For nine years, Stephen Colbert’s persona “Colbert”?—a Republican superhero and parody of conservative political pundits--informed audiences on current events, politics, social issues, and religion while lampooning conservative political policy, biblical literalism, and religious hypocrisy. To devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, “Is Colbert a practicing Catholic in real life or is this part of his act?” This book examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy. Religion and the foibles of religious institutions have served as fodder for scores of comedians over the years. What set “Colbert” apart on his show, The Colbert Report, was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his position as one of the faithful. He is a Catholic celebrity who can bridge critical outsider and participating insider, neither fully reverent nor fully irreverent. Providing a digital media ethnography and rhetorical analysis of Stephen Colbert and his character from 2005 to 2014, author Stephanie N. Brehm examines the intersection between lived religion and mass media, moving from an exploration of how Catholicism shapes Colbert’s life and world towards a conversation about how “Colbert” shapes Catholicism. Brehm provides historical context by discovering how “Colbert” compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert on The Late Show, where he continues to be voice for Catholicism on late night, now to an even broader audience. America’s Most Famous Catholic (According to Himself) also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. By examining the humor in religion, Brehm allows us to clearly see the religious elements in the work and life of comedian Stephen Colbert. Carlos Ruiz Martinez is a PhD student in the Department of Religious Studies at the University of Iowa. He is also the Communications Assistant for the American Catholic Historical Association (ACHA). His general interest is in American religious history, especially American Catholicism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

When inspiration struck Robert McCrum to write a book about the Bard, it came while watching one of the playwright’s plays in Central Park, New York. Here, McCrum realized that we, today, are undoubtedly living in Shakespearean times. Joe Krulder, a British Historian, interviews Robert about his latest book, Shakespearean: On Life and Language in Times of Disruption (Pegasus Books, 2021) Current events such as the Covid-19 Pandemic, the election and then four years of Donald Trump’s presidency, and this twenty-first-century obsession with conspiracy theories, mirror London’s many plagues from 1592 to 1603, Shakespeare’s Caesar and Richard III, and of course our post-modern social media outlets are simply riddled with conspiracies. Shakespearean, indeed. What Shakespearean: On Life and Language in Times of Disruption accomplishes is to place the reader in William Shakespeare’s London. There is danger at Bishops Gate, the neighborhood the Bard chose to reside in; danger appeared both from below and above. Sword fights, punch ups, and stabbings demarcate a rough “from below” existence while political intrigues from the execution of the Earl of Essex to the Gun Powder Plot of 1605 imperilled all of London’s theatre productions if not William Shakespeare himself. Robert McCrum is the author of dozens of works, fiction as well as non-fiction, plus he’s an Emmy Award-winning documentarian. A long-time editor for Faber and Faber and The Observer, McCrum career continues on despite a stroke. His recovery gave him time to read and Shakespeare, once again, filled his gaze. Joe Krulder is the author of The Execution of Admiral John Byng as a Microhistory of Eighteenth-Century Britain (Routledge 2021) teaching college History in Northern California. Joe earned his doctorate at the University of Bristol in West England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong’s filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong’s films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong’s filmmaking. The book also discusses Wong’s influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong’s films in particular. Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

(Re:) Claiming Ballet (Intellect Books, 2021) by Dr. Adesola Akinleye explores the history of movement through ballet, representation, and the future of dance. Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet. Essays illuminate the dance form’s rich and complex history and start much-needed conversations about the roles of class, gender normativity, and race, demonstrating that despite mainstream denial and exclusionary tactics, ballet thrives with “difference.”  With contributions from professional ballet dancers and teachers, choreographers, and dance scholars in Europe and the United States, the volume introduces important new thinkers and perspectives. An essential resource for the field of ballet studies and a major contribution to dance scholarship more broadly, (Re:) Claiming Ballet will appeal to academics, researchers, and scholars; dance professionals and practitioners; and anyone interested in the intersection of race, class, gender, and dance. For her choreographic work, Akinleye has been awarded ADAD Trailblazer, Bonnie Bird, New Choreography Award and One Dance UK Champion Trailblazer. For her work in community dance and education she was awarded Woman of the year in Community Dance by the Town of Islip, New York. She is a Fellow of the Higher Education Academy (FHEA), Royal Society of Arts (RSA). She holds a PhD from Canterbury Christ Church University, and MA (distinction) in work-based learning Dance in Community and education (2007), and an MA in Film (distinction) 2020 from Middlesex University. Akinleye is also a certified Gyrotonic® and Gyrokinesis® instructor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

