Anthony J. La Vopa is professor emeritus of history at North Carolina State University. His book, The Labor of the Mind: Intellect and Gender in Enlightenment Cultures (University of Pennsylvania Press, 2017), is an erudite intellectual history that explores how cultivated men and women in early modern France and Britain thought about the intellectual capacities of each sex. The manly and feminine attributes of the mind were tied to bodily and social concepts of female weakness and sentiment and male strength and reason. Beginning with the seventeenth-century salon culture of Paris, in which women were dominant and within an expanding commercial print culture, women and men conceptualized the gendered notions of what was required for polite conversation and intellectual agility. The exertion of labor was set against the desirability of the creativity and ease of play. La Vopa examines the works of multiple prominent thinkers and the positive recasting of the labor of the mind and who was qualified to engage in it. The author also shows how those engaged in debate attempted to live out their ideal for intellectual life. In course of a century and half, ideas about the nature of intellectual labor and the limits of the gendered mind formed the foundations of modernity. This episode of New Books in Intellectual History was produced in cooperation with the Society for U.S. Intellectual History. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: An Intellectual History of Liberation Theology, forthcoming in 2018 from Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we talked with Hilary Matfess about her new book Women and the War on Boko Haram: Wives, Weapons, Witnesses, just recently published by Zed Books in 2017. Drawn from her extensive research and interviews from 2015 to 2017, Matfess’ book attempts to convey the myriad ways in which women have shaped the development and course of the Boko Haram insurgency. She attempts to debunk much of the conventional wisdom surrounding Boko Haram and women, most notably their presentation as victims lacking autonomy, and provides an insightful examination of these women who dominate much of Western perceptions of the African continent. Claiming that violence has been gendered during this conflict, Matfess provides a much needed reexamination of the nature of insurgency and the complexity of gender within Boko Haram. Hilary Matfess is a research analyst, a PhD student at Yale University in the Political Science Department, and a contributor to the Nigeria Social Violence Project at the Johns Hopkins University School of Advanced International Studies. Jacob Ivey is an Assistant Professor of History at the Florida Institute of Technology. His research centers largely on the British Colony of Natal, South Africa, most notably European and African systems of state control and defence during the colony’s formative period. He tweets @IveyHistorian Learn more about your ad choices. Visit megaphone.fm/adchoices

On Second Thought: Learned Women Reflect on Profession, Community, and Purpose (University of Utah Press, 2017) is a collection of thirteen essays by women, all in the second half of their lives, in which they contemplate the ways in which the different facets of their identities—personal, professional and spiritual—have hitherto unfolded and intertwined. Among their number is the folklorist, ethnographer, oral historian, and prolific independent scholar Luisa Del Giudice, who is also the editor of the volume and the driving force behind it. The seed for the book began some years ago, when a career crisis led Del Giudice to question many aspects of her life. In the process, she developed an acute awareness of its often fragmented nature, a fragmentation exacerbated, if not caused, by an academic establishment that tends to looks askance on its members bringing any aspect of their personal lives, still less their spiritual beliefs, into their work. Del Giudice decided to push back against the resulting dichotomous state, which effectively pits the pursuit of knowledge (academia) against the pursuit of wisdom (spirituality). She contacted a number of women, most of whom she knew personally, and asked if they would be willing to provide written reflections on their lives to date often complex and multifaceted lives that encompassed a range of personal and professional identities. She encouraged each to describe how their existence has accrued meaning and purpose, as well as any spiritual leanings underpinning that process. The result is a kind of textual “Wise Women’s Circle.” It includes four folklorists (aside from Del Giudice herself, there is Mary Ellen Brown, Sabina Magliocco, and Christine Zinni) along with contributors whose professional backgrounds embrace a range of other scholarly disciplines, as well as practitioners of law, medicine, public health, and art. The spiritual and cultural leanings expressed are similarly diverse and include Catholicism, Paganism, Episcopalianism, Jungian Psychology, Judaism and Zen Buddhism. The paths of the women have often been shaped by societal and cultural expectations and institutional constraints. Despite the singular nature of each essay, a number of recurring themes emerge, not least the importance of cultural heritage, the challenges of combining a professional role with that of a domestic caregiver, workplace side-lining, the power of story-telling, and, perhaps most notably, an ongoing experience of existing within a creative, albeit uncomfortable, state of betwixt and betweeness. Del Giudice describes the contributors as “masters of bricolage and diverse resources who find meaning in lonely marginalized places, who struggle to weave together disparate aspects of life to make them meaningful” (23). All can speak to lessons learned, rewards gained, and the critical need for women’s voices to be heard. Overall, this collection is designed to inspire its readers to examine their own lives, to help them clarify their own sense of purpose, and then commit to fulfilling it, despite the obstacles which will surely arise. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

