On the latest episode of the Talkhouse Podcast, singer-songwriter Damien Jurado and standup comedian and actor Nick Thune sit down together in advance of their upcoming joint “Sad Music, Sad Comedy” tour, which is hitting the East Coast this January. The two became friends after the passing in 2018 of their mutual friend, producer and musician Richard Swift, who both Nick and Damien made records with. As well as swapping stories about Swift, the two discuss how Swift’s death pushed Nick to get sober, how comedians want to be musicians (and vice versa), Nick teaching his kid manipulative behavior so he can excel at Made You Look and how Damien discovered the Beatles in his forties, plus they set the ground rules for their tour – Cracker Barrel, look out! For more filmmakers and musicians in conversation, subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Today’s show was recorded at Bedrock.LA by Eric Rennaker and at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

What a FOOKIN' TRULY RAD YEAR it's been here at the Talkhouse Podcast! Thx for being on this wild ride with us! As we hurtle towards 2020, I've been doing a bit of year-end tallying; can I share just a few stats with you? Please? Ok, thx. We released a whopping FORTY NINE new episodes in 2019. (WHO DOES THAT?! WHAT WERE WE THINKING?!) This year we featured artists like Brian Wilson, Joseph Gordon-Levitt, Tierra Whack, Harmony Korine, Chelsea Peretti, Portugal. The Man, Fred Armisen, Shabazz Palaces, Nikki Glaser, Drew Carey, Chris Redd, The Flaming Lips, Robert Glasper, Snail Mail, The Magnetic Fields, Animal Collective, Karen O, Tim Heidecker, Kate Nash, Karen Gillan, Jon Cryer, and Ariel Pink, plus so many more greats. The Talkhouse Podcast held live tapings from LA Comic Con to Rough Trade NYC, with stops at SXSW in Austin, both Tomorrow Never Knows and Pitchfork x The Art Institute of Chicago's Midwinter in Chi, Life Is Beautiful in Las Vegas, and loads more. Oh, and did you see the videos from our time at FORM Fest in Arcosanti, Az?? They're gorgeous! We celebrate 2019 on the show this week with a roundtable of Talkhouse's editorial team looking back on some of our fave moments from the show this year. Enjoy, and happiest of holiday seasons to you! Can't wait to share the incredible episodes we've already got in store for you next year. xoxo Elia Today’s show was recorded at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Dearest Talkhousers! As we near the end of an incredible year at the Talkhouse Podcast, we wanted to re-air one of our fan fave episodes: Cate Le Bon in conversation with Ariel Pink. Make sure to tune in next week for the Talkhouse Podcast Best of 2019 all-star bonanza show! Sending posi-core choose-your-own-holiday vibez, Elia To celebrate Mexican Summer’s ten year anniversary, we paired two of the fantastic record label’s most fascinating artists: Ariel Pink and Cate Le Bon. Backstage at A Decade Deeper: Mexican Summer’s 10 Year Anniversary party at Brooklyn’s Pioneer Works arts space, Cate and Ariel—fans of each other’s work who'd never met irl—sat down for a talk before their sets. The two really hit it off, and their wide-ranging conversation takes in a lot: the deep flaws they see in the way music press works; Ariel not always working well with others; and the difficult genesis of Cate’s upcoming LP. Ariel also talks about his favorite site on the internet, and Cate divulges the, um, very weird act she was asked to perform for a shoot. Check it out. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. Big thanks to Justin Frye and Pioneer Works for hosting this taping. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Comedian Chelsea Peretti and Imperial Teen's Will Schwartz are working on a secret collaboration. Well it was secret, that is, until they sat down together for this week's podcast! Tune in to hear about their upcoming musical project, Will's wild connection to the Clinton impeachment scandal, Chelsea dishing on her and hubby Jordan Peele's complicated (and hilarious) relationship with ordering in, and “the trick to singing good.” Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Today’s show was recorded at Bedrock.LA by Eric Rennaker and at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

We announced this surprise Talkhouse Podcast live episode at Life is Beautiful less than 45 minutes before it started. But by the time the venue where we were recording opened its doors, an impossible line snaked through rows of metal dividers, down the block, and out of sight around the corner. How could it not be a standing-room-only situation, though, when the artists on stage were Fred Armisen, Chris Redd, and Portugal. The Man??? Over the next 50 minutes, in convo and Q&A, the guys hilariously tackled impersonating the arpeggiator on a synthesizer; shared the secrets to continuously reinventing their art; and spilled tea on mind-blowing Saturday Night Live moments as well as PTM's most epic onstage meltdown. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Thanks so much to Life is Beautiful for hosting the Talkhouse Podcast! Today’s show was recorded at Life is Beautiful by Logan Shields and Mark Yoshizumi, and in NYC by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

On the latest episode of the Talkhouse Podcast, friends and Mystery Science Theater 3000: The Return co-stars Felicia Day and Jonah Ray sit down for a live on-stage conversation at LA Comic Con to find out all the stuff they realize they don’t actually know about one another! The two are inveterate multi-hyphenates – Day is an actress (from Buffy the Vampire Slayer to Dr. Horrible’s Sing-Along Blog to Supernatural), web video creator (most famously of The Guild) and best-selling author (most recently of Embrace Your Weird) and Ray is a stand-up comedian, podcast host, TV host (Hidden America with Jonah Ray) and writer-director – so there’s no shortage of topics to dive into. In their wide-ranging talk, the two discuss everything from their plan Bs (if showbiz fails), Jonah’s planned indie movie about his Hawaii upbringing (which Bobcat Goldthwait is helping him with!), Felicia’s permissive, poop-friendly parenting approach, early bedtimes, accidentally ripping off Fleabag, and much, much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.

On this week's show, we share a talk that took place as a fans-only live taping at Rough Trade NYC last year. Curated by Talkhouse intern Lauren McGrath, the episode sees Shannon Shaw of Shannon And The Clams and Hunx and his Punx chop it up with Happy Fits' singer/cellist Calvin Langman. Their revealing backstage convo takes in the time Shannon met Andre 3000; Calvin’s experience having his very first single blow up on Spotify; recording with The Black Keys' Dan Auerbach; and even Shannon's job working at a mental institution for the criminally insane. Check it out, and catch Shannon and The Clams on tour with the Black Keys through November: all dates @ http://shannonandtheclams.com/ This episode was recorded and co-produced by Mark Yoshizumi. Our theme song was composed and performed by The Range. Big thanks to Jill Wheeler and Rough Trade NYC for hosting us!

