbly episode, we discuss the ever-present yet often-arbitrary division and definition of time and how it can work in your fantasy worldbuilding! Transcript for Episode 47, thanks to amazing scribes!

From ballads to books to TikToks, how do the people in your world communicate their own stories and information? The consideration involves answering a lot of questions about literacy, technology, and your culture's values. C. L. Clark, author of The Unbroken, joins us to discuss the texts-within-texts and how to build them into your fantasy world! Our Guest: Cherae graduated from Indiana University’s creative writing MFA and was a 2012 Lambda Literary Fellow. She’s been a personal trainer, an English teacher, and an editor, and is some combination thereof as she travels the world. When she’s not writing or working, she’s learning languages, doing P90something, or reading about war and [post-]colonial history. Her work has appeared or is forthcoming in FIYAH, PodCastle, Uncanny and Beneath Ceaseless Skies. Now she’s one of the co-editors at PodCastle. She’s represented by Mary C. Moore of Kimberley Cameron and Associates. Transcript for Episode 46 (with great thanks to our scribes!)