You may know Toni Morrison’s famed novel Beloved, but do you know much about the true story of the woman depicted in that story? You will know about the real story and more, by reading her biography called Driven Toward Madness: The Fugitive Slave Margaret Garner and Tragedy on the Ohio (Ohio University Press, 2016) authored by Howard University Professor of History and Department Chair Nikki Taylor. Driven Toward Madness tells the story of how fugitive slave Margaret Garner and her family escaped to free Ohio in late January 1856, only to be captured in a cabin outside of Cincinnati. What happened as the Garner family were being apprehended is the climax of the story; Taylor shows what drove Margaret’s attempt to kill all four of her children, while only successfully doing so by way of decapitating her two year-old daughter Mary. Based in history, Taylor uses various theoretical frameworks like trauma studies, pain studies, black feminist theory, and literary criticism to broaden our understandings of the why surrounding Margaret Garner’s murder of her child. Taylor broadens popular understandings of black womanhood, resistance, and what are acceptable forms of gendered violence. In doing so, Taylor displays the ways antagonistic groups like abolitionists and pro-slavery activists both used Garner’s story for their own causes without necessarily recognizing Garner’s agency and humanity. Ultimately, Taylor expresses how far a person could go to protect their child from bondage, even if that meant taking their life so they reached freedom elsewhere. Author Nikki M. Taylor is Professor of History and History Department Chair at Howard University. Her work focuses on nineteenth-century African American History. Her sub-specialties are in Urban, African American Women, and Intellectual History. Adam McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marie Grace Brown’s Khartoum at Night: Fashion and Body Politics in Imperial Sudan (Stanford University Press, 2017) is in many ways a history of fashion in Sudan, but in so many ways, its much more than that. It is the story of women in Sudan, as well as the story of their bodies and movement. Brown weaves together women’s education, women’s health, activism and more through the tobe, a popular, modest form of dress that wrapped around a woman’s head and body. She reads textiles like texts and challenges us to both read existing primary sources differently and seek out new primary sources. Khartoum at Night shows us how the centrality of the tobe shaped everyday life, but how the tobe itself was shaped by continuity and rupture in Sudanese society. What we have as a result is a story that gives agency to its actors and ultimately, the story of imperial Sudan. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1976, the landmark supreme court case Estelle v. Gamble, established that under the Eighth Amendment “deliberate indifference” to the health needs of incarcerated individuals was tantamount to cruel and unusual punishment. Now, jails and prisons are one of the rare places in the contemporary U.S. where healthcare is deemed a right and not a privilege. In her new ethnography Jailcare: Finding the Safety Net for Women behind Bars (University of California Press, 2017), physician and Anthropologist, Carolyn Sufrin, examines what this means for incarcerated women when health care, coercion and violence coalesce. In addition to describing in detail how women experience healthcare and motherhood in custody, she offers us devastating diagnoses of how broken our current health and social safety nets are that women come to desire the cruel relative safety of jail. My conversation with Dr. Sufrin just begins to tackle the rich, beautiful and devastatingly complex lives of the women she encountered and cared for as both a clinician and social scientist. While an academic monograph, this book is accessible to scholars, activists and concerned citizens alike. Dana Greenfield, PhD is a medical anthropologist and an MD candidate at the University of California, San Francisco. Her dissertation explored how the quantified-self movement and digital health technologies are shaping new ways of deriving personal and medical meaning out of new forms of data. Next year, she will begin a residency in Pediatrics. She can be reached at [email protected], or on Twitter @DanaGfield. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to Scott Straus, Leanne Fujii and others, we know quite a bit about how men behaved during the genocide in Rwanda. But we know surprisingly little about women’s actions during that crisis. Sara Brown begins to remedy this in her excellent new study Gender and Genocide in Rwanda: Women as Rescuers and Perpetrators (Routledge, 2017). Sara spent months interviewing Rwandan women. The result is a thoughtful analysis of the role gender played in facilitating or discouraging rescue and violence. As Brown says in the interview, she starts by asking the most basic question: how many, where, how? From there she moves on to examine the way women’s choices were rooted in a historical context in which a few women possessed power but many ordinary women found their choices and actions constrained. Brown highlights the way in which women were empowered by the context of genocide. Some used this opportunity to (attempt to) save lives. Others used it to loot, to demand violence, or even to kill or to rape. Brown ends her story by highlighting the way the same norms that had empowered, protected and betrayed women during the fighting shaped their lives after the genocide was over. It’s a sobering reminder of the power of gendered assumptions in the face of a breakdown of other social norms. This podcast is part of an occasional series on the genocide in Rwanda. The series began with an interview with Michael Barnett. Future interviews will feature Erin Jessee, Tim Longman, Herman Salton and others. Kelly McFall is Professor of History and Director of the Honors Program at Newman University. He’s the author of four modules in the Reacting to the Past series, including The Needs of Others: Human Rights, International Organizations and Intervention in Rwanda, 1994. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Beyond the Silver Screen: A History of Women, Filmmaking and Film Culture in Australia, 1920-1990 (Melbourne University Publishing, 2017), Mary Tomsic, an ARC Postdoctoral Research Associate at the University of Melbourne, explores the history of women’s engagement with filmmaking and film culture in Australia. From early women in film, like Lottie Lyell, to feminist filmmakers of the 1970s, Tomsic charts women’s involvement with film as political and cultural action.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Claudia Leeb’s new book, Power and Feminist Agency in Capitalism: Toward a New Theory of the Political Subject (Oxford University Press, 2017), takes up pressing issues within contemporary political and feminist theory, especially as we consider the point of action and the instance of movement. This book marries together important questions within political theory, feminist theory, and economics with specific focus on the idea of subject and how an individual subject may be poised towards action, particularly in context of moving towards a more equitable political and economic system. Leeb’s book, which theorizes about the contested nature of the political subject, explores the concept of the political subject in outline as she has titled this theory. This reinterpretation of the political subject is as an incomplete political subject, given the contested interpretations of this concept in political theory, feminist theory, and psychological theory. The text goes on to examine key political and feminist theorists in framing the positioning of the political subject, putting Marx, Adorno, and Lacan and other Frankfurt School theorists into conversation with feminist theorists. Leeb, as a result of theorizing the capacity for action by the political subject in outline, explores the tension between theory and practice, noting this mediated relationship, and delving into why there is such tension between theory and practice, especially within the academe. The issue of transformative agency, especially a kind of intersectional transformative agency that integrates both feminist and economic impulses, is at the center of Leeb’s analysis and presses on some of the limits of theory as disconnected from the practice of politics. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrea L. Turpin is an Associate Professor of History at Baylor University. Her book, A New Moral Vision: Gender, Religion and the Changing Purposes of American Higher Education, 1837-1917 (Cornell University Press, 2017), begins with the early institutions of higher learning and the contest over the idea of separate and unique education. She examines the gender history of both private and state colleges. Evangelical Protestant commitments to personal conversions and missions fuel women’s higher education beyond rudimentary instructions preparing them for domestic life. The objective was a godly social order based on the individual relationship with God. After the Civil War the influence of religious liberals, increased emphasis on research and growing demands for women’s education instigated a reevaluation of the university’s role in moral preparation. Separate men’s, women’s and co-education institutions multiplied and moved toward seeking the public good in sex-specific ways. Women trained for social service professions; men for government and institutional leadership. The shift away from personal piety to gendered character formation and service to nation created increasingly rigid notions of separate male and female cultures in the public life of the Progressive Era. Turpin’s examination highlights the role of higher education in constructing the moral and gender map of a nation. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: An Intellectual History of Liberation Theology. Learn more about your ad choices. Visit megaphone.fm/adchoices

What are your impressions when you think of the flapper? Who is she in your mind? When and where does she exist? In her new book Lost Girls: The Invention of the Flapper (Reaktion Books, 2017), Linda Simon tracks the historical narrative surrounding the flapper from the late-nineteenth century into the early decades of the twentieth century. Using sources from popular culture and from people of the time, Simon asserts that the image of the flapper did not appear out of a single historical moment but rather was invented over the decades. The flapper did not limit its impact to fashion and women’s attitudes, but also intersected with debates about race, immigration, politics, and the like. Simon’s book is an excellent and very accessible narrative on the flapper and will be of interest to anyone fascinated with gender and the history of the late-nineteenth to early-twentieth century. Linda Simon is professor emerita of English at Skidmore College. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Charles de Gaulle issued his famous call in June 1940 for the French people to continue fighting Nazi Germany, among those within Occupied France who took up the cause was his young niece Genevieve. In The General’s Niece: The Little Known de Gaulle Who Fought to Free Occupied France (Chicago Review Press, 2017), Paige Bowers tells the story of her life, one lived in perilous times. The daughter of Charles’s oldest brother Xavier, when war broke out Genevieve found herself buffeted by the dislocations that resulted. In the aftermath of the German conquest, she moved from small acts of individual defiance to full participation in the burgeoning Resistance movement, where she helped to educate her countrymen about her previously obscure uncle. Though her possession of the de Gaulle name often drew unwanted attention from the Occupation authorities, she found daring ways to use it to her advantage. Genevieve’s arrest in June 1943 led to her detention in the Ravensbruck concentration camp, an experience which as Bowers shows fueled her postwar activities on behalf of her fellow Resistance detainees, as well as her subsequent activism to fight to end chronic poverty. Learn more about your ad choices. Visit megaphone.fm/adchoices

