Facilitating improv is different to performing it, so what have I managed to learn myself from coordinating classes?

I've noticed in the past I get burnout from doing too much improv. How can I be more proactive in stopping this happening before hints of resentment start surfacing?

What have I got from Improv retreats and festivals?

I've had mixed feelings about hosting improv shows. Why is that and what can I do about it?

I'm a real novice in this side of the art form. What sort of things can I do to immerse myself more and get better?

How has improv raised my awareness of people's physical boundaries and how have I adapted?

How can I get better at Backline contributions in improv scenes?

When I started improv, I'd be quite tough on myself after shows. I still do it sometimes. What sort of things can I do to get better at self-critiquing after a set?

How can I stop myself over-planning ahead?

How can I start focusing on doing it more and what's the etiquette?

I've reflected on how I feel when people come and see me perform. What can I do to get better at this myself?

George Butcher has been teaching and performing improv for years.  What lessons has George learnt on his improv journey?

How can I make an "everyday scene" more meaningful as part of an improvised narrative story?

What sort of things can I do to practice and improve my improv, both on my own and with others?

Overcoming my fear on simply trusting the process and not forcing events to happen.

I've asked myself why I often come away from Jams feeling unsatisfied...

Can I learn anything from doing improv with kids?

How can I enhance my short form improv to become more impressive, playful and being mindful that the audience sees everything? 

I noticed that some of my improv characters were a little flat and two dimensional. How can I make my characters have a bit more of a backstory and give them a reason for the way they are?