Laura Frank is a multifaceted artist – singer, songwriter, performer videographer and much more besides – who lives in Queensland’s Scenic Rim area when she’s not on the road with Tom Curtain and his Katherine Outback Experience. Curtain’s tour goes for several months across the wet season (so he’s not in the Northern Territory then) so Frank was on the road when we spoke recently about her latest single, ‘We Won’t Stop Runnin’’ as well as the music video she made for the single with Nick Morrissey, her partner and collaborator.The song was inspired by experiences within Frank and Morrissey’s relationship, and was a live favourite that Frank then decided to record with her regular producer Jordan Power. The video captures the energy of the song and was made on the couple’s property before they set out on tour. Frank regularly makes her own videos, so there’s quite an archive on YouTube to explore.We also discuss the touring life – which involves Frank’s animals coming along to join Curtain’s – and it turns out Frank is doing a lot more than performing as Curtain’s opening act: she’s taking photos and video of the show, then working to post them on social media. It’s turned the Outback Experience tour into an all-day-and-night event, but it seems like Frank wouldn’t have it any other way. Frank’s commitment to living a creative life is motivating and inspiring, partly because it’s clear she thinks that no task is too big or too small to attempt, and that if she’s interested in something she will pursue it without wanting to know where it might get her. Curiosity and passion underpin all her endeavours, and especially her music, so it’s great to learn that she has recorded more than one song with Power, which means there will be another single along in due course.Meanwhile, she’ll be on the road with Curtain for a while, and you can find those dates on her website: https://www.laurafrank.com.auListen to Laura Frank on Apple MusicListen to Laura Frank on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Well before the release of her previous single, ‘Wiley Blue’, Adele Oliver had established herself in the music scene in the beautiful Western Australian coastal town of Broome, playing her own shows and supporting touring artists. After the release of that single she supported Troy Cassar-Daley on his recent national tour, and we talk about that in this new interview, along with her latest single, ‘Angel’.‘That song in one afternoon, I think, came out,’ says Oliver of the song. ‘It was one of those ones where I [thought], okay, this one's ready to come out now.’ ‘Angel’ is about Oliver finding herself unwittingly placed on a pedestal in a relationship, then held to standards that the man in question was not holding himself to. And even though the song flowed out of her, she wasn’t happy with the second verse and changed it once she was in the studio with producer James Newhouse, who is based in Bunbury, WA.‘Angel’ is a song that is tinged with regret, not in the lyrics but in the way it’s sung, and we also talk about the decisions Oliver made as a singer while recording.Oliver is an artist in tune with the outer, natural world and her inner life, and she works with them both to create music, having learnt to not get in the way of her creativity when it’s happening. ‘Songs all come about so differently,’ she says. ‘They'll all find their way to you. Sometimes it is sitting down and going, I have this thing I want to say and I'm going to say it like this. But I really love the times when they land on you and you feel like you're a bit of a vessel in that moment. Or it's your subconscious ruminating over something that is now ready to be talked about. It kind of feels a bit magical in a way.’Oliver is also passionate about the environment, especially the beautiful Kimberley area close to home. By day she’s a support worker, and that combined with her connection to the world around her bespeaks an artist who has an expansive worldview and one who strives for connection, drawing inspiration from the perspectives of others and weaving them into her songwriting. Oliver has been recording other tracks with producer Newhouse and an EP is on the horizon. In the meantime she has plans to head for the Tamworth Country Music Festival in January, and no doubt to pop up on Broome’s stages as well. Listen to 'Angel' on Apple MusicListen to 'Angel' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

No two interviews are the same and if I haven’t interviewed an artist before I never know quite what to expect, even though I do my research. There was absolutely no evidence in my research on Melbourne artist Suzie So Blue – who has new singles ‘Bend’ and ‘Fall in Love’ – that indicated quite what an amazing life in music she’s had since her childhood. From playing cornet in polka and Czech folk bands with her father and sister to flute in high school (because it was more portable) to stringed instruments in bossa nova bands in Canberra (because you can’t sing and play flute at the same time) to the world she inhabits now in Melbourne, she lives and breathes music.Suzie’s creative life doesn’t begin and end with music, though: she’s also a well-established fashion designer with her label SZN. This part of her story did not emerge until towards the end of our conversation, which took in a range of subjects including taking up space and claiming the right to perform, to her first forays into songwriting.Recently Suzie released two singles at once. ‘Bend’ was inspired by a conversation she had with a Japanese friend while on a trip to Japan, where they discussed the manipulation of nature and the idea of bending like a tree in the wind. This resonated with Suzie's own journey as an artist, navigating the challenges and sacrifices that come with pursuing a creative path. The other single, ‘Fall in Love’, was written with a friend and drew on their shared experiences and conversations about past relationships. Suzie’s musical influences are vast, as her background suggests, from the blues and country she grew up listening to, to the reggae, funk, and soul that have shaped her soulful vocals and playing style. It was also clear from our chat that Suzie loves playing live, and she gigs regularly around Melbourne. Her next show is Spring Acoustica at Wesley Anne in Northcote, Vic., on 24 November. Tickets available here.I could have asked Suzie many more questions as it felt almost like I was only at the tip of her creative iceberg, but hopefully there will be more songs soon, and perhaps the chance to chat again with this inspiring artist. Listen to Suzie So Blue on Apple MusicListen to Suzie So Blue on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

With an impressive nine Golden Guitar awards and over half a million albums sold, Adam Harvey is one of Australia’s most successful, and beloved, country music stars, and even if all you ever did is see Harvey play live, you’d understand why: he is a great entertainer, a superlative singer, and a performing artist who always gives the impression that there’s nowhere else he’d rather be.In this new interview to mark the release of his seventeenth album, Let the Song Take You Home, we talk about his new tour with its impressive group of support acts as well, including Jenny Mitchell and Chloe Styler. ‘There's so much doom and gloom out there in the world. People just want to have a good time and sing along and let their hair down and maybe have a laugh and just escape all the doom and gloom out there for a few hours,’ Harvey says about his attitude towards performing. The songs on the new album take in a gamut of human experience and also feature Harvey’s trademark sense of humour. There’s a slight departure in sound, though, with a more mellow and emotional tone which Harvey attributes this to the influence of the album's producer, Luke Wootten, who pushed him to explore new creative avenues and refine his storytelling. It was his first time working with Wootten after producing his last few albums himself.Of particular significance on the album is the song ‘Remember Me’, a poignant tribute to Harvey’s mother's battle with dementia as well as a powerful example of his songwriting prowess. Harvey now has a role as an ambassador for Dementia Australia, helping to bring awareness to this condition that affects so many.Given that he’s now made quite a lot of albums, when asked what keeps him going his drive is clear: he loves writing songs and making music.We also talk about the Tamworth Country Music Festival, coming up in January, where Harvey has become a fixture. The energy and camaraderie of the event, along with the opportunity to collaborate with fellow artists, make these shows some of his most cherished performances. As ever, Harvey was a treat to interview just as he is to listen to on the album and live. Never once has there ever been a sense that he takes anything in his musical life for granted, and we can hear that in his songs: he wants to make the best album he can for listeners, not just for himself. He wants to make it worth our while to spend time with his songs – and in a venue, if you’re seeing him live – and he does, always. Upcoming tour dates:Nov 14 - Morwell Hotel, Morwell +Nov 15 - York On Lilydale, Mount Evelyn +Nov 16 - Gateway Hotel, Corio +Nov 22 - The Centre, Beaudesert #Nov 23 - Racehorse Hotel, Ipswich #Nov 24 - Kedron Wavell Services Club, Chermside #Nov 29 - Civic Theatre, Wagga Wagga +Nov 30 - Street Theatre, Canberra +For 2025 dates go to https://www.adamharvey.com.au/tourListen to Adam Harvey on Apple MusicListen to Adam Harvey on SpotifySunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Jim Morgan is an Australian who has been resident in the United States for several years and who for most of those years has overseen the operations of the International Songwriting Competition and the Unsigned Only Music Competition. Morgan hails from Canberra, where he first discovered his passion for music as a drummer. After venturing to the United States he worked with the Boston Music Awards and the Nemo Music Conference, then at the fledgling International Songwriting Competition (ISC). As Morgan explains in this interview, the decision to relocate the ISC from Boston to Nashville was a strategic one, driven by the city's thriving music scene and the collaborative nature of the songwriting community. ‘When I first came to Nashville over 20 years ago,’ he says, ‘my impression was probably like a lot of people, which is Nashville is just country music. And it wasn't the case even back then when I first started, but now it's not like that at all. And Nashville's moniker is Music City. It's not Country Music City, it's Music City.’The introduction of the Unsigned Only Music Competition, a spin-off from the ISC, was a response to the growing need to provide a platform for unsigned artists. Morgan emphasizes the importance of recognising and supporting these emerging talents, as the music industry landscape continues to evolve, with artists increasingly taking control of their own careers. The ISC has several high-profile judges, including Reba McEntire, Mariah Carey and Tom Waits, and Morgan shares insights into the reasons why those judges not only want to be involved but often return year after year. For emerging artists, Morgan offers valuable advice on selecting the right songs to enter, emphasising the importance of showcasing one's best work and not being limited by the age or recency of the composition. He also underscores the benefits of competing, as it allows artists to gauge their music against industry standards and potentially open doors to new opportunities, such as publishing deals, film and TV placements, and even record label signings.  ‘Anything that we can do to help get more recognitions to those artists is definitely something that is a benefit to us and a benefit to the artists,’ he says.It became clear during the conversation that Morgan has never lost the thrill of discovering exceptional new talent through the competition – he remains a music fan, which itself is a testament to the talents and efforts of the songwriters who enter these competitions. Hopefully this interview offers valuable insights – and some tips! – for songwriters and artists hoping to enter either competition. You can find more information on how to enter at the links below.https://www.songwritingcompetition.comhttps://www.unsignedonly.comFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