What do you do when you're not asleep and when you're not eating? You're most likely waiting--to finish work, to get home, or maybe even to be seen by your doctor. Hold On is less about how to manage all that staying where one is until a particular time or event (OED) than it is about describing how we experience waiting. Waiting can embrace things like hesitation and curiosity, dithering and procrastination, hunting and being hunted, fearing and being feared, dread and illness, courting and parenting, anticipation and excitement, curiosity, listening to and even performing music, being religious, being happy or unhappy, being bored and being boring. They're all explored here. Waiting is also characterized by brain chemicals such as serotonin and dopamine. They can radically alter the way we register the passing of time. Waiting is also the experience that may characterize most interpersonal relations--mismanage it at your own risk. Hold On: The Life, Science, and Art of Waiting (Oxford UP, 2020) contains advice on how to cope with waiting-how to live better-but its main aim is to show how important the experience of waiting is, in popular and highbrow culture, and, sometimes, in history. Detouring into psychology, neurology, ethology, philosophy, film, literature, and especially art, Peter Toohey's illuminates in unexpected ways one of the most common of human experiences. After reading his book, you'll never wait the same way again. Reyes Bertolin is a professor of Classics at the University of Calgary. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Today, journalists, legal professionals, activists, and artists challenge the state's monopoly on investigation and the production of narratives of truth. They probe corruption, human rights violations, environmental crimes, and technological domination. Organisations such as WikiLeaks, Bellingcat, or Forensic Architecture pore over open-source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what Fuller and Weizman call 'investigative aesthetics': the mobilisation of sensibilities associated with art, architecture, and other such practices in order to challenge power. Investigative Aesthetics draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense. Matthew Fuller and Eyal Weizman speak to Pierre d'Alancaisez about the logics behind Forensic Architecture and the evidentiary turn: the aesthetics of distributed sensing, the investigative commons, and the condition of hyperaesthesia. Matthew Fuller is a Professor of Cultural Studies at Goldsmiths, University of London. He is the author of Media Ecologies, and with Andrew Goffey, Evil Media. Eyal Weizman is the founder and director of Forensic Architecture and Professor of Spatial and Visual Cultures at Goldsmiths, University of London. He is the author of Hollow Land, The Least of All Possible Evils, and Forensic Architecture: Violence at the Threshold of Detectability. Forensic Architecture investigation archive. Investigation: The Bombing of Rafah, 2015 Investigation: The Killing of Mark Duggan, 2020 ICA London exhibiiton. Investigation: Triple-Chaser, 2019 Protests surrounding the Whitney Museum's trustee Warren Kanders' involvement with Safariland. Kanders divests from his arms production holdings. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public.  Echo's Chambers: Architecture and the Idea of Acoustic Space (U Pittsburgh Press, 2021) explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Greg Vargo's Chartist Drama (Manchester UP, 2021) opens a window into a fascinating aspect of working-class radical drama. This book includes scripts of four dramas performed or published by members of the Chartist movement, as well as an informative introduction situating these plays in their historical context. Ranging from history plays to political drama to Gothic melodrama, these plays show that Chartism was much more than a political movement. It included an entire cultural world, of which drama was a central part.  Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Some fields have an easier time describing themselves than others. "History is the study of past events." "Biology is the study of living organisms." But art? Is art a discipline? Is it a practice? Who gets to answer this most fundamental of questions, and why do we prefer not to try? Between Discipline and a Hard Place, written from the perspective of a practising artist, proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is. Between Discipline and a Hard Place is a passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world. Alana Jelinek speaks to Pierre d'Alancaisez about a disciplined and disciplinary approach to thinking about art and its value outside the current preoccupation with economic considerations and the great potential of interdisciplinary working. Alana Jelinek is an artist and a researcher at the University of Hertfordshire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Luci Marzola's book Engineering Hollywood: Technology, Technicians, and the Science of Building Studio System (Oxford University Press, 2021) tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before.  Using extensive archival research, Marzola's book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades. Luci Marzola is a film and media historian who writes about the technology, labor, and infrastructure of the American film industry in the silent and classical eras. She teaches in the Department of Film and Media Studies at University of California Irvine and at Chapman University’s Dodge College of Film and Media Arts. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Intellect’s Global Punk Series (2019-present) has produced edited collections of interdisciplinary and multidisciplinary work into local, national, global, and trans-global punk scenes. Series editors, Russ Bestley, Mike Dines, Alistair “Gords” Gordon, and Paula Guerra discuss the inception, creation, and production of the series in this New Books Network Interview. In addition to the punk series, they discuss the Punk Scholars Network, additional books on punk coming out on the imprint, and DIY Academic publishing. Volumes 1 and 2 of the series are currently available and the next two titles will be out this fall. Scholars interested in participating in the series or learning more about the PSN can contact Dines ([email protected]) or Bestley ([email protected]).   The Punk Reader: Research Transmissions from the Local and the Global (2019) is the first edited volume to explore and critically interrogate punk culture in relation to contemporary, radicalized globalization. Documenting disparate international punk scenes, including Mexico, China, Malaysia and Iran. Trans-Global Punk Scenes (2021) brings together contributors from a range of disciplines to examine the global influence of punk in the new millennium, with a focus on punk demographics, the evolution of subcultural punk styles, and the notion of punk identity across cultural and geographic boundaries. International in scope and analytical in perspective, the chapters offer insight into punk scenes in New Zealand, Indonesia, Singapore, Ireland, South Africa, Mexico, the UK and US, Siberia and the Philippines. Punk Identities, Punk Utopias: Global Punk and Media (December 2021) This new volume in the acclaimed Global Punk series extends the critical inquiry to reflect broader social, political, and technological concerns impacting punk scenes around the world, with international contributors, ranging through topics from digital technology and new media to gender, ethnicity, identity, and representation. Punk! Las Américas Edition (December 2021) This book challenges the dominant vision of punk – particularly its white masculine protagonists and deep Anglocentrism – by analyzing punk as a critical lens into the disputed territories of 'America', a term that hides the heterogeneous struggles, global histories, hopes and despairs of late twentieth and early twenty-first-century experience. Compiling academic essays and punk paraphernalia (interviews, zines, poetry, and visual segments) into a single volume, the book seeks to explore punk life through its multiple registers, through vivid musical dialogues, excessive visual displays, and underground literary expression. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Phil Rosenzweig's Reginald Rose and the Journey of 12 Angry Men (Fordham Press, 2021) is the first biography of a great television writer, and the story of his magnum opus In early 1957, a low-budget black and white movie opened across the country. Consisting of little more than a dozen men arguing in a dingy room, it was a failure at the box office and soon faded from view. Today, 12 Angry Men is acclaimed as a movie classic, revered by the critics and beloved by the public, and widely performed as a stage play, touching audiences around the world.  Rosenzweig is a Professor of Business Administration at IMD in Lausanne, Switzerland, where he has used 12 Angry Men for many years to teach executives about interpersonal behavior and group dynamics. It is also a favorite of the legal profession for its portrayal of ordinary citizens reaching a just verdict, and widely taught for its depiction of group dynamics and human relations. The book tells two stories: the life of a great writer and the journey of his most famous work, one that ultimately that outshined its author. More than any writer in the Golden Age of Television, Reginald Rose took up vital social issues of the day - from racial prejudice to juvenile delinquency to civil liberties - and made them accessible to a wide audience. His 1960s series, The Defenders, was the finest drama of its age, and set the standard for legal dramas. This book brings Reginald Rose's long and successful career, its origins and accomplishments, into view at long last.  Drawing on extensive research, and brimming with insight, it casts new light on one of America's great dramas - and about its author, a man of immense talent and courage. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock’s right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV’s Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison’s career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Anne Bogart's The Art of Resonance (Methuen Drama, 2021) locates the essence of theatre in the experience of resonant vibration among performers and between performers and audience members. The point of art, Bogart argues, is not to express oneself, but rather to create the conditions for "re-sounding," a process that requires both fully engaged performers and a fully engaged audience. Bogart draws on examples from music to physics to neuroscience in a book of essays that is animated by the same restless curiosity that characterizes her ground-breaking directing. This is a book for anyone interested in the profound question of why we are drawn to the theatre both as artists and as audiences. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Echoes of the Great Catastrophe: Re-sounding Anatolian Greekness in Diaspora (University of Michigan Press, 2021) explores the legacy of the Great Catastrophe—the death and expulsion from Turkey of 1.5 million Greek Christians following the Greco-Turkish War of 1919–1922—through the music and dance practices of Greek refugees and their descendants over the last one hundred years. The book draws extensively on original ethnographic research conducted in Greece (on the island of Lesvos in particular) and in the Greater Boston area, as well as on the author’s lifetime immersion in the North American Greek diaspora. Through analysis of handwritten music manuscripts, homemade audio recordings, and contemporary live performances, Dr. Panayotis League traces the routes of repertoire and style over generations and back and forth across the Atlantic Ocean, investigating the ways that the particular musical traditions of the Anatolian Greek community have contributed to their understanding of their place in the global Greek diaspora and the wider post-Ottoman world. Panayotis League is Assistant Professor of Ethnomusicology and Director of the Center for Music of the Americas at Florida State University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Films about chainsaw killers, demonic possession, and ghostly intruders. Screaming audiences with sleepless nights or sweat-drenched nightmares in their immediate future. Presumably, almost everybody has experience with horror films. Some people would even characterize themselves as horror fans. But what about the others—the ones who are curious about horror films, but also very, very nervous about them? In A Very Nervous Person's Guide to Horror Movies (Oxford University Press, 2021), Mathias Clasen, Associate Professor of Literature and Media Studies at Aarhus University, delves into the science of horror cinema in an attempt to address common concerns about the genre. He also asks whether horror films can be a force for good—do horror films have health benefits, can they be aesthetically and morally valuable, and might they even have therapeutic psychological and cultural effects? The book addresses these questions in short, readable chapters, peppered with vivid anecdotes and examples and supported by scientific findings. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Movies open a window into our collective soul. In Screen Captures: Film in the Age of Emergency (New Star Books, 2021), Stephen Lee Naish guides us through recent cinematic phenomena that reflect/refract our contemporary political existence. Stephen Lee Naish is a writer, independent researcher, and cultural critic. He is the author of several books on film, politics, music, and pop culture. He lives in Kingston, Ontario. He has appeared on the New Books Network three times for previous books: Create of Die: Essays on the Artistry of Dennis Hopper (2016), Deconstructing Dirty Dancing (2017), Riffs and Meaning (2018) From Star Wars-scope blockbusters and Hollywood coming-of-age comedies to independent horror productions, Naish draws out the ways these movies shape, and are shaped by, their audience's own dissatisfactions. In his discussion of the Star Wars franchise, Naish highlights a conflict between internet discussion-fueled fandom vs the Disney Empire that shares features with the ongoing rebellions depicted in the films themselves. A passionate fan base who can now voice their discontent via the internet is feeding back into the studio's agenda and criticizing the actions of characters within the film and the actors alike. Chapters on the super-heroes genre and disaster movies draw out the climate-based social tensions these reflect. Depictions of masculinity ("Men on the Verge of a Nervous Breakdown") on screens large and small bleed into discussions of the work and presence of Nicholas Cage, David Lynch, and Dennis Hopper -- with a side-excursion into Valerie Solanas's strikingly prescient SCUM Manifesto. Stephen Lee Naish's Screen Captures adds a sharpening filter to the film-goer's experience on the big and little screen. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Washington, DC is known as the birthplace of hardcore punk. The raw, innovative, new sound coming out of the nation’s capital in the late 1970s is examined in Shayna Maskell’s Politics as Sound: The Washington, DC, Hardcore Scene, 1978-1983 (U Illinois Press, 2021). Maskell examines the DC hardcore scene between 1978 and 1983, focusing on the bands Bad Brains, Minor Threat, State of Alert (S.OA.), Government Issue (G.I.), and Faith. She explores the culturally, historical, and political impact of DC as the site for the emergence of hardcore punk. A brief history of Washington DC situates the scene in a broader cultural narrative that moves beyond just the music’s aesthetics. Focusing on race, class, and gender in the hardcore scene and specifically on the ways in which the scene embodied and embraced white, middle-class masculinity, Maskell presents the complicated and at times contradictory representations of these signifiers that were born out of hardcore. Maskell uses interviews with participants, albums, and ephemera—zines, posters, flyers—to document and analyze this historical moment. Maskell's work is a strong examination of hardcore and its broader impact in the punk subculture, especially when it intersects with race, class, and gender. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In a world that demands faith in progress and growth, Limbo (Fitzcarraldo, 2019) is a companion for the stuck, the isolated, delayed, stranded and those in the dark. Fusing memoir with a meditation on creative block and a cultural history of limbo, Dan Fox considers the role that fallow periods and states of inbetween play in art and life. Limbo is an essay about getting by when you can't get along, employing a cast of artists, ghosts and sailors - including the author's older brother who, in 1985, left England for good to sail the world - to reflect on the creative, emotional and political consequences of being stuck, and its opposites. From the Headington Shark to radical behavioural experiments, from life aboard a container ship to Sun Ra's cosmology, Limbo argues that there can be no growth without stagnancy, no movement without inactivity, and no progress without refusal. Sergio Lopez-Pineiro (Harvard Graduate School of Design) interviews authors on how the portrayal and use of emptiness and allied concepts (such as voids, nothingness, or limbo) in philosophical, political, religious, and social studies are influenced by the imagination and construction of physical space. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Rakugo, a popular form of comic storytelling, has played a major role in Japanese culture and society. Developed during the Edo (1600–1868) and Meiji (1868–1912) periods, it is still popular today, with many contemporary Japanese comedians having originally trained as rakugo artists. Rakugo is divided into two distinct strands, the Tokyo tradition and the Osaka tradition, with the latter having previously been largely overlooked. This pioneering study of the Kamigata (Osaka) rakugo tradition presents the first complete English translation of five classic rakugo stories, and offers a history of comic storytelling in Kamigata (modern Kansai, Kinki) from the seventeenth century to the present day. Considering the art in terms of gender, literature, performance, and society, The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo (Cambridge UP, 2021) grounds Kamigata rakugo in its distinct cultural context and sheds light on the 'other' rakugo for students and scholars of Japanese culture and history. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Yiddish in Israel: A History (Indiana UP, 2020) challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew. Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Two plays about the legal battle to decriminalize homosexuality in India. On September 6, 2018, a decades-long battle to decriminalize queer intimacy in India came to an end. The Supreme Court of India ruled that Section 377, the colonial anti-sodomy law, violated the country’s constitution. “LGBT persons,” the Court said, “deserve to live a life unshackled from the shadow of being ‘unapprehended felons.’” But how definitive was this end? How far does the law’s shadow fall? How clear is the line between the past and the future? What does it mean to live with full sexual citizenship? In Love and Reparation: A Theatrical Response to the Section 377 Litigation in India (Seagull Books, 2021), Danish Sheikh navigates these questions with a deft interweaving of the legal, the personal, and the poetic. The two plays in this volume leap across court transcripts, affidavits (real and imagined), archival research, and personal memoir. Through his re-staging, Sheikh crafts a genre-bending exploration of a litigation battle, and a celebration of defiant love that burns bright in the shadow of the law. Saronik Bosu (@SaronikB on Twitter) is a doctoral candidate in English at New York University. He is writing his dissertation on South Asian economic writing. He is coordinator of the Medical Humanities Working Group at NYU, and of the Postcolonial Anthropocene Research Network. He also co-hosts the podcast High Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Kristian Petersen’s new edited volume Muslims in the Movies: A Global Anthology (Ilex Foundation and Harvard University Press, 2021), introduces the subject of Muslims and film. The volume contains nineteen chapters that engage a range of film industries, including Hollywood and Bollywood, but also movies from the Philippines, Indonesia, Nigeria, Italy, Australia, Saudi Arabia, and much more. This collection challenges its readers to taking seriously the complex ways in Muslims are represented in films throughout the globe, be it through a close analysis of a film, such as Wajda, or films about North American Muslims, such as Malcolm X or Muhammad Ali. In other instances, authors guide the readers through accessible analysis of particular Muslims in movies and cinematography, which lead to discussions of islamophobia, diaspora politics, issues of gender and sexuality, identity politics and much more. The overall study then welcomes viewers to rethink the ways in which films can be studied as a critical text and opens up possibilities for multidimensional engagement with Muslims in diverse film genres, such as sci-fi, romantic comedies, and biopics. This accessibly written volume will be a great text to incorporate into courses on Islam in film or popular culture, and will be of interest to students of Islam, gender and sexuality studies, media and cultural studies, diaspora and immigration studies and much more. Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Hamilton: An American Musical made its record-breaking Broadway debut in 2015—but the musical has reached far beyond typical Broadway audiences to pave a path into political discourse, pop culture, classroom curriculums, and the broader conversation about contemporary American politics. What led to this chain reaction of popularity, and how does it continue to influence these cultural and political dynamics? Jeffery and Sara Mehltretter Drury work to answer these questions using the tools of rhetorical criticism by bringing together a collection of essays in their book, Rhetoric, Politics, and Hamilton: an American Musical (Peter Lang, 2021). This volume is part of the Frontiers in Political Communication series at Peter Lang Publishers—a book series that aims to produce timely scholarship at the very cutting edge of political communication, emphasizing “how citizens, governments, and the media interact is the communication process.” Dr. Sara Mehltretter Drury is an Associate Professor of Rhetoric, and the Director of Democracy & Public Discourse at Wabash College. Dr. Jeffery Mehltretter Drury is an Associate Professor of Rhetoric at Wabash College. Their combined expertise has helped to produce an edited volume that invites the reader to join the deep analysis of the musical Hamilton. The book is structured around three major themes in the realm of rhetorical criticism: public memory, rhetoric and social identity, rhetoric of democracy and social change. Each section of the book presents multiple interpretations of the musical in order to present new perspectives in understanding Hamilton’s relevance to politics and culture. Public memory centers on the narrative concepts of Hamilton and how it addresses American myths regarding the American Dream and the foundation of America. Rhetoric and Social Identity approaches race and gender within Hamilton, including the juxtaposition of portraying the nation’s white founders as people of color on stage. This section examines the musical’s accessibility to communities across America to discuss both historical and modern-day political conflicts. Rhetoric of Democracy and Social Change evaluates Hamilton’s influence in contemporary politics in how it normalizes political debate by humanizing historical political figures. By utilizing academic theories and analyzing multifaceted aspects of the musical, Rhetoric, Politics, and Hamilton: An American Musical welcomes a variety of arguments to encourage its readers to engage in the ideas, arguments, and representation of American history in a contemporary context. Shaina Boldt assisted with this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Paula Richman and Rustom Bharucha's book Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments (Oxford UP, 2021) examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theatre. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu and Kathakali from Kerala; Kattaikkuttu and a "mythological" drama from Tamilnadu; Talamaddale from Karnataka; avant-garde performances from Puducherry and New Delhi; a modern dance-drama from West Bengal; the monastic tradition of Sattriya from Assam; anti-caste plays from North India; and the Ramnagar Ramlila.  Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The Watergate scandal was a horror show. What better way to satirize it than with a horror movie? The Texas Chain Saw Massacre written by Tobe Hooper and Kim Henkel premiered in October 1974, mere weeks after the resignation and pardon of Richard Nixon brought an uncertain end to the most corrupt and criminal presidency in American history. The film had been conceived, written, shot, edited, and produced precisely as Watergate was playing out, and those responsible for Chain Saw unhesitatingly spoke of the horrors of contemporary politics as having directly inspired the ones they created for the film. In his new book, Leatherface vs. Tricky Dick: The Texas Chain Saw Massacre as Political Satire (Headpress, 2021), Martin Harris presents a fascinating minute-by-minute exploration of the many uncanny connections between The Texas Chain Saw Massacre and Watergate, as well as other ways the film comments on contemporary politics via satire and (very) dark humor.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Franz Nicolay's Someone Should Pay for Your Pain (Gibson House Press, 2021) is a moving, funny, and sometimes brutal novel about the life of a touring musician. Rudy Pauver is a punk-turned-singer-songwriter now roughly ten years past his peak. He draws a small but steady crowd in bars and venues far from the beaten track, all while enduring the thundering success of his one-time protege Ryan Orland. Nicolay brings his decades of experience as a musician to this novel, which teems with perfect tiny details of the rigors of touring. This is a coming of middle age story for anyone who's ever wondered what goes on in the van during the long stretches between the glamorous heights of a musician's life. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

From Double Indemnity to The Godfather, the stories behind some of the greatest films ever made pale beside the story of the studio that made them. In the golden age of Hollywood, Paramount was one of the Big Five studios. Gulf + Western's 1966 takeover of the studio signaled the end of one era and heralded the arrival of a new way of doing business in Hollywood. In Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood (University of Kentucky Press, 2021), Bernard Dick reconstructs the battle that culminated in the reduction of the studio to a mere corporate commodity.  The book also traces Paramount's devolution from free-standing studio to subsidiary -- first of Gulf + Western, then Paramount Communications, and currently Viacom-CBS. Dick portrays the new Paramount as a paradigm of today's Hollywood, where the only real art is the art of the deal. Former merchandising executives find themselves in charge of production, on the assumption that anyone who can sell a movie can make one. CEOs exit in disgrace from one studio only to emerge in triumph at another. Corporate raiders vie for power and control through the buying and selling of film libraries, studio property, television stations, book publishers, and more. The history of Paramount is filled with larger-than-life people, including Billy Wilder, Adolph Zukor, Sumner Redstone, Sherry Lansing, Barry Diller, Michael Eisner, Jeffrey Katzenberg, and more. Bernard F. Dick is professor emeritus of communications and English at Fairleigh Dickinson University (Teaneck campus). He holds a doctorate in classics from Fordham University and is the author of numerous film books including Anatomy of Film, Hal Wallis, and That Was Entertainment. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Mary Gauthier was twelve years old when she was given her Aunt Jenny’s old guitar and taught herself to play with a Mel Bay basic guitar workbook. Music offered her a window to a world where others felt the way she did. Songs became lifelines to her, and she longed to write her own, one day. Then, for a decade, while struggling with addiction, Gauthier put her dream away and her call to songwriting faded. It wasn’t until she got sober and went to an open mic with a friend did she realize that she not only still wanted to write songs, she needed to. Today, Gauthier is a decorated musical artist, with numerous awards and recognition for her songwriting, including a Grammy nomination. In Saved by a Song: The Art and Healing Power of Songwriting (St. Martin's Essentials, 2021), Mary Gauthier pulls the curtain back on the artistry of songwriting. Part memoir, part philosophy of art, part nuts and bolts of songwriting, her book celebrates the redemptive power of song to inspire and bring seemingly different kinds of people together. The Associated Press named Mary Gauthier one of the best songwriters of her generation. Her album Rifles & Rosary Beads was nominated for a Grammy award for Best Folk Album and Record of the Year by the Americana Music Association. Her songs have been recorded by dozens of artists, including Boy George, Blake Shelton, Tim McGraw, Bettye Lavette, Kathy Mattea, Amy Helm and Candi Staton. Saved by a Song is her first book. She lives in Nashville. Morris Ardoin is author of STONE MOTEL – MEMOIRS OF A CAJUN BOY (2020, University Press of Mississippi), which was optioned for TV/Film development in 2021. A communications practitioner, his work has appeared in regional, national, and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, Parenthetically Speaking, can be found at www.morrisardoin.com. Twitter: @morrisardoin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Women performers played a vital role in the development of American and transatlantic entertainment, celebrity culture, and gender ideology. In Starring Women: Celebrity, Patriarchy, and American Theater, 1790-1851 (U Illinois Press, 2020), Sara E. Lampert examines the lives, careers, and fame of overlooked figures from Europe and the United States whose work in melodrama, ballet, and other stage shows shocked and excited early U.S. audiences. These women lived and performed the tensions and contradictions of nineteenth-century gender roles, sparking debates about women's place in public life. Yet even their unprecedented wealth and prominence failed to break the patriarchal family structures that governed their lives and conditioned their careers. Inevitable contradictions arose. The burgeoning celebrity culture of the time forced women stage stars to don the costumes of domestic femininity even as the unsettled nature of life in the theater defied these ideals. A revealing foray into a lost time, Starring Women returns a generation of performers to their central place in the early history of American theater. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In The Cultural Impact of RuPaul's Drag Race: Why are we all Gagging? (Intellect, 2021) Cameron Crookston has compiled chapters from scholars in theatre and performance studies, English literature, cultural anthropology, media studies, linguistics, sociology, and marketing. The collection analyzes the global impact of RuPaul's drag race on local, live cultures, fan cultures, queer representation, and the very fabric of drag as an art form in popular cultural consciousness. The collection goes beyond the mere analysis of the show itself and examines the profound effect that RuPaul's Drag Race has had on the cultures that surround it: audience cultures, economics, branding, queer politics, and all points in between. What was once a cult show marketed primarily to gay men, Drag Race has drawn both praise and criticism for its ability to market itself to broader, straighter, and increasingly younger fans. The show's depiction of drag as both a celebrated form of entertainment and as a potentially lucrative career path has created an explosion of aspiring queens in unprecedented numbers and had far-reaching impacts on drag as both an art form and a career.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Maiko Masquerade: Crafting Geisha Girlhood in Japan (University of California Press, 2021) explores Japanese representations of the maiko, or apprentice geisha, in films, manga, and other popular media as an icon of exemplary girlhood. Dr. Jan Bardsley traces how the maiko, long stigmatized as a victim of sexual exploitation, emerges in the 2000s as the chaste keeper of Kyoto’s classical artistic traditions. Insider accounts by maiko and geisha, their leaders and fans, show pride in the training, challenges, and rewards maiko face. No longer viewed as a toy for men’s amusement, she serves as catalyst for women’s consumer fun. This change inspires stories of ordinary girls—and even one boy—striving to embody the maiko ideal, engaging in masquerades that highlight questions of personal choice, gender performance, and national identity. Dr. Jan Bardsley is Professor Emerita of Asian Studies at the University of North Carolina, Chapel Hill. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Between Subjects: A Critical Genealogy of Queer Performance (Routledge, 2021) is a study of the connected ideas of "queer" and "gender performance" or "performativity" over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases. The book traces how and why "queer" and "performativity" seem to belong together in so many discussions around identity, popular modes of gender display, and performance art. Drawing on art history and performance studies but also on feminist, queer, and sexuality studies, and postcolonial, indigenous, and critical race theoretical frameworks, it seeks to denaturalize these assumptions by questioning the US-centrism and white-dominance of discourses around queer performance or performativity. Dr. Amelia Jones is Robert A. Day Professor and Vice Dean of Academics and Research at the Roski School of Art & Design at the University of Southern California. Her recent publications include Seeing Differently: A History and Theory of Identification and Visual Arts and Otherwise: Imagining Queer Feminist Art Histories, co-edited with Erin Silver. The catalogue Queer Communion: Ron Athey, which she co-edited with Andy Campbell, and which accompanies a retrospective of Athey’s work at Participant Inc. (New York) and ICA (Los Angeles), was listed among “Best Art Books 2020” in the New York Times. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Baylor University musicologist and the author of Hearing Beethoven Robin Wallace chats with Howard about the magic of Beethoven, weaving personal sentiments with professional insights to explore his unparalleled musical legacy. Howard Burton is the founder of Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Thomas O. Haakenson's book Grotesque Visions: The Science of Berlin Dada (Bloomsbury, 2021) focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Caseen Gaines' Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way (Sourcebooks, 2021) is a rollicking, entertaining, and fascinating cultural history of the 1921 Broadway musical Shuffle Along. Created by Black writers and composers and performed by an all-Black cast, Shuffle Along was one of the early cultural milestones of the Harlem Renaissance, not least because it launched the career of Josephine Baker. While it was beloved in its time, the humor of Shuffle Along came to be seen as offensive in subsequent decades, and it has not been staged in its original form since it closed almost 100 years ago. Gaines makes a compelling case for Shuffle Along's place in the American musical theatre canon as a flawed but inspired work of Black creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Naphtaly Shem-Tov's book Israeli Theatre: Mizrahi Jews and Self-Representation (Routledge, 2021) introduces readers to the stagecraft produced by Mizrahi (Middle Eastern Jewish) directors and artists. Describing the work of Yemenite, Iraqi, Moroccan and other minorities whose trauma was represented on Israeli stages, dramaturgy known to local Israeli audiences is made known to readers through this monograph. This book draws on the theoretical insights Israeli directors who theorized their philosophies of community-based theatre, while drawing on the work of W.E.B. DuBois, Frantz Fanon and African-American theorists of aesthetic self-representation. This book will appeal to readers in Israel Studies, Middle Eastern Studies, Jewish Studies, Aesthetics and Performing Arts. Ari Barbalat holds a PhD in International Relations from the University of California in Los Angeles. He lives in Toronto with his family. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Janaki Bakhle's book Two Men and Music: Nationalism in the Making of an Indian Classical Tradition (Oxford UP, 2005) is a provocative account of the development of modern national culture in India using classical music as a case study. The author demonstrates how the emergence of an “Indian” cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practitioners of the Indian music that was installed as a “Hindu” national tradition. This book lays bare how a nation’s imaginings—from politics to culture—reflect rather than transform societal divisions. Dr. Pankaj Jain is a Professor of Philosophy and Religious Studies at FLAME University, where he is heading the Indic Studies Initiative in the FLAME School of Liberal Education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Green River Valley, Robert Lashley's third book of poetry, is a moving and complex tribute to the Hilltop neighborhood of Tacoma, Washington. Whether writing about finding love in the aisles of Value Village, the ex drug runner who now feeds pigeons in the park, or the pain of being mocked for expressing emotion at the barber shop, Lashley unites exacting attention to detail with universal themes of trauma and survival. Lashley's Tacoma comes alive in this book like Wilson's Pittsburgh, Borges' Buenos Aires, or Gornick's New York. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Translocas: The Politics of Puerto Rican Drag and Trans Performance (U Michigan Press, 2021) focuses on drag and transgender performance and activism in Puerto Rico and its diaspora. Arguing for its political potential, Lawrence La Fountain-Stokes explores the social and cultural disruptions caused by Latin American and Latinx “locas” (effeminate men, drag queens, transgender performers, and unruly women) and the various forms of violence to which queer individuals in Puerto Rico and the U.S. are subjected. This interdisciplinary, auto-ethnographic, queer-of-color performance studies book explores the lives and work of contemporary performers and activists including Sylvia Rivera, Nina Flowers, Freddie Mercado, Javier Cardona, Jorge Merced, Erika Lopez, Holly Woodlawn, Monica Beverly Hillz, Lady Catiria, and Barbra Herr; television programs such as RuPaul’s Drag Race; films such as Paris Is Burning, The Salt Mines, and Mala Mala; and literary works by authors such as Mayra Santos-Febres and Manuel Ramos Otero. Lawrence La Fountain-Stokes, a drag performer himself, demonstrates how each destabilizes (and sometimes reifies) dominant notions of gender and sexuality through drag and their embodied transgender expression. These performances provide a means to explore and critique issues of race, class, poverty, national identity, and migratory displacement while they posit a relationship between audiences and performers that has a ritual-like, communal dimension. The book also analyzes the murders of Jorge Steven López Mercado and Kevin Fret in Puerto Rico, and invites readers to challenge, question, and expand their knowledge about queer life, drag, trans performance, and Puerto Rican identity in the Caribbean and the diaspora. The author also pays careful attention to transgender experience, highlighting how trans activists and performers mold their bodies, promote social change, and create community in a context that oscillates between glamour and objection. Dr. Lawrence La Fountain-Stokes is Professor of American Culture, Romance Languages and Literatures, and Women's and Gender Studies at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Volodymyr Vynnychenko is one of the most ambiguous and controversial Ukrainian writers of the twentieth century. In an intricate and highly entangled way, his persona combines an artist and a statesman whose political views include both national aspirations of Ukraine and the pursuit of programs which were marked by socialist and federalist ideas. His writing opens a window into cultural and political contestations that were taking place in Ukraine in the wake of the collapse of the Russian Empire and on the eve of the creation of the Soviet Union. The complexity of these dramatic and drastic changes manifests itself in Vynnychenko’s writing, which is marked by psychological nuances and emotional crevices. George Mihaychuk’s Disharmony and Other Plays (Canadian Institute of Ukrainian Studies Press, 2020) invites the reader to delve into a psychological world of characters who try to deal with moral doubts, hesitations, and uncertainties. In the introduction, George Mihaychuk outlines the pillars of Vynnychenko’s dramas. The author situates Vynnychenko in the context of European modernism while providing trajectories that connect Vynnychenko to Hegel and Kant. The moral issues that Vynnychenko explores in and through his dramas resonate with the Dostoyevskian voice. His characters are split, tormented, haunted by the desire to be honest and genuine with themselves. Is it possible to be genuine with oneself? What does it mean to be honest with oneself, after all? George Mihaychuk’s Disharmony and Other Plays invites readers to take a bold journey into the deep and dark corners of the soul. Nataliya Shpylova-Saeed is a PhD candidate in the Department of Slavic and East European Languages and Cultures, Indiana University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

“We know what we want, and one day, our prince will come,” says Toby, the bicycle-shorts-wearing, double ententre-making, unacknowledgely-gay neighbor in RTE’s Upwardly Mobile. Though the first queer characters in Irish entertainment television were tropes and stereotypes, they represented an important shift in LGBTQ visibility in Irish media. The road to early representations in entertainment media was a hard road paved by gay rights activists, AIDS stigma, and production teams looking for sensationalism. In LGBTQ Visibility, Media, and Sexuality in Ireland, Páraic Kerrigan explores the dynamics of queer visibility and sexuality in Ireland through televised media between 1974 and 2008. Tune in for our chat about Gay Byrne and the Late Late Show, queer soap stars, the AIDS crisis and globalization of Ireland, and the LGBTQ rights tug-of-war that played out in turn-of-the-century television. Avrill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Julia Jarcho's Writing and the Modern Stage: Theater beyond Drama (Cambridge UP, 2017) is a fascinating argument for the centrality of writing in experimental theater from Gertrude Stein to Suzan-Lori Parks. Countering arguments that locate the theatrical avant-garde solely in the live event, Jarcho focuses on playwrights and theatre makers whose theater insists on and even revels in language. This book will be of interest to fans of experimental theatre, or to playwrights and theatre makers interested in reconceptualizing the work that writing does on stage. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Festive Enterprise: The Business of Drama in Medieval and Renaissance England (University of Notre Dame Press, 2021), Dr. Jill Ingram merges the history of economic thought with studies of theatricality and spectatorship to examine how English Renaissance plays employed forms and practices from medieval and traditional entertainments to signal the expectation of giving from their audiences. By analyzing a wide range of genres and a diverse range of venues, Ingram demonstrates how early moderns borrowed medieval money-gatherers’ techniques to signal communal obligations and rewards for charitable support of theatrical endeavors. Ingram shows that economics and drama cannot be considered as separate enterprises in the medieval and Renaissance periods. Rather, marketplace pressures were at the heart of dramatic form in medieval and Renaissance drama alike. Dr. Jill Ingram is associate professor of English at Ohio University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Crisis? What Crisis? At a time where there are repeated claims of the impending demise of art criticism, The Ends of Art Criticism (Lund Humphries Publishers, 2021) dispel these myths by arguing that the lack of a single dominant voice in criticism is not, as some believe, a weakness, but a strength, allowing previously marginalised voices and new global and political perspectives to come to the fore. Patricia Bickers speaks with Pierre d’Alancaisez about her time as the editor of Art Monthly, the changing role of art criticism, the politics of speaking and writing about art, the art school, the relationship between artists and critics, the academicisation of critical discourse, the relationship between art history and criticism, and.. the art of the interview. Some of the works mentioned in the conversation: The Freeze exhibitions That Jerry Saltz tweet Richard Serra, Weight and Measure Danielle Brathwaite-Shirley, Black Trans Archive Pilvi Takala, The Trainee Cameron Rowland, 3 & 4 Will. IV c. 73 The Art Monthly Talking Art anthology of artist interviews: Volume 1, Volume 2 A bonus episode with an extra 20 minutes from the conversation is available on Pierre’s website. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Although hip hop culture has widely been acknowledged as a global phenomenon that has spread far beyond its roots in American African-Caribbean-Latinx cultures, there are few studies that have examined the participation of women in global hip hop, and even fewer that examine the reception of female artists by other women.  Angela Williams's book Hip Hop Harem: Women, Rap and Representation in the Middle East (Peter Lang, 2020) explores the social reception of seven prominent female rappers from the region: Shadia Mansour (Palestine), Malikah (Lebanon), Soultana (Morocco), Soska (Egypt), Myam Mahmoud (Egypt), Amani (Yemen), and Justina (Iran), who use their music and personal styles to give voice to themes of self-determination and liberation within their own lives. Easily accessibly by undergraduates, Hip Hop Harem is an important work that allows Middle Eastern Muslim women to participate in knowledge creation about themselves in the western academic tradition, rooted in Third Wave Feminism and post-colonial theory.   Christopher S Rose is a social historian of medicine focusing on Egypt and the Eastern Mediterranean in the 19th and 20th century. He currently teaches History at St. Edward's University in Austin, Texas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

During the nadir of race relations in the United States South from 1877 to 1932, African Americans faced segregation, disfranchisement, and lynching. Among many forms of resistance, African Americans used their musical and theatrical talents to challenge white supremacy, attain economic opportunity, and transcend segregation. In Rough Tactics: Black Performance in Political Spectacles, 1877-1932 (University Press of Mississippi, 2021), Dr. Mark A. Johnson argues that African Americans, especially performers, retooled negative stereotypes and segregation laws to their advantage. From 1877 to 1932, African Americans spoke at public rallies, generated enthusiasm with music, linked party politics to the memory of the Civil War, honored favorable candidates, and openly humiliated their opposition. Dr. Mark A. Johnson is Lecturer at the University of Tennessee at Chattanooga.  Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts