When did "parenting" become a verb? Why is it so hard to parent, and so rife with the possibility of failure? Sitcom families of the past--the Cleavers, the Bradys, the Conners--didn't seem to lose any sleep about their parenting methods. Today, parents are likely to be up late, doomscrolling on parenting websites. In Long Days, Short Years: A Cultural History of Modern Parenting (MIT Press, 2022), Andrew Bomback--physician, writer, and father of three young children--looks at why it can be so much fun to be a parent but, at the same time, so frustrating and difficult to parent. It's not a "how to" book (although Bomback has read plenty of these) but a "how come" book, investigating the emergence of an immersive, all-in approach to raising children that has made parenting a competitive (and often not very enjoyable) sport. Drawing on parenting books, mommy blogs, and historical accounts of parental duties as well as novels, films, podcasts, television shows, and his own experiences as a parent, Bomback charts the cultural history of parenting as a skill to be mastered, from the laid-back Dr. Spock's 1950s childcare bible--in some years outsold only by the actual Bible--to the more rigid training schedules of Babywise. Along the way, he considers the high costs of commercialized parenting (from the babymoon on), the pressure on mothers to have it all (and do it all), scripted parenting as laid out in How to Talk So Kids Will Listen, parenting during a pandemic, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Black Women, Citizenship, and the Making of Modern Cuba (University of Florida Press, 2021), Dr. Takkara Brunson examines the political strategies used by Afro-Cuban women between 1886 and 1959 to call for greater rights and opportunities for Afro-Cubans. Afro-Cuban women channeled their energy for Black rights through letter writing, sitting for photographs and comportment, founding their own organizations, and seeking and winning political offices in the Communist Party, to name a few of their strategies. While pursuing the political avenues available to them, Black women also navigated and had to contend with patriarchy and racelessness. In putting together this compelling story, Brunson undertook research in archives in Cuba and the United States. She hones in on the lives of particular women in each chapter to show how they advanced calls for Black citizenship and rights. Brunson builds on the work of Latin American and Cuban history as well as Black feminist scholarship to center Black women as critical protagonists in the struggle for Black rights and freedom. Dr. Takkara Brunson is an Associate Professor in the Department of History at Texas A&M University. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by two guests: Dr. Fiona Crawford, a writer, editor, and researcher whose work engages with social, environmental, and sports. Dr. Crawford writes for a range of publications including Four Four Two and works frequently Football Australia. We are also joined by Dr. Lee McGowan, a researcher, writer and teacher working at the University of Sunshine Coast. Dr McGowan works on the intersections of sport, culture and community engagement. Together, they are the authors of Never Say Die: The Hundred-Year Overnight Success of Australian Women’s Football (University of New South Wales Press, 2019). In our conversation, we discussed the booms and busts of women’s football in Australia, “sliding door” moments that offered alternative possibilities for women’s football, and the obstacles facing the contemporary women’s game around the world. In Never Say Die, Crawford and McGowan both trace the history of women’s football in Australia and offer a commentary on the state of the women’s game today. The first three chapters chart the development of women’s football, emerging earliest in Queensland before being hobbled by the actions of men in state federations. In this way, the rise and fall of the early Australian game mirrored history of the famous English FA ban of women’s football. An Australian women’s led football league re-emerged in the heady days of the 1960s and 1970s, when creative and hardworking people such as Pat O’Connor, Elaine Watson, and Heather Reid opened the way for an Australia wide women’s competition. In 1974, female administrators and players organized the Australian Women’s Soccer Association, which under the leadership of “quiet achieving ground breakers” built the foundations for women’s football today. The following year they competed in the Asian Women’s Championship, but never with the same financial support as the men’s side. Of course, success brought new challenges and the Crawford Report (no relation) helped to subordinate women’s football again under the national federation: Football Australia. The latter chapters of Never Say Die deal with contemporary challenges to the women’s game including: the organization of the W-League, pay disputes between the women’s national team and the federation, injury issues among women’s footballers resulting from inadequate medical facilities and improper training, a dearth of female coaches, particularly at the top level, and the trajectory of the current Matildas. Crawford and McGowan’s comments in these chapters are vital for understanding the issues in women’s football today and have helped to shape public debate over issues such as pay disparities, an issue that has subsequently been addressed by Football Australia. In their work, Crawford and McGowan offer a compelling and rich account of women’s football in Australia. Their work is informed not only by a deep dive into the archival resources, especially the popular press, but also by interviews with many former women’s players, referees, coaches and administrators. Crawford and McGowan’s very readable and timely book will be of interest to people broadly interested in sport, especially those with a focus on women’s sport, but also to a public audience interested in the history of the Matildas before the 2023 Australian Women’s World Cup. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at [email protected] and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly. However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity. Mary J. Magoulick is professor of English at Georgia College and State University. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at [email protected] or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Buy Black: How Black Women Transformed US Pop Culture (U Illinois Press, 2022) examines the role American Black women play in Black consumption in the US and worldwide, with a focus on their pivotal role in packaging Black feminine identity since the 1960s. Through an exploration of the dolls, princesses, and rags-to-riches stories that represent Black girlhood and womanhood in everything from haircare to Nicki Minaj’s hip-hop, Aria S. Halliday spotlights how the products created by Black women have furthered Black women’s position as the moral compass and arbiter of Black racial progress. Buy Black reveals what attitudes inform a contemporary Black sensibility based in representation and consumerism. It also traces the parameters of Black symbolic power, mapping the sites where intraracial ideals of blackness, womanhood, beauty, play, and sexuality meet and mix in consumer and popular culture. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at [email protected] and on twitter @MickellCarter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Science plays a substantial, though under-acknowledged, role in shaping popular understandings of rape. Statistical figures like “1 in 4 women have experienced completed or attempted rape” are central for raising awareness. Yet such scientific facts often become points of controversy, particularly as conservative scholars and public figures attempt to discredit feminist activists. Rape by the Numbers: Producing and Contesting Scientific Knowledge about Sexual Violence (Rutgers University Press, 2021) by Dr. Ethan Czuy Levine explores scientists’ approaches to studying rape over more than forty years in the United States and Canada. In addition to investigating how scientists come to know the scope, causes, and consequences of rape, this book delves into the politics of rape research. Scholars who study rape often face a range of social pressures and resource constraints, including some that are unique to feminized and politicized fields of inquiry. Collectively, these matters have far-reaching consequences. Scientific projects may determine who counts as a potential victim/survivor or aggressor in a range of contexts, shaping research agendas as well as state policy, anti-violence programming and services, and public perceptions. Social processes within the study of rape determine which knowledges count as credible science, and thus who may count as an expert in academic and public contexts. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dirshuni: Contemporary Women's Midrash (Brandeis UP, 2022), is the first-ever English edition of a historic collection of midrashim composed by Israeli women, which has been long-anticipated by multiple American audiences, including synagogues, rabbinical seminaries, adult learning programs, Jewish educators, and scholars of gender and religion. Using the classical forms developed by the ancient rabbis, the contributors express their religious and moral thought and experience through innovative interpretations of scripture.  The women writers, from all denominations and beyond, of all political stripes and ethnic backgrounds, contribute their Torah to fill the missing half of the sacred Jewish bookshelf. This book reflects dramatic changes in the agency of women in the world of religious writings. The volume features a comprehensive introduction to Midrash for the uninitiated reader by the distinguished scholar Tamar Kadari and extensive annotation and commentary by Tamar Biala. Matthew Miller is a graduate of Yeshivat Yesodei HaTorah. He studied Jewish Studies and Linguistics at McGill for his BA and completed an MA in Hebrew Linguistics at Queen Mary University of London. He works with Jewish organizations in media and content distribution, such as TheHabura.com and RabbiEfremGoldberg.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

Leah Cargin (Ph.D student, University of Oklahoma) speaks with Elizabeth Quay Hutchison (Professor, University of New Mexico) about Hutchison’s recent book, Workers Like All the Rest of Them: Domestic Service and the Rights of Labor in Twentieth-Century Chile (Duke University Press, 2021). In this episode, Leah Cargin invites Elizabeth Hutchison to consider the long-term influences that have shaped her personal and professional interests in Latin American history and gender history, and to reflect on how these commitments led to this recent book. Hutchison introduces us to a few of the cooks, nannies, gardeners, and housekeepers who mobilized for recognition as workers in twentieth-century Chile, including Doña Elba Bravo and Aída Moreno Valenzuela. Rooted in oral histories with leaders and allies of the domestic service workers’ movement, Hutchison analyzes how changing constructions of domestic service labor impacted women’s work in this underpaid and under-regulated sector over the course of the twentieth century. The ‘living archive’ of activists’ testimony, in combination with congressional and associational records, enables Hutchison to narrate large-scale social and political change in Chile, centering the perspective of women domestic workers, and showcasing the alliances they forged with leadership in the Catholic Church, left-wing political organizations, and feminist organizations. Throughout this conversation, Hutchison observes the obligations and rewards of politically- and socially-engaged scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hannah Arendt said that she had one life-long “best friend.” That was Rachel Varnhagen, a Jewish woman who lived in Enlightenment-era Berlin around 1800 and died 73 years before Arendt was born, in 1906. Arendt wrote her first book, a startlingly original literary biography of Varnhagen who founded one of the most celebrated yet short-lived salons in Enlightenment era Prussia. I spoke with Courtney Blair Hodrick, a doctoral candidate completing a book-long study of Arendt, and Professor Amir Eshel, both of Stanford University to discover what is at stake in Arendt’s unusual biography, why the book meant at once so much to Arendt and why she nonetheless almost neglected to publish it, and what this biography of a Jewish women in 19th century Berlin can teach us today about questions of identity, belonging, assimilation, women, Jews, anti-Semitism, freedom, politics, the private and the public, and many of the other topics that concerned Arendt throughout her lifetime. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email [email protected]; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Empress Eugenie: A Footnote History, 1826-1920 (Grosvenor House, 2022) is the story of the glamorous French Empress who escaped from a vengeful mob in 1870 and spent the next fifty years in exile in England. With a broad brush approach to the political events, it shows her life and times from a different angle, exploring subjects often relegated to mere footnotes. Aided by the increased digitalization of sources which produced many new and interesting discoveries, the book features 53 images of important people and places. Eugenie was born in a makeshift tent during an earthquake in Southern Spain but this impetuous and beautiful young woman's life changed dramatically when she married Napoleon III in 1853. She was to become a worldwide fashion icon but was much more than a trophy wife even though she suffered from a philandering husband. An early feminist with a social conscience, her achievements were negated by many because she wasn't French, becoming the inevitable scapegoat for the ills of the Empire. Yet in November 1869 when Eugenie opened the Suez Canal she was the most famous woman in the world. Less than a year later she made a dramatic escape from those who blamed her for a disastrous war that caused the collapse of the Second Empire. Helped by her American dentist, Eugenie was smuggled out of Paris en route to England and exile. The early death of her husband was followed a few years later by that of her son whilst with the British army in South Africa. A close friend of Queen Victoria, Eugenie lived in Farnborough, a small Hampshire town for 4 decades, building an Imperial Mausoleum for her husband and son and dressing in black for the rest of her days. Condemned in her own mind to live for a hundred years she then recovered her zest for life. Always keen to move with the times she embraced new technology, traveled extensively, and maintained her links with the European royal circle whilst becoming a familiar and much-respected figure in her neighborhood. Eugenie remained remarkably loyal to France and never relinquished her sense of duty, giving up part of her home to be an army hospital during World War 1. Learn more about your ad choices. Visit megaphone.fm/adchoices

The pirate attack on the British brig Morning Star, en route from Ceylon to London, near Ascension Island in 1828 was one of the most shocking episodes of piracy in the nineteenth century. Although the captain and many members of the crew were murdered by the pirates led by the notorious Benito de Soto, some survived, escaped and sailed the ship back to Britain. Atlantic Piracy in the Early Nineteenth Century: The Shocking Story of the Pirates and the Survivors of the Morning Star (Boydell & Brewer, 2022) by Dr. Sarah Craze is based on extensive original research in Britain, Spain and Brazil. Dr. Craze retells the story of the Morning Star, provides much new detail and corrects errors present in the many contemporary accounts of the attack. She sets the attack in the wider context of piracy in the period, and discusses many issues which the episode highlights: how pirates' careers began and developed; how they were pursued and tried, often with difficulty; what became of their treasure; how stories of the attack and of the survivors were sensationalised; how the women passengers on the ship endured their ordeal at the hands of the pirates and then, back in Britain, had to endure potential loss of their reputations. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In High-Risk Feminism in Colombia: Women's Mobilization in Violent Contexts (Rutgers University Press, 2022), Dr. Julia Zulver documents the experiences of grassroots women’s organizations that united to demand gender justice during and in the aftermath of Colombia’s armed conflict. In doing so, she illustrates a little-studied phenomenon: women whose experiences with violence catalyze them to mobilize and resist as feminists, even in the face of grave danger. Despite a well-established tradition of studying women in war, we tend to focus on their roles as mothers or carers, as peacemakers, or sometimes as revolutionaries. This book explains the gendered underpinnings of why women engage in feminist mobilization, even when this takes place in a ‘domain of losses’ that exposes them to high levels of risk. It follows four women’s organizations who break with traditional gender norms and defy armed groups’ social and territorial control, exposing them to retributive punishment. Dr. Zulver provides rich evidence to document how women are able to surmount the barriers to mobilization when they frame their actions in terms of resistance, rather than fear. High-Risk Feminism in Colombia has also been translated and released in Spanish! Dr. Zulver discusses the book in Spanish here. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