When Sara Berki released her debut single, ‘Fallin’ Off the Heartline’, it was clear she was an artist with great songwriting talent and the voice to deliver those songs in an unforgettable way. Since then she’s been on impressive journey which has now led to her signing with Warner Music Australia and releasing ‘twice’, her first single with that label, as well as announcing a tour in 2025.It’s not always the case that great talent is rewarded with attention and accolades, so it’s heartening to see Berki taking these steps towards bigger audiences – and, more than anything, new songs. Her songs have been how she shows us who she is, and how she lets us into her world, and no doubt it’s the songs that will create new and bigger opportunities for her as time goes on.Listen to Sara Berki on Apple MusicListen to Sara Berki on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Kaitlyn Thomas is one of the most dynamic artists in Australian country music, with songs that are musically rich as well as entertaining and powerfully delivered. Her latest example of this is the single ‘Hell of a Long Time’, which she wrote with Troy Kemp, and MSquared – Michael Paynter and Michael DeLorenzis. The song was written during the pandemic, and it captures the essence of catching up with friends and celebrating life's moments. It was a collaboration Thomas relished, although she is just as comfortable writing alone. ‘I love the collaboration and working with people because it makes songwriting fun,’ she says. ‘And I love songwriting for me, as an artist, but also as a creative person … but I also love writing and getting ideas from other people because it just bounces. It's just awesome.’ Thomas has written with others during songwriting retreats, such as the SHE retreat run by the legend that is Lyn Bowtell, and the Dag Sheep Station, and says such retreats have been instrumental in her creative growth. Thomas reveals that they can be an emotional experience for her, as she taps into her vulnerability and allows her personal stories to pour out through her lyrics. Thomas started recording music before she was even in her teens, and accordingly has a keen sense of what is recorded in the studio. She connects deeply with the feeling and emotion of the song before stepping into the studio, and the energy of the production team helps to shape her vocal performance. She has been working with that team, MSquared, for a while.‘The energy in the room with those two incredible legends is outstanding. And they're vibing, therefore you're vibing. And this song was definitely, definitely a vibe.’Thomas’s vocal influences are diverse, ranging from the powerhouse vocals of Pat Benatar and Linda Ronstadt to Sheryl Crow, The McClymonts and Lainey Wilson. As she teaches singing she also sometimes finds she has to unlearn what she knows when she goes to record.‘Paynter says to me … “you need to turn the singing teacher off. Not every note needs to be perfect. The imperfection is what makes the songs great.”’It seems to be working, because Thomas gives each of her songs their own identity, and brings the listener into the story because she connects with it so deeply. No doubt she will keep that connection as she plays live over the next little while, and heading into the Tamworth Country Music Festival. As a graduate of both the junior and senior Academy of Country Music, Thomas is very familiar with the country music capital, so you’ll find her there in January. In the meantime, you can get to know her and her music through this interview. Listen to Kaitlyn Thomas on Apple MusicListen to Kaitlyn Thomas on Spotify Hosted on Acast. See acast.com/privacy for more information.

I sat down with country-rock artist Will Day to discuss his recent single ‘Home Town’, his experiences writing and recording in Nashville, and the unique joys of being a festival performer. [NB: He’s since released the single ‘My Kinda Crowd’ – it took me longer than usual to post this interview due to the fact that, well, this is a solo operation and sometimes I can’t keep up!]Day, who hails from south-east Queensland, has been making waves in the country music scene with his blend of country rock and heartfelt storytelling. His recent trip to Nashville proved to be a pivotal moment, both professionally and creatively. ‘It's been a goal of mine to get to Nashville for quite a few years,’ Day shares. ‘I wanted to go as an artist and songwriter.’ Day is the Head of Music at JMC Academy and travelled to Tennessee to present a paper at the International Country Music Conference, exploring the changing landscape of Australian country music production and its place in the international market. He stayed on for another week to do some co-writing and perform.‘I wrote “Home Town” and I squeezed in six co-writes in about five days,’ he says. ‘I got to play a show on Broadway, which was absolutely awesome.’ ‘Home Town’ is a breakup song, written with Bill DiLuigi and Scott Barrier, and it’s a slower tempo than a lot of Day’s songs. ‘I didn't think I was going to write any ballads over there at all because I don't write that many ballads anymore,’ Day says, although the finish product belies this. ‘But we had this song, and I just said, “You know, I really like this song. I want to release it.”’ He then took the song to producer Jared Adlam, and the result is a song that showcases Day’s voice capturing the emotional essence of the track. Beyond the studio, Day is a seasoned festival performer. At the time we spoke he was gearing up for the Groundwater Country Music Festival on the Gold Coast, which has now happened but, hey, I left it in the interview because it was part of the conversation and it’s still interesting to hear Day talk about playing festivals which have, he says, taught him the importance of stagecraft and connecting with the audience. ‘If you signify to the audience when you walk on stage that you are there and you're comfortable and you're happy and you're going to have fun, then the audience relaxes,’ he says. One special audience will be aboard Day’s upcoming Christmas Cruise on the Brisbane River on 9 November, where he'll be hosting a line-up of special guest artists and raising funds for a local charity. Day is also looking ahead to a new album, the successor to his debut LP Countrified, which he released in 2021. While working on that, he’ll also be playing live, which is pretty much his natural habitat. You can catch him live at the following shows:Listen to Will Day on Apple MusicListen to Will Day on SpotifySunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Dylan Wright is one half of the country duo Sons of Atticus, along with Matt Joyce, and after appearing at this year’s Tamworth Country Music Festival Wright went quickly on to appear in Australian Idol – and then to win it. He released a half-EP, Half a World Away Pt 1, a few weeks ago and now the full EP is out, along with the single ‘Mess of a Man’. The songs on the EP have the heart so evident in the work of Sons of Atticus married with Wright’s outstanding vocal capabilities, which he developed considerably during Idol, as we discuss in this interview. The music team behind the scenes pushed him to really explore the meaning and emotion behind each song, which led to a noticeable evolution in his songwriting too, which means Wright now feels more confident in exploring a wider vocal range and infusing his music with greater personal significance.The songs on Half a World Away were written in the intense aftermath of Idol; the introspective and honest nature of the lyrics reflects Wright’s journey of navigating his newfound success, family responsibilities, and a renewed sense of faith (which I particularly wanted to ask him about). During the chat Wright also candidly shares his experiences navigating the intense pressures and demands of Idol. Despite being an experienced performer, he was surprised by the sheer intensity of the show, and he had to quickly adapt to the technical aspects of live TV performance, including remembering lyrics and using his voice to its fullest potential. We talk too about his long-standing friendship and musical partnership with Joyce, and how that has been a source of support throughout Wright’s whirlwind experiences during and since Idol. The duo is currently embarking on a 30-date regional tour, with Wright’s hometown show in Cronulla already sold out. When I interviewed Sons of Atticus quite a while ago now, Wright and Joyce were easy to talk to and so interesting, and Wright on his own was just the same. I hope you enjoy watching or listening to this chat, and even though I only saw a little bit of Sons of Atticus at Tamworth the Wright-Joyce live proposition is a fantastic one – so show dates are below in case you’re able to get along.See Dylan Wright live:FRI 15 NOV – THE CHARLES HOTEL, NORTH PERTHTickets *Adam Brand support SAT 16 NOV – YELLOWFIELDS, VALLEY TAVERN NABAWA SUN 17 NOV – RAVENSWOOD HOTEL, RAVENSWOOD Tickets *Adam Brand support  Listen to Dylan Wright on Apple MusicListen to Dylan Wright on SpotifySunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Rusty Pickups are a four-piece ensemble from Queensland's Darling Downs with members Michael Cook, Lee Fielding, Ayden Roberts and Waylon Katz, who each have a different musical background and found their way not only to each other but to a musical identity that takes advantage of their differences and has led to something uniquely theirs. And that is fun – and fun is certainly what I had when interviewing frontman Michael Cook, known as Cookie, who shares the band's journey, their approach to creating music, and the joys and challenges of being a working musician. From the braying of donkeys and the bleating of sheep outside Cookie’s home studio, affectionately dubbed Possum Studios, to the occasional crow that needed to be shooed away, the band has learned to roll with the punches and let the unexpected moments become part of their creative process. ‘It's almost chaos,’ Cookie explains, ‘and you get to watch it up close and go, “I can't do any of this.” And I'm just loving watching, and I'll just sit in the middle and jangle along. That's my thing. So I consider myself lucky in that regard.’ This willingness to embrace the unpredictable has led Rusty Pickups to a refreshing approach to their music. Rather than trying to fit into a specific genre or chase trends, the band has chosen to simply create the songs they love, drawing from the diverse musical backgrounds and experiences of its members. ‘We just kind of went, you know what? We got our own studio. We're old. Who cares? We're just going to do whatever we want,’ says Cookie. ‘So now we pick the songs that we want to do and we go, how can we best serve this song?’ This authenticity has resonated with their audiences, as the band has found themselves playing at festivals and venues that span the spectrum of country music, including a huge run of shows at this year’s Tamworth Country Music Festival. Rusty Pickups’ ability to seamlessly transition between these different musical worlds is a testament to their commitment to staying true to themselves. But the band's journey hasn't been without its challenges. The gruelling schedule of Tamworth, where they played almost 24 hours of music over nine days, tested their friendships and physical endurance. However, Cookie reflects that the experience ultimately led to a necessary break and a renewed focus on what they truly want to create. ‘We got back into the studio and we started thinking, what do we want to do different? Which is, it's always hard to just see what you want to do that's different to what you're doing if you're still doing the first one,’ he explains. Part of what they’ve done since then is create their latest single, ‘Mister Mary Read’, which is in the pirate country genre – something Cookie may have come up with … The song has an intriguing backstory and it is completely different to its single predecessor, ‘Goddamn Sunday’. And you can hear all about that in this interview!Listen to Rusty Pickups on Apple MusicListen to Rusty Pickups on SpotifySunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Wren Bellette spent over a decade in bands, including Adelaide Americana outfit The Heggarties, and is now a solo artist, releasing her rich album This Love Will Die a few weeks ago.  The album’s strength comes from Bellette’s willingness to be open about her experiences – which include heartbreak – and her experience as an artist, using her voice as an instrument to convey extra layers of meaning in her lyrics.   While Bellette acknowledges that her songs are fundamentally her own, she also recognises the invaluable contributions of the musicians she works with. Our interview explores the balance between the songwriter's vision and the collaborative process, where ideas are shared, arrangements are refined, and the final product emerges as a blend of individual and collective creativity. This output was not planned but evolved organically as Bellette recorded songs during the pandemic.The album's title, This Love Will Die, may initially appear gloomy, but Bellette reveals that it represents a deeper, more optimistic message. The title track serves as a reflection on the universal experience of heartbreak and the understanding that even the most painful of loves will eventually pass, paving the way for personal growth and healing. Bellette also speaks candidly about the challenges of moving from being in a band to being a solo artist and exposing her personal narratives through her songwriting, a process that required her to overcome her initial hesitation and embrace the vulnerability inherent in going solo. It was a great pleasure to speak to Bellette, who has much to say of interest about songwriting and craft – and especially the value of the editorial process in writing. She also discusses her journey of moving from writing in the third person to being more willing to write about her own experiences, which she sees as an important part of being a songwriter, using music as a way to be honest and speak to the listener's experiences.Listen to This Love Will Die on Apple MusicListen to This Love Will Die on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Elly McK & The Unbelievers are an alt-country band from Melbourne who released the single 'Bones' earlier this year and, before that, the single 'Down on Your Luck'. They are embarking on a tour of New South Wales and Victoria in support of their new single 'The Wind Up'.McK explains that ‘The Wind Up’ is about the decision to make a change, whether it's in a relationship, a job, or any other significant part of one's life. She shared that the song reflects her own experiences of wrestling with difficult choices and the resolve required to see them through.  ‘This is a song that I can apply to on various situations across my life,’ she says. ‘The song is written in the context of a relationship winding up, but it could also be a job winding up or a friendship or something that means a lot to you. That decision is a difficult one, and it takes time, but once it's made, there's no going back.’ The song's structure and Ellie's emotive delivery suggest a certain reluctance to fully commit to the ‘windup’, which McK acknowledges. ‘I think there is an element of convincing yourself,’ she says. ‘Convincing myself that this is the decision that's being made. And then what comes is another story, another song.’‘The Wind Up’ marks the first co-write for McK, who collaborated with the band's drummer, Sam Price. In our interview McK shares that she doesn't typically go into a co-writing session with the intention of finishing a song, but rather sees it as a creative process where the end result is unknown.  ‘I really enjoy that creation process and then the collaboration process as just a process of whatever happens,’ McK says. ‘I haven't done a whole lot of co-writes, a lot of my other singles I'd written by myself, and they come as almost fairly complete songs. But this was the first one that I've done with Sam, and there's going to be lots more.’ McK’s work as a singer-songwriter was not always on the card.‘I was terrified of singing,’ she says. ‘Right up until my mid-thirties, I was a bass player. I played in hard rock bands as a younger person, and always wanted to sing and was so scared, and I just made a decision, I'm not going to be scared of it anymore, and started doing it. Singing is now my life. Everything I do is singing. I couldn't imagine that life I had before singing.’ With her band The Unbelievers – which also includes Jordy Hickey on double bass and Monty Price on guitar – McK is embarking on an extensive tour of New South Wales and Victoria, which she describes as a huge undertaking for the band, taking in shows in Sydney, regional Victoria, and Melbourne, booked through to the end of the year.McK is excited to take ‘The Wind Up’ and the band's other singles on the road, knowing that the songs will continue to evolve through the live performance process.  ‘I love the evolution of the song,’ she says. ‘Some of my songs I've written sitting on my couch playing ukulele and an idea comes up, and then they become this bigger thing. And then the process doesn't stop once the song starts being played live. It's always changing.’ Elly McK & The Unbelievers tour dates Hosted on Acast. See acast.com/privacy for more information.

Two Tone Pony is a five-piece band with an extensive musical lineage. With Greg Richardson on drums, Graham Puglisi on bass, Ian Rhodes on mandolin, harmonica and guitar, and Glenn Wiley on keys, it was founded by David Kirkpatrick, who was named after his father – who was otherwise known as Slim Dusty. The title of Two Tone Pony’s debut album, Born on the Road, is taken from the song of the same name which describes Kirkpatrick’s own entry into the world, as his phenomenal mother, the late Joy McKean, gave birth while she and Slim were on tour.  Not only was Kirkpatrick born on the road, he grew up on it for the first few years of his life, instilling in him a sense of adventure and a curiosity about the world that would later manifest in his diverse pursuits, from medicine to diving and beyond. Navigating the Music IndustryDespite his famous lineage, Kirkpatrick’s journey into music was not without its challenges, which we cover in this interview. He recalls facing teasing and even physical altercations from those who didn't understand his parents' unconventional career path. However, this only served to toughen him up, preparing him for the rigors of the music industry. Embracing Curiosity and ResearchKirkpatrick’s approach to songwriting is deeply rooted in his innate curiosity and desire to get the details right. Drawing inspiration from his mother's meticulous research methods, he ensures that his lyrics are grounded in factual accuracy, whether it's exploring the history of the steam trading route on the Murray-Darling or channelling community spirit during a natural disaster. The Thrill of Live PerformanceAs a performer, he embraces the element of risk and danger that comes with live music, a trait he attributes to his upbringing. In our interview he speaks passionately about the exhilaration of a song taking off, the trust and camaraderie within his band, and the importance of valuing the hard work and dedication that goes into creating art. Born on the Road: The Album The album Born on the Road serves as a reflection of Kirkpatrick’s life experiences, with themes of movement, adventure, and the human spirit woven throughout the lyrics. Songs like ‘Slow Lane’ and ‘Stormy Weather’ offer glimpses into his personal life and relationships, while tracks like ‘The Flood’ demonstrate his ability to capture the essence of community resilience. As with the first time I interviewed him, Kirkpatrick is incredibly interesting to chat to – in fact, his family background is only the jumping-off point for a life that has been rich in experiences and human connection, and these are evident in the songs on Born on the Road.Listen to Born on the Road on Apple MusicListen to Born on the Road on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Matt Ward is a South Australian singer and songwriter who has released two albums that have reached #1 on the ARIA Country chart, Heartland and If I Was in Dallas Tonight. His latest album is the deeply personal and introspective The Long Way Home, released through Ward's own label, Heartland Music Australia. The eight-song collection is a testament to the profound experiences that have shaped his life in over the past year or so. Ward's music has always been rooted in the rich tapestry of the Australian landscape and the human stories that unfold within it. However, The Long Way Home takes this connection to a deeper level, weaving themes of safety, home, and emotional connection throughout the album.‘I write from a point of experience and a point of expressing my emotions and feelings,’ Ward explains in our chat. ‘And stories of other people that I've come across.’ The album's creation was influenced by Ward's move to the regional town of Clarendon, South Australia and time spent writing in the temperate forests of Tasmania. One of the standout tracks, ‘Found You a Valley’, is a heartfelt tribute to Ward's beloved companion, his dog Shooter. The song's lyrics beautifully capture the way animals can open our hearts and provide a sense of comfort and connection. ‘Shooter probably started to open and soften up my heart a little bit,’ Ward shares. ‘It was probably an avenue towards then finding home and feeling a little bit more settled in my life as well.’ Ward's deep connection to the natural world is evident throughout the album, with songs like ‘Petrichor’ and ‘Find You a Valley’ reflecting his background as an ecologist and ornithologist. He explains how this grounding in the natural world allows him to switch between the technical and the creative, finding inspiration in the sights and sounds around him. The album's final track, ‘Holding On to You’, is a poignant collaboration with Jeff Gibson, inspired by Ward's sister and brother-in-law's loss of their young son. The song's emotional weight is palpable, as Ward grapples with the complexities of grief and the power of human resilience. ‘Songwriting, for me, is a process of processing an emotion,’ Ward reflects. ‘And also, I think, for audiences, it's having the songs there to listen to can be the help.’ As Ward prepares to take the stage at the Groundwater Country Music Festival, which takes place from 18 to 20 October on the Gold Coast, he is eager to share the new album with audiences. With a six-piece band in tow, he promises a high-energy and polished performance, showcasing both fan favourites and tracks from The Long Way Home. Listen to The Long Way Home on Apple MusicListen to The Long Way Home on SpotifySunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

James Johnston is a two-time Golden Guitar winner who has amassed an impressive 75 million streams for his anthemic songs, which include ‘Raised Like That’ and ‘Country Boys’, both of which appear on his 2023 debut album, Raised Like That. From my first interview with Johnston it was clear that he had taken his time to develop his craft, and art, as a performer and songwriter. He’d played in bars and pubs even if only the bar staff were present; he spent time in Nashville writing dozens of songs without recording anything. Then Johnston returned to Australia and started to put things in place, releasing one hit single after another, winning awards and headlining a show at the biggest venue in Tamworth before even releasing one album. When Raised Like That came out it topped the charts, and Johnston’s fan base grew. He did all of this as an independent artist.Now Johnston has a new single, ‘Blame’, and a new record label, Warner Music Australia. In this interview – our fourth – we talk about the song, which features the vocal Johnston recorded on the demo, as, he says, ‘There was just some magic, and we tried messing with it and something got lost. It was just one of those songs.’We also chat about his decision to sign with a label, and about his upcoming shows supporting Kip Moore. Plus he’s soon to travel to South Africa, to play the Cape Town Country Festival and in between all of that he’ll pop up at Savannah in the Round (dates listed below).So there’s a busy time ahead for Johnston, but he will no doubt relish the pace – after taking his time to establish his foundations, he can now build on them solidly and quickly, and produce the sort of entertaining, often layered and thoughtful music that keeps his fans coming back for more.SEPTEMBER 28: Kip Moore Tour Support – SydneyOCTOBER 3: Kip Moore Tour Support – MelbourneOCTOBER 12-13: Savannah In The Round, Mareeba Cairns HinterlandOCTOBER 13: Kip Moore Tour Support – BrisbaneOCTOBER 26 - 27: Cape Town Country Festival – South AfricaListen to James Johnston on Apple MusicListen to James Johnston on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Lisa De Angelis grew up in Sydney and now lives in Brisbane, where she makes cowboy music for city slickers. She is a multifaceted artist who seamlessly blends her talents as a songwriter, performer, and storyteller. She’s also a dream to interview, giving thoughtful, interesting and often funny answers, so I hope you enjoy listening to this conversation as much as I enjoyed having it.The reason for the chat was the release of her new single, ‘Wildwood (Time to Grow Up), and De Angelis opens up about the lessons she learned from a long-distance relationship, and how that experience has shaped her growth and maturity as a person and an artist. She also talks about working with partner Paul Bain on the production (he also plays drums and production on the track) and with musicians Michael Moko (guitars, banjo, mandolin), Gabi Louise (fiddle) and Sonic Edwards (bass). One of the standout aspects of De Angelis’s artistry is her ability to craft stories that resonate deeply with her audience. Drawing inspiration from her time as a tour guide, where she mastered the art of engaging and captivating audiences, De Angelis brings the same level of energy and authenticity to her live shows. She speaks of the importance of creating an ‘experience’ for her audience, rather than simply performing a set of songs. As a songwriter De Angelis reveals that she often doesn't fully understand the meaning behind her own lyrics until the creative process is complete. This organic and intuitive approach allows her to tap into deeper emotional wells, resulting in poignant and relatable songs that explore the complexities of relationships, growth, and self-discovery. De Angelis’s journey as a performer has been marked by both personal and professional challenges, including a significant hearing loss in one ear. Rather than letting these obstacles deter her, however, she has embraced them as part of the tapestry of her creative expression, seamlessly weaving them into her live performances. In the interview De Angelis speaks of the magic that can be created in the live performance setting. She believes in the intrinsic connection between performer and audience, and her commitment to leaving her audience feeling uplifted and empowered is inspiring. As De Angelis prepares to release her upcoming album, fans can look forward to more captivating stories, heartfelt lyrics, and electrifying live performances. Listen to 'Wildwood (Time to Grow Up)' on Apple MusicListen to 'Wildwood (Time to Grow Up)' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Ella Powell has a habit of writing and recording truly lovely songs, including the singles ‘Along the Way’, ‘Country Love’ and ‘Paper Town’. She’s now collecting these singles in an EP, The End of the Beginning, to mark this creative part of her life. In this interview Powell shares insights into her artistic evolution, the joys and challenges of collaboration, and the lessons she's learned as an emerging independent artist. The Storytelling Essence of Ella Powell's MusicPowell’s songs have always been deeply personal, drawing from her own life experiences and emotions. ‘I love that all my songs, they do tell a story,’ she explains. ‘They're all from personal experiences, and I've sort of been able to draw on my early life in my teen years because all these songs were written in my teenage years.’This intimate connection with her music is evident in the way she approaches the songwriting process, always striving to capture the essence of her personal journey. The Journey of CollaborationWhile Powell initially found it challenging to collaborate, she has since embraced the joys of working with other artists. ‘I think it's just fun,’ she says. ‘You just throw ideas out and it's just with so many people, it's just, you know, non-judgmental. Throw it out there, see what sticks and just bouncing ideas off because the way someone else looks at it is totally different to the way you do.’ This collaborative spirit has allowed Powell to explore new creative avenues and push the boundaries of her songwriting. Navigating the Challenges of an Independent ArtistAs an independent artist, Powell has had to navigate the complexities of the music industry, from understanding the technical aspects of releasing music to the ever-evolving landscape of social media, emphasising the importance of maintaining a realistic perspective and staying true to her artistic vision. The End of the Beginning and the Road AheadWith the release of The End of the Beginning EP, Powell is marking a new phase in her creative journey. She explains that the songs on the EP reflect a personal and musical evolution, as she has grown both as an artist and as an individual. As she prepares to enter the studio and share new music, Powell’s excitement and passion for her craft are palpable, promising an even more captivating chapter in her artistic odyssey. Listen to The End of the Beginning on Apple MusicListen to The End of the Beginning on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Dave Kent is a singer-songwriter from the south-west of Western Australia who cut his musical teeth in punk and in Margaret River. He has released the singles ’80 Proof’ and ‘Country Music’ and his third single is ‘Honky Tonk Dreams’.The Beginnings of a Musical JourneyKent’s musical roots can be traced back to his childhood, where he was exposed to the The Beatles and classical music during family road trips. It was the discovery of the iconic British band Oasis, however, that truly ignited his love for music. As he grew older, Kent’s musical tastes evolved, and he found himself drawn to the soulful melodies of country music, particularly the works of artists like Zach Bryan and Alan Jackson. Navigating the Margaret River Music SceneGrowing up in the picturesque town of Margaret River, Kent has been a fixture in the local music scene, playing in a variety of bands across different genres, from punk rock to jazz. The town's vibrant live music venues, such as Settlers Tavern and Clancy's, have provided him with ample opportunities to hone his craft and connect with fellow musicians. The Honky Tonk Dream Takes ShapeKent’s music took a significant turn when he began to explore his passion for country music and songwriting. His latest single, ‘Honky Tonk Dreams’, showcases his ability to blend his unique perspective with the classic sounds of the genre, as he navigates the distance between his hometown and the country music mecca of Nashville. Collaborations and ConnectionsKent’s musical endeavours have led him to forge valuable connections within the Australian country music scene. His work with acclaimed producers and musicians such as James Neuhausen, Michel Rose, and Gabi Louise has helped to shape the polished and engaging sound of his singles ‘80 Proof’ and ‘Country Music’. Looking AheadAs Kent continues to explore his honky tonk dreams, he has his sights set on expanding his reach beyond the borders of Western Australia. With upcoming performances at the Ekka in Brisbane as well as plans to visit Tamworth in the new year, Kent is poised to share his unique brand of country music with audiences across the country. Listen to Dave Kent on Apple MusicListen to Dave Kent on Spotify Hosted on Acast. See acast.com/privacy for more information.

In this insightful interview, I talk with rising Sydney-based artist Braydin Good to discuss his musical journey, the inspiration behind his latest single ‘Honest’, and his experiences playing live in Sydney. Good’s love for music was ignited at a young age, with his father teaching him to sing and play guitar in early childhood, with Good recording his first song in his dad's friend's studio before he even reached the age of five - although he hopes that recording never sees the light of day! Growing up, he was immersed in a musical household, with his father playing local shows and Good soaking up influences like Matchbox Twenty and John Mayer. While Goood was passionate about music from a young age, he actually steered away from it a bit during his high school years, instead focussing on his basketball pursuits. However, when the pandemic hit and shut down his sporting activities, Good rediscovered his love for songwriting and guitar. He then began playing open mic nights in the town of Griffith, honing his craft and building up the confidence to perform his own original material. Good’s songwriting talents emerged with the release of his first single, ‘She Ain't You’, earlier this year. But it's his latest single, ‘Honest’ that really showcases his emotional depth as a lyricist. Written about the aftermath of a break-up (and produced by Alex Mather), Good poured his heart into the track, delivering a vocal performance that is both vulnerable and powerful. When discussing the recording process, Good reveals that it only took a few takes to capture the raw emotion he wanted to convey. As an artist, he finds it easy to reconnect with those feelings when performing the song live, knowing he's telling his own story rather than someone else's. We also talk about one of Good’s favourite venues to play: The Beer Shed in Sydney, which he praises for its supportive and attentive country music crowds, as the listening-room atmosphere allows the music to truly shine. As Good looks to the future, he's already hard at work on new music, with plans to release another single later this year. In the meantime, he’s playing regularly around Sydney so audiences will find him there.Listen to 'Honest' on Apple MusicListen to 'Honest' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Dean Weston, an artist hailing from the central coast of New South Wales, has had a remarkable musical journey that has spanned decades. His lifelong passion for music began in childhood, when he and his sister received their first guitars for Christmas. As a young musician, Weston found inspiration in the music of his parents' record collection, which included the likes of Elvis Presley, The Beatles, Fleetwood Mac, and Neil Diamond. ‘There were always records playing in the house,’ he says, ‘and the story is that they told me that the records were playing when I was a baby.’Weston and his sister, along with a neighbour who played drums, formed their own little band as children, describing their homemade setup with biscuit tins and wooden spoons. The influence of iconic artists like Pink Floyd and Eric Clapton would later shape Weston's guitar playing and songwriting style. ‘When I think about being a guitarist, I think of David Gilmour and Eric Clapton,’ he shares. ‘I used to watch the videos as well, not just listening to the albums, you watch them play and there's some guitarists that you just go, “I like this. I just like the way he plays."’ Weston's songwriting prowess blossomed during his university years, when he admits he spent more time writing music than completing his assignments. After a brief hiatus from music, Weston found himself in a covers band, where he met a female vocalist who would become his creative partner. This became a fruitful collaboration, with Weston and his partner co-writing songs and performing together. It was during this time that Weston began to gravitate towards the country rock genre, finding it a better fit for his songwriting style. ‘It's a very song and guitar orientated genre,’ he explains, ‘whereas the rock side, the popular rock side doesn't seem to be filling that void.’ Weston's latest release, the EP Giving All I Have, features the single ‘It's Easy’, which has evolved from its Fleetwood Mac-inspired origins to its current upbeat, radio-friendly sound, is a testament to Weston's collaborative spirit and the guidance of his producer, Peter Stevenson. As Weston looks to the future, he is excited to continue his musical journey, with plans to record more original material and bring his live performances to larger stages. Listen to Dean Weston on Apple MusicListen to Dean Weston on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Adele Oliver grew up in the wheatbelt of Western Australia and now lives in Broome. She grew up partly in the adrenaline-fuelled world of car racing and her favourite sport now is rodeo – and it led to the creation of her latest single, ‘Wiley Blue’. The song's origins lie in a chance encounter with a bull of the same name, which was ridden at a rodeo by her partner at the time. In the song Oliver weaves the narrative of the bull ride into a metaphor for a relationship, capturing the intensity and fleeting nature of both. ‘I wanted to capture that experience and the feeling of standing there on the other side of the rail watching him completely, heart stopped, time standing still … But then I also wanted to go a little bit further and to capture what that meant to him and what rodeo means for so many people that are in that world.’Oliver’s own musical journey has been a winding path, from her early days of harmonising in the back seat of the car to her discovery of the power of songwriting in high school. The influence of Australian artists like Missy Higgins, Kasey Chambers, and The Waifs can be heard in the development of her vocal style and storytelling abilities. ‘It has been a steady journey for me in that each year I do more and more and more, and I start to realise that this music is not just a passion and a fulfilling aspect of my life, but something that I have to do. Because I notice when it starts to get put to the side, I start to question a lot more about life around me.’During our interview Oliver talked about her unconventional entry into the music industry, as her health promotion degree led her to a job in Fitzroy Crossing that ultimately ignited her passion for music and its healing properties. This experience equipped her with invaluable skills, from sound engineering to running live events, which she now brings to her own musical endeavours. These are skills she now brings to her recorded and live music in the vibrant community she calls home.Listen to 'Wiley Blue' on Apple MusicListen to 'Wiley Blue' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Saralyn is a singer and songwriter from the Hunter Valley in New South Wales who released her first single last year in the wake of attending a songwriting retreat at Kasey Chambers’s Rabbit Hole Studio. Since then Saralyn has consistently released lovely singles, and consolidated her impact by just winning the 2024 Mother Tone Talent Search at the Gympie Music Muster.It was clear from speaking to Saralyn that she takes nothing for granted, in life and in music, and that she makes the most of any time she has to write and perform. This open-hearted joy in her art is infectious, and her songs are infused with it, making for rich listening experiences that are as musically satisfying as they are heartwarming.In this interview Saralyn’s passion for all aspects of her art shines through, as she shares her journey from early school talent shows to her current collaborations with her sister, Angela Rose, with whom she wrote her latest single ‘I Hope That You’ll Remember’. The sibling duo's creative partnership is a testament to the power of family support and the magic that can arise when two artistic minds come together. The bittersweet sentiment of watching her children grow up is beautifully woven into the lyrics for Saralyn’s song, capturing the universal longing to preserve those fleeting, precious moments. Listeners are sure to be enchanted by the warmth and authenticity that radiates from both the song and the accompanying music video, which was made by Jake Davey.As a mother of two young children, Saralyn has had to balance her music career with her family responsibilities. In this interview she also discusses the importance of carving out dedicated creative time, as well as allowing inspiration to strike spontaneously.Listen to Saralyn on Apple MusicListen to Saralyn on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

