Why do corporations fund cultural organisations and events? In Black Culture, Inc: How ethnic community support pays for corporate America Patricia Banks, Professor of Sociology at Mount Holyoke College, explores the role of corporate funding in shaping cultural life, from historical examples of tobacco advertising and media, through to contemporary social media businesses’ presence at music festivals. The book draws on a wealth of examples and scholarship on Black culture in America, alongside analysis of diversity policy and practices. Most crucially, the book introduces the idea of ‘diversity capital’, showing the costs of corporate influence on culture, as well as the ambivalence and enthusiasm of cultural producers and audiences. Moving beyond simple explanations and analysis of race, corporate funding, and culture, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in the arts today. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Stand-up comedians have a long history of walking a careful line between serious and playful engagement with social issues: Lenny Bruce questioned the symbolic valence of racial slurs, Dick Gregory took time away from the stage to speak alongside Martin Luther King Jr., and—more recently—Tig Notaro challenged popular notions of damaged or abject bodies. Stand-up comedians deploy humor to open up difficult topics for broader examination, which only underscores the social and cultural importance of their work. Edited by Jared Champion and Peter Kunze, Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals (University Press of Mississippi, 2021) draws together essays that contribute to the analysis of the stand-up comedian as public intellectual since the 1980s. The chapters explore stand-up comedians as contributors to and shapers of public discourse via their live performances, podcasts, social media presence, and political activism. Each chapter highlights a stand-up comedian and their ongoing discussion of a cultural issue or expression of a political ideology/standpoint: Lisa Lampanelli’s use of problematic postracial humor, Aziz Ansari’s merging of sociology and technology, or Maria Bamford’s emphasis on mental health, to name just a few. Taking a Stand offers a starting point for understanding the work stand-up comedians do as well as its reach beyond the stage. Comedians influence discourse, perspectives, and even public policy on myriad issues, and this book sets out to take those jokes seriously. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the late ’90s, third-wave ska broke across the American alternative music scene like a tsunami. In sweaty clubs across the nation, kids danced themselves dehydrated to the peppy rhythms and punchy horns of bands like The Mighty Mighty Bosstones and Reel Big Fish. As ska caught fire, a swing revival brought even more sharp-dressed, brass-packing bands to national attention. Kenneth Partridge's Hell of a Hat: The Rise of '90s Ska and Swing (Pennsylvania State UP, 2021) dives deep into this unique musical moment. Prior to invading the Billboard charts and MTV, ska thrived from Orange County, California, to NYC, where Moon Ska Records had eager rude girls and boys snapping up every release. On the swing tip, retro pioneers like Royal Crown Revue had fans doing the jump, jive, and wail long before The Brian Setzer Orchestra resurrected the Louis Prima joint. Drawing on interviews with heavyweights like the Bosstones, Sublime, Less Than Jake, and Cherry Poppin' Daddies—as well as underground heroes like Mustard Plug, The Slackers, Hepcat, and The New Morty Show—Kenneth Partridge argues that the relative economic prosperity and general optimism of the late ’90s created the perfect environment for fast, danceable music that—with some notable exceptions—tended to avoid political commentary. An homage to a time when plaids and skankin’ were king and doing the jitterbug in your best suit was so money, Hell of a Hat is an inside look at ’90s ska, swing, and the loud noises of an era when America was dreaming and didn’t even know it. Looking for the bands Partridge didn't get to highlight in the book? You can find his writing about them on his Substack.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In A Vertical Art: On Poetry (Princeton UP, 2022), acclaimed poet Simon Armitage takes a refreshingly common-sense approach to an art form that can easily lend itself to grand statements and hollow gestures. Questioning both the facile and obscure ends of the poetry spectrum, he offers sparkling new insights about poetry and an array of favorite poets. Based on Armitage’s public lectures as Oxford Professor of Poetry, A Vertical Art illuminates poets as varied as Emily Dickinson, Walt Whitman, Marianne Moore, W. H. Auden, Ted Hughes, Thom Gunn, A. R. Ammons, and Claudia Rankine. The chapters are often delightfully sassy in their treatment, as in “Like, Elizabeth Bishop,” in which Armitage dissects—and tallies—the poet’s predilection for similes. He discusses Bob Dylan’s Nobel Prize, poetic lists, poetry and the underworld, and the dilemmas of translating Sir Gawain and the Green Knight. Armitage also pulls back the curtain on the unromantic realities of making a living as a contemporary poet, and ends the book with his own list of “Ninety-Five Theses” on the principles and practice of poetry. An appealingly personal book that explores the volatile and disputed definitions of poetry from the viewpoint of a practicing writer and dedicated reader, A Vertical Art makes an insightful and entertaining case for the power and potential of poetry today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

El Sistema is Venezuela's large scale classical music education program for poor and working class people on the economic, social, and physical margins. In Sonorous Worlds: Musical Enchantment in Venezuela (University of Michigan, 2021), anthropologist Yana Stainova follows the lives of musicians in examining the effects of the program on individuals and communities. Through conversations and interactions with musicians during music lessons, performances, and during their daily lives, Stainova finds that classical music education opens up a space to dream and makes possible different futures than those generally available to working class youth. Stainova theorizes that musicians engage in enchantment, which arises from, for example, the music itself, the labor of musical practice, and the relations between people and their instruments. Yet, enchantment also exceeds these components and gives way to escape, rupture, and resistance to power structures. Stainova examines these matters as Venezuela falls into violence from economic and governmental crisis. During our discussion we talked about the arguments of the book, the writing and structure of the book, and conducting field research in the circumstances described above.  Yana Stainova is an Assistant Professor in the Department of Anthropology at McMaster University.  Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Drawing on a rich body of archival and ethnographic research, Queering Drag: Redefining the Discourse of Gender-Bending (Indian UP, 2020) illuminates diverse examples of theatrical gender-bending. It shows how, in each case, standard drag discourses do not sufficiently capture the complexity of performers' intents and methods or provide a strong enough foundation for holistically evaluating the impact of this work. Queering Drag offers a redefinition of the genre centralized in the performer's construction and presentation of a "queer" version of hegemonic identity. It also models a new set of tools for analyzing drag as a process of intents and methods enacted to effect specific goals. The book won the 2021 John Leo and Dana Heller Award for Best Book in LGBTQ Studies from the Popular Culture Association and was named one of NBC's "10 LGBTQ books to watch out for in 2020.” Dr. Meredith Heller is an Associate Teaching Professor in the Women’s and Gender Studies Program at Northern Arizona University, where she has taught since 2014. She earned a Ph.D. in Theater Studies with a Feminist Studies doctoral emphasis from the University of California, Santa Barbara. She specializes in queer theory and critical identity studies, with additional expertise in performance studies, digital media, and popular culture.  Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this episode, Dr. Brandon J. Manning talks about his most recent book, Played Out: The Race Man in 21st Century Satire (Rutgers UP, 2022). Here's a short description: through contemporary examples, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, Played Out: The Race Man in 21st Century Satire examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

For better or worse, artists write. But why would a visual artist write a novel? How should such a novel be experienced? How does the artist’s novel compare or compete with literary fiction as we know it? David Maroto, the author of The Artist's Novel: A New Medium (Mousse Publishing, 2020) considers the proliferation of artists writing novels as a sign of the emergence of a new medium. Artists engaging in this new medium do so in order to address artistic issues by means of novelistic devices, favouring a sort of art predicated on process and subjectivity, introducing notions such as fiction, narrative, and imagination. Maroto’s work is the first to explore the subject of the artist’s novel in depth. David Maroto speaks to Pierre d’Alancaisez about the artist’s novel and the demands it makes on its readers and, as he found out through his own practice, on its curators and publishers. David reads from Benjamin Seror's Mime Radio and voices the mythical satyr Marsyas but, sadly, stops short of singing. David Maroto is a visual artist, researcher, writer, and curator based in Rotterdam. David Maroto’s first novel Illusion The Book Lovers, a project by David Maroto and Joanna Zielinska Benjamin Seror’s Mime Radio Goldin+Senneby‘s Headless Ale Cecchetti’s exhibition at Ujazdowski Castle Alex Cecchetti’s novel Tamam Shud  Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In his fascinating and riveting new book Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism (NYU Press, 2021), historian Richard Brent Turner tells a moving though rarely discussed narrative of the intersection and cross-pollination between Jazz and African American Islam from the 1940s to the 1970s. How did Islam and conversion to Islam inform the lives, careers, and musical productions of prominent jazz musicians in this period? And how did jazz spaces and culture provide the fodder for important African American Muslim movements and figures, such as the Nation of Islam and Malcolm X? Turner addresses these and other questions with profound historical depth and analytical ingenuity. Over the course of this book, the reader learns about such enormously interesting themes as the landscape of African American politics during the interwar period and beyond in major Northeastern cities (especially Boston), the intimate relationship between Jazz and the Ahmadiyya, the relationship between John Coltrane and Malcolm X, and the encounter of Jazz with Black internationalism. This lucidly written book will also animate great discussions in the classroom. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize and was selected as a finalist for the 2021 American Academy of Religion Book Award. His other academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Steven Spielberg's extraordinary career redefined Hollywood, but his achievement goes far beyond shattered box office records. Rejecting the view of Spielberg as a Barnumesque purveyor of spectacle, Lester D. Friedman presents the filmmaker as a major artist who pairs an ongoing willingness to challenge himself with a widely recognized technical mastery. This new edition of Citizen Spielberg (University of Illinois Press, 2022) expands Friedman’s original analysis to include films of the 2010s like Lincoln and Ready Player One. Breaking down the works by genre, Friedman looks at essential aspects of Spielberg’s art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker. Incisive and discerning, Citizen Spielberg, Second Edition, offers a career-spanning appraisal of a moviemaking icon. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at [email protected]. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Patronage has long been an important topic of study in musicology, but is much more likely to be one that specialists in medieval or renaissance music research. In The Creative Labor of Music Patronage in Interwar France (Boydell Press, 2021), Louis Epstein turns to patronage in the twentieth century to reveal an important part of the musical economy that is often overlooked. Many different types of patrons existed in this period, from music publishers and the French government to institutions and wealthy individuals. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Although some of these patrons tried to interfere with the compositional process, most were engaged in a more subtle form of labor. For instance, they curated like-minded composers, encouraged people to write in expensive genres like opera or orchestral music, and supported French nationalism. Epstein also finds that the French example helped to influence the flowering of institutional patronage in post-World War II America. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The rise of celebrity stage actresses in the long eighteenth century created a class of women who worked in the public sphere while facing considerable scrutiny about their offstage lives. Such powerful celebrity women used the cultural and affective significance of their reproductive bodies to leverage audience support and interest to advance their careers, and eighteenth-century London patent theatres even capitalized on their pregnancies. Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689-1800 (University of Delaware Press, 2022) uses the reproductive histories of six celebrity women (Susanna Mountfort Verbruggen, Anne Oldfield, Susannah Cibber, George Anne Bellamy, Sarah Siddons, and Dorothy Jordan) to demonstrate that pregnancy affected celebrity identity, impacted audience reception and interpretation of performance, changed company repertory and altered company hierarchy, influenced the development and performance of new plays, and had substantial economic consequences for both women and the companies for which they worked. Deepening the fields of celebrity, theatre, and women's studies, as well as social and medical histories, Phillips reveals an untapped history whose relevance and impact persists today. Hannah Smith is a PhD Candidate in History at the University of Minnesota-Twin Cities. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Today we speak to Rebecca Cypess, Associate Professor at Rutgers University, about her new book: Musical Salons in the Enlightenment (University of Chicago, 2022). Interest in music sociability during the eighteenth century, including domestic and semi-domestic music-making, has been steadily growing. As scholars have noted, musical salons were crucial in providing a space where women could perform in public, which was otherwise impossible, for the most part. In this book, music scholar and performer Rebecca Cypess focuses on the figure of the salonnière, the female host at the center of most musical salons in Europe and America in the second half of the eighteenth century. Through case studies include the salons of Anne-Louise Brillon in Paris, Marianna Martines in Vienna, Sara Levy in Berlin, Elizabeth Graeme in Philadelphia, and the painter Angelika Kauffman in Rome, Cypess addresses several far-reaching issues in Enlightenment musical culture. Among them are questions having to do with collaboration and improvisation vs. authorship, sensual vs. intellectual experiences, the role of women in 'governing' the salons and collecting musical scores and instruments, and how these collections can function as texts that illuminate the lived experiences of eighteenth-century music. In this richly written book, Cypess draws on letters, diaries, and other written documents, as well as iconography, to make connections with non-musical practices, including games, and to recreate the salon as an immersive musical and creative environment. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Today music fills our lives. How we have created, performed and listened to this music throughout history has defined what our species is and how we understand who we are. Yet music is an overlooked part of our origin story.  