It was only two decades ago, but, for the women of country music, 1999 seems like an entirely different universe. With Shania Twain, country's biggest award winner and star, and The Chicks topping every chart, country music was a woman's world: specifically, country radio and Nashville's Music Row. Cut to 2021, when women are only played on country radio 16% of the time, on a good day, and when only men have won Entertainer of the Year at the CMA Awards for a decade. To a world where artists like Kacey Musgraves sell out arenas but barely score a single second of airplay. But also to a world where these women are infinitely bigger live draws than most male counterparts, having massive pop crossover hits like Maren Morris's "The Middle," pushing the industry to confront its deeply embedded racial biases with Mickey Guyton's "Black Like Me," winning heaps of Grammy nominations, banding up in supergroups like The Highwomen and taking complete control of their own careers, on their own terms. When the rules stopped working for the women of country music, they threw them out and made their own: and changed the genre forever, and for better. Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be (Henry Holt, 2022) is veteran Nashville journalist Marissa R. Moss's story of how in the past two decades, country's women fought back against systems designed to keep them down, armed with their art and never willing to just shut up and sing: how women like Kacey, Mickey, Maren, The Chicks, Miranda Lambert, Rissi Palmer, Brandy Clark, LeAnn Rimes, Brandi Carlile, Margo Price and many more have reinvented the rules to find their place in an industry stacked against them, how they've ruled the century when it comes to artistic output--and about how women can and do belong in the mainstream of country music, even if their voices aren't being heard as loudly. Marissa R. Moss is an award-winning journalist who has written about the topic of gender inequality on the country airwaves for outlets like Rolling Stone, NPR, Billboard, Entertainment Weekly, and many more. Moss was the 2018 recipient of the Rolling Stone Chet Flippo Award for Excellence in Country Music Journalism, and the 2019 Nashville Scene Best of Nashville Best Music Reporter. She has been a guest on The TODAY Show, Entertainment Tonight, CBS Morning Show, NPR's Weekend Edition, WPLN, the Pop Literacy Podcast, and more. Marissa R. Moss on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

From gender expert and professional facilitator Kate Mangino comes Equal Partners: Improving Gender Equality at Home (St. Martin’s Press, 2022), an informed guide about how we can all collectively work to undo harmful gender norms and create greater household equity. As American society shut down due to Covid, millions of women had to leave their jobs to take on full-time childcare. As the country opens back up, women continue to struggle to balance the demands of work and home life. Kate Mangino, a professional facilitator for twenty years, has written a comprehensive, practical guide for readers and their partners about gender norms and household balance. Yes, part of our gender problem is structural, and that requires policy change. But much of our gender problem is social, and that requires us to change. Quickly moving from diagnosis to solution, Equal Partners focuses on what we can do, everyday people living busy lives, to rewrite gender norms to support a balanced homelife so both partners have equal time for work, family, and self. Mangino adopts an interactive model, posing questions, and asking readers to assess their situations through guided lists and talking points. Equal Partners is broad in its definition of gender and gender roles. This is a book for all: straight, gay, trans, and non-binary, parents and grandparents, and friends, with the goal to help foster gender equality in readers' homes, with their partners, family and wider community. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wartime military service is held up as a marker of civic duty and patriotism, yet the rewards of veteran status have never been equally distributed. Certain groups of military veterans--women, people of color, LGBTQ people, and former service members with stigmatizing conditions, "bad paper" discharges, or criminal records--have been left out of official histories, excised from national consciousness, and denied state recognition and military benefits.  Chronicling the untold stories of marginalized veterans in the twentieth and twenty-first centuries, Service Denied: Marginalized Veterans in Modern American History (U Massachusetts Press, 2022) uncovers the generational divides, cultural stigmas, and discriminatory policies that affected veterans during and after their military service. Together, the chapters in this collection recast veterans beyond the archetype, inspiring an innovative model for veterans studies that encourages an intersectional and interdisciplinary analysis of veterans history. In addition to contributions from the volume editors, this collection features scholarship by Barbara Gannon, Robert Jefferson, Evan P. Sullivan, Steven Rosales, Heather Marie Stur, Juan Coronado, Kara Dixon Vuic, John Worsencroft, and David Kieran. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the 100th anniversary of the 19th amendment was commemorated in 2020, Elizabeth Cady Stanton and Susan B. Anthony were often the focus of museum exhibits, teach-outs, and scholarly works. Highlighting the queerness of the movement was rarely the narrative. But Public Faces, Secret Lives: A Queer History of the Women's Suffrage Movement (NYU Press, 2022) insists that a narrow focus on cisgender heterosexual woman erases the existence and importance of queer suffragists – and how their transgressive notions of gender and sexuality impacted the suffrage movement. Hiding queerness reinforced a “patriarchal, cisheteronormative standard of ideal womanhood and manhood in order to make suffragists and women’s suffrage more palatable to voters.” Yet queerness was central to the history of the suffrage movement. Dr. Wendy L. Rouse not only recovers the lives of individual queer suffragists, she queers the history of the women’s suffrage movement as a whole. Her work emphasizes the complex ways in which suffragists balanced their principled beliefs in wider social reforms with a form of strategic, respectability politics. In order to contribute to a process of recovery, her book forcefully examines the manner in which historical processes have led to the erasure of queerness in the history of the suffrage movement and the consequences of that erasure. Dr. Wendy L. Rouse is a historian whose research focuses on the history of gender and sexuality in the Progressive Era. She is presently Professor of History at San Jose State University where she is the program coordinator for the History/Social Science Teacher Preparation Program. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this timely collection, gender, sex, and technology are explored through an intersectional and interdisciplinary lens. Gender, Sex, and Tech!: An Intersectional Feminist Guide (Canadian Scholars, 2022) provides insight into the ways that technology affects, and is affected by, cultural perceptions of gender and sex. Through an examination of a range of past and present issues, the text highlights our relationships to technology and illustrates how gendered relations are shaped and transformed through social and technological innovations. Contributors bring to the fore feminist, decolonizing, and anti-racist methods to examine our everyday uses of technology, from the mundane to the surreal to the playful to the devastating. Original research and scholarship is skillfully grounded in real-world scenarios like revenge pornography, gender bias in artificial intelligence, menstrual tracking, online dating, and the COVID-19 pandemic, inviting students to take a closer look at technological transformations and their impact on gendered lived experience and to consider how the benefits of technology are inequitably shared within society. Centring Canadian scholars and Canadian perspectives without losing sight of the broader global connection, Gender, Sex, and Tech! is bursting with timely and of-the-moment content, making this collection a must-read for courses focused on gender and technology. Dr. Iqra Shagufta Cheema writes and teaches about transnational feminisms, Global South #MeToos, postmodernist postcolonial literatures, transnational feminisms, and global cinema. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frankenstein is a name we all know, even for those who haven’t read Mary Shelley’s novel. But the monster you might imagine is quite different from the one Shelley wrote about in Frankenstein; or, The Modern Prometheus. In fact, Shelley’s writing has much more to say about ethics, philosophy, and modern scientific advancement than many ghost story enthusiasts would guess. In this episode, Professor Deidre Lynch discusses the wisdom and warnings found in Mary Shelley’s Frankenstein. Deidre Lynch teaches in the English department at Harvard University. Some of her works include Janeites: Austen's Disciples and Devotees and The Economy of Character : Novels, Market Culture, and the Business of Inner Meaning. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beginning in the 1970s Chicana and Chicano organizers turned to community radio broadcasting to educate, entertain, and uplift Mexican American listeners across the United States. In rural areas, radio emerged as the most effective medium for reaching relatively isolated communities such as migrant farmworkers. And in Washington’s Yakima Valley, where the media landscape was dominated by perspectives favorable to agribusiness, community radio for and about farmworkers became a life-sustaining tool. Feminista Frequencies: Community Building through Radio in the Yakima Valley (U Washington Press, 2022) unearths the remarkable history of one of the United States’ first full-time Spanish-language community radio stations, Radio KDNA, which began broadcasting in the Yakima Valley in 1979. Extensive interviews reveal the work of Chicana and Chicano producers, on-air announcers, station managers, technical directors, and listeners who contributed to the station’s success. Monica De La Torre weaves these oral histories together with a range of visual and audio artifacts, including radio programs, program guides, and photographs to situate KDNA within the larger network of Chicano community-based broadcasting and social movement activism. Feminista Frequencies highlights the development of a public broadcasting model that centered Chicana radio producers and documents the central role of women in developing this infrastructure in the Yakima Valley. De La Torre shows how KDNA revolutionized community radio programming, adding new depth to the history of the Chicano movement, women’s activism, and media histories. Brad Wright is a historian of Latin America specializing in postrevolutionary Mexico. He teach world history at Kennesaw State University currently. PhD in Public History with specialization in oral history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Philip Nash's book Clare Boothe Luce: American Renaissance Woman (Routledge, 2022) is a concise and highly readable political biography that examines the life of one of the most accomplished American women of the 20th century. Wife and mother, author, editor, playwright, political activist, war journalist, Congresswoman, ambassador, pundit, and feminist—Luce did it all. Carefully placing Luce in a series of shifting historical contexts, this book offers the reader an insight into mid-century American political, cultural, gender, and foreign relations history. Eleven primary sources follow the text, including excerpts from Luce’s diary, letters, speeches, and published works, as well as a TV talk-show appearance and a critic’s diary entry describing an evening with her, helping readers to understand her fascinating life. Together, the narrative and documents afford readers a brief yet in-depth look at Luce with all her complications: glamorous intellectual, acid-tongued diplomat, and feminist conservative, she was a deeply flawed high-achiever who repeatedly challenged the entrenched sexism of her age to become a significant actor in the rise of the “American Century.” Addressing the neglect suffered by women in foreign relations history, this will be of interest to students and scholars of US foreign relations, 20th-century US history, and US women’s history. Victoria Phillips is a Visiting Fellow at the London School of Economics in the Department of International History. Learn more about your ad choices. Visit megaphone.fm/adchoices

Karen Bauer and Feras Hamza's co-written book An Anthology of Qur’anic Commentaries (vol. 2): On Women (Oxford UP, 2022) is a collection of historical and contemporary commentaries on the Qur’an. It covers five issues: human creation and the idea of “a single soul”; marital roles, specifically Qur’anic verse 4:34 and women’s status in a marriage; Mary, mother of Jesus; women’s legal testimony; and Qur’anic ideas of modesty, specifically of veiling. A chapter is devoted to each of these topics, comprising classical, medieval, modern, and contemporary interpretations of these verses. All chapters include various Muslim perspectives, such as Sunni, Twelver Shia, Ismaili, Ibadi, and Sufi; with the exception of the chapter on Mary, each chapter also includes interviews with contemporary scholars, namely amina wadud, Sa’diyya Shaikh, Fariba Alasvand, Yusuf Saanei, and Nasser Ghorbannia. The various and competing perspectives explored in this volume highlight the diversity and plurality of the Islamic exegetical tradition, portraying commentaries as a very human and engaging endeavor. These commentaries are always in conversation with the cultural and political milieu of the commentator’s time and place, but they also deeply honor the commentaries of past generations as a way to demonstrate authority and knowledge of the historical male tradition. The book also includes an important and powerful chapter, a prolegomenon, on the Qur’anic lexicon on women, which offers a chronological sequence of women in the Qur’an and which traces the development of the Qur’an’s worldview from the earliest Meccan revelations through the later Medinan period. So, for instance, in the early Meccan verses, women are addressed rather implicitly and largely as a part of an anti-pagan polemic, but by the later Medinan verses, women have emerged as active pious and social subjects. In this very engaging and enriching conversation with Karen Bauer and Feras Hamza, we discuss many of these issues and all of the chapters. We talk extensively about Qur’anic verse 4:34 on marital roles and responsibilities, about what it means to read the Qur’an literally—and is it even possible not to?—about tradition and tafsir and the limits of both, and about lived reality and religious authority. The interview was done in video format, and some listeners might enjoy watching it in its original form on my YouTube channel, What the Patriarchy. Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

Offering a fresh perspective on the influence of the American southwest—and particularly West Texas—on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West (Texas A&M UP, 2022) aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a “decentered” modernism—demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women’s New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists’ aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices

Linda Connolly is a professor of sociology at Maynooth University, with research focusing on gender, Irish society, family studies, migration, and Irish studies. Dr Tina O'Toole is a literary scholar with research expertise in Irish and diasporic writing, gender studies, and the history of sexualities; she is a senior lecturer at the University of Limerick. In this interview, they discuss their well-known text Documenting Irish Feminisms, first published in 2005 and now re-released. Documenting Irish Feminisms: The Second Wave (Arlen House, 2022) is a wide-ranging volume that traces the development of second-wave feminism in Ireland. The work draws upon a diversity of rare primary sources, including documents, photos, and publications. Connolly and O’Toole explore several themes in Irish feminist politics from the 1970s to the 1990s, including the emergence of pioneering feminist groups and organizations; reproductive rights and activism; the legal system and the state; the development of cultural projects; feminism and Northern Ireland; lesbian activism; and class and education. This book is an invaluable resource in the fields of history, sociology, politics, Irish studies, and women’s studies. Aidan Beatty is a historian at the Honors College of the University of Pittsburgh. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to about Amma’s Daughters: A Memoir (Athabasca UP, 2018). This book is available open access here.  As a precocious young girl, Surekha knew very little about the details of her mother Amma’s unusual past and that of Babu, her mysterious and sometimes absent father. The tense, uncertain family life created by her parents’ distant and fractious marriage and their separate ambitions informs her every action and emotion. Then one evening, in a moment of uncharacteristic transparency and vulnerability, Amma tells Surekha and her older sister Didi of the family tragedy that changed the course of her life. Finally, the daughters begin to understand the source of their mother’s deep commitment to the Indian nationalist movement and her seemingly unending willingness to sacrifice in the name of that pursuit. In this re-memory based on the published and unpublished work of Amma and Surekha, Meenal Shrivastava, Surekha’s daughter, uncovers the history of the female foot soldiers of Gandhi’s national movement in the early twentieth century. As Meenal weaves these written accounts together with archival research and family history, she gives voice and honour to the hundreds of thousands of largely forgotten or unacknowledged women who, threatened with imprisonment for treason and sedition, relentlessly and selflessly gave toward the revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices

Looking across time and the globe, a critical history of sexual violence--what causes it and how we overcome it. Disgrace: Global Reflections on Sexual Violence (Reaktion, 2022) is the first truly global history of sexual violence. The book explores how sexual violence varies widely across time and place, from nineteenth-century peasant women in Ireland who were abducted as a way of forcing marriage, to date-raped high-school students in twentieth-century America, and from girls and women violated by Russian soldiers in 1945 to Dalit women raped by men of higher castes today. It delves into the factors that facilitate violence--including institutions, ideologies, and practices--but also gives voice to survivors and activists, drawing inspiration from their struggles. Ultimately, Joanna Bourke intends to forge a transnational feminism that will promote a more harmonious, equal, and rape- and violence-free world. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

The veiling and unveiling of women have been controversial issues in Turkey since the late-Ottoman period. It was with the advent of local campaigns against certain veils in the 1930s, however, that women's dress turned into an issue of national mobilisation in which gender norms would be redefined.  In Anti-Veiling Campaigns in Turkey: State, Society and Gender in the Early Republic (I. B. Tauris, 2022), Sevgi Adak casts light onto the historical context within which the meanings of veiling and unveiling in Turkey were formed. By shifting the focus from the high politics of the elite to the implementation of state policies, the book situates the anti-veiling campaigns as a space where the Kemalist reforms were negotiated, compromised and resisted by societal actors. Using previously unpublished archival material, Adak reveals the intricacies of the Kemalist modernisation process and provides a nuanced reading of the gender order established in the early republic by looking at the various ways women responded to the anti-veiling campaigns. A major contribution to the literature on the social history of modern Turkey, the book provides a complex analysis of these campaigns which goes beyond a simple binary between liberation and oppression. Reuben Silverman is a PhD candidate at University of California, San Diego. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrea Karnes' book Women Painting Women (Delmonico Books, 2022) documents a wide-ranging exhibit inclusive of women as both the makers and subjects of paintings. The artists hail from around the world, and over the past half-century. Our conversation took several directions. One was to discuss the power of the gaze; who’s looking, who’s being seen, and the poses evident more a matter of self-agency or passivity. Another angle was the body itself, with these female images being more realistic and often far less glamorous than commercial popular culture allows for. Third, what subject matter tropes are being overturned – from Christianity to pornography, and points in between. As the exhibit strived to accomplish, there should be something here for everyone – women especially. Andrea Karnes is the Chief Curator at the Modern Art Museum of forth Worth. She joined the museum as a receptionist in 1989 and has risen through the ranks into her current role, where she has served as the curator for over 40 shows that mostly focus on female artists. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His newest book is Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Millennial Feminism at Work: Bridging Theory and Practice (Cornell UP, 2021), volume editor Jane Juffer brings together recently graduated students from across the US to reflect on the relevance of their feminist studies programs in their chosen career paths. The result is a dynamic collection of voices, shaking up preconceived ideas and showing the positive influence of gender and sexuality studies on individuals at work. Encompassing five areas—corporate, education, nonprofit, medical, and media careers—these engaging essays use personal experiences to analyze the pressure on young adults to define themselves through creative work, even when that job may not sustain them financially. Obstacles to feminist work conditions notwithstanding, they urge readers to never downplay their feminist credentials and prove that gender and sexuality studies degrees can serve graduates well in the current marketplace and prepare them for life outside of their alma mater. Emphasizing the importance of individual stories situated within political and economic structures, Millennial Feminism at Work provides spirited collective advice and a unique window into the lives and careers of young feminists sharing the lessons they have learned. Contributors to this volume include Rose Al Abosy, Rachel Cromidas, Lauren Danzig, Sadaf Ferdowsi, Reina Gattuso, Jael Goldfine, Sassafras Lowrey, Alissa Medina, Samuel Naimi, Stephanie Newman, Justine Parkin, Lily Pierce, Kate Poor, Laura Ramos-Jaimes, Savannah Taylor, Addie Tsai, and Hayley Zablotsky. Rose Al Abosy and Jael Goldfine, along with Dr. Jane Juffer, were able to join us for this conversation. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When she does write, she writes in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out her latest book chapter Queer Love: He is also Made in Heaven. She can be reached via email at [email protected] or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Feminism's Empire (Cornell UP, 2022) investigates the complex relationships between imperialisms and feminisms in the late nineteenth century and demonstrates the challenge of conceptualizing "pro-imperialist" and "anti-imperialist" as binary positions. By intellectually and spatially tracing the era's first French feminists' engagement with empire, Carolyn J. Eichner explores how feminists opposed—yet employed—approaches to empire in writing, speaking, and publishing. In differing ways, they ultimately tied forms of imperialism to gender liberation. Among the era's first anti-imperialists, French feminists were enmeshed in the hierarchies and epistemologies of empire. They likened their gender-based marginalization to imperialist oppressions. Imperialism and colonialism's gendered and sexualized racial hierarchies established categories of inclusion and exclusion that rested in both universalism and ideas of "nature" that presented colonized people with theoretical, yet impossible, paths to integration. Feminists faced similar barriers to full incorporation due to the gendered contradictions inherent in universalism. The system presumed citizenship to be male and thus positioned women as outsiders. Feminism's Empire connects this critical struggle to hierarchical power shifts in racial and national status that created uneasy linkages between French feminists and imperial authorities. Dr. Carolyn J. Eichner about is a Professor of History and Women’s and Gender Studies at the University of Wisconsin, Milwaukee. Feminism’s Empire is her third book. Surmounting the Barricades: Women in the Paris Commune came out in 2004 and The Paris Commune: A Brief History came out in 2022. Surmounting the Barricades: Women in the Paris Commune was published in French as Franchir les barricades: les femmes dans la Commune de Paris (Éditions de la Sorbonne, 2020). Translated by Bastien Craipain, it was a finalist for the Prix Augustin Thierry in 2021, an award from the city of Paris for a historical study concerning the period between Antiquity and the late 19th century. In 2022-2023 she will be a Fulbright Research scholar in France and will be in residence at the Camargo Foundation in Cassis. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zora Neale Hurston was an important figure in the Harlem Renaissance, but her novels didn’t conform to the style of her contemporaries. As a result, her work was almost lost—until the writer Alice Walker found her unmarked grave in 1974. Now, Hurston’s novel Their Eyes Were Watching God is on high school reading lists across the US. Dartmouth professor and poet Joshua Bennett discusses the novel’s longstanding impact and what it can teach us about cancel culture. Joshua Bennett is an Assistant Professor of English and Creative Writing at Dartmouth College. He is the author of The Sobbing School. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. You can hear the full interview with Professor Bennett on the Lyceum app. Learn more about your ad choices. Visit megaphone.fm/adchoices