For our fifth consecutive year there, the Talkhouse Podcast crew flew out to the fantastic Pitchfork Music Festival in Chicago this past July to record artists in conversation backstage. Over the years, this series has featured talks between Brian Wilson & Carly Rae Jepsen, Frankie Cosmos & Vagabon, Priests with LCD Soundsystem's Tyler Pope, and many more. This week’s show is our second from the fest this year (the first was Tasha & Lillie West of Lala Lala), and it's Talkhouse's first ever bilingual conversation! In this episode, all four members of Nagoya, Japan's CHAI — whose "neo-kawaii" post-punk-pop record Punk is one of our favorites of the year — talk to Stef Smith from the stellar Chicago-based indie pop band Varsity. With the help of CHAI's translator Rena, they chat about what it’s like touring in a country where you don’t speak the language (and how that’s actually been a good thing for CHAI when it comes to getting interviewed); the real, unexpected danger of being interviewed by Nardwuar; and why dogs make such great musical inspiration. They also cover where to find the best deep dish in Chicago — controversial! — and the food Nagoya is famous for. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast! —Annie Fell, Talkhouse Senior Editor This episode was recorded by Joe Darnaby and Mark Yoshizumi, and co-produced by Mark Yoshizumi, Annie Fell, and Elia Einhorn. Our theme song was composed and performed by The Range. Big thanks to Pitchfork Music Festival for hosting Talkhouse!

Last month, Ian Williams (Battles) and Lee Ranaldo (Sonic Youth) chopped it up in front of a fully packed house at the grand opening of Everlane's flagship store in Williamsburg for a live taping of the Talkhouse Podcast. The experimental guitar legends shared the unusual processes of making their new LPs (Battles' Juice B. Crypts came out last week, and Lee's drops early next year). Their talk also takes in Sonic Youth's versus Wilco's insane touring guitar collections; how a chance encounter with Les Savy Fav led to the first ever Battles show; the cross-genre pollination of 1980s New York; and their thoughts on recently departed icons Ric Ocasek of The Cars and Daniel Johnston. Stay tuned after the talk for an audience Q&A with Lee, Ian, and myself. Links galore: If you enjoy this episode, keep an eye peeled for the wonderful Consequence of Sound podcast This Must Be The Gig's upcoming show featuring Lee Renaldo and his collaborator Raül Refree; I attended the live taping in New York and just loved it. You can also check out past Talkhouse Podcast episodes featuring Battles' Juice B. Crypts collaborators Xenia Rubinos, Tune-Yards, and Shabazz Palaces. And finally, here's Lee and Ian's first meeting on the show from back in 2016. Today's show was recorded by Stephan Kimbel Olson and Mark Yoshizumi at Everlane, and at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Ever bring your family to Burning Man? Sorry, let me back up. A bit of context: The Talkhouse Podcast spent a fantastic weekend in Las Vegas last month at Life Is Beautiful Music and Art Festival. We put on two live Talkhouse tapings as part of their comedy lineup: Nikki Glaser x Bachelor Nation superstar Kaitlyn Bristowe, and Fred Armisen x Chris Redd x Portugal. The Man (which'll be released as a podcast soon). We also hosted a live talk under the fest's Ideas banner, featuring legendary entrepreneur Tony Hsieh (CEO of Zappos) and Joseph Gordon-Levitt (insanely famous actor, founder of HitRecord). The two friends take a heady dive into the question of what collaboration will look like in the future. Along the way we hear about parallels between artistic and entrepreneurial creativity; how the '80s show MacGyver shaped Tony's business philosophy; and, yep, taking your family to Burning Man. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn Today’s show was recorded at Life Is Beautiful by Logan Shields and Mark Yoshizumi, and at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Singer/songwriter Pete Yorn knows how to pick collaborators — he's worked with The Pixies' Frank Black, Scarlett Johansson, and REM's Peter Buck to name just a few greats. When he and Day Wave's Jackson Phillips began making music together, Yorn knew he'd found the right co-pilot for a new musical undertaking. To celebrate Yorn's new LP Caretakers, co-produced by him and Phillips, the two sat down for a deep dive on the Talkhouse Podcast. They examine the benefits and drawbacks of a musical education; discuss the pluses and minuses of working in both small and big recording studio; and take in how hearing The Cure & The Smiths changed the course of Yorn's life. Check it out, and subscribe to the Talkhouse Podcast to catch upcoming episodes featuring Portugal. The Man with SNL's Chris Redd and Fred Armisen, Lee Ranaldo (Sonic Youth) with Battles' Ian Williams, and CHAI in convo with Varsity. Today’s show was recorded in New York by Dan Arnes and Mark Yoshizumi. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

What's uuuuuuup!! Dearest listeners, the Talkhouse Podcast team is back from Life Is Beautiful Fest in Las Vegas and we can definitively report that it totally. fookin'. RULES! We saw Billie Eilish start five separate mosh pits; watched famous DJs spin to a rooftop pool full of three-drinks-in, beach-ball-tossing, all-gender hotties at 1:00 in the afternoon; made it rain on 11th Street Records picking up rare original-pressing Smiths 12"s; and danced like fools down strobe-lit alleyways soundtracked by blasting synth-drenched four on the floor. (Fine, I'll admit that those last two were just me...) Oh, yeah, and we also put on three live Talkhouse Podcast events! For the Life Is Beautiful Comedy series, we paired SNL's Chris Redd, Fred Armisen, and Portugal. The Man, then comedian Nikki Glaser with Bachelor Nation mega-star Kaitlyn Bristowe. And as part of the Life Is Beautiful Ideas vertical, we brought together actor Joseph Gordon-Levitt with Zappos CEO Tony Hsieh. This week we share Nikki and Kaitlyn's HILARIOUS talk. Tune in for Kaitlyn spilling tea on Ashley I and Jared's wedding, Nick Vial, JJ Lane, and her beef with The Bachelor creator Mike Fleis. Nikki tells us which Bachelor she's dying to get with, how her stint on Dancing With The Stars left her a wreck, and about her brilliant just-dropped new Netflix special Bangin'. And of course, with these two, we hear all about the benefits of getting tied up in bed; why men should “explore their assholes;” and dating bisexuals. Plus, Nikki changes Kaitlyn’s life by teaching her how to fart silently. Our special guest co-host for this episode is Liam Mathews, co-host of A Beautiful Podcast to Fall in Love, TV Guide’s unofficial Bachelor Nation podcast. Check it out! Today’s show was recorded at Life Is Beautiful by Logan Shields and Mark Yoshizumi, and at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Did you have any idea that Drew Carey is a deep music nerd??? Yeah, that Drew Carey, the one from The Drew Carey Show, Who’s Line Is It Anyway, and The Price Is Right. Did you realize that he hosts a show called Friday Night Freak Out on Little Stevie’s Underground Garage Sirius XM radio station? He does, and it gets wonderfully weird. Drew sat down with legendary Philly musician — and fellow Underground Garage DJ — Palmyra Delran (The Friggs, The Coolies) for a fun trip down the musical rabbit hole. The two chop it up on Drew’s history playing in polka bands; the culture clash that occurred when Palmyra hired a classical cellist for a session; meeting Dick Clark, Brian Wilson, and a couple of Beatles; and so much more. Check it out! Today’s show was recorded by Eric Rennaker at Bedrock.LA in Los Angeles, and Mark Yoshizumi at Hook and Fade Studios in Brooklyn. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

