As regular listeners to the podcast know, we love it when we get to speak to directors and their composers at the same time, which is what we're doing with Emma Holly Jones and Amelia Warner in our latest episode. Emma enlisted Amelia for her debut feature film, Mr Malcolm's List, a period rom-com about two friends who plot revenge on the eponymous suitor for rejecting one of them as a bride. 

We have a composer for you today who has been on our wish-list for a very long time. Benjamin Wallfisch has built up strong relationships in the industry, perhaps most notably with our old friend Hans Zimmer, with whom he has collaborated on several projects including Blade Runner 2049. Benjamin's latest outing is on Ron Howard's Thirteen Lives, which tells the miraculous true story of the boys and the football coach who were rescued from a Thai cave having been trapped by flooding.

We're such a fan of the movies of our latest guest on Soundtracking, the wonderful Jordan Peele. Following the critical and commercial success of Get Out and Us, Jordan goes fully widescreen with his sci-fi epic Nope, which sees ranch-owning siblings Daniel Kaluuya and Keke Palmer try to capture footage of an extraterrestrial spacecraft. We shall say no more than that ... As with Jordan's previous two movies, Nope is scored by Michael Abels, and we share plenty of his music from the film too.

Our latest guests on soundtracking are partners in both a personal and creative sense, whose latest collaboration sees them bring us the utterly wild Bullet Train. Husband and wife team of director David Leitch and producer Kelly McCormick have a lot of fun with a great cast to tell the story of a motley crew of rogues, who all mysteriously find themselves on the same Japanese train. We're not gonna lie, the results are bonkers - in a very entertaining way. As well as featuring an array of truly brilliant needle drops, Bullet Train is very deftly scored by Dominic Lewis.

Something a little different for you on our latest episode of Soundtracking, as Edith speaks to Baillie Walsh. Baillie is the director of the extraordinary virtual concert, ABBA Voyage, though to call it a virtual concert really doesn't begin to describe quite how spectacular it is. Made in conjunction with the band, it features incredible life sized avatars - or ABBAtars - a mind-blowing light show and sensational live band, and is a full-blown assault on the senses in the best possible way.  As a show, it also raises questions about the future of gigs - and how big tours can be more sustainable.

We love the episodes of Soundtracking where we speak to both the director of the film and their composer, which is exactly what we're doing today Charlotte Colbert and Clint Mansell have combined to great effect on She Will, Charlotte's unsettling little gem of a movie in which an ageing film star heads to retreat in the Scottish countryside and encounters mysterious forces emerging from the land ... 

Not one, not two, but three utterly joyous guests for you on this week's episode of Soundtracking, all of whom are interpreting the work of a couple of very different types of genius. First, we bring you Barney Douglas and Felix White, who have formed a doubles pairing extraordinaire on McEnroe, a documentary which Barney directed and Felix scored about the legendary tennis champ. It's Wimbledon meets Michael Mann's Heat, and they've absolutely aced it. Then we have a first-time movie director who's been wowing theatre audiences for years - the delightful Carrie Cracknell - on her Netflix adaptation of Jane Austen's Persuasion. 

We have such a treat for you this week, as the genius that is - and we don't throw that word around lightly - Taika Waititi returns to Soundtracking to discuss Thor: Love & Thunder.  Expect music from Guns 'n' Roses, David Bowie, Led Zeppelin, Michael Giacchino and, um, The Muppets, as duetted by Edith and Taika.

So thrilled to be welcoming Natalie Holt back to Soundtracking - a composer who's doing great things, most recently in providing the score for Obi-Wan Kenobi on Disney +. Here she tells Edith about adding to the legendary musical landscape of the franchise, and meeting the man who's behind much of it, her idol John Williams.

Our guest this week is visionary filmmaker Baz Luhrmann, who Edith has been a huge fan of for many years. He always takes you on a journey with his storytelling, both visually and through the maverick nature of the way he uses music and sound. You might have even heard last week's guest, Lykke Li, referencing his Romeo & Juliet as a really seminal film for her.  His latest film is the glorious, colourful and immersive Elvis, his interpretation of the life of the one and Elvis Presley - The King - who is played perfectly by Austin Butler.

Our latest guests on Soundtracking have combined to great effect on an audiovisual album that specifically set out to challenge the conventions of the traditional music video. Lykke Li enlisted the services of experimental filmmaker Theo Lindquist to shoot a series of one minute loops, which accompany the songs on her latest album EYEYE. The results are utterly hypnotic, beautiful and moving - as you can see for yourself online.

Our latest guest on Soundtracking is the man responsible for one of the blockbusting cinematic events of the summer. Colin Trevorrow has played a part in the last 3 Jurassic movies - World, Fallen Kingdom and now World Dominion, which he co-wrote and directed.  The film is scored by friend of the show Michael Giacchino - and you'll hear plenty of his work throughout.

Our latest guest on Soundtracking is someone we've been trying to get on for a very long time.  Anne Dudley made her name in Art Of Noise, and has since gone on to score numerous films, including The Full Monty, for which she won an Oscar. She's also collaborated with some of the biggest names in pop music, from Tina Turner and Elton John to George Michael and Liza Minelli. We also discuss her latest solo album, Crossing The Bar.

Now, as you're probably aware, Top Gun: Maverick has hit cinemas, a full 36 years after Mav, Goose, Iceman and co. first took to the skies. And to mark the occasion, we're rather giddy and excited to welcome director Joe Kosinski and the legend that is Jerry Bruckheimer to the podcast to discuss the iconic music of the original and how they retained the spirit of said music in the sequel. Suffice to say, they got a little help on that front from our old friends, Hans Zimmer & Lorne Balfe ...

Our latest guests on soundtracking are not only composers, but also brothers, who between them have built up an extraordinary body of work for both film and television. Indeed, it's on the small screen that Harry and Rupert Gregson-Williams have joined forces for only the second time, on Julian Fellowes' New York high society drama, The Gilded Age. We'll talk about that and several of the other projects they've been involved with, including Catch-22 for George Clooney.

We have an actor for you this week, who we think is about to go stratospheric. Jack Lowden should be the next James Bond, in Edith's opinion, but in the meantime you can watch him in Dunkirk, England Is Mine, Fighting With My Family, Slow Horses, and, as of this week, Benediction.  He loves his music and also spins a great yarn - all of which makes for a very entertaining listen.

Something slightly different for you this week, as we reflect on a new documentary about the life of Ennio Morricone in the company of three admirers. The film is called Ennio, and features contributions from the man himself and the likes of Quentin Tarantino, John Williams, Clint Eastwood and Hans Zimmer, as well as one of of my guests today - director of The Mission, Roland Joffé Alongside Roland are composer, Matthew Herbert, and music supervisor, Lucy Bright, in what's a really fascinating discussion

Our latest guest on soundtracking is a musician, artist, cultural icon and film, TV and video game composer - who's been plying his trade for 50-odd years. Among Mark Mothersbaugh's many credits are Rugrats, Thor Ragnarok, Lego movies and several Wes Anderson films - though you'd be reading this for about half an hour if we were to list every single one of the projects he's been involved with.  Rest assure, we cover as much ground as we can!

Our latest guest on Soundtracking is a writer / director who made an extremely promising start to his career with acclaimed horrors The Witch and The Lighthouse - both of which Edith loves. Robert Eggers has followed these up with The Northman, a visceral Viking epic based on the Scandinavian legend of Amleth. The film is scored by Robin Carolan and Sebastian Gainsborough, and you'll hear plenty of their work and more music sprinkled throughout the conversation.

Our latest guest on Soundtracking is a man whose father, Alfred, blazed a trail for film scoring in Hollywood, while his brother, Thomas, has been nominated for 15 Oscars. Oh yes, and his cousin happens to be called Randy, which, when your surname is Newman, means you come from quite the musical dynasty ... David Newman is also a hugely respected composer, who joined Edith to discuss his work as an adapter and arranger on Steven Spielberg's glorious remake of West Side Story.

For the second week in a row, we welcome a female composer to Soundtracking, which is a delight, given the underrepresentation of women in the industry. Anne Nikitin's star is very much on the rise, after she made her big breakthrough working with Bart Layton on The Imposter and American Animals. She has several exciting projects on the go, including the prequel to Dangerous Liaisons.

Our latest guest on Soundtracking is a returning composer who has fast become one of the hardest working and most sought after talents in the business. Pinar Toprak's latest efforts can be heard on the light hearted jungle romp, The Lost City, but she's also got a number of exciting projects in the pipeline and is fresh from conducting Billie Eilish and Finneas's performance of No Time To Die at the Oscars. It's an absolute delight to hear her talk about her craft.

We're 300! Wow. Thanks so much for all your continued support. It means the world to us and we wouldn't be here without you. To celebrate, we're joined by a Norwegian writer/director whose wonderful film The Worst Person In The World was up for an Oscar in the Best Foreign Film category, missing out to the Japanese road movie, Drive My Car. Joachim Trier has received widespread acclaim for his black-comedy drama, which tells the story of Julie as she tries to navigate the troubled waters of her love life and career. It has an absolutely brilliant soundtrack, and you'll hear plenty of examples from it.

We have a friend of the show returning to Soundtracking this week in the shape of Craig Roberts - who has directed a British indie film that Edith absolutely loves. The Phantom of The Open was written by Simon Farnaby, and tells the unlikely true story of Maurice Flitcroft - an excellent hoaxer and terrible golfer who posted the worst ever score recorded at an Open Championship when he contrived to take part in qualifying for the event in 1976. Mark Rylance and Sally Hawkins head a strong cast, while the film is scored by another friend of the show, Isobel Waller-Bridge.

Our latest guests on Soundtracking are Pixar animator, writer and director, Domee Shi, and producer Lindsey Collins, who's new project together is the wonderful Turning Red. Streaming now on Disney + Turning Red tells the story of a 13-year-old Chinese-Canadian student who transforms into a giant red panda when she gets into a heightened emotional state. It's scored by our old friend Ludwig Goransson, and you will, of course, hear plenty of his music throughout the conversation.

We can't quite believe the run of guests we've had on Soundtracking, what with Andrew Garfield, Dave Grohl and Jonny Greenwood among those who've joined us in recent weeks. But when it comes to marrying music and film, Paul Thomas Anderson is right up there with Scorsese and Tarantino as a master of the art. His latest movie, Licorice Pizza, is not only a delight to behold, but also chock full of needle drops. He talks all things music, including his relationship with the aforementioned Mr Greenwood.

Legend alert! Our latest guest on Soundtracking is not only the lead guitarist, keyboardist and instrumentalist of one of the greatest bands on planet Earth, but has also transitioned with huge success into the realms of movie scoring. Jonny Greenwood has formed a formidable partnership with Paul Thomas Anderson since providing the music for There Will Be Blood, and has also worked with Lynne Ramsay, Pablo Larrain and Jane Campion - who are esteemed company indeed. He's also one of the most understated and humble people you could ever wish to meet. We'll get into his collaborations with all these great filmmakers during the course of the conversation, and sprinkle plenty of his music throughout.

We continue our bumper run of guests on Soundtracking with a man who's up for an Oscar this month in the Best Actor category. Andrew Garfield delivers a knockout performance as Jonathan Larson in Lin-Manuel Miranda's musical biopic Tick Tick Boom, as you can see for yourself on Netflix. It's always a joy chatting to him, though if you haven't seen the latest Spiderman film, we should say this interview contains a major spoiler. Amazingly, Andrew has never been required to sing for a project before, not that you'd know it. 

Rock 'n' roll royalty joins Edith for the latest episode of Soundtracking, as Dave Grohl discusses his comedy horror Studio 666 among many other things. Featuring all six members of The Foo Fighters as themselves, Studio 666 is a pretty bonkers yarn about the band recording an album in an old mansion possessed by evil spirits. As you might imagine, carnage ensues!

We're starting a bumper run of Soundtracking episodes in the coming weeks, with two shows a week for the foreseeable future, including conversations with PTA, Dave Grohl & Jonny Greenwood. Eesh! Today, it's the turn of writer, director, producer and all round legend, Adam McKay. He is FANTASTIC company, and we have an absolute ball discussing the music in his latest film, Don't Look Up, which is scored by our dear friend, Nicholas Britell. Enjoy!

It's another double-header for you, with two returning guests to Soundtracking. First up, it's Bryce Dessner from the National, who composed the score and music for Cyrano with his brother, Aaron. Then it's the man who directed this latest interpretation of the classic tale, Joe Wright, who is always a joy to speak to.

Our latest guest on Soundtracking is an actress, singer and dancer who dazzled us all in Steven Spielberg's adaptation of West Side Story. Ariana DeBose's performance as Anita has already seen her win a Golden Globe - and she's also been nominated for an Oscar and Bafta among many other accolades. It was an absolute delight to catch up with her - Ariana really is a thoroughly sparky and likeable character.

Our latest guests on Soundtracking are actor and now writer/director Maggie Gyllenhaal and composer Dickon Hinchliffe, who join us to discuss their collaboration on The Lost Daughter. Available on Netflix, The Lost Daughter stars Olivia Coleman, Dakota Johnson and Jessie Buckly, and is - among many other things - a genuinely powerful meditation on the trials and tribulations of motherhood. We absolutely love it - and can guarantee music lovers will LOVE this conversation.

Our latest guest on Soundtracking is a friend of the show, returning to discuss his sequel to a massive family favourite in households across the globe - not least Edith's. Garth Jennings found a winning formula with his joyous animation, Sing, and has thankfully managed to recreate it with Sing 2. In addition to an all-star cast reprising their roles from the first film, Garth also managed to persuade none other than Bono to play a reclusive rock star and allow him to rework some classic U2 songs. He shares a couple of lovely anecdotes about that too ...

We have a proper legend for you on our latest episode of Soundtracking in the shape of the great Sir Kenneth Branagh, who also happens to be one of the loveliest people you could ever wish to interview. Edith caught up with him a few months back to discuss Belfast, a coming-of-age comedy drama and beautiful ode to his hometown, which he both wrote and directed. It really is a very special movie, and we highly recommend getting to your local cinema to see it if you feel safe doing so. Apart from anything else, you'll get to hear loads of classic Van Morrison tunes - with Van also having scored the film.

Our latest guest is a composer who's perhaps best known for his work with the Coen Brothers, though he's collaborated with plenty of other great filmmakers too. Carter Burwell was something of a punk rocker before landing the gig to score Joel and Ethan's first feature, Blood Simple. He's since provided the music for virtually all of their films - including the latest, The Tragedy Of Macbeth.

Our latest episode sees the welcome return of Nicholas Britell - with us on this occasion to discuss his score for Adam McKay's Don't Look Up.  Heading up the extraordinary cast are Leonardo Di Caprio and Jennifer Lawrence as astronomers attempting to warn mankind about an approaching comet that will destroy civilization.  It's fair to say the film has strongly divided opinions, but Edithfor one really enjoyed it - and Nicholas's score is great too.

Our first guests of 2022 are two brothers who've formed a formidable creative partnership since being given the opportunity to shine. Will and Arthur Sharpe have taken on directorial and compositional duties on several joint-projects, with The Electrical Life of Louis Wain their latest collaboration. Starring Benedict Cumberbatch and Claire Foy, the biopic tells the story of the eccentric artist of the title, who had a particular - and many would say peculiar - affiliation with cats ... While Will co-wrote and directed the film, Arthur provided the music, and as always you'll hear plenty of it throughout the conversation.

Edith's latest guest on Soundtracking is without doubt one of the most exciting fresh talents at work in the industry today. Julia Ducournau burst into the popular consciousness with Raw, and follows it up with the equally scintillating Titane, which won the Palme d'Or  We don't want to tell you too much about it, as it defies a fleeting summary. Suffice to say it absolutely blew us away, and we highly advise you to go and see it at your local cinema if you feel safe doing so. The film is scored by Jim Williams, who's worked extensively with our old friend Ben Wheatley, and you'll hear plenty of his music throughout the conversation.

Our latest guest on Soundtracking is a screenwriter who's proved extremely adept at adaptations of books, including The Men Who Stare At Goats, The Snowman, The Goldfinch and - the main reason we have him with us on this episode - Tinker Tailor Soldier Spy, the film of which is celebrating its 10th anniversary. Peter Straughan was a delight to spend a little time with as we explored the ways music informs the writing of a script. 

Our latest guest on Soundtracking needs no introduction, other than to say we are absolutely over-the-moon to welcome Steven Spielberg to the podcast to discuss his jaw-dropping adaptation of West Side Story. We'd have loved to have got a few more minutes with him, if we're honest, but anyone who follows us on social media will know there's potentially some exciting news on that front ... And Edith did manage to tease out a few of his favourite scores, how he met John Williams, and the process behind the score for Jaws among many other things.

Our latest guest on Soundtracking is an Italian filmmaker Edith absolutely adores, who's brought us 20th century classics The Consequences Of Love and The Great Beauty among his many offerings. His latest movie is also his most personal, the semi-autobiographical The Hand Of God, which you can watch on Netflix from December 15th and is in selected cinemas now. He's an absolute hoot - enjoy.

Edith's latest guest on Soundtracking is another giant of film music composition, who she was lucky enough to catch up with at Abbey Road Studios as he was recording his work on the latest Fantastic Beasts movie. James Newton Howard has scored well over 100 films across all genres, including The Fugitive, Pretty Woman, The Sixth Sense, Prince Of Tides, Fantastic Beasts And Where To Find Them, My Best Friend's Wedding and a couple of Nolan's Batmans for good measure. We could listen to him - and his music - all day.

Who doesn't watch their own films? Well, our latest guest for one - a hugely versatile actor and musician most presently to be seen as Paolo in Ridley Scott's House Of Gucci. Jared Leto first gained recognition in My So Called Life, went on to form 30 Seconds To Mars with his brother, Shannon, and has also landed numerous notable cinematic roles, including The Joker in Suicide Squad and Niander Wallace in Blade Runner 2049. He absolutely loves scores too - and you'll find out which ones in particular during the conversation.

Our latest guest on Soundtracking is a very dear friend of Edith's who we're delighted to say has done an absolutely superb job with his feature film debut. The friend in question is writer / director Reggie Yates, and the film is Pirates. Starring Elliot Edusah, Jordan Peters and Reda Elazouar, Pirates tells the story of 3 young friends trying to get into a club night on New Year's Eve in 1999. It's worth watching for the garage music alone, though there's plenty more to enjoy besides.

Our latest guest on soundtracking is the actor, songwriter, playwright, producer, rapper and now feature film director, Lin-Manuel Miranda. Not fair, really, is it?! Lin-Manuel is perhaps most well known for writing the script, music and lyrics for Hamilton, which has been a global phenomenon since its Broadway premiere in 2015. He's since done all manner of wonderful things, including the songs for Moana. At the moment, you can hear his music in Disney's Encanto and see his directorial Tick Tick Boom on Netflix, about the life of composer Jonathan Larson (who brought us Rent)

Our latest guests on Soundtracking are two friends who've come together to create something quite unlike anything I've ever seen. The Nowhere Inn sees Carrie Brownstein and Annie Clark - aka St Vincent - play themselves in what appears to be a documentary about St Vincent's life as a musician. However, the film is entirely scripted, and in fact transforms into what one critic describes as a Lynchian nightmare smeared in lipstick.  Annie also scored the movie, and we have to say it's an absolutely wonderful compilation of tunes - which more than stands alone as an album.

Our latest guest in this bumper run on Soundtracking is the Chilean director, Pablo Larraín, who's brought us many gems including Tony Manero and Jackie. Pablo's latest film is Spencer, which tells the story of Princess Diana's decision to end her marriage to Charles. Kristen Stewart is brilliant in the lead role, and gets able support from Timothy Spall, Sally Hawkins and Sean Harris. And as if that weren't enough to whet your whistle, Spencer is scored by Jonny Greenwood