Plenty of musicians talk about 'leaving it all on the stage,' but few have offered as demonstrable an example as Samuel Herring. His live performance is a conduit for unbridled emotion, capturing mainstream attention as the frontman for Future Islands. As Hemlock Ernst, Herring's lyrics offer insight into life experiences, no better exemplified than on the hip-hop group's latest, Studying Absence. Hosted on Acast. See acast.com/privacy for more information.

Released in October, It's Only Rock n Roll is a celebration that has formed the backbone of Michael Des Barres' life. The album's one dozen tracks find the singer paying homage to the biggest names of the glam era, from T. Rex to Roxy Music. Des Barres' own musical career spans more than half a century, including an appearance at Live Aid as the head of The Power Station. As an actor, Des Barres has appeared in more than 100 TV shows, including a notable turn as MacGyver villain, Murdoc. Hosted on Acast. See acast.com/privacy for more information.

Tom Petty's unexpected death in October 2017 effectively marked the end of the Heartbreakers. The band reunited a handful of times to pay tribute to the late singer, but its members have otherwise used the unfortunate opportunity to explore life beyond its confines. For Mike Campbell, the event marked the beginnings of a second career. His guitar playing and songwriter were foundational to the Heartbreakers' massive success, and he'd cowritten with Don Henley and Stevie Nicks, including the Billboard topping "Boys of Summer." But now it's his name on the band, performing as Mike Campbell and the Dirty Knobs. This June, the group released Vagabonds, Virgins & Misfits, its third full-length since 2020. Hosted on Acast. See acast.com/privacy for more information.

Released at the end of August, Kantos is a “party album about the possible end of humanity as we know it.” A few months later, that possibility seems ever more probable. A one-time resident of both New York City and Athens, GA, Kaoru Dill-Ishibashi now spends his days in the Santa Cruz Mountains of Central California, heading over Highway 17 to surf when not making music. The singer and multi-instrumentalist is an industry veteran, fronting Brooklyn indie band Jupiter One and spending time as a member of Elephant 6 offshoot, Of Montreal. The Berklee grad has also performed with a wide range of fellow musicians, including Regina Spektor. Hosted on Acast. See acast.com/privacy for more information.

When I Get Through follows Breymer's (Sarah Walk) journey up to the day of their top surgery. It's a candid account of the conversations and emotions that precede such a life alternating moment. The musician joins us to discuss the journey and the decision recount the events on their new LP. Hosted on Acast. See acast.com/privacy for more information.

Halloween comes early this year, as Matt Wagner and Kelley Jones join us to discuss the final days of their Kickstarter campaign for Dracula Book II: The Brides. The comics veterans talk about their planned four volume series and the lasting legacy of Bram Stoker's monster. Hosted on Acast. See acast.com/privacy for more information.

New Yorker cartoonist Shannon Wheeler returns to the show. The artist recently launched a Kickstarter campaign to release a new book collecting minicomics and other appearances by his best-known creation, Too Much Coffee Man. Hosted on Acast. See acast.com/privacy for more information.

Band People is part music writing and part business book, rounded out by academic research and a host of footnotes. It's a pragmatic look at the life of road warriors in an increasingly untenable industry. More than anything, however, it's a labor of love from lifelong touring musician, Franz Nicolay. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

He's quick to laugh with a twang that betrays his Southern Missouri origin. Steve Cropper discusses his accomplishments with modesty, rarely offering a glimpse into a career that profoundly impacted the course of 20th century popular music. As a core, founding member of Booker T & the MGs, the guitars helped form the backbone of the Stax Record sound. Cropper cowrote some of the era's most iconic songs, including "Knock on Wood," "In the Midnight Hour" and "(Sittin' On) The Dock of the Bay, the latter of which he almost mixed following Otis Redding's untimely passing. The MGs made their own mark with the massive success of "Green Onions," before Cropper transitioned into a successful producing career and served as the longstanding guitarist for comedy duo, The Blues Brothers. Hosted on Acast. See acast.com/privacy for more information.

In November, Tokyo Police Club will play its final show. Saying goodbye is never easy, but the Ontario-based band's members seem surprisingly okay with the whole thing. At the end of the day, very few of us manage to eke out a 20-year career playing with high school friends. Graham Wright acknowledges that, perhaps, the reality of the situation hasn't entirely set in, but for now, the band is enjoying what's left of the ride. Hosted on Acast. See acast.com/privacy for more information.

Comics and animation can both be grueling -- especially drawing a 400 page comic or animated a hand-drawn, feature length film. As such, one must be discriminating in choosing such projects. For Dash Shaw, the choice comes down to two principles: 1. It has to seem like he's the only one who can create it and 2. It needs to contain an element of "why would anyone do that." Both can be seen in his most recent, deeply idiosyncratic works in comics ("Blurry") and film ("Cryptozoo"). Hosted on Acast. See acast.com/privacy for more information.

While their music owes debts to the towering giants of rock, soul and the Mexican and Brazilian music before them, no one sounds like Chicano Batman. Formed in Los Angeles in 2008, the group released its self-titled debut two years later. But it was 2020's Invisible People and its infectious lead track, "Color My Life" that cemented the group's place in the indie universe. Released at the end of March, Notebook Fantasy sees the band continuing to grow, exploring new sounds while staying loyal to the elements that have helped the group stand out from the pack. Hosted on Acast. See acast.com/privacy for more information.

In 2020, Joe Gatto struck out on his own. It was surprising turn, as the Impractical Joker left a beloved and lucrative TV series that found him performing alongside a trio of lifelong friends. The move, Gatto says, was about prioritizing what matter -- namely, his wife and children. Of course, a resume like his means starting over doesn't require a clean slate. Gatto has since launched a successful standup career with multiple tours culminating in his first special, September's "Messing With People." Hosted on Acast. See acast.com/privacy for more information.

Jet lag is a drag, leaving Sean "Grasshopper" Mackowiak at a decided disadvantage during our conversation. Mercury Rev just got back from Australia, but the veteran guitarist happily powers through. It's just one of those annoying things that one grapples with, being one of two consistent members of a globe trotting band for the last 35 years. Grasshopper's answers are thoughtful and engaged, as we wade through Mercury Rev's celebrated history. Hosted on Acast. See acast.com/privacy for more information.

Her coauthor and husband, Scott Marvel Cassidy, is at the dentist for an emergency root canal, so Maria Bamford and I push ahead. Decades after establishing herself as one of standup's sharpest -- and funniest minds -- she's trying her hand at yet another medium. In June, Fantagraphics released Hogbook and Laser Eyes, a collaboration between Bamford and Marvel Cassidy that recounts their meeting, marriage and lives through the eyes of their beloved elderly rescue pugs. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

A-Side Graffiti includes, among other things, a surprisingly faithful cover of Dr. Frank N. Furter's "Sweet Transvestite." The song finds Jack Grisham dueting with fellow So. Cal. punk legend, Keith Morris. TSOL's career has been surprising, above all. Ever the consummate showman and raconteur, Grisham presided over the group's initial shift from hardcore to gothic rock, before exiting the band in 1983. By the turn of the millennium, he had returned to the fold. Outside the band, Grisham has maintained several other fascinating careers, as a writer, filmmaker and 2003 California gubernatorial candidate. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

[Apologies for poor audio quality on my end. Technical difficulties suck]Hate returns. So, too, does Peter Bagge. The cartoonist has joined us several times over the years. This time he's back to talk Hate Revisited, a return to form that reunites him with Buddy Bradley, Lisa and the rest of the crew in the modern day -- save for Stinky, that is. Poor, poor Stinky. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

A new album on a new label, The Well I Fell Into is a chance to consider and process the old and – hopefully – move on. A breakup album of sorts, Why’s eighth finds frontman Yoni Wolf processing the end of a years-long relationship. As relationships go, however, Why has been remarkably long lived and fruitful. After beginning life as a solo act in the mid-90s, Why became a full-fledged group in 2004, whose core remains 20 years later. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

Magick Show bills itself as a “masterclass in modern occultism.” It’s hard to argue with the tagline. Richard Metzger is in his element interviewing dozens of experts on different aspects of the occult, in a bid to contextualize the centuries-old phenomenon for the modern moment. Metzger is the man for the job. At the turn of the century, he served as the host of UK interview show, Disinformation. The series gave rise to his first book, Disinformation: The Interviews, followed soon after by The Book of Lies: The Disinformation Guide to Magick and the Occult. For the past decade-and-a-half, Metzger has served as the cofounder and editor-in-chief of culture blog, Dangerous Minds. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

Dreamers On The Run marks BMX Bandits' 12th LP since the group was founded in the mid-80s. The record finds Duglas Stewart expanding his musical ambitions a 10 years after he began work on the project. The intervening decade was difficult on both Stewart and the world at large, making this latest release a true triumph for one of Scotland's most enduring indie pop acts. Hosted on Acast. See acast.com/privacy for more information.

During our conversation, Brendan Canty makes it clear that he has no interest in revisiting the past. It's not bad blood. If anything, it's his continued relationship with his former Fugazi bandmates that keeps the band from doing the reunion thing. They simply like each other too much. Case in point, the The Messthetics, which reunites the drummer with bassist Joe Lally. The group's latest finds the trio joining forces with saxophonist James Brandon Lewis for a fantastic new LP that wholly embraces jazz. Hosted on Acast. See acast.com/privacy for more information.

What's a dozen or so years between friends? 2012's Tarnished Gold found Beachwood Sparks in fine form. Eleven years had passed since the band's first two records were released within a year of each other. It was a reunion of sorts, though this time 12 years would pass before the Los Angeles group reunited. Released earlier this month, Across the River of Stars marks another dreamy return to the band's alt-country ways. Hosted on Acast. See acast.com/privacy for more information.

At 12, Joe Bonamassa was opening for the BB King. Twelve years later, his career was a at a crossroads. He's been through a pair of major label deals and suddenly found himself tasked with releasing his third album on his own. "There was no plan B," the guitarist says. Blues Deluxe, which celebrated its 20th anniversary last year, was precisely the shot to the arm his career needed. Hosted on Acast. See acast.com/privacy for more information.

Like many of us, Tracy Bonham's been through it over the last couple of years. Her latest single, “Damn The Sky (For Being Too Wide)," processes some of those feelings of isolation and disconnect. It's also her first studio release since 2017's Modern Burdens, which found the musician reconnecting with the debut album that put her on the map back in the mid-90s. Throughout it all, she's managed to reconnect with the people and things that matter most. Hosted on Acast. See acast.com/privacy for more information.

The Ukulele was a gimmick, as Dent May is the first to admit. It did the trick on the Mississippi-born musician's second album, The Good Feeling Music of Dent May & His Magnificent Ukulele. The LP -- his first for the Animal Collective-run Paw Tracks -- established May as a musical force. These days he continues his hunt for the perfect pop song. Nowhere has he come closer than on this year's What's for Breakfast? Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

Prior to Beat the Champ, Leela Corman hadn’t drawn much wrestling. The 2015 record would be the first two Mountain Goats covers drawn by the cartoonist. Corman’s passion for bodies in motion would resurface in this April’s Victory Parade, as wrestling plays a key role in the World War II era graphic novel. The book tells the story of personal and societal trauma of the era. It’s an important reminder of lessons our world is doomed to relearn. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

It’s not easy being a pioneer, but Jim Skafish came out of the gate swinging. In the late-70s, the Chicago musician became the first American signed to Miles Copeland’s hugely influential IRS records. His band’s first LP, 1980’s self-titled Skafish, failed to catch fire, owing to delays and poor production. Three years later, Conversations, was met with its own pushback, as it marked a major sonic departure. Skafish, a classically trained pianist whose current work is more easily classified as jazz, is long overdue for a reexamination and a pioneering force in musical, political and non-conforming.   Hosted on Acast. See acast.com/privacy for more information.

This year, Drawn & Quarterly is reissuing Curses. Now 20 years old, the book represents Kevin Huizenga at his finest. The book features a collection of stories united by the cartoonist's long time lead, Glenn Ganges, exploring history, fiction, folk tales and more, backdropped against a seemingly mundane suburban midwestern backdrop. It presents a true master at work. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

Over the decades, Collective Soul has managed to avoid many of the pitfalls that torpedoed their contemporaries. The Georgia-based band saw a quick rise in the early 90s, on the backs of hits like "Shine" and "December." More than 30 years on, the band remains as solid a unit as ever, have maintained an extraordinarily consistent lineup. Longtime bassist Will Turpin joins us to discuss the band's rise and what keeps the group together all these years later. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

The most recent stage of Bruce Sudano’s career began in earnest just over a decade ago. His wife and long-time creative partner, the legendary Donna Summer, passed in 2012. With their children now grown, Sudano restarted his solo career. The move, he notes, felt like nearly restarting a decades-long musical journey from scratch. Hosted on Acast. See acast.com/privacy for more information.

It's been a hard few years for most of us, but Pearl Harbour has managed to stay positive throughout. It's no small feat, given struggles with lung cancer that have indefinitely sidelined her singing career. The musician recently penned linear notes for the re-issue of her great unsung 1980 rockabilly LP, Don't Follow Me, Im Lost Too. The album features an all-star cast of musicians from The Clash and Ian Dury and the Blockheads, Habour's friends and tourmates at the time. And while she's not one to get hung up in the past, she happily recounts some terrific stories from the era. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

In Summer 2022, Jon Batiste left his longtime role as band leader for Stephen Colbert's Late Show. Longtime bandmate and sometime replacement Louis Cato stepped into the role, breathing new virtuosic role As Colbert noted at the time, "Give him an afternoon, he'll learn how to play Mozart on a shoehorn." Cato joins us to discuss his journey, music school, becoming a parent at 19 and his soul new record, Reflections, for which he played every instrument. Hosted on Acast. See acast.com/privacy for more information.

The term "love letter" is criminally overused in this industry, but you'd be hard pressed to find a more appropriate phrase for Fall Through. The book finds cartoonist Nate Powell reconnecting with the punk rock touring days of the 90s. Before his career as a cartoonist, Powell played in bands, including his time as one of the longest tenured members of Little Rock's Soophie Nun Squad.The artist joins us to relive those times and discuss his friendship with civil rights pioneer, Congressman John Lewis. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

The Workbench is an ode to the power of objects. The EP is the celebration of the titular possession Brian Harnetty inherited when his father passed. It's an tribute to a man who could seemingly "fix anything," a trait the musician admits he did not inherit. The younger Harnetty is, however, a whiz at creating songs with his hands, incorporating a wealth of found sounds for a richer portrait of his late father. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

September marks 25 years since the release of 69 Love Songs. The landmark triple-album cemented frontman Stephin Merritt's states as one of the finest songwriters of his generation. A quarter-century later, the songs don't always come as easily to Merritt. At his most prolific, however, the musician wrote more than enough to carry him through the rest of his career. "No one would ever know if I never wrote a song again in my life," he explains, "because I could just use the ones I already have that I haven't found an album for yet." Transcript here. Hosted on Acast. See acast.com/privacy for more information.

Ten years is forever in the rock world. There were times it seemed Camera Obscura might never return. The 2015 death of longtime keyboard player Carey Lander put the group’s future in limbo. For the first time since the mid-90s, the band went on indefinite hiatus. An invitation to perform at the Belle & Sebastian curated Boaty Weekender cruise brought the band back together in 2018. Plans to record an album two years later were themselves put on hiatus, courtesy of a global pandemic. On May 3, the band returns to form with Look to the East, Look to West. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

For our conversation, Emel Mathlouthi popped into a Brooklyn coffee shop. It’s a little cacophonous, but also a fitting microcosm of the city she now calls home. The musician moved to the States after a stint in Paris, but a part of her home country of Tunisia always remains close. As she broadens her cultural and musical horizons, the North African country continues to inform both. Her latest album, MRA, pushes Mathlouthi’s explorations further still, courtesy of songs performed and produced entirely by women. Transcript here. Hosted on Acast. See acast.com/privacy for more information.

Fifteen years is forever in the world of popular music. But the number doesn't tell the whole story. While it's been a decade-and-a-half since Mary Timony released her last solo record, the low-key guitar god has been plenty busy. She's released a pair of albums as part of Ex Hex, a record with indie rock supergroup Ex Hex with members of Sleater Kinney and cofounded Hammered Hulls with childhood DC punk friend Alec MacKaye. Timony joins us to discusses her latest, Untame The Tiger. Hosted on Acast. See acast.com/privacy for more information.

Few individuals have left as an indelible a mark on late-20th century American popular culture as Don Was. As a producer, he work includes some of music’s biggest names, including Bob Dylan, The Rolling Stones and Iggy Pop. In the 80s, he found success on the other side of the microphone as one-half of the Was (Not Was). In 2012, he became the president of legendary jazz label Blue Note Records and six years later began performing regularly alongside Bob Weir in The Wolf Brothers. His latest project, Don Was and The Pan-Detroit Ensemble, finds the musician reconnecting was jazz performance by way of the city of his birth. Hosted on Acast. See acast.com/privacy for more information.

Fun bonus episode this week, as we're joined by James "Murr" Muray and Brian "Q" Quinn of "Impractical Jokers. The pair discuss their upcoming tour and keeping the show fresh after 10 seasons. Hosted on Acast. See acast.com/privacy for more information.

Health scares have a way of prioritizing things. For Lauren Denitzio, undergoing heart surgery at the young age of 25 brought one key priority into sharp focus: music. Since then, the musician has approached their creative venue Worriers as a form of pure expression, both musically and emotion. The band's earnest, joyful music has earned it a place in the world of punk, including an upcoming tour opening for Alkaline Trio. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

Ducks Ltd. arrived out of nowhere with 2019's Get Bleak. The tight four-song EP offered grad-level crash course on perfect indie pop hits. This year's Harm's Way find the group plumbing the kind of jangle pop that made 2021's Modern Fiction a critical darling. Tom McGreevy, the singing/rhythm guitar playing half of the duo joins us to discuss life in Ontario, railway disasters and balancing the darker side of life with bright music. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

There are more than a few points when Hey Panda sounds like the work of an entirely different band. The songwriting is sharp as ever, but Sean O'Hagan gleefully pushes the High Llamas into new directions. It's an impressive accomplishment in itself more than three decades after the band's formed. O'Hagan was already a music industry vet by the time he founded the High Llamas in 1990, having spent the previous decade sharing songwriting credits for Rough Trade act, Microdisney. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

In 1970, Mayo Thompson released his only solo record to date. It's a strange thing to write 50 years later, especially given the Texas-born musician's wildly prolific career as the sole consistent member of the eclectic and enigmatic Red Krayola. Ignored in many circles upon its release, Corky has grown in stature over the decades, which -- much like the Red Krayola -- has achieved the status of cult icon. Thompson has begun playing the album live in recent years, as he chart the course for a potential sequel, half a century later. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

The legend of McLusky has grown greatly since the the group's initial breakup in 2005. The release of the three-disc Mcluskyism compilation is no doubt reasonable for much of that prolonged success. So, too, are the members' post-McLusky projects, including Future of the Left. Formed by ex-members Andrew Falkous and Jack Egglestone shortly after breakup, the group carried on its tradition of sardonic and melodic noise rock. Falkous and Egglestone reformed McLusky in 2014. The group's second stint is officially longer than its first as of 2024. The group is currently in the midst of an American tour, postponed by two years, due to Falkous' health issues. Here he discusses all of that and more. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

After half-a-decade with Montreal's dreamy synth pop group Tops, Marta Cikojevic took her own turn in the spotlight in 2022. The eponymous debut of her project Marci finds the musician embracing dance music, with one foot planted in yacht rock's golden era. Prior to her time in music, Cikojevic had a flourishing career in modeling that took her around the world, including a long stint in Hong Kong. The musician joins us to discuss finding her voice. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

For a few decades now, it seems like Doug Gillard is everywhere. He's the second longest tenured member of the wildly prolific Guided By Voices, behind frontman, Robert Pollard, having been in and out (mostly in) of the band since the mid-90s. He is also a long-time guitarist for alternative rock stalwarts, Nada Surf, having played with the group since 2010. His work has earned him spots on the linear notes of many of indie rock's biggest names, as he continues playing with a variety of of groups, including the early Beatles homage, Bambi Kino. Transcription available here. Hosted on Acast. See acast.com/privacy for more information.

On 2022’s self-titled debut, BLKBOK enlisted poet (and English teacher) Lauren Delaphena to record spoken work tracks, which served to break up instrumental tracks. For the follow up, Charles Wilson III gave the job to his therapist, Dr. Felicia Thomas. Plenty of albums can be described as “deeply personal,” but in that respect, 9 is on another level. The neo-classical piano tracks also serve as a homage to high school civil rights, the Little Rock Nine. Wilson joins us to discuss the story behind the album and keeping classical music fresh for another century. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.