The Talkhouse team just returned back from Life is Beautiful 2019 with an amazing group of talks. This week we revisit one of our favorite conversations recorded out at last year's Life is Beautiful festival. Subscribe today to keep up to date with future Talkhouse Podcasts. In September, the Talkhouse Podcast squad rolled out to Las Vegas for Life is Beautiful Music and Arts Festival. In between performances from Talkhouse faves A$AP Ferg, CHVRCHES, and Death Cab For Cutie, we recorded some epic convos for the show. Comedian Jaboukie Young-White (The Daily Show, American Vandal) and indiepop legends The Drums’ Jonny Pierce are whip-smart queer artists who have intricately bound together their work and sexuality. Backstage at the fest, they and newer Drums' member Bryan de Leon dissected what exactly it means to be a "queer artist." Their talk takes in coming out through one’s art, "conveniently Christian homophobes," Balenciaga daddies, and how the world needs a gay Shrek. Oh, and Bryan also got Jaboukie to give some inside scoop on American Vandal season two... Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Feel free to DM me to let me know which artist(s) you’d love to see appear on a future episode. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn This episode was recorded by Mark Yoshizumi at Life is Beautiful, and at Hook & Fade Studios in Brooklyn. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range. Big thanks to Life Is Beautiful for hosting the Talkhouse Podcast.

Alison Mosshart (The Kills, The Dead Weather) has been painting with remote control cars; Devendra Banhart's been obsessively pondering Christian Slater's '89 skater flick Gleaming The Cube. To celebrate Alison's new art book about cars — Car Ma — and Devendra's LP Ma, the two got together over salted egg brainless shrimp heads to discuss the above as well as skateboarding as a gateway drug to dope music, the multi-hyphenate magic of Captain Beefheart, how Guns N' Roses' November Rain video shaped Devendra's idea of Americans, and so much more. Check it out! Today’s show was recorded by Michael Harris at Electro-Vox Studios in Los Angeles, and Mark Yoshizumi at Hook and Fade Studios in Brooklyn. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Brian Wilson and The Zombies are touring together!!! I repeat, head Beach Boy Brian Wilson and recent Rock & Roll Hall of Fame inductees The Zombies are touring America together right now! To celebrate these legendary artists sharing the stage, we got 'em together at the first gig of the run for a Talkhouse Podcast conversation. The Zombies’ songwriter/keyboardist Rod Argent and singer Colin Blunstone roundtable some wonderful ideas with Wilson, fellow Beach Boys founder Al Jardine, 1970s Beach Boys addition Blondie Chaplin (who also plays with The Rolling Stones), and Darian Sahanaja, who’s played with Brian for two decades and was key in the making of the fantastic Smile LP. Their talk takes in the early days of The Beach Boys and The Zombies, and the bands' love of each other's music; challenges in playing songs you haven’t played in 50 years; recording Friends in Brian’s living room; and "balls out" Hammond B3 organ that'd make Argent proud. Check it out, and stay tuned after the featured conversation for clips of our favorite Brian Wilson and Zombies appearances on the show from 2016, including Brian and Carly Rae Jepsen in a "one-question wonder" chat from Pitchfork Music Festival, and The Zombies chatting with Hollis Brown at the Samsung store in NYC. Catch Brian Wilson and The Zombies on tour: 9/12: Los Angeles, CA — Greek Theatre 9/13: Oakland, CA — Fox Theater 9/16: Seattle, WA — Paramount Theatre 9/17: Portland, OR — Arlene Schnitzer Concert Hall 9/19: Sandy, UT — Sandy Amphitheater 9/20: Denver, CO — Paramount Theatre 9/22: Milwaukee, WI — The Riverside Theater 9/23: Cincinnati, OH — Taft Theatre 9/24: Detroit, MI — Masonic Temple 9/26: New York, NY — Beacon Theatre 9/27: Waterbury, CT — Palace Theater 9/28: Upper Darby, PA — Tower Theater Today's show was recorded by Malcolm Harrison of National Southwestern in Las Vegas, and Mark Yoshizumi at Hook and Fade Studios in Brooklyn. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

As I learned from today's episode, comedian Chris Gethard and singer-songwriter Mal Blum are "self-deprecating sad boys from Jersey" who are attracted to “erratic or controlling people who will blow your life up.” What I already knew going in is that the two are old friends, occasional collaborators, and incredibly talented at their art. Gethard and Blum joined us on the Talkhouse Podcast to celebrate the release of Blum's excellent new LP Pity Boy, and their conversation is predictably openhearted, neurotic, and fucking hilarious. Tune in to hear them consider going to a Love Addicts 12-step meeting, share their writing processes (Gethard even opens up his joke notebook and shares some new ideas!), unpack Mal's lack of boundaries, and learn why Gethard wants to wind up his career. Today’s episode was co-produced and recorded by Mark Yoshizumi. It was cut at Hook and Fade Studios in Brooklyn. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range. With this week's episode, Chris Gethard has joined the (sort of) rare and (moderately) coveted Talkhouse Podcast Hat Trick Club! Check out his previous appearances, talking with Todd Barry and Tim Heidecker.

Our latest installment of the Talkhouse Podcast at FORM Fest 2019 is a love letter to Chicago's post-rock, punk and emo scenes from the '00s to today. Windy City music legends — and old friends — Trevor de Brauw (Pelican, RLYR, TUSK) and Nate Kinsella (American Football, Joan of Arc, Make Believe) caught up backstage for a warm and hilarious convo, as well as a rad improvised ambient musical collaboration. The guys' talk takes in a lot: playing in bands with family members; having your musician father hate on your experimental work; and balancing parenthood and tour life. Oh and, of course: tone clusters, alternate tunings, death metal, and odd time signatures. This Talkhouse Podcast episode was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a dope backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend. You can also check out the other episodes in this series, including Snail Mail with Fred Armisen & Mary Lynn Rajskub, Robert Glasper & Vieux Farka Touré with special guest Lonnie Holley, Julianna Barwick & Mary Lattimore, and Kelsey Lu with Yrsa Daley-Ward. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton, and Ian Jones. Research assistance was provided by Madalyn Feltus. The performance includes Trevor de Brauw on guitar and Nate Kinsella playing the drums. The Talkhouse Podcast’s theme song was composed and performed by The Range.

On the latest episode of the Talkhouse Podcast, Lulu Wang — writer-director of the summer indie hit The Farewell — chats with one of her favorite directors, Ruben Östlund, the award-winning Swedish director of such acclaimed films as The Square and Force Majeure. Talking from New York City and Gothenburg, respectively, the two filmmakers have a profound and highly entertaining conversation that touches on everything from the crucial role cinema plays in society and the importance of making films from lived experience, to how the internet turns us into shitty people and what Lulu and her boyfriend Barry Jenkins watch when they just want to relax. Special thanks to Katey Rich from Vanity Fair for collaborating on this special conversation, and for joining us on the podcast. Check out today's episode of Vanity Fair's awards podcast Little Gold Men for more from Lulu and Ruben. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.

For our fifth consecutive year there, the Talkhouse Podcast squad rolled out to the fantastic Pitchfork Music Festival in Chicago last month to record artists in conversation backstage. Over the years, this series has featured talks between Brian Wilson & Carly Rae Jepsen, Kamasi Washington & Thundercat, HAIM and Chvrches, and many more. This week's show features two young Chicago singer-songwriters who are both blowing up fast: Tasha and Lala Lala's Lillie West. The two chopped it up on how much they're learning all the time as their careers explode (including adjusting to having teams working around them); dealing with impostor syndrome; and the perils of making jokes onstage. Their talk also took in Jack White's technophobia, the pluses and minuses of freeing the nipple onstage, and Marie Kondo-ing your Instagram. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. — Elia Einhorn, Talkhouse Podcast host and producer This episode was recorded by Joe Darnaby and Mark Yoshizumi, and co-produced by Mark Yoshizumi, Annie Fell, and Elia Einhorn. Big thanks to Pitchfork Music Festival for hosting Talkhouse.

In honor of the release of Tiny Changes: A Celebration of Frightened Rabbit’s ‘The Midnight Organ Fight’, Talkhouse paired three notable Frightened Rabbit collaborators and friends for a live conversation at Rough Trade NYC. Craig Finn (The Hold Steady), Katie Harkin (Sleater-Kinney, HARKIN), and Grammy-winning producer Peter Katis joined Talkhouse’s Executive Editor Josh Modell — a friend and fan of the band — to share favorite stories about the making of The Midnight Organ Fight, and Scott Hutchison’s life and legacy. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was produced by Mark Yoshizumi, Josh Modell, and Elia Einhorn. It was recorded at Rough Trade NYC, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi. Front of house engineering at Rough Trade was by Alex Payne. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Our latest installment of the Talkhouse Podcast at FORM Fest 2019 pairs the brilliant poet/actress Yrsa Daley-Ward with avant-pop singer/songwriter/cellist Kelsey Lu in powerful conversation and musical collaboration. Their talk takes in a lot, including just how much effort is the right amount to put into a piece of art; how to make spaces your own when on the road; and how important the right clothes and hair are to each of their attitudes. They also touch on what it’s like to date a taurus (comfy!), and the devilish fun of writing disco revenge tracks. This Talkhouse Podcast episode was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a rad backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend, so subscribe to make sure to catch upcoming shows, including: — American Football & Pelican — L’Rain & Melanie Faye You can also check out the first three episodes in this series, including Snail Mail with Fred Armisen & Mary Lynn Rajskub, Robert Glasper & Vieux Farka Touré with special guest Lonnie Holley, and Julianna Barwick & Mary Lattimore. For their performance, Lu and Daley-Ward are joined by Max André Rademacher. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton and Ian Jones. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.

For today’s show, legendary record producer and Garbage drummer Butch Vig and Silversun Pickups frontman Brian Aubert sat down for some deep musical shop talk. The occasion was the release of Widow’s Weeds, the new album by Silversun Pickups that Vig produced. Their convo takes in the nitty gritty of writing, recording, doing press, and touring. To that end, we hear about: a German journalist being a bit too honest; Butch’s psychic connection with his crack engineer; Brian’s reason for having lots of guests in studio; advice on how to keep your band together for the long haul; and so much more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded in LA by Butch Vig (yes, that Butch Vig), and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Julianna Barwick and Mary Lattimore are two of ambient music's most brilliant artists working today. On our third Talkhouse Podcast episode recorded backstage at FORM Fest, the two sit down for an in-depth conversation, as well as a wonderful improvised musical collaboration. Their talk takes in a lot, including making up stories about your art for the press; creating a 24-hour long score; hanging with an oracle friend of Grouper’s; and a “dead corpse” putting babies to sleep. This Talkhouse Podcast — and video of the performance element of today's show — was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a rad backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend, so subscribe to make sure to catch upcoming shows, including: — Kelsey Lu & Yrsa Daley-Ward — American Football & Pelican — L’Rain & Melanie Faye You can also check out the first two episodes in the series, including Snail Mail with Fred Armisen & Mary Lynn Rajskub, and Robert Glasper & Vieux Farka Touré with special guest Lonnie Holley. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton and Ian Jones. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Ahead of their much-anticipated upcoming US co-tour, the Flaming Lips' Wayne Coyne and The Claypool Lennon Delirium's Les Claypool and Sean Lennon catch up on the Talkhouse Podcast. The three legends have known each other for years, and they get into a lot here, including: how Wayne comes up with new ideas for the Lips' incredible stage visuals; CLD playing to pachyderms; life lessons they've learned from Butthole Surfers, Bootsy Collins, and Mike Watt; and having the best New Years Eve ever... every night. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded in Sacramento, California at Ace of Spades by Matthew Maxwell, at Wayne's Oklahoma City, Oklahoma studio by Michael Ivins, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.

BREAKING NEWS! Indie rock it-band Snail Mail has an all-new lineup! Don't worry, Lindsey Jordan is still there — only now, so is Fred Armisen and comedian Mary Lynn Rajskub (24, It’s Always Sunny in Philadelphia). On our second Talkhouse Podcast episode recorded backstage at the wonderful FORM Fest, the three form a group on the spot, then, with instruments in hand, improvise songs about: How they’re actually the new Snail Mail lineup; Chef Boyardee; Neil Young; "lemon squares that Mommy made"; Jesus’ selective saving tendencies (that one's titled called “Here Comes The Son”), and loads more. We also witness spoofs of Queen and Beyonce; hear thoughts on fergiepeepants.jpg; learn about foot fetishists and Wikifeet; take in some sarcastic breakdancing; consider gentle piss modulators; and find out why Mary Lynn is convinced Lindsey needs to get pregnant immediately. This Talkhouse Podcast and video was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a rad backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend, so subscribe to make sure to catch upcoming shows, including: — Kelsey Lu & Yrsa Daley-Ward — Julianna Barwick & Mary Lattimore — American Football & Pelican — L’Rain & Melanie Faye You can also check out the just-released first episode from the fest, featuring jazz and hip hop legend Robert Glasper with a giant of African music, Malian guitarist Vieux Farka Touré, plus an appearance by Lonnie Holley. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton and Ian Jones. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.

With Pitchfork Music Festival 2019 closely approaching, we thought we'd highlight this double feature from last year's fest. Happy holidays! Welcome to this week’s bumper double feature of a show! We’re thrilled to bring you two fantastic conversations recorded backstage at Pitchfork Music Festival 2018: a short chat between Fleet Foxes main-man Robin Pecknold and Nilüfer Yanya, and a deep dive between Dev Hynes—aka Blood Orange—and super-producer Raphael Saadiq. PLUS we’ve got a brand new theme song created just for us by one of our favorite artists, The Range! Tune in to hear firsthand accounts of Solange‘s impromptu shopping trips, how Joanna Newsom helped get Fleet Foxes back together, the inside scoop on Yanya’s upcoming debut LP, how Deadheads influenced Saadiq’s musicality, and how Hynes created his powerful brand new album Negro Swan. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. — Elia Einhorn, Talkhouse Podcast host and producer  This episode was co-produced by Mark Yoshizumi. Big thanks to Pitchfork Music Festival for hosting Talkhouse, and to Karolina Barej for all of her coordination work. I’m very pleased to write for the very first time that the Talkhouse Podcast’s theme song was composed and performed by The Range.

FORM is a festival unlike any other. It takes place in the “eco-city” of Arcosanti, an architectural marvel in the middle of the Arizona desert. Attendance is limited to 2,000, but they still bring in massive headliners like Florence + The Machine and Anderson .Paak. Fans get to see their favorite stadium artists in an incredibly beautiful and intimate space — and discover their next five favorite bands, all in the same day. There’s no VIP section, but there is a cliffside pool with DJs, rooftop yoga, and immersive listening stations. I'd been hearing rave reviews for years from musicians who'd played the fest, so this spring Talkhouse Podcast producer Mark Yoshizumi and I headed out to FORM to get our glamping on, and record some amazing artists in convo. As an added dimension, we also paired them in musical collaboration. Pulp Arts and Patreon teamed up to co-present The Conservatory, a backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend, so subscribe to make sure to catch upcoming shows, including: — Snail Mail, Fred Armisen & Mary Lynn Rajskub — Kelsey Lu & Yrsa Daley-Ward — Julianna Barwick & Mary Lattimore — American Football & Pelican — L'Rain & Melanie Faye Our first episode from the fest features jazz and hip hop legend Robert Glasper with a giant of African music, Malian guitarist Vieux Farka Touré. The two were excited to meet and chop it up, and immediately found a lot of common ground. They get into a lot, including: the role their musician parents played in their own artistic development; the difficulties of being a professional musician in Mali; Vieux’s fear of playing jazz; and the inspiration Vieux drops that Robert wants tattooed on his… well, check it out. After the talk, keep it locked for a trio of breathtaking improvisations between Vieux on guitar and Robert on keys, accompanied by Vieux’s rhythm section of bassist Marshall Henry and drummer Tim Kiper. The uniquely brilliant singer, songwriter, and sculptor Lonnie Holley, who’d stopped in to watch the session after his own incredible set at the fest, also jumped in to sing on a jam. Sinat Giwa, Events Director at OkayPlayer, OkayAfrica, and OkaySpace, joins me to intro this first episode from FORM. You can also enjoy today's show as a video via Talkhouse.com —Elia Einhorn, Talkhouse Podcast host and producer  Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn. Research assistance provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.

On the latest episode of the Talkhouse Podcast, two good friends, actor-writer-director Lake Bell and singer Santigold, sit down for a long-awaited chat together. The pair are both very busy performers – Bell is hard at work on the second season of her new show Bless This Mess and can be heard in the new animated feature The Secret Life of Pets 2, and Santi recently dropped I Don't Want: The Gold Fire Sessions and just came back from a U.S. tour – but are also highly involved mothers, and a large focus of their talk is on the challenges of balancing family life with creative work. They discuss how you can’t in fact do it all or have it all, how the making art changes after you have kids, how filmmaking and parenting are (kind of) the same thing, plus Santi’s social media struggles, where the roots of Lake’s comedy lie, what Lake is doing to address the current political situation, Santi’s move into directing, and much, much more. For more filmmakers musicians in conversation, visit Talkhouse at talkhouse.com and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.

I'm a father. It's awesome. The best! Seriously. And also simultaneously exhausting and sleepless. And complicated. But eminently worth it! This week, we here at Talkhouse salute the dads, and father figures, of music and cinema. Our Father's Day episode pairs two creative father-and-son duos; one pair defining the sound of hip hop, the others prolific film multi-hyphenates. — Segment one: Prince Paul & DJ PForReal aka Paul Huston Sr. and Jr. The legendary hip-hop producer Prince Paul — known for his pioneering work with Stetsasonic, De La Soul, Handsome Boy Modeling School, Gravediggaz, BROOKZILL! and more — raised his son, DJ PForReal, in the music game. Paul Jr, DJ for rap star Lil Uzi Vert, joined his dad for today's show to discuss pushing one’s comfort zone, never taking the straight path, faking it till you make it, and what it's like when your first ever DJ gig is opening up for Wu-Tang’s GZA. — Segment two: Larry Fessenden and Jack Fessenden The great horror director, producer and actor Larry Fessenden (The Last Winter, Habit) also brought his kid up in his chosen craft. Jack Fessenden, who's still a teenager (!), has already directed one feature, Stray Bullets, and is in pre-production for his next. The two sat down to chop it up on the highs and lows of coming up in a cinematic family, why Larry likes to mentor young people, and the reason Jack hasn’t seen many of his dad’s films. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. DJ PForReal was recorded in Atlanta by Luther Banks at Patchwerk Studios. The Talkhouse Podcast’s theme song was composed and performed by The Range.

To celebrate the release of A$AP Ferg's new joint "Pups," which features fellow Mob member A$AP Rocky, we're re-sharing the Hood Pope's rad 2017 Talkhouse convo with culinary icon — and, as we learn, former rap producer — Andrew Carmellini. Check it out. On Talkhouse's premiere food culture episode (part of its new Talkhouse x Food Republic series), New York City chef and restaurateur Andrew Carmellini meets Harlem rapper A$AP Ferg at the flagship Sonos store in NYC. In their conversation, they discuss the challenges of their respective crafts, their role as leaders, branding, cooking and more. Check out these two New York cultural titans chopping it up, and subscribe now on iTunes or Stitcher to stay in the loop on future episodes of the Talkhouse Podcast.

Stephin Merritt is one of the most brilliant songwriters of our time. Through his projects The Magnetic Fields, The Gothic Archies, Future Bible Heroes, and The 6ths, he’s deconstructed and reimagined the art of the song. Stephin’s lyrics are wonderfully dark and witty, often gender-bending, sometimes intellectual, occasionally utterly heartbreaking. His melodies are addictive enough to be illegal under drug-dealing laws. Stephin is able to make listeners laugh, cry, and think, all in the same song. This year marks the 20th anniversary of 69 Love Songs, widely considered the crown jewel of Stephin Merritt's vast catalog. A three CD (now also a six 10” vinyl) box set, the album is a meta conceit: a record not only full of love songs, but also about love songs themselves. Running 172 minutes and 35 seconds, the songs stylistically jump between indie rock, synth-pop, country, faux punk and jazz, Sondheim-esque showtunes, folk, a capella, '70s singer-songwriter, world music and much more. For today’s show, Stephin sat down with Daniel Handler — aka, A Series Of Unfortunate Events author Lemony Snicket — who played accordion on 69 Love Songs as well as interviewed Stephin for the liner notes. The old friends and collaborators chop it up on the triumphs and occasional difficulties of 69 Love Songs’ improbable existence — the arduous recording, uncharted release campaign, surprising live shows, initial reaction and beloved legacy. Their deep dive talk also takes in: Daniel’s theory that 69 LS has become a children’s album; “tweecore” beefs with Belle and Sebastian and Stereolab; the record release show that found Stephin trapped above the stage; the best music to get busy to; whispering hecklers; and why 69 Love Songs should’ve been sold in sex shops. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at Hook and Fade Studios in Brooklyn. The Talkhouse Podcast’s theme song was composed and performed by The Range.

This week on the Talkhouse Podcast, we’re celebrating artists who take music in unexpected and brilliant new directions. Tuesday’s show saw Tierra Whack and Nnamdi Ogbonnaya in conversation; today, we bring you a fantastic deep dive between Avey Tare of Animal Collective and Ishmael “Ish” Butler, aka Palaceer Lazaro in Shabazz Palaces, fka Butterfly of Digable Planets. Ish and Avey are massive fans of each other’s work — Animal Collective and Shabazz Palaces have even remixed tracks for each other. This convo takes in a lot: how seeing Animal Collective play live got Ish back into making his own records when he thought he was done with music; what artists they’re both vibing on rn; Ish’s goal to "elasticize minds" with his live shows; and the “secret sauce” that goes into writing Animal Collective and Shabazz Palaces songs. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. Ish was recorded by Dan Arnes at The Knitting Factory in Brooklyn. Avey was recorded by Adam McDaniel at Drop of Sun Studios in Asheville, NC. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Duuudes! Those of you who follow us on Insta may know that Mark The Producer and I just got back from our first festival of 2019. As we glamped and recorded some of the best musicians in the world in convo for upcoming Talkhouse episodes, it occurred to me that full-on festival season is almost upon us. That means, of course, that this summer, Talkhouse will be returning to Pitchfork Music Festival for our fifth straight year of recording backstage talks with many of the brilliant artists rocking Union Park. We're so psyched for this year's lineup; get your tix now to catch Belle and Sebastian (playing Sinister in it's entirety!), Pusha T, Haim, Robyn, Earl Sweatshirt, Khruangbin and more. In anticipation, we wanted to share with you a special bonus episode this week. So, here's a fantastic conversation that happened spontaneously at last year's fest; it was too short to be released as a regular episode, but was too good not to share. Tierra Whack and Nnamdi Ogbonnaya both have sounds and visual aesthetics all their own. When the two met in our trailer studio, they connected immediately, cracking us all the f up in the process. Their hilarious and insightful chat takes in quite a bit in its brief runtime: their production techniques and studio vibes; fave bands and movies of all time (some very surprising answers here); wtf happened to those balloons from the Whackworld video; and some pretty great impressions of Oprah and Leonardo DiCaprio. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range. Big thx to the fantastic Pitchfork Music Festival for hosting the Talkhouse Podcast. PMF 2019 takes place in Chicago from July 19-21st, 2019. SEE YOU IN THE PIT, er PARK!

For today’s episode of the Talkhouse Podcast, we sat down backstage at Desert Daze with Grasshopper of Mercury Rev and A Place To Bury Strangers’s Lia Braswell. The two are big fans of each others’ live sets, and were psyched to meet and chop it up. Their conversation takes in a lot: artistic community, DIY culture, the years of work it takes to succeed, and the restorative power of seeing live music. Oh, and we learn how Lia learned to appreciate the feedback. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. You can also now follow us on Spotify! —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at by Keenan Kush at Desert Daze, and at Hook and Fade Studios in Brooklyn by Mark The Producer. Additional recording by Josh Modell. The Talkhouse Podcast’s theme song was composed and performed by The Range. Big thx for the fantastic Desert Daze for hosting the Talkhouse Podcast. Desert Daze 2019 takes place at Moreno Beach from October 10-13, 2019. The first two announced artists are Animal Collective and Stereolab. Find tix and info at https://desertdaze.org/

This week, we here at Talkhouse celebrate two monumental things: first off, this is the Talkhouse Podcast's 250th episode (holy shit, how did that happen?!?!? Thank you, listeners!) The second thing we're celebrating officially this week, and unofficially every other day of the year: mothers and maternal figures! For today’s show, we took a deep dive through the past five years of the podcast to share some of our favorite clips of artists discussing the myriad experiences that comprise motherhood. So buckle up for: — Christina Choe and Andrew Ahn on Christina's mom's star turn as an actress. — Tori Amos and Shirley Manson (Garbage) on the sacrifices and uncertainties of motherhood, and the continuing inspiration Tori receives from her own mother. — Fred Armisen and Alix Lambert on the crazy, sad true story of Fred’s stepmother's time in East Berlin. — Ben Lee and Jon Cryer on how Ben's mum helped him make a really important career decision when he was a teenager. — Tracy Droz Tragos and Martha Shane on how Tracy's maternal instincts guided her experiences on and off screen while making Rich Hill. — Julia Pott’s mum reviewing Get Out — on Julia's answering machine. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer  Today’s episode was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

“All night, I been drinking all night, I been drinking all night, I been drinking, ay ay” sang Knox Fortune on the hook of Chance The Rapper’s mega-hit single "All Night." For this podcast, Knox and his old buddy comedian Brandon Wardell (Yeah But Still) switched it up and did a little day drinking. The guys sat down late last year to chop it up on the Talkhouse Podcast backstage at Life Is Beautiful Music and Art Festival in Las Vegas, where they’d both performed. Their truly freewheeling convo takes in a lot: which pop stars have the best and worst fans; thoughts on Trippie Redd and Juice WRLD; Banksy’s true identity; the drug that fueled both Home Alone and Aladdin; The Beatles vs. Emo Rap; and loads more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. You can also now follow us on Spotify! —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at National Southwestern Recording in Las Vegas and at Hook and Fade Studios in Brooklyn by Mark The Producer. Additional recording by Josh Modell. The Talkhouse Podcast’s theme song was composed and performed by The Range. Thanks to Life Is Beautiful and Ronald Corso at National Southwestern Recording. This year’s Life Is Beautiful happens Sept 20-22, and the lineup is, as usual, incredible, featuring Chance The Rapper, Billie Eilish, The Black Keys, Desus and Mero, Pod Save America, and so many more. Tix can be purchased here.

Hot on the heels of Karen O (Yeah Yeah Yeahs)'s incredible new LP Lux Prima and Sam Spiegel (N.A.S.A.)'s new single "Perfect," the two old friends and collaborators sat down for a deep dive on the Talkhouse Podcast.  Buckle up for stories of working with everyone from Ol' Dirty Bastard to David Byrne to Danger Mouse; collab-ing with your literal family — Sam's brother is Spike Jonze — and your figurative one, as Karen does in the YYYs; and the rad audio-visual experiences that Sam and Karen created for each of their new projects. Check it out and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Stay up to date on live Talkhouse events with our Events tab. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded in at Sam's house in Los Angeles by Ali Nikou, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi. Additional engineering by Josh Modell. 

The brilliant composer and two-time Talkhouse Podcast guest William Basinski recently dropped me an intriguing email. He wrote of a “very talented young friend, a fine guitarist from Amarillo” who has “a great story.” If Billy recommends an artist, I look into them; the more I learned about this guitarist from Amarillo, TX — Hayden Pedigo — the more fascinated I became. A born and raised Amarilloan, Hayden is an ambient acoustic guitarist and soundscape composer who's written music dedicated to the landscape and beauty of his hometown. Changing artistic lanes late last year, Hayden undertook a satirical project inspired by Harmony Korine that was composed of a series of bizarre, Tim and Eric-esque fake campaign videos. When the vids went viral, he decided to run for City Council in Amarillo in earnest, and is now a leading contender with a real shot at being elected. With his gonzo comedic approach and dual life in music, we thought that a convo between Hayden and Tim Heidecker — who's fresh off the release of Us — would make for a quite a show. Talkhouse pals Nick Dawson (EIC, Film) and Josh Modell (Executive Editor, Music) join me to introduce this politically-minded conversation between two great weirdos. Check it out and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Stay up to date on live Talkhouse events with our Events tab. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded in Los Angeles by Tim Heidecker, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi.

Both Kate Nash and Cherry Glazerr’s Clem Creevy have talent, smarts, and attitude to burn; they've each also got incredible, recently-released music. To celebrate their new bops, the two friends sat down to chop it up at Clem’s home in LA. We hear about the truly unique story behind Kate’s new single "Trash" and the Maharaja musical she’s been writing; the curious empowerment Clem finds in singing from the perspective of a misogynist; and their takes on religion, rebellion, and life in Los Angeles. Check it out and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Stay up to date on live Talkhouse events with our Events tab. And if you’re in the New York area, come hang April 13 at our Record Store Day event! —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded in Los Angeles by Ali Nikou, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi.

On the latest episode of the Talkhouse Podcast, we feature a conversation between two of the most distinctive and original voices in American cinema: Harmony Korine and Caveh Zahedi. The two got together in New York City in advance of the release of Korine’s new movie, The Beach Bum, a wild Florida-set fantasia about cosmic poet Moondog, starring Matthew McConaughey, Isla Fisher, Snoop Dogg, Jonah Hill, Martin Lawrence, Zac Efron and Jimmy Buffett. Korine and Zahedi, who used to be phone buddies years back, discuss seemingly everything under the sun, from The Beach Bum as an autobiographical portrait, to the art of parenting, to Korine’s recipe for joy – plus, Rimbaud vs. Rambo, the awesome thing about Bob Dylan playing minor league baseball grounds, Ripley’s Believe It or Not, Hemingway’s six-toed cats, how Zahedi’s web series The Show about the Show kinda led to his divorce, and much, much more. For more filmmakers musicians in conversation, visit Talkhouse at talkhouse.com and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Episode recorded by Elia Einhorn, and recorded and co-produced by Mark Yoshizumi at Hook & Fade Studios in Brooklyn. The Talkhouse podcast producer is Elia Einhorn.

To mark the sad passing of the brilliant Agnès Varda, we are revisiting an old episode of the Talkhouse Podcast in which documentary cinematographer and Cameraperson director Kirsten Johnson sat down with the legendary French New Wave auteur when she was in town in 2017 for a gallery exhibit of her art at Blum & Poe and a French Institute film series. In a wonderfully thoughtful and engaged conversation, the two discuss Varda's artwork, how her films play with time, finding permission as an artist, Varda's feelings about New York City, Faces Places, her collaboration with the artist JR, her favorite color (!), and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

Earlier this month, Talkhouse headed down to the legendary insanity that is SXSW in Austin, TX for bands, breakfast tacos, more bands, and — of course — podcasts! We were honored to be asked for the second consecutive year to curate a live Talkhouse Podcast recording on the official SXSW Podcast Stage, where we paired two of indie rock’s prolific singer/songwriters releasing exciting new music this year. John Vanderslice and Broken Social Scene’s Kevin Drew are both fantastic artists and hilarious, thoughtful conversationalists. The two chopped it up in front of an audience of fans on everything from the various forms of therapy that each is currently undergoing (one is micro-dosing) to the Great SX Scooter Scourge of 2019. Their talk also takes in their new music, the economic realities of running a pro recording studio in 2019, Vanderslice’s near-death tour experience, and ordering cocaine on the dark web. Check it out and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Stay up to date on live Talkhouse events with our Events tab. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at JW Marriott in Austin by Sean Cherry and Kari Erickson, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi. Additional recording by Josh Modell. The Talkhouse Podcast’s theme song was composed and performed by The Range. Thanks to SXSW, Cadence 13, and all the Talkhouse fans who roll through our live events.

We here at the Talkhouse Podcast were psyched when Chicago-based indie festival Tomorrow Never Knows asked us to curate a live taping as part of their January 2019 lineup. So, we paired Andy Hull (Manchester Orchestra) and Mike Kinsella (American Football, Owen) for an exclusive conversation and acoustic performance. Thanks to all of you Midwest listeners who braved the winter chill to pack out Sleeping Village! Andy and Mike are old friends, and big fans of each other’s music. They were excited to catch up for this talk, and the ensuing conversation covered a lot, including: their ever-evolving songwriting chops and philosophies; how having kids changes one’s creativity; and what exactly went down at that craziest Owen show ever… The performance setlist is: Andy — “The Gold” Mike — “Love is Not Enough” Andy — “Untitled (Blue)” Mike — “The Desperate Act” Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Stay up to date on live Talkhouse events with our Events tab. You can also now follow us on Spotify! While you’re there, make sure to check out American Football’s American Football (LP3), out tomorrow. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at Sleeping Village in Chicago by Joe Darnaby and Greg Obis and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi. Additional recording by Josh Modell. The Talkhouse Podcast’s theme song was composed and performed by The Range. Thanks to Tomorrow Never Knows, Sleeping Village, and all the Talkhouse fans who roll through our live events.

On the latest episode of the Talkhouse Podcast, we mark the imminent return of Veep for its seventh and final season with a conversation between two of the show's cast members, Timothy Simons and Brian Huskey. Simons and Huskey – who play manchild Jonah Ryan and pesky political reporter Leon West, respectively – have a hilarious and wide-ranging talk that takes in everything from the perils (and occasional positives) of social media and getting sincere in middle age, to shilling for free stuff on podcasts and, of course, their show's swan song season. Plus, we see how long their pledge to not talk about Trump actually lasts and find out exactly what happened when Tim went to a Tony Robbins-designed Pitbull show at a celebrity golf tournament! For more filmmakers musicians in conversation, visit Talkhouse at talkhouse.com and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.

On the latest episode of the Talkhouse Podcast, friends and fellow actor-writer-directors James Roday and Karen Gillan sit down for a chat at The Grant, James' bar-to-be in Los Angeles' Eagle Rock neighborhood. Roday and Gillan, best known as Shawn from Psych and Nebula from the Marvel Cinematic Universe, respectively, got together to discuss Roday's second feature as writer-director, the slowburning horror, Treehouse, which debuted March 1 on Hulu as part of Blumhouse's yearlong Into the Dark series. To the faint sounds of construction workers finishing The Grant, the two pals chat about Treehouse, Gillan's directorial debut The Party's Just Beginning, their mutual love of horror movies and Lynne Ramsay, Roday's obsession with Highland cows, that time Gillan wrote a letter to Michael Haneke, and much, much more. For more filmmakers musicians in conversation, visit Talkhouse at talkhouse.com and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.

When we paired them for a Talkhouse Podcast at the fantastic Life Is Beautiful Fest, Sylvan Esso’s Amelia Meath and Nick Sanborn and SNL writer Anna Drezen got on, as they say in the talk, like a house on fire. A week after meeting, Sylvan Esso were posting pics backstage from SNL! In this chat, the trio do cover some artistic topics: the similarities and differences in the professional lives of bands and comedians; their worst gigs ever; and the emotional brutality of both writing songs and pitching sketches at SNL. And they also get into a tooon of riffing. (Turns out Sylvan Esso can hang with the best!) So we also hear about “egg sluts,” Property Brothers fan fiction, the problem with Steven Seagal flicks, and even witness a fiery debate on whether Sylvan Esso… make good hula hooping music. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. You can also now follow us on Spotify! —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at National Southwestern Recording in Las Vegas and at Hook and Fade Studios in Brooklyn by Mark The Producer. Additional recording by Josh Modell. The Talkhouse Podcast’s theme song was composed and performed by The Range. Thanks to Life Is Beautiful and Ronald Corso at National Southwestern Recording.

This week, we're revisiting a unique talk recorded at last year's On Air Fest. On Air is a rad festival devoted to audio storytelling and the creative possibilities of sound. The festival returns later this month in Brooklyn. You can find more info about speakers and how to attend at onairfest.com Today's episode, a collaboration with The Players' Tribune, was recorded earlier this month in front of a live audience at On Air Fest at the Wythe Hotel in Brooklyn. When On Air Fest reached out to Talkhouse about curating a live episode for their podcast festival, we had an idea: What if we, the outlet where musicians and filmmakers write and speak about their experiences, partnered with Derek Jeter's The Players' Tribune, the site where athletes write about their own experiences, for a podcast discussion about what the first-person narrative really looks like? The Players' Tribune loved the idea, and brought in NFL linebacker Cameron Lynch to speak with frequent Talkhouse contributor Meredith Graves (Perfect Pussy). Their thoughtful and often funny conversation takes in a lot, from shutting down the "shut up and dribble" narrative, to the very real pressures of professionally rolling "the dice of life" every single day. It also touches on Fergie's National Anthem blowback, the truth and falsity of people's preconceptions about athletes and rock stars, the perils of Googling oneself, and reckoning with the fact that each of us is "an unpredictable consciousness driving a meat-covered skeleton." Dan Treadway, Deputy Editor at Players' Tribune, and I kick off the live conversation with some background on each of our first-person-driven media outlets. Check it out, and subscribe now on iTunes or Stitcher to stay in the loop on future episodes of the Talkhouse Podcast. — Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was recorded by Mark Yoshizumi with Michael Bosworth, and co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.