Miriam Thaggert illuminates the stories of African American women as passengers and as workers on the nineteenth- and early-twentieth-century railroad. As Jim Crow laws became more prevalent and forced Black Americans to "ride Jim Crow" on the rails, the train compartment became a contested space of leisure and work.  Riding Jane Crow: African American Women on the American Railroad (U Illinois Press, 2022) examines four instances of Black female railroad travel: the travel narratives of Black female intellectuals such as Anna Julia Cooper and Mary Church Terrell; Black middle-class women who sued to ride in first class "ladies' cars"; Black women railroad food vendors; and Black maids on Pullman trains. Thaggert argues that the railroad represented a technological advancement that was entwined with African American attempts to secure social progress. Black women's experiences on or near the railroad illustrate how American technological progress has often meant their ejection or displacement; thus, it is the Black woman who most fully measures the success of American freedom and privilege, or "progress," through her travel experiences. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tara Nurin explores women in all aspects of the brewing industry in A Women's Place is in the Brewhouse (Chicago Review Press, 2021). Women have brewed beer throughout most of human history. Their role as family and village brewer lasted for hundreds of thousands of years--through the earliest days of Mesopotamian civilization, the reign of Cleopatra, the witch trials of Medieval and Renaissance Europe, and the settling of colonial America. A Woman's Place Is in the Brewhouse celebrates the contributions and influence of female brewers and explores the forces that have erased them from the brewing world. It's a history that's simultaneously inspiring and demeaning. Wherever and whenever the cottage brewing industry has grown profitable, politics, religion, and capitalism have grown greedy. On a macro scale, men have repeatedly seized control and forced women out of the business. Other times, women have simply lost the minimal independence, respect, and economic power brewing brought them. But there are more breweries now than at any time in American history and today women serve as founder, CEO, or head brewer at more than one thousand of them. As women continue to work hard for equal treatment and recognition in the industry, author Tara Nurin shows readers that women have been--and are once again becoming--relevant in the brewing world.  Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the morning of Thursday 29 June 1682, a magpie came rasping, rapping and tapping at the window of a prosperous Devon merchant. Frightened by its appearance, his servants and members of his family had, within a matter of hours, convinced themselves that the bird was an emissary of the devil sent by witches to destroy the fabric of their lives. As the result of these allegations, three women of Bideford came to be forever defined as witches. A Secretary of State brushed aside their case and condemned them to the gallows; to hang as the last group of women to be executed in England for the crime. Yet, the hatred of their neighbours endured. For Bideford, it was said, was a place of witches. Though 'pretty much worn away' the belief in witchcraft still lingered on for more than a century after their deaths. In turn, ignored, reviled, and extinguished but never more than half-forgotten, it seems that the memory of these three women - and of their deeds and sufferings, both real and imagined – was transformed from canker to regret, and from regret into celebration in our own age. Indeed, their example was cited during the final Parliamentary debates, in 1951, that saw the last of the witchcraft acts repealed, and their names were chanted, as both inspiration and incantation, by the women beyond the wire at Greenham Common. In The Last Witches of England: A Tragedy of Sorcery and Superstition (Bloomsbury, 2021), Dr. John Callow explores this remarkable reversal of fate, and the remarkable tale of the Bideford Witches. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Minerva’s French Sisters: Women of Science in Enlightenment France (Yale University Press, 2021), Nina Gelbart, Professor of History and Anita Johnson Wand Professor of Women’s Studies at Occidental College, shares the stories of six, incredibly resourceful, and dedicated women who contributed substantially to the sciences of their time. While offering valuable comments on the challenges of writing gender-inclusive histories of science, the book restores the legacies of the mathematician Elisabeth Ferrand, the astronomer Nicole Reine Lepaute, the botanists Jeanne Barret and Madeleine Françoise Basseporte, the anatomist Marie-Marguerite Bihéron, and the chemist Marie Geneviève Charlotte Thiroux d’Arconville. Minerva’s French Sisters also reads as the personal journey of an historian looking for lost evidence and piecing together traces to offer a unique vision of the Enlightenment sciences through the lens of these women. Victor Monnin, Ph.D. is an historian of science specialized in the history of Earth sciences. He is also teaching French language and literature to undergraduates. Learn more about your ad choices. Visit megaphone.fm/adchoices

Halfway through Mrs Dalloway, Septimus Smith mutters to himself: "Communication is health; communication is happiness, communication.” It’s easy to write off his message that communication is vital for human existence. He’s a shell-shocked World War I vet, who, in this moment, hallucinates that the birds are communicating with him in grief. But in her landmark 1925 novel, Mrs Dalloway, Virginia Woolf understands his traumatized psyche with deep generosity and compassion. Indeed, the book’s pervasive sense is that “it takes a lot of bravery to live a single day,” but that such everyday bravery is amply, richly, wonderfully rewarded in even the simplest of acts. I spoke with Anne Fernald about Mrs Dalloway’s profound politics of emotion—and a host of other ideas. Anne is Professor of English and Women’s, Gender, and Sexuality Studies at Fordham University. She is the editor of Mrs. Dalloway (2014) and the Norton Critical Edition of Mrs. Dalloway (2021), and the author of Virginia Woolf: Feminism and the Reader (2006). Her incredible knowledge of and love for Woolf is itself an act of bravery, as you can hear in our conversation. You can find Warbler Press’s authoritative edition, with a new introduction by me, here. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email [email protected]; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Utilizing a breadth of archival sources from activists, artists, and policymakers, Charlie Jeffries' Teenage Dreams: Girlhood Sexualities in the U.S. Culture Wars (Rutgers UP, 2022) examines the race- and class-inflected battles over adolescent women’s sexual and reproductive lives in the late twentieth and early twenty-first century United States. Charlie Jeffries finds that most adults in this period hesitated to advocate for adolescent sexual and reproductive rights, revealing a new culture war altogether--one between adults of various political stripes in the cultural mainstream who prioritized the desire to delay girlhood sexual experience at all costs, and adults who remained culturally underground in their support for teenagers’ access to frank sexual information, and who would dare to advocate for this in public. The book tells the story of how the latter group of adults fought alongside teenagers themselves, who constituted a large and increasingly visible part of this activism. The history of the debates over teenage sexual behavior reveals unexpected alliances in American political battles, and sheds new light on the resurgence of the right in the US in recent years. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Citizens of the World: U.S. Women and Global Government (University of Pennsylvania Press, 2022), Megan Threlkeld profiles nine American women in the first half of the 20th century who invoked world citizenship as they promoted world government. These women agreed neither on the best form for such a government nor on the best means to achieve it, and they had different definitions of peace and different levels of commitment to genuine equality. But they all saw themselves as part of a global effort to end war that required their participation in the international body politic. This book argues that the phrase “citizen of the world” was not simply a rhetorical flourish; it represented a demand to participate in shaping the global polity and an expression of women's obligation to work for peace and equality. It gave them a language with which to advocate for international cooperation. Citizens of the World not only provides a more complete understanding of the kind of world these women envisioned, it also draws attention to the ways in which they were excluded from international institution-building and to the critiques many of them leveled at those institutions. Women's arguments for world government and their practices of world citizenship represented an alternative reaction to the crises of the first half of the twentieth century, one predicated on cooperation and equality rather than competition and force. Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Skye C. Cleary is a philosopher, writer and university teacher. In her new book How to Be Authentic: Simone de Beauvoir and the Quest for Fulfillment (St. Martin’s Press, 2022) offers an introduction to Beauvoir’s thinking about authenticity and how experience and situation shape the people we become. For Beauvoir, as an existential philosopher, we first exist and spend our lives not uncovering who we are but constructing our identity. Authenticity is the pursuit of self-creation and self-renewal. Under patriarchy women receive a set of myths that stand in the way of taking responsibility for our freedom. Through the experiences and the milestones of friendship, love, marriage, children and confronting death we have opportunity to choose who we will become. Because we live in interdependence with others, Beauvoir’s philosophy of the self and genuine living allows others to also achieve freedom in self-creation through reciprocity. Cleary has given us a lively written book drawing not only from Beauvoir’s life but her own experience in self-creation. Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the cultural and intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices

The term cacica was a Spanish linguistic invention, the female counterpart to caciques, the Arawak word for male indigenous leaders in Spanish America. But the term’s meaning was adapted and manipulated by natives, creating a new social stratum where it previously may not have existed. This book explores that transformation, a conscious construction and reshaping of identity from within. Cacicas feature far and wide in the history of Spanish America, as female governors and tribute collectors and as relatives of ruling caciques—or their destitute widows. They played a crucial role in the establishment and success of Spanish rule, but were also instrumental in colonial natives’ resistance and self-definition. Margarita R. Ochoa and Sara V. Guengerich's edited book Cacicas: The Indigenous Women Leaders of Spanish America, 1492-1825 (U Oklahoma Press, 2021), noted scholars uncover the history of colonial cacicas, moving beyond anecdotes of individuals in Spanish America. Their work focuses on the evolution of indigenous leadership, particularly the lineage and succession of these positions in different regions, through the lens of native women’s political activism. Such activism might mean the intervention of cacicas in the economic, familial, and religious realms or their participation in official and unofficial matters of governance. The authors explore the role of such personal authority and political influence across a broad geographic, chronological, and thematic range—in patterns of succession, the settling of frontier regions, interethnic relations and the importance of purity of blood, gender and family dynamics, legal and marital strategies for defending communities, and the continuation of indigenous governance. This volume showcases colonial cacicas as historical subjects who constructed their consciousness around their place, whether symbolic or geographic, and articulated their own unique identities. It expands our understanding of the significant influence these women exerted—within but also well beyond the native communities of Spanish America. Jane Scimeca is Professor of History at Brookdale Community College Learn more about your ad choices. Visit megaphone.fm/adchoices

Since slavery, Black women have struggled to liberate themselves from racism and sexism. Yet despite these hurdles and under the most difficult circumstances, they managed to achieve greatness. Trailblazers: Black Women Who Helped Make America Great, American Firsts/American Icons (2leaf Press, 2021) shines a light on these their accomplishments, which often led to widespread cultural change. Trailblazers is a six-volume series that examines the lives and careers of over four hundred brilliant women from the eighteenth century to the present who blazed uncharted paths in every conceivable way. Each Trailblazers volume is organized into several sections. Along with biographical information and powerful photographs, David provides a historical timeline for each section--written from the viewpoint of Black women--that maps out the significance of the featured women that follow. Learn more about your ad choices. Visit megaphone.fm/adchoices

Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices

Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the “nothing-to-hide” rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe. Why Patti Smith Matters (University of Texas Press, 2022) is the first book about the iconic artist written by a woman. The veteran music journalist Caryn Rose contextualizes Smith’s creative work, her influence, and her wide-ranging and still-evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smith’s oeuvre, from her first album, Horses, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor, Why Patti Smith Matters rescues punk’s poet laureate from “strong woman” clichés. Of course Smith is strong. She is also a nuanced thinker. A maker of beautiful and challenging things. A transformative artist who has not simply entertained but also empowered millions. Caryn Rose can be found on Twitter and you can read her work in her newsletter.  Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

Where are the women in the history of British cinema? In Movie Workers: The Women Who Made British Cinema (U Illinois Press, 2021), Melanie Bell, a Professor of Film History at the University of Leeds, answers this question with a fascinating and compelling narrative telling the forgotten history of women as workers in the film industry. Drawing on union records and oral histories, as well as a wealth of historical knowledge and analysis, the book highlights women’s key contributions from the 1930s to the end of the 1980s, demonstrating the ongoing importance of women’s struggles, and their triumphs, to the film industry today. The book is essential reading across arts, humanities, and social sciences, as well as for anyone who has ever watched a film and wondered about how it was made! Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joy Wiltenburg's book Laughing Histories: From the Renaissance Man to the Woman of Wit (Routledge, 2022) breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power. "I dearly love a laugh," declared Jane Austen's heroine Elizabeth Bennet, and her wit won the heart of the aristocratic Mr. Darcy. Yet the widely read Earl of Chesterfield asserted that only "the mob" would laugh out loud; the gentleman should merely smile. This literary contrast raises important historical questions: how did social rules constrain laughter? Did the highest elites really laugh less than others? How did laughter play out in relations between the sexes? Through fascinating case studies of individuals such as the Renaissance artist Benvenuto Cellini, the French aristocrat Madame de Sévigné, and the rising civil servant and diarist Samuel Pepys, Laughing Histories reveals the multiple meanings of laughter, from the court to the tavern and street, in a complex history that paved the way for modern laughter. ​ With its study of laughter in relation to power, aggression, gender, sex, class, and social bonding, Laughing Histories is perfect for readers interested in the history of emotions, cultural history, gender history, and literature. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Birth, Sex and Abuse: Women's Voices Under Nazi Rule (Grosvenor House, 2015) is a fascinating and gripping examination of birth, sex and abuse during the Nazi era. Dr Chalmers’ unique lens on the Holocaust provides a stunning and controversial exposé of the voices of both Jewish and non-Jewish women living under Nazi rule. Based on twelve years of study, the book takes an inter-disciplinary view incorporating women’s history, Holocaust studies, social sciences and medicine, in a unique, cutting-edge examination of what women themselves said, thought and did. Dr Chalmers (DSc(Med);PhD) has dedicated her life to studying women’s experiences of giving birth in difficult social, political, economic and religious environments. During her distinguished academic career, she has held professorial appointments in both the Medical and Social Sciences and has served, for decades, as a maternal and child health consultant for numerous United Nations and other global aid agencies. Her inter-disciplinary focus and extensive international experience provide a novel perspective on the Nazi era and on the neglected issue of the Nazi abuse of childbearing and sexuality. "This book should be a ‘must’ for everybody dealing with the cruel chapters of the Holocaust, especially for those who are dealing with research about the subject of women and children, and medicine, during the Shoah” (Prof. Dr. Miriam Gillis-Carlebach, Director, The Joseph Carlebach Institute, Bar-Ilan University, Israel). “This book has an utterly unique, in-depth focus on all aspects of sexuality and reproduction during the Nazi regime; the author has written the first-ever, comprehensive tome on the treatment of women and infants that is essential for many disciplines” (Prof. Caroline Pukall, PhD, Professor of Psychology, Director of SexLab and the Sex Therapy Service, Queen's University, Kingston, Canada). Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices

While it is an overused cliché, France is indeed a land of contrasts, famous for its paradoxes. In French political history, the most startling may be the progressive policies of the Third Republic (1870-1940) on just about everything except for gender. Despite its embrace of the spirit of 1789, universal manhood suffrage, and secularism, the republic deemed French women second class citizens. Indeed, French women did not get the vote until the Fourth Republic in 1944, a full generation after almost every nation-state in the global north. Karen Offen has written an encyclopedic history of French debates about the soi-dissant “Woman Question”. While Dr. Offen’s Debating the Woman Question in the French Third Republic, 1870-1920 (Cambridge University Press, 2018), was the focus of our discussion, we also touched on its companion book, The Woman Question in France, 1400-1870 (Cambridge UP, 2017). Karen Offen earned her Ph.D. at Stanford University. She is currently a historian and independent scholar, affiliated as a Senior Scholar with the Michelle R. Clayman Institute for Gender Research, Stanford University. Dr. Offen publishes on the history of Modern Europe, especially France and its global influence; Western thought and politics with reference to family, gender, and the relative status of women; historiography; women's history; national, regional and global histories of feminism; comparative history, and the politics of knowledge. She has held fellowships from the John Simon Guggenheim Memorial Foundation Fellowship for study and research, the Rockefeller Foundation, and the National Endowment for the Humanities. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Women’s House of Detention stood in New York City’s Greenwich Village from 1929 to 1974. Throughout its history, it was a nexus for tens of thousands of women, trans men, and gender nonconforming people. Some of these inmates—Angela Davis, Andrea Dworkin, Afeni Shakur—were famous, but the vast majority were detained for the crimes of being poor or gender nonconforming. Today, approximately 40 percent of the people in women’s prisons identify as queer; in earlier decades, that percentage was almost certainly higher.  In The Women's House of Detention: A Queer History of a Forgotten Prison (Bold Type Books, 2022), writer, activist, and historian Hugh Ryan explores the history of queerness, transness, and gender nonconformity by reconstructing the little-known lives of incarcerated New Yorkers. He makes a clear case for prison abolition and demonstrates how the House of D, as it was colloquially known, helped define queerness for the rest of the United States. From the lesbian communities forged through the Women’s House of Detention to the turbulent prison riots that presaged Stonewall, this is the story of a jail, the people it caged, the neighborhood it changed, and the resistance it inspired. Hugh Ryan is a writer, historian, and curator in New York City. His first book When Brooklyn Was Queer won a 2020 NYC Book Award and was a New York Times Editors’ Choice in 2019. Hugh Ryan regularly teaches creative nonfiction at SUNY Stonybrook and serves on the Board of Advisors for the Archives at the LGBT Center in Manhattan and the Stonewall National Museum and Archives in Fr. Lauderdale. Leo Valdes is a PhD candidate in the History Department at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

A legacy of the transatlantic slave trade, Brazil is home to the largest number of African descendants outside Africa and the greatest number of domestic workers in the world. Drawing on ten years of interviews and ethnographic research, Second-Class Daughters: Black Brazilian Women and Informal Adoption as Modern Slavery (Cambridge University Press, 2022) examines the lives of marginalized informal domestic workers who are called 'adopted daughters' but who live in slave-like conditions in the homes of their adoptive families. Elizabeth Hordge-Freeman traces a nuanced and, at times, disturbing account of how adopted daughters, who are trapped in a system of racial, gender, and class oppression, live with the coexistence of extreme forms of exploitation and seemingly loving familial interactions and affective relationships. Highlighting the humanity of her respondents, Hordge-Freeman examines how filhas de criação (raised daughters) navigate the realities of their structural constraints and in the context of pervasive norms of morality, gratitude, and kinship. In all, the author clarifies the link between contemporary and colonial forms of exploitation, while highlighting the resistance and agency of informal domestic workers. Elizabeth Hordge-Freeman is an Associate Professor of sociology, interim Vice President for Institutional Equity, and Senior Advisor to the President and Provost for Diversity and Inclusion at The University of South Florida. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices