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RNIB Connect Radio
RNIB Connect Radio is the UK radio station for blind and partially sighted people to find out what is happening in the community. You can also contribute and share your stories by emailing [email protected] (mailto:[email protected]) . Get involved and join the conversation. Other great podcast channels from RNIB Connect Radio Conversations (https://audioboom.com/channel/conversations) - Blind and partially sighted people speaking about a wide range of topics. Read On (https://audioboom.com/channel/readonair) - The Audiobook show all about accessible reading. Tech Talk (https://audioboom.com/channel/techtalkpodcast) - Technology for blind and partially sighted people. Sport (https://audioboom.com/channel/sport) - See sport differently. The Happy Hour (https://audioboom.com/channels/5022411) - Mental health, mindfulness, and overall wellbeing. Tracks of My Life (https://audioboom.com/playlists/4634228-tracks-of-my-life) - Take a journey through our guest's life. Support (https://audioboom.com/channel/rnib-support) - Other podcasts from RNIB. TV Guide (https://audioboom.com/channel/tv-guide) - Daily audio TV listings
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11/10/2024

S2 Ep763: Vidar Hjardeng MBE - La fille mal gardée, AD Theatre Review

RNIB Connect Radio’s Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This week Vidar is reviewing Birmingham Royal Ballet’s revival of Frederick Ashton’s ballet ‘La fille mal gardée’ at the Birmingham Hippodrome Theatre with description by Professional Audio Describers Julia Grundy and Jonathan Nash. About ‘La fille mal gardée’  Lise has a choice to make. Loaded country bumpkin or penniless, hunky farmhand? Of course, there’s no contest, but her mum has other ideas.  Heels are dug in and sparks fly, as a mother-daughter battle ensues. Mixing spectacular classical ballet with slick comedy, a clog-dancing dame, and a super-cute pony, as well as live music by the Royal Ballet Sinfonia, this is fantastic entertainment for you, your friends, and all your family whether it’s their first ballet or a much-loved favourite. To find out more about Birmingham Royal Ballet do visit their website - https://www.brb.org.uk  And for more about access at Birmingham Hippodrome including details of audio described performances do visit the following pages of the theatre’s website - https://www.birminghamhippodrome.com/plan-your-visit/access/ (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
5m
11/10/2024

S2 Ep770: Bernstein Audio Described Opera Double Bill…

The Royal Ballet and Opera House in London continue their programme of access to their productions for blind and partially sighted people with an audio described opera double bill on Tuesday 15 October and Tuesday 22 October at 7.30pm with Leonard Bernstein’s ‘Trouble in Tahiti’ and ‘A Quiet Place’ at their Linbury Theatre with touch tours prior to both performances. RNIB Connect Radio’s Toby Davey was joined by Grace Cook one of the Producers at the Royal Opera House, Freelance Audio Describer Sarah Borges and Paul Adams RBOH Access Manager to find out more about the Bernstein audio described opera double bill. About the Operas: ‘Trouble in Tahiti’ depicts a day in the life of Sam and Dinah, a married couple at odds with one another and the happy suburban life they crave. Unable to connect with his wife, Sam retreats into a hyper-masculine world of physical fitness, while Dinah turns to therapy and shopping. A trip to the cinema to see the latest film (Trouble in Tahiti) offers a window onto another world – but can the couple hold onto the illusion of happiness?    ‘A Quiet Place’ picks up the story 30 years later, after a family tragedy brings their children home. Dinah has been killed in a car crash, and as Sam wrestles with his grief at the funeral, his daughter Dede and her husband François pay emotional tribute to her mother. His son, Junior, makes a chaotic late appearance, prompting an angry outburst from his father. As the family navigates their grief, memories of the past rise to the surface, prompting a series of confrontations.     To find out more about the Bernstein double bill and to book your tickets for one of the up-coming audio described performances do visit the following website link and you can always email [email protected] if you have any enquiries regarding access at RBOH. https://www.rbo.org.uk/tickets-and-events/trouble-in-tahiti-a-quiet-place-details (Image shows Royal Opera House logo, black text reading Royal Opera House in capitals with a black and white depiction of the coat of arms of the United Kingdom on a white background)
11m
10/10/2024