By drawing on a vast, never-utilized trove of archival materials along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora (Oxford University Press, 2017) offers new insight about how this remarkable woman built political solidarity through the arts. One of the most important dance artists of the twentieth century, dancer and choreographer Katherine Dunham (1909-2006) created works that thrilled audiences the world over. As an African American woman, she broke barriers of race and gender, most notably as the founder of an important dance company that toured the United States, Latin America, Europe, Asia, and Australia for several decades. The author makes the argument that Dunham was more than a dancer she was an intellectual and activist committed to using dance to fight for racial justice. Dunham saw dance as a tool of liberation, as a way for people of African descent to reclaim their history and forge a new future. She put her theories into motion not only through performance, but also through education, scholarship, travel, and choices about her own life. The book examines how Dunham struggled to balance artistic dreams, personal desires, economic needs, and political commitments in the face of racism and sexism. Katherine Dunham: Dance and the African Diaspora analyzes Dunham’s multiple spheres of engagement, assessing her dance performances as a form of black feminist protest while also presenting new material about her schools in New York and East St. Louis, her work in Haiti, and also traces Dunham’s influence over the course of several decades from the New Negro Movement of the 1920s to the Black Power Movement of the late 1960s and beyond. Dance historian Joanna Dee Das is a dancer, a scholar, and an Assistant Professor of Dance at Washington University in St. Louis. She is passionate about teaching dance history from a global perspective and linking theory and practice in the classroom. Her research interests include dance in the African Diaspora, musical theater dance, the politics of performance in the twentieth century, and urban cultural policy. She received her Ph.D. in History from Columbia University, her M.A. in American Studies, from New York University, and her undergraduate degree in Dance and History, also from Columbia University. Her writing has appeared in Dance Research Journal, Journal of American History, Journal of African American History, Journal of Urban History, and Studies in Musical Theatre. This is her first book. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at [email protected].   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this podcast I talk with Tracy A. Thomas about her book Elizabeth Cady Stanton and the Feminist Foundations of Family Law (New York University Press, 2016). Professor Thomas is the John F. Seiberling Chair of Constitutional Law and Director of the Constitutional Law Center at the University of Akron School of Law. She is also editor of the Gender and the Law Prof Blog. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do women experience and participate in Metal? This question forms the core of Gender, Metal and the Media: Women Fans and the Gendered Experience of Music (Palgrave Macmillan 2016), the new book from Rosemary Lucy Hill, a lecturer in sociology at the University of Leeds. Hill’s book is both empirically detailed, drawing on analysis of Metal media, and theoretically rich, engaging with a range of work on music and gender. The book outlines the imagined community of Metal, thinking through the myths underpinning that community. By exploring myths of equality and authenticity, along with the problematic tropes of “warriors” and “groupies,” the analysis makes clear the gendered tensions of Metal fandom.The book concludes with some thoughts on how to build a new cultural vision for Metal, which will realize the promise of egalitarianism offered in much of the community and in the music. It will be essential reading across sociology, music, and media studies, as well as for all Metalheads too. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Denying Her Voice: The Figure of Miriam in Ancient Jewish Literature (Vandenhock and Ruprecht, 2016) Hanna Tervanotko first analyzes the treatment and development of Miriam as a literary character in ancient Jewish texts, taking into account all the references to this figure preserved in ancient Jewish literature from the exilic period to the early second century C.E.: Exodus 15:20-21; Deuteronomy 24:8-9; Numbers 12:1-15; 20:1; 26:59; 1 Chronicles 5:29; Micah 6:4, the Septuagint, the Dead Sea Scrolls (4Q365 6 II, 1-7; 4Q377 2 I, 9; 4Q543 1 I, 6 = 4Q545 1 I, 5; 4Q546 12, 4; 4Q547 4 I, 10; 4Q549 2, 8), Jubilees 47:4; Ezekiel the Tragedian 18; Demetrius Chronographer frag. 3; texts by Philo of Alexandria: De vita contemplativa 87; Legum allegoriae 1.76; 2.66-67; 3.103; De agricultura 80-81; Liber antiquitatum biblicarum 9:10; 20:8, and finally texts by Josephus: Antiquitates judaicae 2.221; 3.54; 3.105; 4.78. These texts demonstrate that the picture of Miriam preserved in the ancient Jewish texts is richer than the Hebrew Bible suggests. The results provide a contradictory image of Miriam. On the one hand she becomes a tool of Levitical politics, whereas on the other she continues to enjoy a freer role. People continued to interpret earlier literary traditions in light of new situations, and interpretations varied in different contexts. Second, in light of poststructuralist literary studies that treat texts as reflections of specific social situations, Tervanotko argues that the treatment of Miriam in ancient Jewish literature reflects mostly a reality in which women had little space as active agents. Despite the general tendency to allow women only little room, the references to Miriam suggest that at least some prominent women may have enjoyed occasional freedom. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her inspiring new book, Muslim Women’s Quest for Justice: Gender, Law and Activism in India (Cambridge University Press, 2017), Mengia Hong Tschalaer charts the strivings and creative struggles of Muslim women’s organizations in contemporary North India for gender justice. Carefully historicized and brimming with nuanced analysis, this book shows the discursive and political strategies through which overlapping and at times competing women’s organizations navigate a contested and complicated public sphere, as they seek to curate a gender emancipatory understanding of Islam. The major strength of this book is the way it presents a vivid picture of the quest for gender justice on the ground, leavened by such critical processes as the composition of gender-just nikah-namas. This important book will engage the interests of a range of scholars and courses on Islam, gender, South Asia, and Islamic law and society. SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Dorothy Sterling wrote her book about nineteenth-century black women in America, she stated in the introduction that the book was not a definitive history of black women but a sourcebook to lead others to “compile a complete history.” And while a complete history of black women has not yet been written, T. Denean Sharpley-Whiting has added to the history of black women in Bricktop’s Paris: African American Women in Paris Between the Two World Wars and The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets (SUNY Press, 2015). Sharpley-Whiting does two things with this book; she appeals to the scholar and the mystery reader. The first part of the book captures the multi-life history of twenty-five African American women who lived in Paris as artists, singers, club owners, poets, and writers. Sharpley-Whiting’s stories illustrate how travel and place were transformative for black women despite the length of their stay in Paris. She says, “the book is a moment in time.” In this book, we get to go into that world, a world where they were honored and treated not by the color of their skin, but by their talents. We get to meet many different women along the way. Some stayed for a long time, while others could only stay several months before returning back to the United States. By the end of the 1930s, their time was over. The second part of Bricktop’s Paris is a noir mystery, titled The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets. Sharpley-Whiting illuminates the lines of fact and fiction in the autobiography of Ada Bricktop Smith. The novel explores the black and feminine perspective of image, self-possession, and self-exhibition. The novel takes us to Paris with black American women in salons and saloons crossing boundaries with purpose, and discovering they are the wealth of the nation. Josie Baker and Bricktop what are they up to? And who did it? Bricktop’s Paris was an American Library in Paris Book Award Long List selection and a Choice 2015 Outstanding Academic Title. Sharpley-Whiting is the Gertrude Conaway Vanderbilt Distinguished Professor of African American and Diaspora Studies and French at Vanderbilt University where she also chairs African American and Diaspora Studies and directs the Callie House Center for the Study of Global Black Cultures and Politics. She publishes an academic murder mystery series under the nom de plume Tracy Whiting. She also teaches a course on Detective Fiction at Vanderbilt. The first novel, an academic cozy-thriller set in the South of France with Professor Havilah Gaie, is titled The 13thFellow: A Mystery in Provence (BooksbNimble Press, May 2015). She has completed the second mystery in this series, Paris A-Go-Go (Books nimble Press, forthcoming 2016), and is currently at-work on a scholarly volume, A Quartet in Four French Movements: A Voodoo Queen, A French Romantic, a Poet, and an African Ethnologist, as well as a family history. She is on the Executive Council of the Modern Language Association (2014-2018). Learn more about your ad choices. Visit megaphone.fm/adchoices

Jocelyn Olcott is an associate professor of History and Gender, Sexuality, and Feminist Studies at Duke University. Her book International Women’s Year: The Greatest Consciousness-raising Event in History (Oxford University Press, 2017) examines the genesis of the UN’s 1975 International Women’s Year (IWY) and the two-week conference of NGOs and government officials held in Mexico City. From the planning to the gathering itself there were conflicts regarding what were the significant women’s issues among the worlds geopolitical divides. Cold War competition colored how delegates, often from the same nation, differed in their expectations. Women from third-world nations expressing concern with the status of subsistence labor, gender violence and racism clashed with women from first-world nation’s concern with marketplace and sexual rights. Conservative, liberal, and radical groups competed for attention and the opportunity to influence the official World Plan of Action. In identifying the most pressing concerns global politics and intersectionality experienced by many could not be avoided. Olcott offers insight into the riveting back stories, conflicts, personalities, and enduring legacy of the IWY a pivotal event for what became known as global feminism. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation forthcoming from Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

Addie Wyatt stands at the intersection of unionism, feminism, and civil rights activism in post-World War II America. In Reverend Addie Wyatt: Faith and the Fight for Labor, Gender, and Racial Equality (University of Illinois Press, 2016), Marcia Walker-McWilliams recounts her life within the context of a nation she helped to change. Born in Mississippi, Addie Cameron grew up in Chicago, where despite her skills as a typist she could only find employment on the floor of a meatpacking plant. As a member of the interracial United Packinghouse Workers of America, she soon moved full time into union work, organizing workers and fighting for their rights. In her capacity as a union official she began a lifelong participation in the civil rights movement by raising funds on behalf of Montgomery Improvement Association during the 1955 bus boycott campaign, and in the 1970s formed coalitions designed to promote African American and female participation in the labor movement. As Walker-McWilliams demonstrates, throughout the many struggles she undertook Addie Wyatt’s faith was an important constant, providing her with a set of values and a source of emotional strength that helped her to persevere against the difficulties she faced. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lori Marso’s new book, Politics with Beauvoir: Freedom in the Encounter (Duke University Press, 2017), delves into Simone de Beauvoir’s political thought, feminism, and activism. The text is a fascinating exploration of these topics and complexities, but Marso takes Beauvoir’s work even further, connecting these concepts to what Marso has defined as the encounter interpreting Beauvoir’s account of the idea of freedom and the experience of freedom not only as an individual but in its relationality. Marso’s impressive engagement with Beauvoir is not just in exploring the theoretical partnering that Beauvoir has with her intellectual contemporaries like Richard Wright and Frantz Fanon, but also in putting Beauvoir into conversation with other theorists and artists, like Lars von Trier–through Beauvoir’s work on Marquis de Sade, or Allison Bechdel–as a fellow feminist theorist, or Hannah Arendt–on the topic of confronting evil and violence. The book is structured into three sections, focusing the reader’s attention on the concepts of enemies, allies, and friends, and how these personal relationships are, by definition, political, and how Beauvoir’s work and thought can and should be used to analyze contemporary cultural artifacts as well as the urgent issues of her day. Marso interrogate Beauvoir’s concept of freedom but not without also connecting that concept to its relational engagement with violence, with oppression, with colonialism, and with the broader expanse of how we think about ourselves within personal and political structures and encounters. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jennifer Fleeger‘s Mismatched Women: The Siren’s Song Through the Machine (Oxford University Press, 2014) tells the story of women in film and their representation as aberrations, but also as moments of emancipation and agency. Fleeger’s book discusses exceptional voices such as Kate Smith, known as the First Lady of Radio;... Learn more about your ad choices. Visit megaphone.fm/adchoices

In American Girls in Red Russia: Chasing the American Dream (University of Chicago Press, 2017), Julia Mickenberg tells the story of women both famous and unknown, committed radicals and adventure seekers who went to the Soviet Union in the 1920s and 1930s. She explores their motivations and experiences, as well... Learn more about your ad choices. Visit megaphone.fm/adchoices

Rosalind Rosenberg‘s book Jane Crow: The Life of Pauli Murray (Oxford University Press, 2017) is a multi-layered and rich biography of Pauli Murray, an activist, lawyer and Episcopal priest whose life intersected with the most significant civil and human rights issues of the twentieth century. As a mixed raced woman who felt that her identity was at odds with her body before transsexual had become part of the popular consciousness, Murray’s life provides insight into a lived intersectionality of race, class, gender, and sexuality. Beginning with her southern upbringing, we follow Murray through multiple educational, vocational and identity challenges she suffered. In a journey through a dislocated life, she contributed to multiple movements and institutions working with many key social leaders such as Thurgood Marshall, Eleanor Roosevelt and Betty Friedan. Appearing as a one-person social movement with a deep religious faith she pursued justice not only for herself but also for others. Rosenberg has provided sympathetic insight into the personal cost that Murray incurred on the road to a more equitable society. Rosalind Rosenberg is Professor of History Emerita at Barnard College. Lilian Calles Barger is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

The daughter of the emperor Theodosius I, Galla Placidia successfully navigated the tumultuous politics of the late Roman Empire to rule as regent for her son Valentinian III. In Rome’s Christian Empress: Galla Placidia Rules at the Twilight of the Empire (Johns Hopkins University Press, 2015), Joyce Salisbury details the extent of this accomplishment by situating it within the context of her time. Orphaned at an early age, Placidia grew up in the household of Stilicho, a Vandal general who had established himself as the most powerful figure in the western Empire. The sacking of Rome in 410 made her the captive of the victorious Goths, eventually marrying their leader Ataulf. After the tragic death of their son and Ataulf’s subsequent assassination brought her hopes of establishing a Romano-Gothic dynasty to an end, she was forced by her ruling half-brother Honorius to marry his general Constantius III. With Constantinus and Honorius’s deaths leaving her son Valentinian as emperor, Placidia became regent for the boy, in which capacity she dealt with the problems of barbarian invasions, rebellious commanders, and the many other challenges of an empire in decline. Learn more about your ad choices. Visit megaphone.fm/adchoices

Leigh Fought is an assistant professor of history at Le Moyne College. Her book Women in the World of Frederick Douglass (Oxford University Press, 2017) offers a detailed and rich portrait of Frederick Douglass’ private and public life and his many relationships with women. From his enslaved mother Harriet, Sophia Auld the slave mistress that sparked his interest in reading, to his wife of forty-four years Anna Murray, daughter Rosetta and his white second wife Helen Pitts; these were the women who populated his private world. From each he learned lessons about the workings of race, gender and class in America and prepared him to collaborate with many antislavery women including Julia Griffiths, Maria Weston Chapman and Amy Post. He saw his fight for abolition as part of “woman’s cause” bringing him into contact with Elizabeth Cady Stanton and Susan B. Anthony. Seeing himself as “woman’s rights man,” who had attended the Seneca Falls Woman’s Rights Convention in 1848, he was perplexed by the betrayal of many woman’s rights advocates. Fought fills in much of what is lacking in the female “empty space” in the study of Douglass allowing a fuller understanding of his life and ideas. This is an invaluable contribution to Douglass studies. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices

Now and then we feature a book on New Books in Southeast Asian Studies whose author we ought to have had on the show some time ago. The Perfect Business? Anti-Trafficking and the Sex Trade Along the Mekong (University of Hawaii Press, 2012) is one such book. Sverre Molland wrote his tandem ethnography of traffickers and anti-traffickers while researching on the border of Thailand and Laos in the 2000s, after a stint in an anti-trafficking project in which the incongruities of identifying and criminalizing alleged human traffickers became all too obvious to him. Bringing an anthropological lens to the juridical and economic categories that are usually deployed both to explain and address the phenomenon of trafficking for sex, Molland shows that the premises on which anti-trafficking programs operate are unsound. The movement of women and girls in and out of the sex trade is deeply socially embedded. Only by attending to the many varied ways that recruitment into the trade occurs can it be understood. With that, moralizing and paternalistic projects for trafficking’s elimination, as well as indicator projects for its enumeration, might be set to one side, and replaced with other ways of knowing and dealing with the phenomenon that might be rather more sensible, if less aspirational. Sverre Molland joins New Books in Southeast Asian Studies to talk about the many layers of deception and consent in sex work, bad faith among traffickers and anti-traffickers, the misguidance of the market metaphor, teens trading teens, agency, structural violence, and the trend towards privately funded anti-trafficking and anti-slavery projects in Southeast Asia. Listeners of this episode may also be interested in: Holly High, Fields of Desire: Poverty and Policy in Laos Denise Brennan, Life Interrupted: Trafficking into Forced Labor in the United States Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University and in 2016-17 a member of the Institute for Advanced Study, Princeton. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Brittney C. Cooper, who is an assistant professor of women’s and gender studies at Rutgers University, explores the intellectual genealogy and geography of the work of African-American women over the course of more than a century in her book, Beyond Respectability: The Intellectual Thought of Race Women (University of Illinois Press, 2017). While knitting together an understanding of the intellectual achievements and contributions of many African-American women, Cooper pays particular attention to Anna Julia Cooper, Fannie Barrier Williams, Mary Church Terrell, Pauli Murray, Toni Cade Bambara and the engagement that these women had with ideas, highlighting the contributions they made to racial knowledge, questions of gender, and civic engagement within the United States, from the period after Reconstruction through the 1970s. Cooper than provides a contemporary epilogue, integrating into her research the conversation around the beginnings of the #blacklivesmatter movement and the women who started it, Patrisse Khan-Cullors, Alicia Garza, and Opal Tometi, and how they, like the race women who preceded them, have been compelled to attest to their primacy in thinking about and then coming together to form this more recent social movement. Cooper traces the spaces where Black female intellectual engagement took place, in places like the National Association for Colored Women, the club movement, and the pages of the political magazine, Voice of the Negro, as well as how some of this movement migrated into college and university classrooms and programs. Cooper’s book engages with the actual ideas and concepts that many of these women voiced or wrote, as well as analyzing the intellectual conversations these women had with each other on occasion, but more particularly with their contemporaries. Beyond Respectability is both accessible and sophisticated in the discussion of American intellectual history, race, gender, sexual orientation, black feminism, citizenship, and social engagement. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Feminist Activism at War: Belgrade and Zagreb Feminists in the 1990s (Routledge, 2017), Macedonian researcher, peace-worker, and activist Ana Miskovska Kajevska analyses the way feminists in Belgrade and Zagreb reacted to the (post-)Yugoslav wars, with an emphasis on their discourses and activities regarding (sexual) war violence and on each other. Using a Bourdieu-based methodology supplemented by interviews, she challenges common assumptions that were not subject to scholarly debate before. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the capital of the African nation of Angola today stands a statue to Njinga, the 17th century queen of the Ndongo and Matamba kingdoms. Its presence is a testament to her skills as a diplomat, warrior, and leader of her people, all of which she demonstrated over the course of a reign described by Linda Heywood in Njinga of Angola: Africa’s Warrior Queen (Harvard University Press, 2017). The daughter of the Ndongo king Mbande a Ngola, Njinga grew up in a west central Africa that was facing growing encroachment by Portugal, who were major customers in the regions slave trade. Seeking to extend their control, the Portuguese challenged Njinga’s succession to the throne in 1624, prompting a war that lasted for three decades. To persevere, Njinga had to navigate the complex politics of the region, gaining control of the Matamba kingdom and pursuing ties with both the Vatican and the Dutch to provide a counterweight to the Portuguese. The treaty signed with Portugal in 1656 was a testament to her success, allowing her to focus on establishing a legacy of an independent kingdom that she could pass on to her sister after her death. Learn more about your ad choices. Visit megaphone.fm/adchoices

Historically, foreign policy has been seen as a sphere shaped and determined by the concerns of men alone. In ‘Guilty Women’: Foreign Policy and Appeasement in Inter-War Britain (Palgrave Macmillan, 2015), Julie Gottlieb demonstrates the fallacy of such a view when applied to understanding how Britain responded to the growing aggressiveness of Nazi Germany in the 1930s. By highlighting the activities of politically-engaged women from across the ideological spectrum, she details the range of efforts they undertook from hosting social engagements with politically prominent individuals to lobbying on key issues in their efforts to sway the development of foreign policy. As she reveals, much of the debate over appeasement was framed in gendered terms, often citing the concerns of women as justification for concessions to avoid war. Gottlieb also assesses the attitudes of British women generally towards appeasement, drawing upon the fledgling efforts of public opinion polling to identify their positions on the issues and the influence they exerted politically. The result is a nuanced reassessment of the development of appeasement and the debates that took place over it, both in the years prior to the war and in the months that followed Britain’s entry into it. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeanette Jouili‘s fascinating new book Pious Practice and Secular Constraints: Women in the Islamic Revival in Europe (Stanford University Press, 2015) navigates practices and challenges of living pious ethical lives in inhospitable conditions. Through a finely textured analysis of quotidian practices of piety among conservative Muslim women in France and Germany, this book offers a nuanced and analytically rich examination of the intersection of ethics, secular conditions, and religious normative imaginaries. The strength of this book lies in the way it brilliantly hues the tensions of everyday life with sharp theoretical reflections on questions of ethics, moral agency, and gender. Although a commentary of aspirations of piety among Muslim women in Europe, this book also shows fractures in European promises of pluralism. SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

Were women a problem in early modern Japan? If they were, what was the nature of the problem they posed? For whom, and why? Marcia Yonemoto‘s new book explores these questions in a compelling study that brings together the public discourse on women in the Tokugawa period (including prescriptive literature,... Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, Dr. Joyce Brothers: The Founding Mother of TV Psychology (Rowman and Littlefield, 2016), Kathleen Collins presents an extensive history of the woman who is arguably the most famous television psychologist. Starting with Brothers’ appearance as a boxing expert on the $64,000 Question in the 1950s, and bringing readers through her decades-long career in television and radio, Collins argues that Brothers created the personal approach to psychology that became the norm for television other popular media. Collins examines the different ways that Brothers created a career for herself for over 50 years, looking at her role as psychologist, as well as her roles as guest star, actor, and media celebrity. She looks at the ways Brothers used her savvy business sense to create a multilayered career that made vital contributions to psychology, television, and U.S. cultural history. Collins uses Brothers’ personal papers and her published interviews as well as her own interviews with Brothers’ daughter and colleagues to create a well-researched and informative exploration into this television icon. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

When America went to war against Germany in 1917, the scale of the conflict required the mobilization of women as well as men in order to achieve victory. In The Second Line of Defense: American Women and World War I (University of North Carolina Press, 2017), Lynn Dumenil describes the many ways in which women participated in the war effort and the ways in which it transformed their lives. As she notes, in the years leading up to the war increasing numbers of American women were employed outside the home and involved in the public sphere. For many the politically-engaged among their number, the decision to go to war presented an opportunity to demonstrate their gender’s patriotism and worthiness for the vote. Thousands showed their support for the soldiers by participating in a variety of volunteer activities, with some even traveling to Europe to work in canteens or as nurses. Many more took up the jobs that the men left behind, filling the void created by their enlistment. These efforts were celebrated in the popular media of the time, though often with the message that these new roles were only temporary. Yet as Dumenil demonstrates, while postwar gains were indeed limited, the involvement of women in the war accelerated many of the changes taking place in politics and society, changes which were reflected in new attitudes and expectations held by these women in the 1920s and beyond. Learn more about your ad choices. Visit megaphone.fm/adchoices

Caterina Corner lived a life that was composed of a mixture of adventure, power, and tragedy. The daughter of a Venetian patrician and merchant, she was married to the king of Cyprus while barely a teenager. Within two years of voyaging to her new home in 1472, she became a mother, a widow, and the ruler of Cyprus, over which she reigned until she was dethroned by her Venetian benefactors in 1489. In Daughter of Venice: Caterina Corner, Queen of Cyprus and Woman of the Renaissance (Yale University Press, 2015), Holly Hurlburt describes the life and artistic legacy of this remarkable woman. As she explains, much of our image of her is shaped by the portraits and other artwork of her, both from her reign and afterward. In combination with the extant documentary record, they reveal how Caterina maintained and projected her authority as queen in a tumultuous time while facing challenges from several Mediterranean powers. Ever after her removal to a community in northern Venice, she maintained her influence and dignity as the lady of Asolo, both as a noble landowner and as a Renaissance patron. Learn more about your ad choices. Visit megaphone.fm/adchoices

Five charismatic women navigate uneven terrain of racial gender and class stereotypes: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey and Halle Berry. The quintet charisma, as explored by Dr. Mia Mask in Divas on The Screen: Black Women in American Film (University of Illinois Press, 2009), range from erotic and a phallic idol of perversity and sexuality to comedic, cathartic and capitalistic to beauty in the multicultural age. Dr. Mask, associate professor of film at Vassar College, says they are the building blocks of our black women stars today. And the building blocks focus on what can we learn from the complex and contradictory careers of successful black women? Where do we find African-Americans in the performative, other-directed, narcissistic culture? What does African-American stardom as a social phenomenon reveal about the aspirations of black folks in the 21st Century? How have African-Americans-in their struggle for inclusion in commercial entertainment-complied with dominant culture? (Introduction 4). Divas on Screen considers Dandridge’s status as a sexual commodity in films revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier’s feminist-camp performances in sexploitation pictures and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg’s transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey’s daily television performance as self-made, self-help guru echoes Horatio Alger’s narratives of success. Finally, Mask analyzes Berry’s meteoric success by acknowledging the ways in which Dandridge’s career made Berry’s possible. Dr. Mask teaches African American cinema, documentary film history, seminars on special topics such as the horror film, and auteurs like Spike Lee. She also teaches feminist film theory, African national cinemas, and various genre courses. Dr. Mask also curated and edited the anthology Contemporary Black American Cinema: Race, Gender, Sexuality at the Movies. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did gender relations change in the computing industry? And how did the UK go from leading the world to having an all but extinct computer industry by the 1970s? In Programmed Inequality: How Britain Discarded Women Technologists and Lost Its Edge in Computing (MIT Press, 2017). Marie Hicks, an Assistant Professor of History at the Illinois Institute of Technology, offers a detailed and comprehensive overview of this radical social change. Based on rich and detailed archival and interview sources, packed with illustrations and individual narratives of the 1940s to the 1970s, the book demonstrates how the rigid class and gender hierarchies of British society were recreated and reproduced in attempts to modernise the state through technology. As the book’s conclusion notes, “all history of computing is gendered history,” meaning the book is essential reading for anyone interested in how we have the computing and technology industries we have today. The first chapter of the book can be read here, and you can learn more about the book and Dr. Hick’s work on her twitter and on the book’s twitter feed. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the early days of the BBC in 1922, women were everywhere in the broadcasting company’s offices. They were absent, however, argues Dr. Kate Murphy from most of the historiography devoted to this illustrious institution. In this vibrant monograph, Murphy sets out to find these hidden female figures. A former producer of the long-running program Woman’s Hour and currently a Senior Lecturer at Bournemouth University in the UK, Murphy is cognizant both of women’s contribution to the BBC and of the challenges they face working there. In Behind the Wireless: A History of Women at the BBC (Palgrave Macmillan, 2016), Murphy delivers on the titles promises. First, she offers a detailed portrait of the BBC in the interwar period as a unique workplace complete with medical services, a subsidized canteen, and a country-club for its workers. She demonstrates why the fact that the company was created around on a new technology made it especially suitable for women in general, and ambitious ones in particular. Second, she illuminates the daily routines, challenges and opportunities for the scores of female typists, secretaries, clerks and telephone-operators who labored for the company. Murphy supplements this institutional history with four case studies of outstanding women, who rose to the top echelons of the organization. These three components make for a fascinating read. The book will complement the scholarship about the BBC but also add to the current exploration of the participation of women in the workforce in the interwar period. I expect that the book will be of great interest for scholars of media, gender, modern Britain and labor relations. It is a wonderful example of how to bring all these concerns into conversation. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at [email protected]   Learn more about your ad choices. Visit megaphone.fm/adchoices