At 21 years of age Lucy Parle has already released an EP and several singles. She took out first place in the teen category of the International Songwriting Competition in 2020 and was named a standout performer in Triple J's Unearthed High in 2020 and 2021. In this interview, we delve into Parle’s beginnings in the EP course at Palm Studios to her recent successes, including her latest single, ‘Best of Me’.Parle’s love for country music has been a constant throughout her life, with influences ranging from Kasey Chambers to Taylor Swift. During the interview she reveals how her voice and artistry have naturally gravitated towards the country genre, where she feels most authentically herself. Country music star Gina Jeffreys and her Tuesday night songwriting group have been instrumental in Parle’s growth as a songwriter. Joining this community of seasoned professionals as a 14-year-old was a daunting yet transformative experience, pushing her to develop her craft and confidence in the collaborative environment fostered by Jeffreys and her husband, Rod McCormack. It’s also led to Parle’s single ‘Best of Me’, which she wrote with McCormack and Sam Gay. Parle also made a video for ‘Best of Me’ with Golden Guitar winning videographer (and artist) Duncan Toombs, shot on the bustling streets of Sydney and featuring Parle’s beloved dog, Charlie. We talk about the video and Parle’s passion for animal welfare.As Parle looks ahead, she reveals plans for a forthcoming album, set to be released in the middle of next year, while also performing live on the Central Coast of New South Wales, where she lives, with venues like the Avoca Beach Theatre among her favourite performance spaces. Parle has worked diligently to develop her craft alongside esteemed professionals, in turn becoming a songwriting teacher and approaching it all with humility and passion. There is no doubt that ‘Best of Me’ is just the start of her bringing her best to the world of country music. Listen to 'Best of Me' on Apple MusicListen to 'Best of Me' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Originally from Michigan in the USA, singer, songwriter and performer Sandee Facy now lives in Melbourne. Her musical journey is one of passion, perseverance, and profound personal experiences. Facy’s musical roots run deep, as I discovered during our recent interview, in which she recounts her early days training as a mezzo-soprano at the prestigious Interlochen School of Music in Michigan. This rigorous training laid the foundation for her powerful and emotive vocal delivery. Growing up in a household filled with diverse musical influences, from country legends like Dolly Parton and Linda Ronstadt to classic rock, Facy’s musical tastes were shaped by her older brother, whom she describes as a ‘rock star’. This eclectic upbringing instilled in her a deep appreciation for storytelling through song, a quality that has become a hallmark of her own songwriting. It wasn't until later in life that Facy discovered her true calling as a songwriter. Inspired by the loss of a dear friend's daughter, she penned her first original song, ‘Hummingbird’, which she shared with her friend’s family. Their overwhelmingly positive response encouraged Facy to embrace her newfound passion, and since then, she has released eleven original songs. Perhaps her most poignant creation is her latest single, ‘Next Heartbeat’, which was inspired by the love letters her father, a World War II airman, wrote to her mother during his training and service. As Facy recounts, her father would write her mother a letter every single day, signing each one with the promise, ‘Your next heartbeat is me’. Facy wrote ‘Next Heartbeat’ with her regular collaborator Michael Saleta.Looking ahead, Facy is excited about the prospect of showcasing her original songs live, both with her band Last Tram Home and in intimate acoustic settings. It was fascinating to talk to her about her live experiences, in particular, as she has such great insight into performance. Listen to Sandee Facy on Apple MusicListen to Sandee Facy on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Melanie Dyer is a rising star in Australian country music, captivating audiences with her irresistible blend of country and pop. In a recent interview, she opened up about her creative process, the inspiration behind her latest single ‘Had to Be There’, and the exciting plans for her upcoming East Coast tour. Dyer's musical journey has been marked by a series of accolades, including Golden Guitar nominations and an APRA Professional Development Award, all of which have contributed to her growing fanbase across the country. Her single ‘Had to Be There’ gives its name to her upcoming tour, and she shared the story behind the track. ‘It stemmed from me not being able to explain a funny story and me being like, “You had to be there”. And then it just evolved into more of a relationship in the song, but it's able to be fleshed out in different ways to different people, for their had-to-be-there moments.’ We also talk about Dyer as a co-writer for other artists – and the breadth of her work as such can be found in the Spotify playlist she made just for her co-writes. Of co-writing she says, ‘It’s great because I can avoid all my emotions and just tap into someone else's!’It will be Dyer’s songs for herself, however, that will be on the set list for her upcoming tour. Says Dyer, ‘It's just going to be myself and my partner, Jackson. We're doing it as a duo format, but with a twist. You think of duo acoustic and you think it's just going to be like a couple of guitars or whatever. But this is actually a fully fleshed-out show and it's got other elements that are layered in there … it's quite a big show, even though it's able to be performed in intimate venues.’ Dyer’s craft as a songwriter is at the core of everything she does, and the reason why her songs can be adapted to any sort of performance – including the Gympie Music Muster, where she plays on 25 August to kick off her tour. The rest of the dates are here – grab your tickets to see this masterful artist at work. Listen to Melanie Dyer on Apple MusicListen to Melanie Dyer on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Luke O’Shea has won 16 Golden Guitars for his albums and his videos, including the single ‘South East Queensland’from his album Different Drum. In this interview, we delve into the stories, inspirations, and creative processes that have shaped his acclaimed albums and live performances. O’Shea’s music is a testament to his dedication to the craft of storytelling through song, from the poignant ‘South East Queensland’, to ‘Next Best Thing’ (with Ashleigh Dallas) to the nostalgic ‘South Beach Strip’, O’Shea has a remarkable ability to create epic narratives that also feel close to the listener.The latest single from the album is ‘Dharawal’, which O’Shea has said is the song that means the most to him on Different Drum. It’s about the country that means the most to him, where he grew up in southern Sydney, and his determination to find out more about its history and also how to live harmoniously with it. We discuss the album, including his decision to release it on CD last year and only just recently on streaming platforms. We also talk about live performance. Anyone who has seen O’Shea live knows that each show is a unique experience, and that’s partly because of the rich catalogue of songs he draws from and also his decision to create ‘maximum joy’, as he calls it, each time he plays live. His shows are not about a single, predetermined experience, but rather a constant state of flow and openness to the moment. This willingness to embrace the unexpected and the collaborative spirit that permeates his live shows is what makes O'Shea's performances so engaging and memorable. Happily, you can see him live at the Gympie Music Muster on 22 to 25 August, as well as at the Tamworth Country Music Festival next year, and in the meantime at:Qirkz in the Hunter (NSW), with Ashleigh Dallas, on 7 SeptemberThe Beer Shed (NSW), with Medicine Wheel, on 25 OctoberListen to Different Drum on Apple MusicListen to Different Drum on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Singer-songwriter Billie-Jo Porter was a 2022 Toyota Star Maker Grand Finalist and she released her self-titled debut albumlast year. She now has a brand-new single, ‘Howl at the Moon’, which is all about the liberating power of embracing our primal instincts. Our conversation begins with the inspiration behind ‘Howl at the Moon’ as Porter recounts a serendipitous moment at a twilight show, where she was mesmerised by the rising moon and encouraged the audience to let out a collective howl. We talk a bit about literally and metaphorically howling at the moon and why it’s good for everyone to do it every now and again (if not often!), so if you see Porter play live, prepare to let loose …To record the song Porter once more worked with acclaimed producer Shane Nicholson, and we talked about why she likes working with him – and the other people she enjoys working with: co-writers. Porter has a background in karate as well as being a regular yoga practitioner, and these experiences contribute to her holistic approach to artistry, helping her channel her energy and emotions into her music. Shortly Porter will be playing at the Gympie Music Muster and she’s also already announced her show for the 2025 Tamworth Country Music Festival. Upcoming show details can be found below, and no doubt once you see/hear Porter talking about her music, and about creativity and life in general, you’ll want to get along to enjoy the full-body and full-bodied experience of seeing her live.Thursday 22nd August – _Gympie Music Muster – _Amaoor Creek, QLD Sunday 15th September – _Junkyard – _Newcastle, NSW (w/ Clint Wilson) Saturday 21st September – _Frankie Mae - Tweed Heads, NSW Sunday 29th September – _Crown Hotel - Grafton, NSW Tuesday 23rd January – _Moonshiners Honky Tonk - Tamworth, NSWListen to 'Howl at the Moon' on Apple MusicListen to 'Howl at the Moon' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Kirsty Lee Akers is the only artist in history to have won three of the major prizes in Australian country music - Toyota Star Maker, Telstra Road to Tamworth, and a Golden Guitar - and she’s done it with a combination of great songs and high-energy live performance. Her most recent album, Wild, took the #1 spot on the ARIA Country chart, it was the fourth  highest-selling country record in 2022 and received two Golden Guitar nominations. Kirsty also launched a new band, Rhinestoned, and she’s performing at the Gympie Music Muster with that band as well as under her own name. Her first Gympie was at the age of 13, when she was in a talent quest, and she’s returned as a performer several times since.Growing up in a musical family, Akers was immersed in the world of country music from a young age and started performing at the age of three. Her mother and aunts were avid competitors in the local talent quest circuit, and Akers followed in their footsteps. This experience of competitions helped her hone her skills as a performer, leading to her winning the Telstra Road to Tamworth at the age of 16. One of the prizes was a trip to Nashville, where Akers began her songwriting life. She’s written many songs since, and returned to Nashville several times. In addition to songwriting, singing and performance, Akers has produced her last two albums, Wild and Under My Skin, and there’s no doubt that the knowledge and skills she has been developing since that very early start are the reason why she has accomplished so much.Moving away from music, Akers and her husband, Jesse, appeared in a season of the popular TV show The Block, and they are now also making music together in the trio Rhinestoned, with the third member being Akers’s longtime guitarist Dan Ebbels.The story of the formation of Rhinestone is unexpected, as Akers is frank about the reasons behind it, as she is about every facet of her career that we discussed. It’s a long conversation and it could have gone for much longer because she has such a rich career and background that there is a lot to talk about. What came across throughout the interview is her passion for music and her determination to connect with others through music. It is clearly in every fibre of her being, so intrinsic to who she is that she seems to exist almost permanently in creative flow. It was so interesting to talk to her, and I hope you find our chat interesting too.Listen to Kirsty Lee Akers on Apple MusicListen to Kirsty Lee Akers on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website https://youtu.be/Nv5KL92cVfw Hosted on Acast. See acast.com/privacy for more information.

Ashleigh Dallas has won five Golden Guitars and that’s because she is an artist of considerable talents as a singer, songwriter and musician. It’s those same talents that see her invited to perform in festivals such as Red Country in the Pilbara, where she’s just visited, and the Gympie Music Muster, which is coming up in late August. She’ll be taking her new single, ‘Love Still Has Something’.Recorded in her father Brett's studio, ‘Love Still Has Something’ delves into Dallas's experiences with anxiety and depression. While recording the song she tapped into the raw emotions she felt when first writing the song during the pandemic, as she recounted during our recent interview.‘I really wanted to tap into the heart and the sentiment of these lyrics,’ Dallas says. ‘I remember that feeling when I first finished it, writing it in this home space, and I wanted to capture that in the studio.’ The song's layered production, featuring Dallas's evocative fiddle playing, further enhances the emotional depth of the lyrics. ‘It's really purposely layered because the topic of this song is quite layered, and we, as humans, are layered,’ says Dallas. ‘Young 18-year-old Ash used to say it was about a friend of a friend, whereas now I would look down the barrel and say, “Love Still Has Something” exists because I wasn't okay. I was struggling with my mental health.’ This openness has been transformative, fostering deeper connections with her family, partner, and creative team. ‘It's been really great now that I think I'm in a place where it does start conversations with my parents, with my partner, my friends and family, and even my band,’ she says. Dallas now nurtures the next generation of country music artists through her involvement with the Academy of Country Music. As both a graduate and now the assistant director, she is passionate about creating a supportive environment where young artists can authentically explore their craft and find their voice. ‘It's really lovely to be a part of it,’ she reflects. ‘Even though you might be tired and life is busy and you travel and you come in and you go, “Okay, shift gears. And we're here now.” It's just really refreshing being around that energy.’ Dallas herself has a knack of reinvigorating her audiences, bringing her whole heart and considerable skills to her performances, as she will at the Muster from 22 to 25 August.For more about Ashleigh Dallas: https://ashleighdallas.com.au/Listen to Ashleigh Dallas on Apple MusicListen to Ashleigh Dallas on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Brad Butcher is a two-time Golden Guitar winner from the central Queensland coast who has released five albums – the latest being East of Everything – and one compilation, Storyteller. He writes with clarity and insight about life and love and family, and has a habit of creating unforgettable songs. He’s about to take some of those songs to the Gympie Music Muster in late August.In this interview Butcher reflects on his early days as a ‘green, naive songwriter’, and shares how he found his storytelling voice and developed his singing voice. Since he’s been studying a Bachelor of Music, Butcher has embraced the creative potential of technology which has also allowed him to refine his approach, giving him greater control and flexibility. In East of Everything, Butcher decided that instead of making a ‘sad sack album’ he would instead focus on positivity, because, as he says, ‘the future’s bright’. The album is, accordingly, expansive in scope and uplifting in outlook (read my review here).After first appearing at the Gympie Music Muster in 2013, Butcher prepares to return to the Amanpoor State Forest for this year’s festival, which runs from 22 to 25 August, where he will reconnect with old fans who have long appreciated his craft and his way of connecting with them, and no doubt to make new ones who will discover that his songs have knack of getting a hook in you and never letting go.In addition to his live performances and degree studies, Butcher is recording new material, soon to give us more of the songs that are all about ‘conversations and complications’ (listen to the interview for that discussion!).For more about Brad Butcher: https://bradbutcher.com/Listen to Brad Butcher on Apple MusicListen to Brad Butcher on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Helen Townsend is an artist from Fremantle in Western Australia whose music is a fusion of roots-rock, blues, country, and folk. With her band the Wayward Hearts she’s on tour in New South Wales, Western Australia and Victoria throughout August and September, with her new album, Take It or Leave It, released on 2 August.Townsend's musical life began at the age of 40, although she had long been keeping a journal and writing poetry. Songwriting came as a natural evolution, and Townsend’s songs reflect her personal experiences as well as seeking to understand or assist others.It became clear during our conversation that Townsend is deeply connected to and appreciative of her musical community. Take It or Leave It is the result of collaborations with other songwriters – although most songs were written by Townsend alone – and the musicians in the Wayward Hearts. Townsend takes none of it for granted and although she says she’s a ‘love junkie’ she seems more like a heart, soul and truth seeker, and this is what she brings to her songs. See Helen Townsend and the Wayward Hearts live: Saturday, 3 August | Gasoline Pony, Marrickville *Saturday, 3 August | The Merton Hotel, Rozelle *Sunday, 4 August | The Camden Hotel, CamdenWednesday, 7 August | The Midnight Special (duo show), Newtown *Saturday, 10 August | Wild West Weekender, Burlington Hotel, Bunbury, WAThursday, 15 August | Freo Social, Fremantle, WASaturday, 17 August | Coolgardie Rodeo, Coolgardie, WAFriday, 6 September | The River Hotel, Margaret River, WASaturday, 7 September | Nannup Brewery, Nannup, WA *Friday, 13 September | The Eastern Hotel, Ballarat, VicSaturday, 14 September | The Gem, Collingwood, Vic *Sunday, 15 September | The Lomond Hotel, Brunswick, Vic*Free entryFor more on Helen Townsend: https://helentownsendmusic.com/Listen to Take It or Leave It on Apple MusicListen to Take It or Leave It on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Born and raised in Gympie in Queensland, Linc Phelps released his debut EP in 2022 and since then the single ‘Sing a Little Louder’, which came out earlier this year. His latest single is ‘Hundred Percent’.Growing up Phelps was immersed in the music of Australian artists such as Graeme Connors, John Williamson, and Colin Buchanan, then subsequently gravitated towards American country stars like Brooks & Dunn, Reba McEntire, Clint Black, and Diamond Rio. He picked up guitar at ten years of age and by fourteen was playing local gigs, adding talent quests and Camerata (as the Junior Academy of Country Music was called at the time), where he studied alongside Ashleigh Dallas, amongst others.While he began as a solo songwriter, recently Phelps has embraced co-writing, with fruitful results – he wrote ‘Hundred Percent’ with Gavin Carfoot, one of several they’ve created together. Phelps says that the song represents a reminder to keep chasing your passion and giving it your all, even when times get tough. Certainly he has committed himself to chasing his passion for music, with an album on the horizon.Phelps will be appearing at this year’s Gympie Music Muster on 22 August, and it’s far from being his first appearance, as he started competing in the Muster talent quest around the age of eleven. He’ll also be playing at Oodies in Bundaberg on 7 November.For more about Linc Phelps: https://www.lincphelps.com/Listen to 'Hundred Percent' on Apple MusicListen to 'Hundred Percent' on Spotify Hosted on Acast. See acast.com/privacy for more information.

Born in Santa Fe, New Mexico, and raised on the South Island of Aotearoa New Zealand, Holly Arrowsmith released the album A Dawn to Remember in 2018. She has won several awards for her songwriting, including most recently the APRA Amcos NZ Country Song of the Year for ‘Desert Dove’, which is a single from her sublime new album Blue Dreams, which was released on 26 July. Our wide-ranging conversation covered Arrowsmith’s songwriting process, musical influences and touring. She shared insightful perspectives on crafting personal yet universal songs, the importance of connection through music, and finding inspiration in poetry and the natural world. We also discussed specific tracks from Blue Dreams, including ‘Something Small’ and ‘Womb of Venus’, as well as ‘Neon Bright’, which she has described as a danceable song about depression. Arrowsmith is frank about the experiences that have led to the creation of particular songs, and it is clear from our conversation as well as her music just how thoughtful and insightful a songwriter she is, quite apart from being a wonderful singer who delivers her lyrics straight to the heart of the listener. Arrowsmith has shared stages with CW Stoneking, Marlon Williams and Tami Neilson, and performed at SXSW in 2020, and she’s headlining her own tour in Australia and New Zealand in support of Blue Dreams. The album is available on vinyl and CD, as well as on streaming platforms ALL TICKETS AVAILABLE THROUGH THIS LINK: https://linktr.ee/holly_arrowsmithListen to Blue Dreams on Apple MusicListen to Blue Dreams on SpotifyAUSTRALIA17 August - Castlemaine, VIC - the Taproom18 - August - Melbourne, VIC Wesley Anne AOTEAROA12 October - Christchurch, Saint Michael and All Angels with Jessie Shanks27 October - Wellington, Meow with Michaela Tempers 2 November - Auckland, Tuning Fork with Arahi 3 November - Waiheke Island, Artworks Theatre with MarmaladeFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Jen Mize is a singer, a songwriter, a producer, a mentor and a great collaborator, having created music with her band The Rough N’ Tumble as well as writing songs with other artists in addition to releasing solo music. Her latest solo song is ‘My Buzz’.‘I wrote “My Buzz” after realising I can sometimes be a total Debbie Downer when I'm talking to people,' says Mize. ;The song calls me out for always wanting to discuss depressing things instead of just having fun.’This interview is a long one but here’s the thing: Mize is funny and smart and thoughtful and one doesn’t rush through a chat with a person like that, because as soon as she’s offered one nugget of gold it’s reasonable to expect another one. That’s because Mize’s energy is expansive as well as inclusive, so it never feels like there won’t be gold. And that’s also how she creates music, with that voice that expands to fill spaces in your heart and mind, while wrapping itself around you at the same time. That expansiveness also takes in other artists: at the time we spoke, Mize was not long returned from The Song Muster in Gympie, where she taught songwriting and practised collaboration, as is her wont.‘I focus on writing new songs, recording a lot, and collaborating with other inspiring artists,’ explains Mize. ‘That keeps me energised and in a musical zone.’We talked about that, about her band The Rough n’ Tumble, and about her first tattoo. So settle in and enjoy listening to Jen Mize just as much as I did.For more about Jen Mize: https://www.jenmizemusic.com/Listen to 'My Buzz' on Apple MusicListen to 'My Buzz' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Nathan May has been a musician since childhood and over the past couple of years has been releasing singles such as ‘Fix It Up’ and ‘It’s Gotta Start Somewhere’ that showcase his wonderful voice as well as his storytelling. In 2019 he won the award for Young Aboriginal Artist of Year in 2019 and in 2022 he won the Creative Young Achiever.May’s latest single is ‘Love From Me’, which tells the story of his great-grandparents – his great-grandfather arrived in Australia from England to work on the Ghan railway line and met his great-grandmother, an Arabana woman from Marree in South Australia. They went on to have 13 children at a time when their relationship faced, as May says in our recent interview, judgement from both sides. The song was written with beloved singer-songwriter Kevin Bennett and features a guitar solo from the great Troy Cassar-Daley. It was produced by James Gillard, who has worked with May on all of his singles. In the interview May talks about the story behind the song as well as his experience of co-writing and how his perspective on it has changed – he used to be, he says, protective of his music and unsure of how collaboration would turn out, but now he loves working that way and just wants to do more of it. That shift says much about how May opens himself up to new experiences and ways of telling his stories, and is no doubt part of why he’s found himself touring Europe lately and also performing in Hawaii. If you’re heading to the Gympie Music Muster between 22 and 25 August you’ll be able to see him there.For more about Nathan May: https://linktr.ee/nathanmaymusicListen to 'Love From Me' on Apple MusicListen to 'Love From Me' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Patsy and Dave are Patsy Doop and Dave Baird and they used to be known as The Long and the Short of It. Their 15-year collaboration – writing, recording performing music together – has resulted in albums, the latest of which was Midnight Choir. As Patsy and Dave they have a brand new single, ‘Dream Vacation’.They first met by chance at a local tavern where Patsy was impressed by Dave's singing voice and asked him to sing a spur-of-the-moment duet. The experience made them realise their musical chemistry, which led them to start writing songs together.  These days, Patsy and Dave split their time between touring and working in their personal recording studio built with the help of producer Kenny Royster. In our recent chat, Patsy and Dave talked about their creative process, their new album set for release in September, the story behind ‘Dream Vacation’ and the music video that accompanies it, as well as their busy performing schedule. It is clear that after 15 years the duo is stronger than ever, with their new name and new music to go with it, their clear passion for what they do matched by their drive and dedication.For more about Patsy & Dave: https://patsyanddave.com.au/Listen to 'Dream Vacation' on Apple MusicListen to 'Dream Vacation' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website Li Hosted on Acast. See acast.com/privacy for more information.

Courtney Keil released her debut album The Good Kind last year and since then the singles ‘All About You’, ‘Nothin’ Like a Sure Bet’ and her latest, ‘Worn In’, which she recorded with Gina Jeffreys. From her first single, 'I Just Wanna Hold You', Keil has marked herself as an engaging country-pop artist with a knack for creating memorable songs, and 'the latest is no'Worn In' is no different.  Courtney first met Jeffreys and her husband, producer Rod McCormack, in early 2020, right before the pandemic hit. She connected instantly with Jeffreys and McCormack went on to produce The Good Kind. Now they've all worked together again on 'Worn In'. ‘Worn In’ was written by Keil with her regular collaborators Sam Gay and Templeton Thompson. It wasn’t written as a duet but Keil has said that, ‘The more I came back to the song, I couldn't help but hear a strong female duet voice on it. The beautiful Gina Jeffreys, who of course is my mentor and dear friend agreed to collaborate with me on the track.’ In addition to writing and performing, Keil teaches singing at Jeffreys’s music academy, where she works with aspiring vocalists of all ages and skill levels. And on a personal note, Keil recently became engaged to during a sweet surprise proposal, and is also looking forward to welcoming a Golden Retriever puppy.  We spoke about the meaning behind ‘Worn In’, about Keil’s decision to go all-in with music in 2020, as well her personal news and upcoming performance at the Gympie Music Muster on 22 August as well as her own headline show at Gosford RSL (NSW) on 20 September.For more about Courtney Keil: https://www.courtneykeil.com/Listen to 'Worn In' on Apple MusicListen to 'Worn In' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Kayla Mahon is a singer, songwriter, instrumentalist, music teacher and nurse from the South Island of Aotearoa New Zealand who has released music in the duo The Heartleys and as a solo artist she’s been releasing singles steadily since last year, including 'Love's Got a Witness' and 'Little Man'. She now has an album - her first solo record - called Right on the Money.The creation and release of the album are the fulfilment of Mahon’s lifelong dream of releasing original music that authentically represents her artistry. Right on the Money showcase's Mahon’s songwriting skills across a range of styles, from traditional country to rock-infused country anthems. In conversation Mahon is as authentic and heartfelt as her songs, and our conversation covered her motivation to return to music after taking time to focus on motherhood; how teaching music and mentoring other artists of all ages keeps her engaged with the local music community; the very personal stories behind emotional tracks like ‘Angels Biding Time’ and ‘Home on the Vinyl’; balancing music aspirations with family life and her nursing career, and her goals to perform the new album live as much as possible and reach new audiences. For more on Kayla Mahon: https://www.kaylamahon.com/Listen to Right on the Money on Apple MusicListen to Right on the Money on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Sam Snape is a singer and songwriter from the Northern Tablelands of New South Wales. He grew up immersed in country music and learned to play guitar by ear at a young age. Although his musical journey has had starts and stops, over the past six years Snape has been performing at various venues and events in his home area, and earlier this year he appeared on Australian Idol. During the course of our conversation Snape talked about the influence of his cousin Anthony on his music career, including co-writing and introducing Snape to his producer, Michael Carpenter. The collaborations led to the release of Snape’s first single, ‘My Country Song’, and his latest, ‘Old Dog, Old Ute, Old Hat’. In between writing, recording and performing, Snape works on a family property and raises four young children with his wife. Although work and family life keep him well occupied, it’s clear that he is determined to keep making time for music, influenced by the music he grew up with and which, as he said, was about his life. In turn he makes songs that capture real life, just as ‘Old Dog, Old Ute, Old Hat’ does.For more about Sam Snape: https://www.facebook.com/samsnapeartist/Listen to ‘Old Dog, Old Ute, Old Hat’ on Apple MusicListen to ‘Old Dog, Old Ute, Old Hat’ on Spotify Hosted on Acast. See acast.com/privacy for more information.

In releasing 'I'm Calling Shotgun', his third anthemic country-pop single - with its video clip garnering thousands of views in a short space of time - Wagga Wagga (NSW) artist Nathan Lamont continues the rise he started with his debut single, 'Drink You Up’, last year.'Drink You Up' it was hardly the work of a beginner but of an artist who had taken his time to develop the sound he wanted and to figure out the stories he wanted to tell with his music. Not long afterwards he was in the Toyota Star Maker Grand Final and releasing his second single, 'Skin to Skin'. The three singles show what a phenomenal singer Lamont is, as anyone who has seen him live can also attest, but the vocal chops would mean little if he didn't have the songs to go with them. In this interview about 'I'm Calling Shotgun' we talk about his writing process for the song as well as his philosophy in general about his music, and because he's willing to delve into the nitty-gritty of making a song it's a chance to talk about the end-to-end vision he has for each song so that it can reach audiences as he intends and as they need.We also talk about Lamont's collaboration with Robbie Mortimer on other songs and with Jeremy Minett on the clip for 'I'm Calling Shotgun', as well as his upcoming hometown show at Tilly's in Wagga on 12 July - tickets here.For more on Nathan Lamont: https://linktr.ee/nathanlamontofficialListen to Nathan Lamont on Apple MusicListen to Nathan Lamont on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Eloise Rayner is a singer and songwriter from Sydney who last year released the song ‘Fallin’ for a Cowboy’ with Zara Lindeman after the pair met at the Academy of Country Music. Rayner now has a single of her own and on her own to release, ‘Can You Still Feel Me Loving You?’.During our recent interview Rayner revealed that she first thought up the initial melody and chorus lyrics for her new song during a dream - and that she has a habit of dreaming snippets of songs which she wakes up and records in her phone. Rayner took the song to producer Simon Johnson, who also produced 'her previous hit collaboration 'Fallin' for a Cowboy'.Although this is Rayner's first solo single, she has been actively writing for a while, participating in Gina Jeffreys's weekly writing co-sessions which include Kylie Gale (who I called Kylie Ryan - sorry, Kylie!) and Max Jackson. She's also received vocal coaching from Lyn Bowtell, the Director of the Academy. Rayner's dedication to developing herself as a singer and songwriter while staying true to the music that shaped her - including that of Missy Higgins and Kasey Chambers - has resulted in a mature, emotional song in 'Can You Still Feel Me Loving You?' and indicates that there will be more rich music to come from this rising star.During the interview Rayner mentions a Spotify playlist she has created, 'songs that stole my heart' - it's a great playlist and you can find it here.For more about Eloise Rayner: https://linktr.ee/eloiseraynerListen to 'Can You Still Feel Me Loving You?’ on Apple MusicListen to 'Can You Still Feel Me Loving You?’ on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Michael Waugh is an award-winning singer and songwriter from Victoria who has released four albums since 2015, the last being The Cast. Since then Michael has been releasing outstanding singles, including ‘We Are Here’ and ‘Fix Me’. The latest single is the title track to his new album, Beauty & Truth, which absolutely lives up to its title.In this in-depth conversation Waugh traces the arc of creating the album from the first track, ‘We Are Here’, to the last, ‘To Be Alive’, and talks about working with his longtime producer, Shane Nicholson, to bring both the beauty and the truth of his work to audiences.The songs on the album document Waugh’s determination to be truthful to himself as well as the love story that was unfolding around the time it is written. Waugh has always written from the heart, and sought to unearth and examine what it means to be human, and never more poignantly than on Beauty & Truth. Part of his humanity - and humanity in general - is the role of art, of music in his case, and there is a lot on this album about music as well.For more about Michael Waugh: https://www.michaelwaugh.com.au/Listen to Beauty & Truth on Apple MusicListen to Beauty & Truth on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Ruby Jane is a singer and songwriter originally from Victoria, now resident in Queensland, who started singing at a young age and taught herself to play guitar during lockdown in 2020. She also holds a Diploma of Music and Certificate III in Music Performance. Ruby is a graduate of the Academy of Country Music and has released several songs over the past few months. The latest single, ‘Hoot N’ Holler’, was written with Jen Mize at the Song Muster - part of the Gympie Muster - and later recorded in Pomona in Queensland. The recording was a high-energy session that is reflected in the way the song turned out, as well as in the video - which led to the artists getting matching tattoos!Ruby was delightful to interview and she is just getting started with her music, with plenty more songs written and waiting for the opportunity to record. In the meantime she’ll focus on playing live and immersing herself in music as much as she can. For more about Ruby Jane: https://www.rubyjanemusic.com/Listen to 'Hoot N' Holler' on Apple MusicListen to 'Hoot N' Holler' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

The Smith & Western Jury is an alt-country duo from Melbourne with members Sam Lombardi and Simon Torcasio. They formed in 2018 and since then have been releasing singles, and are now releasing their impressive debut album, Hotel Texas.  Lombardi and Torcasio after years of playing in different bands – Lombardi in pop rock groups and Torcasio in punk bands. After being inspired by a country covers band they saw perform, they decided to combine their talents and form The Smith & Western Jury. They began writing a number of songs together – especially when Melbourne’s rolling lockdowns meant there was not much else they could do apart from write songs – and ultimately decided to properly launch their band and record their debut EP. However, soon afterwards, Lombardi began suffering from debilitating vestibular migraines that caused vertigo, dizziness and other symptoms which made performing very difficult. The condition does not resolve over time, so Lombardi made the decision to persevere, travelling with Torcasio to, appropriately, Texas to record Hotel Texas, an accomplished, rich and rewarding collection of songs. Although they have enough songs to make several more albums, as I discovered when we spoke.For more on The Smith & Western Jury: https://thesmithandwesternjury.com/homeListen to Hotel Texas on Apple MusicListen to Hotel Texas on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

A note on the audio quality: Raechel lives in a country town in New South Wales and noted before the start of recording that her audio may be patchy, as it can be in the bush. While she’s understandable throughout, you will hear some ‘glitchy’ noises in places.Raechel Whitchurch’s first album, Finally Clear, debuted at #1 in the ARIA Country Music chart and later went on to have Golden Guitar nominations. Her latest album, What a Time to Be Alive, debuted at #4 in the overall ARIA Australian albums chart. As with Finally Clear, it is a tour de force of heartfelt songwriting and wonderful musicality. Since its release Raechel has played launched shows and been to New Zealand with Fanny Lumsden, so there’s been a fair bit going on. In our interview talked about the deeply personal inspiration behind the album – especially its title track – as well as her songwriting process, managing imposter syndrome, and balancing her music career with motherhood. The title track holds special meaning for Raechel as she wrote it just months after the death of a child she was carrying. By candidly sharing the grief she felt in the aftermath, she hopes to help others know they aren't alone in difficult times. She wrote the song originally for herself, not intending it to be on the album, but it has gone on to provide other women with the opportunity to tell her their story. We spend a bit of time talking about this song, and about death and how it’s not a comfortable subject, and the impact the song has had. And we talk about the other songs on the album too, one of which was written years ago and reworked for this release. For more about Raechel Whitchurch: https://www.raechelwhitchurch.com/Listen to What a Time to Be Alive on Apple MusicListen to What a Time to Be Alive on Spotify Hosted on Acast. See acast.com/privacy for more information.

Chloe Styler is a singer and songwriter from south-east Queensland who has developed a unique country-pop sound that features great melodies and often wistful, always thoughtful lyrics about life and love and the choices we make in both. Already this year she has opened for Gladys Knight, Nik Kershaw and Go West, and Shannon Noll, and released the singles ‘Time Bomb’ and ‘Twenty Five’. Her latest single is ‘Read a Room’, which she wrote in Nashville with Lauren McLamb and Phil Barton. Styler was in Nashville at the time we spoke for this interview. It’s a city she first visited in her teens and wish she dreamed of returning to so she could the very thing she’s been doing there: making music. She made her CMA Fest debut there in 2021, and ‘Read a Room’ was recorded there with producer Luke Wooten, one of three songs she tracked with him. We talked about that, as well as the visualiser made by Styler’s sister Amy to accompany ‘Read a Room’; about the importance of dress and costume in artistry, Styler’s degrees in journalism and business management, and a few more subjects. The fact that Styler has made her teenage dream a reality is no accident: she has applied herself diligently to becoming a musical artist, and combines her flair for melody and love of language to make memorable country-pop songs that offer earworms for the casual listener and very satisfying, meaningful experiences for the close observer.For more about Chloe Styler: https://www.chloestyler.com/Listen to 'Read a Room' on Apple MusicListen to 'Read a Room' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Briana Dinsdale is a singer-songwriter from south-east Queensland who is a recent graduate of the Academy of Country Music and who released her debut album, Beginnings, in 2021. Since then she’s released some irresistible country pop songs, including last year’s ‘Chasing Boys’. Dinsdale's latest single is ‘Whiskey Worked That Way’, which she wrote with Robbie Mortimer, Chloe Styler and Jen Mize, and as with all of Dinsdale's songs it seems to head one way but goes into other and that new direction is always welcome. The accompanying music video also doesn't go where you think it will go. We talked about both song and video, and how she came to make the song in Nashville with father-and-son team Michael and Caleb Flanders during an intense week of writing and recording. Three tracks came out of those sessions, including the single. We also discussed Dinsdale's songwriting process, including how she values collaboration and the way co-writing sessions open her up creatively, and she is as engaging and interesting as ever. She'll be taking 'Whiskey Worked That Way' to stages at Lasso Country Music Festival in July and Gympie Music Muster in August (both in Queensland), accompanied by her band, which includes her sister, Ashlyn. For more about Briana Dinsdale: https://brianadinsdale.com/Listen to 'Whiskey Worked That Way' on Apple MusicListen to 'Whiskey Worked That Way' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.

Listening to Sweet Talk in 2022 and the single ‘Warm Love’ last year, and I spoke to brothers Tane and Soren Walker about it at that time. Since then Sweet Talk have carved up the Tamworth Country Music Festival and played Bluesfest, where Kasey Chambers joined them on stage. They released the single ‘Lovin’ Myself’, a collaboration with Andy Golledge and have a new single of their own, ‘Real Good Cookin’’, which was the subject of this interview with band co-founders Soren Walker and David Turner.The night before the interview the band had had a particularly creative jam session - they hold these sessions weekly, but this one had produced new music and in speaking about it Turner and Walker show us the strength of the connection and collaboration within the band, and also their own bond which has lasted for a quarter of a century. This interview also shows a reason why I love finding out the stories behind musical artists and the music they make: the energy that is in Sweet Talk's music - the ease and groove of it - comes partly from the connection that is clear between these two band members. It's not something that can be manufactured but it is something that can be made through work and consistency and intention, and a listener can hear it in recorded music and see it in the live setting. So this talk with Sweet Talk is ostensibly about 'Real Good Cookin'' but it's also about how art is made, and how you can only arrive at trusting in magic happening when you lay the groundwork for it. For more about Sweet Talk: https://www.sweettalkmusic.com.au/Listen to 'Real Good Cookin'' on Apple MusicListen to 'Real Good Cookin'' on SpotifyFollow Sunburnt Country Music on InstagramFollow Sunburnt Country Music on Facebook Sunburnt Country Music website  Hosted on Acast. See acast.com/privacy for more information.