We’re back! Welcome to the relaunched S&Co podcast. For the first episode after a long hiatus, we were thrilled to be joined (remotely!) by Jenni Fagan and Salena Godden to discuss their formally inventive and thematically bold new novels LUCKENBOOTH and MRS DEATH MISSES DEATH. Hosted by Adam Biles.Buy LUCKENBOOTH here: https://shakespeareandcompany.com/d/9780434023318/luckenboothBuy MRS DEATH MISSES DEATH here: https://shakespeareandcompany.com/d/9781838851194/mrs-death-misses-deathBrowse our online store here: https://shakespeareandcompany.com/15/online-store/16/bookstoreBecome a Friend of S&Co here: https://friendsofshakespeareandcompany.com*Jenni Fagan was born in Scotland. She graduated from Greenwich University and won a scholarship to the Royal Holloway MFA programme. She has just completed her PhD at the University of Edinburgh. A published poet and novelist, she has won awards from Creative Scotland, Dewar Arts, Scottish Screen and Scottish Book Trust among others, and has twice been nominated for the Pushcart Prize. Jenni was selected as one of Granta's Best Young British Novelists after the publication of her debut novel, The Panopticon, which was shortlisted for the Desmond Elliott Prize and the James Tait Black Prize. Her adaptation of The Panopticon was staged by the National Theatre of Scotland to great acclaim. The Sunlight Pilgrims, her second novel, was shortlisted for the Royal Society of Literature Encore Award and the Saltire Fiction Book of the Year Award, and saw her win Scottish Author of the Year at the Herald Culture Awards. She lives in Edinburgh with her son.Follow Jenni on Twitter: @Jenni_FaganSalena Godden is one of Britain’s best loved poets and performers. She is also an activist, broadcaster, memoirist and essayist and is widely anthologised. She has published several volumes of poetry, the latest of which was Pessimism is for Lightweights, and a literary childhood memoir, Springfield Road.Mrs Death Misses Death is her debut novel. A BBC Radio 4 documentary following Godden’s progress on the novel over twelve months was broadcast in 2018. In November 2020 she was made a Fellow of the Royal Society of Literature.Follow Salena on Twitter: @salenagoddenVisit Salena’s website: www.salenagodden.co.ukAdam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel FEEDING TIME here: https://shakespeareandcompany.com/S/9781910296684/feeding-time Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

For this episode, we’re thrilled to be collaborating with the brilliant Fitzcarraldo Editions to bring you an exclusive extract from the audiobook of their modern classic Pond, performed by its author Claire-Louise Bennett.You can buy the audiobook from the publisher’s website www.fitzcarraldoeditions.com, and of course you can buy a physical copy of Pond from our online store, www.shakespeareandcompany.com where you can also find all manner of new and rare books, gifts, and tote bags, which we ship from Paris to wherever you are in the world.About Claire-Louise BennettClaire-Louise Bennett grew up in Wiltshire in the southwest of England. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council Ireland and Galway City Council. Pond is her first collection of stories.Music, as always, by Alex Freiman from his album, Play it Gentle, available on our online store: https://shakespeareandcompany.com/search?q=Alex+freiman&type=books Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We were delighted to welcome Karthika Naïr and Marilyn Hacker back to the bookshop. During lockdown, Marilyn and Karthika began writing Renga — a collaborative form of Japanese poetry — to each other, building up a beautiful and compelling body of work that engages with both the micro and the macro of this unprecedented moment. This meeting was the first time that these close friends had been in the same room as each other for several months, and their readings ring with the sorrow of separation but also the joy of rediscovery.*Renga through a Lockdown: Shortly after France declared a full lockdown in March 2020, Marilyn Hacker invited Karthika Naïr to join her in creating a renga. Renga, literally “linked poem”, is the ancient Japanese form of collaborative poetry, which has evolved a little through the ages. Poets take turns to compose alternating tanka (5-7-5 and 7-7 syllabled-lines in the stanza) and each poet begins their opening line with word/s or idea/s from the preceding poem. Marilyn and Karthika’s renga are chronicles of their daily lives through the months of lockdown, triggered as much by immediate experiences in Paris as by echoes and concerns from friends and family in the US, Lebanon, India and elsewhere. And while both live in Paris, the distance between their homes (one in the 3rd arrondissement, the other in the 10th) - usually one of a few miles - seemed to multiply in this new world, with neighbourhoods transforming into distinct, new, terrain. If you’d like to see a video of some of these readings, keep an eye on the social media of the Bengaluru Poetry Festival.*Marilyn Hacker is the author of fourteen poetry collections, including Blazons ( 2019) and A Stranger’s Mirror(2015) , a book of essays, Unauthorized Voices (2010),  a collaborative book, Diaspo/Renga, written with Deema K. Shehabi (2014) and  seventeen books of translations of French and Francophone poets, most recently Samira Negrouche’s The Olive Trees’ Jazz (2020). She received the 2009 American PEN Award for poetry in translation, and the international Argana Prize for Poetry from the Beit as-Sh’ir/ House of Poetry in Morocco in 2011. She lives in Paris. Find more of Marilyn’s work here:https://www.poetryfoundation.org/poets/marilyn-hackerKarthika Naïr is the author of several books, including The Honey Hunter, illustrated by Joëlle Jolivet. She has helmed the scripts of several dance productions, such as the multiple-award-winning DESH (2011), Akram Khan’s dance solo. Until the Lions: Echoes from the Mahabharata, her reimagining in verse of the Mahabharata, won the 2015 Tata Literature Live! Award for Book of the Year (Fiction), and was highly commended at the 2016 Forward Prizes (UK). Naïr’s poetry has been widely published in anthologies and journals across the world, including Granta, Prairie Schooner, Poetry Magazine, Indian Literature, The Wolf, and The Bloodaxe Book of Contemporary Indian Poets. She is a 2012 Sangam House Fellow, a 2013 Toji Foundation Fellow and was awarded a Villa Marguerite Yourcenar Fellowship in 2015. Her latest book is the collaborative Over and Under Ground in Mumbai & Paris (2018), a travelogue in verse, written with Sampurna Chattarji, and illustrated by Joëlle Jolivet and Roshni Vyam.Find more of Karthika’s work here: https://www.poetryfoundation.org/poetrymagazine/poems/150393/remaindering-habitsAnd here:https://www.danceumbrella.co.uk/2017/08/29/six-degrees-otherness-part-2/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.