In his acclaimed biography Eye on the Struggle: Ethel Payne, the First Lady of the Black Press (Amistad, Reprint Edition, 2017), James McGrath Morris explores the fascinating life of pioneering black female journalist Ethel Payne. Backed by exhaustive archival research, Morris traces Payne’s role in documenting the civil rights struggle during the decades following World War II, before her later impact as the first female African American radio and television commentator on a national network. The New York Times has described Eyes on the Struggle as an “an important and often absorbing new book,” while the Chicago Tribune has contended that Morris’ beautifully written and carefully researched new book “gives Payne’s ground-breaking work the attention it deserves.” Morris’ other books include Pulitzer: A Life in Politics, Print, and Power, which Booklist placed on its 2010 list of the ten best biographies, and The Rose Man of Sing Sing: A True Tale of Life, Murder, and Redemption in the Age of Yellow Journalism, which the Washington Post named as one of its Best Books of the Year. His most recent work is The Ambulance Drivers: Hemingway, Dos Passos, and a Friendship Made and Lost in War which will be published in April 2017 by Da Capo Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

Henry and Emily Folger were linked together not just by their love for one another, but their shared passion for the works of William Shakespeare. In Collecting Shakespeare: The Story of Henry and Emily Folger (Johns Hopkins University Press, 2014), Stephen H. Grant describes how the two of them devoted their lives to acquiring Shakespeare’s works and related artifacts and how that collection became the cornerstone of one of the great cultural institutions in the world today. Though his interest in Shakespeare developed during his time at Amherst College, Henry Folger chose a career in business and began working for Standard Oil while in law school. It was through his membership in a literary circle that he met Emily, a Vassar graduate who taught in Brooklyn. As husband and wife they spent their time combing through catalogues, traveling, and engaging in constant correspondence with booksellers and others in search of First Folios and other rare works of early modern English literature. While they were reticent about their collection during their lifetime, the two sought to memorialize their success with what became the Folger Shakespeare Library, a research institution funded by the fortune Henry built up over half a century and guided to realization after his death by Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices

As I write this, the women’s basketball team for the University of Connecticut is in the midst of a 107 game winning streak. It’s quite reasonable to assert that Geno Auriemma will end his career as the most successful coach in basketball history. In the excitement of setting so many records, many people don’t remember a world where women’s basketball at the university level was, at best, an afterthought. Kelly Belanger’s new book, Invisible Seasons: Title IX and the Fight for Equity in College Sports (Syracuse University Press, 2016) offers a valuable reminder that what is might not have been. The book examines the efforts by female basketball players at Michigan State University in 1977 to assert their right to an equitable share of university resources and respect. This period was a critical one for the newly passed Title IX, a statue in American law prohibiting educational institutions from discriminating by gender. With the federal government debating how to determine if a school had violated the law, players, coaches and universities tried to figure out how the law applied to them. The result at Michigan State was a protracted struggle by many of the female basketball players to claim their legal rights. Belanger teaches English and writing at Valparaiso University. She also played basketball at Michigan state in the early 1980s, when the court case that concluded this struggle was still in process. She has an eye for details and nuance and her retelling of the story as history is excellent. But her background in rhetoric allows her to flesh out her historical account with a thoughtful analysis of the rhetorical choices made by each of the ‘sides.’ Anyone interested in Title IX or in women’s sports should add this book to their reading list. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Lavender and Red: Liberation and Solidarity in the Gay and Lesbian Left (University of California Press, 2016), Emily K. Hobson challenges conceptions of LGBTQ activism as single-issue analogous to but separate from other activist initiatives. Instead, Hobson uncovers the gay and lesbian left, whose activists saw sexual liberation as intertwined with challenging racism, militarism, and imperialism. She focuses on the gay and lesbian left in the San Francisco Bay Area, tracing the movement from 1968 through 1991. This community of struggle was separate from both separatist and liberal LGBTQ organizing. It grew out of late-1960s and early-1970s gay liberation, but solidified in the mid to late 1970s, usually seen as a period when gay activism turned to more reformist and single-issue frameworks. Geography, space and place are important to Hobson’s analysis. The Bay Area generated a lesbian and gay left partly because of newly politicized white queers proximity to Black liberationists, women of color feminists, socialist feminists, and Central American anti-imperialist and anti-capitalist refugees. These activists encountered each other in neighborhoods, activist offices, and at marches and rallies, where they learned form and sharpened each others politics as well as changed the trajectory of each others actions. As the New Right gained ascendancy, lesbian and gay activists found common cause with others under attack within and outside the Unites States. Over the decades, gay and lesbian leftists supported the Black Panther Party and political prisoners, challenged U.S. intervention in Central America, built links with lesbian and gay Sandinistas in Nicaragua, and brought their direct action skills to bear on the AIDS epidemic. Their coalitions were not without tensions, particularly ones of race; many gay and lesbian left groups were primarily white, and gay and lesbians of color challenged these gaps to create their own left-leaning formations and solidarities with other oppressed groups. Hobson analyzes these tensions and recovers varying forms of political critique, strategy, and community. Through drawing on oral histories and archival documents, including striking photographs, flyers, and political artwork, Lavender and Red lifts up a strain of gay and lesbian activism that had been all but lost to memory for most activists and scholars of today. Emily Hobson serves as Assistant Professor of History and Gender, Race and Identity at University of Nevada, Reno. Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice. Learn more about your ad choices. Visit megaphone.fm/adchoices

In an activist application of her scholarly discipline, Dr Liz Conor’s Skin Deep: Settler Impressions of Aboriginal Women (UWA Publishing, 2016) acknowledges its dual potential to disturb and to incite a reckoning – giving life to Audre Lorde’s famous quote that the learning process is something to be incited, like a riot. Using travelogues, cartoon strips, missionary diaries, paintings and lithographs, just to name a few, Dr. Conor’s consultation of a vast colonial archive challenges the amnesia in our national record and, accordingly, the racism and misogyny of our cultural imaginary. Recreating the settler-colonial imaginary and the tropes and stereotypes it projected in the imperial enterprise of knowledge production about Aboriginal women, Skin Deep exposes the interlocking oppressions of gender and race that manifested in the 18th, 19th and 20th century. From the innocent native-belle, to the beaten captive bride, the cannibalistic mother to the bare-footed domestic worker, the sexualised metonym of the virginal land to the unsightly, malevolent matriarch, the Aboriginal women was reduced by the settler to a canvas – recklessly painted with the ideologies, expectations and ambitions of the empire – making the Aboriginal women devastatingly skin-deep. Taylor Fox-Smith is teaching gender studies at Macquarie University and researching the gender gap in political behaviour and psychology at the United States Studies Centre in Sydney, Australia. Having received a Bachelor of International and Global Studies with first class Honours in American Studies at the University of Sydney, Taylor was awarded the American Studies Best Thesis Award for her work titled The Lemonade Nexus. The thesis uses the theme of marital infidelity in Beyonce’s 2016 visual album Lemonade as a popular cultural narrative of institutional betrayal, and parallels it with police brutality in Baltimore city. It argues that the album provides an alternative model of political formation which can help to understand redemption in the wake of an urban uprising. Rewriting the traditional protest to politics narrative with an iterative nexus named after the album, Taylor’s research continues to straddle political science, gender studies and popular culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

When people think of the Virgin Mary in terms of American religious history, there is a tendency to focus on opposition. For instance, Catholic devotion to Mary on the one side, and Protestant critique of that devotion on the other side. However, while recognizing the real differences in Catholic and Protestant belief about Mary, in her new book, The Valiant Woman: The Virgin Mary in Nineteenth-Century American Culture (University of North Carolina Press, 2016), Dr. Elizabeth Hayes Alvarez, shows that such simple binaries are problematic. Through a careful study of newspaper accounts, travelogues, literature, and art, Alvarez shows how Catholics and Protestants, while differing in what they believed about Mary and how they interacted with her, utilized her in very similar ways within popular culture. For instance, ideas of the purity of womanhood and domestic queenship resonated strongly with both audiences. This fascinating study would therefore be of interest to scholars of American religion and would be appropriate in a graduate or upper-level undergraduate class. Learn more about your ad choices. Visit megaphone.fm/adchoices

Meredith K. Ray’s new book contextualizes and translates a range of seventeenth-century letters, mostly between Margherita Sarrocchi (1560-1617) and Galileo Galilei (1564-1642), that collectively offer a fascinating window into the correspondence of two brilliant early modern writers and intellectuals. Margherita Sarrocchi’s Letters to Galileo: Astronomy, Astrology, and Poetics in Seventeenth-Century Italy (Palgrave Macmillan, 2016) traces the relationship between Sarrocchi, a Naples-born writer, famous for her salons and for writing an epic poem that emphasized the significance of women as knowers of the natural world, with Galileo. The letters feature three major themes: Sarrocchi consulting Galileo for writerly advice as she revised her epic poem, Sarrocchi’s efforts to defend Galileo’s discoveries to the scientific community in Italy, and Sarrocchi and Galileo’s shared interest in judicial astrology and natal charts or nativities. The slim volume will be a resource not just for readers and researchers but also for classroom discussion, where the letters could serve as great primary sources to feature in a number of course contexts. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

On the frontier of feminist technoscience research, Ericka Johnson’s collaborative project Gendering Drugs: Feminist Studies of Pharmaceuticals (Palgrave Macmillan, 2017) explores how the gendered body is produced in and by medical technologies. From an Alzheimers disease study that relied on the process of sexing flies, to the pharamceuticalized prostate, to the medical experiences of transgender children, Part 1 uses the body as subject to disrupt the binaries of male/female, human/non-human and healthy/unhealthy. In Part 2, titled Creating Subjectivities for Patients in Advertising, the book expands its analysis to the commercial images and discourses used in marketing and prescribing relational subjectivities. Observing the way pharmaceuticals insert themselves into familial and romantic relationships, the HPV vaccine is used as an example of drugs as non-human participants in the parent-child partnership. Through an international lens, Part 3 provides three comparative case studies of the way that knowledge about HPV is produced in Columbia, the U.K. and Austria. In perhaps the most poignant contribution to feminist research agendas, across disciplines, Johnson concludes our interview by explaining her unique metaphor of refraction. Noting the notorious difficulty of seeing and articulating discursive power structures, Johnson recognises that the ability to articulate what is being said to us or about us, and identifying who is doing that saying, is a cornerstone to feminist scholarship as it allows us to identify against whom can we protest, deny, and challenge. Her metaphor of refraction is thus a way of thinking about material objects, once they have become tropes, such as the HPV vaccine across national contexts, and being able to see it as a prism that refracts the discourses within which it was originally entangled. This image of refraction forces us to think of a material object like the HPV vaccine as creating a spectrum of visible actors, concerns and values. And it is these visible things that help us to articulate discourses – which then allow us to protest and possibly erase their problematic power structures. Taylor Fox-Smith is teaching gender studies at Macquarie University and researching the gender gap in political behaviour and psychology at the United States Studies Centre in Sydney, Australia. Having received a Bachelor of International and Global Studies with first class Honours in American Studies at the University of Sydney, Taylor was awarded the American Studies Best Thesis Award for her work titled The Lemonade Nexus. The thesis uses the theme of marital infidelity in Beyonce’s 2016 visual album Lemonade as a popular cultural narrative of institutional betrayal, and parallels it with police brutality in Baltimore city. It argues that the album provides an alternative model of political formation which can help to understand redemption in the wake of an urban uprising. Rewriting the traditional protest to politics narrative with an iterative nexus named after the album, Taylor’s research continues to straddle political science, gender studies and popular culture. Learn more about your ad choices. Visit megaphone.fm/adchoices