S2 Ep767: Shaun Hayward our Strictly Star Reviewer

We were very excited here at RNIB Connect Radio when it was announced that blind Liverpudlian comedian Chris McCausland would be taking part in Strictly Come Dancing this year following on from the introduction of live audio description for the Saturday night live shows last year by Georgie from RedBee Media for all us blind and partially sighted Strictly fans. With many blind and partially sighted people taking up dancing and some even taking to the dance floor of the famous Blackpool Tower Ballroom, in the first of what will be regular weekly features on how Chris McCausland and his Professional Dancer Dianne Buswell are doing on Strictly Come Dancing RNIB Connect Radio’s Toby Davey is joined by Shaun Hayward a blind ballroom dancer who has competed in Blackpool to not only find out how Shaun got in to ballroom dancing but also to reflect and review on how Chris and Dianne have been doing so far in the competition.  Shaun will also be sharing some helpful hints and tips as Chris and Dianne perform a Salsa to Down Under by Men at Work this coming Saturday 12 October 2024. To follow how Chris and Dianne are progressing through Strictly Come Dancing 2024 along with how all the other dance couples are fairing in the competition, do visit the following Strictly page of the BBC website -  https://www.bbc.co.uk/strictly (Image shows Shaun in a recording studio with microphones behind him in front of a colourful drape holding a plaque with medals on in each hand)
7m
10/10/2024

S2 Ep767: The Sounds of Progress - Making Outdoor Play Areas More Musical, Fun and Accessible

To mark World Sight Day (10th October 2024), Percussion Play, the leading designer and manufacturer of outdoor musical instruments, has been working with the Royal Society for Blind Children (RSBC) and The Amber Trust to understand how music-making outside can be made more accessible for young people who are blind, have low vision, or are partially sighted. This research aims to make play areas around the world more accessible and safer.   The research entailed Percussion Play holding two events at the RSBC’s Life Without Limits Centre in London with group and individual-focused musical workshops and instrument demonstrations for blind and visually impaired children and adolescents in the UK.   Percussion Play also invited the RSBC to its headquarters in Hampshire. The sessions were designed to garner feedback on the design of the instruments with the aim of making them more accessible and user-friendly for blind, low vision and partially sighted users. Instruments included Percussion Play’s uniquely designed drums, xylophones, bells and chimes.   RNIB Connect Radio’s Toby Davey was joined by Julie Davis, Chief Executive Officer of the Royal Society for Blind Children to find out more about how the collaboration came about, reflecting on the workshops, talking about the work that went in to the publication of the white paper ‘The Sounds of Progress’ and the importance of accessible play areas for young visually impaired people.  To read the white paper ‘The Sounds of Progress’ and to find out more about the Royal Society for Blind Children do visit their website - https://www.rsbc.org.uk (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
9m
27/09/2024

S2 Ep746: Vidar Hjardeng MBE - A Chorus Line, AD Theatre Review

RNIB Connect Radio’s Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This week Vidar is reviewing the musical masterpiece that is A Chorus Line which revolutionised Broadway back in the mid 1970s as the Curve Theatre’s touring production visited the Birmingham Hippodrome Theatre with description by Professional Audio Describers. About A Chorus Line Seventeen stories. Eight chances. One singular sensation! New York City, 1975. On an empty Broadway stage, seventeen performers are put through their paces in the final, gruelling audition for a new Broadway musical. Only eight will make the cut. A Chorus Line is a musical masterpiece that revolutionised Broadway, with creator Michael Bennett using real-life testimonies from late-night recording sessions with dancers. Celebrate the lives of theatre’s unsung heroes, as they tell searing stories of ambition, shattered hopes, and what it really costs to follow your dreams. Originally produced at Curve and Directed by Nikolai Foster, with a book by James Kirkwood and Nicholas Dante, music by Marvin Hamlisch and lyrics by Edward Kleban, A Chorus Line features iconic songs including One, I Hope I Get It, Nothing and the hit ballad What I Did For Love. The legendary Adam Cooper (Singin’ in the Rain, Matthew Bourne’s Swan Lake) and Carly Mercedes Dyer (The Drifters Girl Tour, Anything Goes, Barbican Theatre, Dreamgirls, Savoy Theatre) are reprising their roles as Zach and Cassie which they played to great critical acclaim at Curve in 2021. For more about access at Birmingham Hippodrome including details of audio described performances do visit the following pages of the theatre’s website - https://www.birminghamhippodrome.com/plan-your-visit/access/ (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
6m
26/09/2024

S2 Ep746: Turner Prize 2024 Exhibition

Named after the radical painter JMW Turner, the Turner Prize was set up in 1984 to celebrate British Contemporary Artists.   On Tuesday 24 September 2024 Tate Britain unveiled the work of the four artists who have been shortlisted for this year’s prize: Pio Abad, Jasleen Kaur, Claudette Johnson and Delaine Le Bas. At the press view for the Turner Prize 2024 exhibition RNIB Connect Radio’s Toby Davey caught up with one of the Curator’s of the exhibition Amy Emmerson Martin, Assistant Curator, Contemporary British Art at Tate Britain to firstly find out a bit more about the history and background to the Turner Prize to then an introduction to each of the four shortlisted Artists along with an overview of their work that impressed the Turner Prize panel which is on display at Tate Britain.   The winner of the Turner Prize 2024 will be announced on 3 December and the exhibition of the four shortlisted Artists work continues at Tate Britain until 16 February 2025. Description tours with one of Tate’s Visitor Engagement Assistants can be booked in advance by either emailing [email protected] or calling 020 7887 8888. About the four shortlisted Artists: Pio Abad presents a restaging of his nominated exhibition at the Ashmolean Museum, Oxford, which explores cultural loss and colonial histories. Featuring drawings, sculptures and museum artefacts, Abad brings together in-depth research and collaboration to highlight overlooked histories and connections to everyday life, often from the perspective of his Filipino heritage. Newly added works include Kiss the Hand You Cannot Bite 2019, which reimagines an Imelda Marcos bracelet as a three-metre concrete sculpture, are shown alongside works like I am singing a song that can only be borne after losing a country 2023, a drawing that turns the underside of Powhatan’s Mantle - a Native American robe in the Ashmolean’s collection - into an imagined map of colonised lands. Jasleen Kaur presents works from her nominated exhibition at Tramway, Glasgow. Rethinking tradition, Kaur creates sculptures from gathered and remade objects, each animated through an immersive sound composition. Items including family photos, a harmonium, Axminster carpet and kinetic worship bells are orchestrated to convey the artist’s upbringing in Glasgow. A central feature is music, which is used to explore both inherited and hidden histories. Yearnings 2023, is an improvised vocal soundscape of the artist’s voice, which is layered over snippets of pop songs playing from the speakers of Sociomobile 2023, a vintage Ford Escort covered with a large doily crocheted from cotton and filling the space with Kaur’s own musical memory. Delaine Le Bas presents a restaging of her nominated exhibition at the Secession, Vienna. For her Turner Prize presentation, the artist has transformed the gallery into a monumental immersive environment filled with painted fabrics, costume, film and sculpture. Presented across three chambers, the work addresses themes of death, loss and renewal, and draws on the rich cultural history of the Roma people and the artist’s engagement with mythologies. Textile sculpture Marley 2023, for example, reimagines Dickens’ ghostly eponymous character as a harbinger of chaos, welcoming the viewer to this carefully constructed and captivating world, whilst the film Incipit Vita Nova 2023, projected onto organdie fabric, transports the viewer deep into a dreamlike sequence, matching the fluidity and distortion of the mirrored walls around it. Claudette Johnson presents a series of works from her nominated exhibitions at The Courtauld Gallery, London and Ortuzar Projects, New York, alongside new works. Using pastels, gouache, oil and watercolour, Johnson creates striking figurative portraits of Black women and men, often depicting family and friends. Her works counter the marginalisation of Black people in Western art history, shifting perspectives and investing her portraits with a palpable sense of presence. Friends in Green + Red on Yellow 2023 represents a recent development in her practice of creating double portraits, whilst Pieta 2024 is one of the artist’s first works on wood, made from pastel and oil on bark cloth. You will find out more about the Turner Prize 2024 exhibition by visiting the following pages of the Tate website - https://www.tate.org.uk/whats-on/tate-britain/turner-prize-2024 Image show the entrance to Tate Britain with two red banners reading 'Tate Britain' and  'Free For All'
12m