The Musical Human: A History of Life on Earth (Bloomsbury, 2021) takes us on an exhilarating journey across the ages - from Bach to BTS and back - to explore the vibrant relationship between music and the human species. With insights from a wealth of disciplines, world-leading musicologist Michael Spitzer renders a global history of music on the widest possible canvas, looking at music in our everyday lives; music in world history; and music in evolution, from insects to apes, humans to AI. Through this journey we begin to understand how music is central to the distinctly human experiences of cognition, feeling and even biology, both widening and closing the evolutionary gaps between ourselves and animals in surprising ways. The Musical Human boldly puts the case that music is the most important thing we ever did; it is a fundamental part of what makes us human. Mel Rosenberg is a professor of microbiology (Tel Aviv University, emeritus) who fell in love with children's books as a small child and now writes his own. He is also the founder of Ourboox, a web platform that allows anyone to create and share awesome flipbooks. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

“Sketch comedy – more than any other television genre – lays bare the process of identity formation, pokes fun at its contradictions, and invites us to debate its terms.” In Sketch Comedy: Identity, Reflexivity, and American Television (Indiana University Press, 2019), author Nick Marx makes this argument and goes on to systematically prove it through a series of case studies dating from the earliest days of network television through to our post-network era. While sketch is an understudied form of television expression and a genre that rarely garners full-throated network support, it remains one of the most playful, political, and experimental kinds of programming in U.S. television. Close readings of the on-screen representations and off-screen politics of shows including Saturday Night Live, The State, and Key & Peele drive home how vital it is that television scholars and fans recognize the power of sketch in forming what we watch, what we think, and what we believe. In this conversation, Nick Marx discusses this book, his first solo-authored monograph, in conjunction with his prior publications, defines his term “reflexivity flexibility,” gives it up for Mr. Show with Bob and David, and gives it to Pete Davidson. Nick Marx is Associate Professor of Film and Media Studies in the Department of Communication Studies at Colorado State University. His most recent book (with Matt Sienkiewicz) is That's Not Funny: How the Right Makes Comedy Work for Them due out this spring from University of California Press. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

From the BBC Proms to Bernstein's Young People's Concerts, initiatives to promote classical music have been a pervasive feature of twentieth-century musical life. The goal of these initiatives was rarely just to reach a larger and more diverse audience but to teach a particular way of listening that would help the public "appreciate" music. In The Art of Appreciation: Music and Middlebrow Culture in Modern Britain (University of California Press, 2021), Dr. Kate Guthrie examines for the first time how and why music appreciation has had such a defining and long-lasting impact—well beyond its roots in late-Victorian liberalism. Dr. Guthrie traces the networks of music educators, philanthropists, policy makers, critics, composers, and musicians who, rather than resisting new mass media, sought to harness their pedagogic potential. The book explores how listening became embroiled in a nexus of modern problems around citizenship, leisure, and education. In so doing, it ultimately reveals how a new cultural milieu—the middlebrow—emerged at the heart of Britain's experience of modernity. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences. Triumph Over Containment: American Film in the 1950s (Rutgers University Press, 2021) offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from The Thing from Another World (1951) to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture. This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029]. To discuss and propose a book for interview you can reach him at [email protected]. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Once viewed as an embarrassing superstition, the theatrical religious performances of Korean shamans--who communicate with the dead, divine the future, and become possessed--are going mainstream. Attitudes toward Korean shamanism are changing as shamanic traditions appear in staged rituals, museums, films, and television programs, as well as on the internet.  In Contemporary Korean Shamanism: From Ritual to Digital (Indiana University Press, 2021), Liora Sarfati explores this vernacular religion and practice, which includes sensory rituals using laden altars, ecstatic dance, and animal sacrifice, within South Korea's hypertechnologized society, where over 200,000 shamans are listed in professional organizations. In doing so, Sarfati reveals how representations of shamanism in national, commercialized, and screen-mediated settings have transformed opinions of these religious practitioners and their rituals. Applying ethnography and folklore research, Contemporary Korean Shamanism maps this shift in perception about shamanism--from a sign of a backward, undeveloped Korea to a valuable, indigenous cultural asset. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

During the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes--roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit--particularly in the form of heroines--has a rich history in film in the years just prior to the American entry into World War I. The American Girl Goes to War: Women and National Identity in US Silent Film (Rutgers UP, 2022) demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women's changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Deirdre Ní Chonghaile is a writer, musician, broadcaster, and curator from the Aran Islands. Working bilingually in Irish and English, she is drawn to voices, contemporary and historical, especially those that have been marginalized, and to what they have to say or sing. She read Music at St. Hilda's College, Oxford, and worked at the University of Notre Dame and the Library of Congress. Deirdre is currently curating an exhibition for Roinn na Gaeilge at NUI Galway on the first professor of Irish there, Tomás Ó Máille, and also preparing an anthology of over fifty traditional songs composed in the Aran Islands from the nineteenth century to the present day. In this interview, she discusses her new book Collecting Music in the Aran Islands: A Century of History and Practice (U Wisconsin Press, 2021), which uses interlocking case-studies of traditional music collection to investigate questions of preservation, curation and marginalization. Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre Ní Chonghaile argues for a culturally equitable framework that considers negotiation, collaboration, canonization, and marginalization to fully understand the immensely important process of musical curation. In presenting four substantial, historically valuable collections from the nineteenth and twentieth centuries, she illustrates how understanding the motivations and training (or lack thereof) of individual music collectors significantly informs how we should approach their work and contextualize their place in the folk music canon. Aidan Beatty is a historian at the Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Funny music is often dismissed as light and irrelevant, but Weird Al Yankovic’s fourteen successful studio albums prove there is more going on than comedic music's reputation suggests. In this book, for the first time, the parodies, original compositions, and polka medleys of the Weird Al universe finally receive their due respect. In Weird Al, Seriously, musicologist Lily Hirsch weaves together original interviews with the prince of parody himself, creating a fresh take on comedy and music’s complicated romance. She reveals that Yankovic’s jests have always had a deeper meaning, addressing such topics as bullying, celebrity, and racial and gender stereotypes. Weird Al is undeterred by those who say funny music is nothing but a low-brow pastime. And thank goodness. With his good-guy grace still intact, Yankovic remains unapologetically and unmistakably himself. Reveling in the mischief and wisdom of Yankovic’s forty-year career, this book is an Al-expense-paid tour of a true comedic and musical genius. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, the novel Someone Should Pay for Your Pain," a knockout fiction debut;" and Rolling Stone named it one of the best music books of 2021. He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

What is education? Most of the time, we have little patience for this question because we take the answer to be obvious: we identify education with school learning. This book focuses on education outside of the school context as a basis for criticizing and improving school learning. Following the examples of Jean-Jacques Rousseau and John Dewey, Arcilla seeks to harmonize schooling with a more pervasive education we are all naturally undergoing. He develops a philosophical theory of education that stresses the experience of being led out —a theory latent in the Latin term, “educere”— by examining the road movies of Wim Wenders. Wim Wenders's Road Movie Philosophy: Education Without Learning (Bloomsbury, 2020) contributes both to our understanding of another crucial kind of education our schooling could better serve, and to our appreciation of what unifies and distinguishes Wenders's achievements in cinema. René V. Arcilla is Professor of Philosophy of Education in the Steinhardt School of Education, at New York University Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

What is the hidden history of women in the television industry? In Their Own Best Creations: Women Writers in Postwar Television (U California Press, 2022), Annie Berke, film editor at the Los Angeles Review of Books and host of the Film channel of the New Books Network podcast, explores the history of women writers through key case studies, industry analysis, and readings of on-screen representations. The book is a rich and detailed analysis of the changing nature of the gendered profession of making television, thinking through the past, with lessons for the present and future of the entertainment industry. Accessible and fascinating, the book should be widely read by scholars, industry insiders, and the public too! Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The humanities, considered by many as irrelevant for modern careers and hopelessly devoid of funding, seem to be in a perpetual state of crisis, at the mercy of modernizing and technological forces that are driving universities towards academic pursuits that pull in grant money and direct students to lucrative careers. But as Paul Reitter and Chad Wellmon show in Permanent Crisis: The Humanities in a Disenchanted Age (U Chicago Press, 2021), this crisis isn’t new—in fact, it’s as old as the humanities themselves. Today’s humanities scholars experience and react to basic pressures in ways that are strikingly similar to their nineteenth-century German counterparts. The humanities came into their own as scholars framed their work as a unique resource for resolving crises of meaning and value that threatened other cultural or social goods. The self-understanding of the modern humanities didn’t merely take shape in response to a perceived crisis; it also made crisis a core part of its project. Through this critical, historical perspective, Permanent Crisis can take scholars and anyone who cares about the humanities beyond the usual scolding, exhorting, and hand-wringing into clearer, more effective thinking about the fate of the humanities. Building on ideas from Max Weber and Friedrich Nietzsche to Helen Small and Danielle Allen, Reitter and Wellmon dig into the very idea of the humanities as a way to find meaning and coherence in the world. Paul Reitter is professor of Germanic languages and literatures at the Ohio State University. He is the author and editor of many books, including The Anti-Journalist: Karl Kraus and Jewish Self-Fashioning in Fin-de-Siecle Europe. Chad Wellmon is professor of German studies and history at the University of Virginia. He is the author and editor of many books, The Rise of the Research University: A Sourcebook and Organizing Enlightenment: Information Overload and the Invention of the Modern Research University. Alexandra Ortolja-Baird is Lecturer in Digital History and Culture at the University of Portsmouth. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Movie-Made Jews: An American Tradition (Rutgers University Press, 2021) focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews.  Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at [email protected]. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Uwe Schütte's Kraftwerk: Future Music from Germany (Penguin, 2021) is not your typical rock star biography. Eschewing gossipy interpersonal details, Schütte instead contextualizes Kraftwerk within contemporaneous debates about German cultural identity in the wake of Nazi atrocities. Kraftwerk's intellectual and artistic debts to Weimar era movements like Bauhaus and early Soviet experimentation in constructivism and futurism are fully elucidated, showing how Kraftwerk's futuristic electro-pop was actually deeply rooted in pan-European avant-garde movements. Schütte also provides in-depth analysis of each of Kraftwerk's albums, including now-disowned early recordings and the most recent Kraftwerk studio release, 2003's Tour de France. With this book, Schütte makes a compelling case for Kraftwerk as a major artist in 20th century pop music, as influential in its own way as The Beatles or Elvis Presley. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate’s resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor’s passing in 1966 – began at a cinematheque in Alsace. But Stevens’ book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century (Simon & Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography. In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking. Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Larissa FastHorse's new collection of plays includes the wildly successful plays The Thanksgiving Play/What Would Crazy Horse Do? (Theatre Communications Group, 2021). In both plays, FastHorse explores issues facing contemporary Native Americans, but also white America's complicated self-identity in an era of multiculturalism. In The Thanksgiving Play, four white people with varying degrees of theatre experience try to stage a historically sensitive Thanksgiving pageant for a local school, with predictably disastrous results. What Would Crazy Horse Do? features the last two members of a fictional tribe who are forced to confront uncomfortable aspects of their own history when they learn that their grandfather participated in a reenactment of a powwow as part of a Klan rally. This gut-churning play reveals the fallacy of any ideology of racial purity, whether involving whites, indigenous peoples, or any other group. Together, these two plays are a riotously funny but ultimately unsettling look at contemporary politics of race and representation. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Lynn Garafola's La Nijinska: Choreographer of the Modern (Oxford UP, 2022) is both readable and rigorous, a rare combination. As a historian and eminent dance scholar, Garafola brings her skills to the art of biography with acumen. We also get a deep sense of the woman and her works. The interview not only includes a discussion of Nijinska and the way in which her history has been overshadowed by her famous brother, as well as dance history which has foregrounded and celebrated male ballet choreographers, and modern choreographers after the first wave of women through the late 1940s, Garafola provides insights into Nijinska's works and suggests links for viewing the best productions to further understand this ephemeral art. What emerges from the interview is the story of a woman who survived revolutions, wars, geographic moves, misogyny, motherhood, and cared for her brother who was institutionalised, and continued to work as an artist through the end of her life. Victoria Phillips is a Visiting Fellow at the London School of Economics in the Department of International History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

I am joined for my interview with Edward Tyerman by Ed Pulford, another host on our channel. Together, we discuss Edward’s new book, Internationalist Aesthetics: China and Early Soviet Culture (Columbia University Press, 2021). Internationalist Aesthetics examines how knowledge of China is produced in the early Soviet period through the aesthetic idiom of internationalism. Tyerman shows how artist intellectuals, especially Sergei Tretyakov, the book’s protagonist, make China affectively sensible for Russian audiences. Each chapter takes on a separate medium: travelogue, stage, film, and “bio-narrative,” to think through how Soviet aesthetes negotiate old and new forms to demystify China, a nation that even in the revolutionary environment of 1920s Russia, was still understood through recourse to orientalist tropes. The book ultimately spans a very short period, a slither of the 1920s, a moment of opportunity before the Guomindang’s persecution of the communists in China in 1927 and a moment of aesthetic possibility before the purges of the 1930s in Russia. Join us in our conversation about how a certain mode of “Chinese studies” emerges in the media aesthetics of this turbulent period. Julia Keblinska is a Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Singing the same song is a central part of the worship practice for members for the Cherubim and Seraphim Christian Church in Lagos, Nigeria. Vicki L. Brennan reveals that by singing together, church members create one spiritual mind and become unified around a shared set of values. She follows parishioners as they attend choir rehearsals, use musical media—hymn books and cassette tapes—and perform the music and rituals that connect them through religious experience. Brennan asserts that church members believe that singing together makes them part of a larger imagined social collective, one that allows them to achieve health, joy, happiness, wealth, and success in an ethical way. Brennan discovers how this particular Yoruba church articulates and embodies the moral attitudes necessary to be a good Christian in Nigeria today. Singing Yoruba Christianity: Music, Media, and Morality (Indiana UP, 2018) makes an important contribution to understanding the complex religious landscape of Lagos, which includes various Christian demonstrations and Muslim groups. Its firm grounding in ethnomusicology and media theory will be of interest to any who wish to better understand the intersection of music and religious experience. Dr. Vicki Brennan is a cultural anthropologist and ethnomusicologist who is an Associate Professor in the Religion Department and Director of the African Studies Program at the University of Vermont. Sara Katz is a Postdoctoral Associate in the History Department at Duke University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

James Lapine's Putting it Together: How Stephen Sondheim and I Created "Sunday in the Park with George" (FSG, 2021)  is a fascinating behind the scenes look at the creation of a modern masterpiece. Through personal recollections and interviews with nearly all his surviving collaborators, Lapine gives us an intimate look at the fights, feuds, and deadline-defying compositions that went into this beloved musical. The result is a dramatic and entertaining book that deserves a place on every musical theatre lover's shelf next to Finishing the Hat. It will also appeal to instructors in musical theatre book-writing and directing. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

From his early horror movies, including Scanners, Videodrome, Rabid, and The Fly—with their exploding heads, mutating sex organs, rampaging parasites, and scientists turning into insects—to his inventive adaptations of books by William Burroughs (Naked Lunch), Don DeLillo (Cosmopolis), and Bruce Wagner (Maps to the Stars), Canadian director David Cronenberg (b. 1943) has consistently dramatized the struggle between the aspirations of the mind and the messy realities of the flesh. “I think of human beings as a strange mixture of the physical and the non-physical, and both of these things have their say at every moment we’re alive,” says Cronenberg. “My films are some kind of strange metaphysical passion play.” Moving deftly between genre and arthouse filmmaking and between original screenplays and literary adaptations, Cronenberg’s work is thematically consistent and marked by a rigorous intelligence, a keen sense of humor, and a fearless engagement with the nature of human existence. He has been exploring the most primal themes since the beginning of his career and continues to probe them with growing maturity and depth. Cronenberg’s work has drawn the interest of some of the most intelligent contemporary film critics, and the fifteen interviews in this volume feature remarkably in-depth and insightful conversations with such acclaimed writers as Amy Taubin, Gary Indiana, David Breskin, Dennis Lim, Richard Porton, Gavin Smith, and more.  The pieces in David Schwartz, David Cronenberg: Interviews (UP of Mississippi, 2021) reveal Cronenberg to be one of the most articulate and deeply philosophical directors now working, and they comprise an essential companion to an endlessly provocative and thoughtful body of work. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at [email protected]. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Poet and jazz band musician Sun Ra, born in 1914, is one of the most wildly prolific and unfailingly eccentric figures in the history of music. Renowned for extravagant performances in which his band “Arkestra” appeared in neo-Egyptian garb, this keyboardist and bandleader also espoused an interstellar cosmology and that the planet Saturn was his true home. In his book, Sun Ra’s Chicago: Afrofuturism and the City (University of Chicago Press, 2021), Dr. William Sites contextualizes this visionary musician in his home on earth—specifically in Chicago’s South Side, where from 1946 to 1961 Sun Ra lived and relaunched his career. The postwar South Side was a hotbed of unorthodox religious and cultural activism: Afrocentric philosophies flourished, storefront prophets sold “dream-book bibles,” and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where the man then still known as Sonny Blount drew from an array of intellectual and musical sources—from radical nationalism, revisionist Christianity, and science fiction to jazz, blues, Latin dance music, and pop exotica—all this to construct a philosophy and performance style that imagined a new identity and future for African Americans. Sun Ra’s Chicago shows that late twentieth-century Afrofuturism emerged from a deep, utopian engagement with the city—and that by excavating the postwar black experience of Sun Ra’s South Side milieu, we can come to see the possibilities of urban life in new ways. Dr. William Sites is Associate Professor in the Crown Family School of Social Work, Policy, and Practice at the University of Chicago. His fields of interest include urban and community studies, political economy, social movements, immigration, race, culture, social theory, and historical methods. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Today I spoke to Dr. Rebecca Janzen, Associate Professor of Spanish and Latin American Literature at the University of South Carolina about her book Unholy Trinity: State Church and Film in Mexico published by the State University of New York Press 2021. She says in the Introduction that her aim is not to promote religious devotion but to research how films critically engage with their context through imagery and goes on to describe how the State in Mexico has been remarkably active in creating new institutions to train filmmakers and yet the films are critiques of the “hand that feeds them”. Through her analysis of films like Novia te vea she underlines the complexity of Mexican Catholicism, the multiple religious heritages and also how religiosity in Mexico takes important symbols from various origins –pagan – Jewish Mexican. In chapters titled “Catholicism at its Wit’s end”, she analyses films teeming with priests and brothels and underlines that these films do not reflect reality as much as the politics of the field of cultural production in which President Luis Echeverría (1970-1976) competed with the Church for the attention of the Mexican film goer. With these analyses her book moves to a telling destination. Minni Sawhney is a professor of Hispanic Studies at the University of Delhi. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Shakespeare’s plays enjoy a great deal of popularity across the world, yet most of us study Shakespeare's local productions and scholarship. Shakespeare & East Asia (Oxford University Press, 2021) addresses this gap through a wide-ranging analysis of stage and film adaptations related to Japan, South Korea, China, Singapore, and Taiwan. The book builds on Alexa Alice Joubin’s already extensive publication record regarding the circulation of Shakespeare’s plays in East Asia. In particular, it expands on her previous book, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009). Shakespeare & East Asia focuses on post-1950 adaptations that were produced in, distributed across, or associated with East Asia. Joubin offers a nuanced view of what it means to think about Shakespeare and East Asia by carefully considering the international circulation of various stagings and films. She identifies a quartet of characteristics that distinguish these adaptations: innovations in form, the use of Shakespeare for social critiques, the questioning of gender roles, and the development of global patterns of circulation. The varied body of Shakespearan adaptations she examines are alternately funny, dramatic, and thought-provoking, but never boring. Several of the works described in both the interview and the book are available online through the Global Shakespeares Video and Performance Archive. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. She writes about Japanese media and is currently completing Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, a book about contemporary media and Japanese adaptations of Lewis Carroll’s Alice in Wonderland novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this episode, I had the pleasure of speaking to Peggy Wang about her new book, The Future History of Contemporary Chinese Art (Minnesota University Press, 2021). In the book, Wang asks readers to reconsider the term “global” and “world” in relation to the (often simplistically interpreted) artistic projects of some of the most famous Chinese artists of the postsocialist period. A meticulously researched chapter is devoted to: Zhang Xiaogang, Wang Guangyi, Sui Jianguo, Zhang Peili, and Lin Tianmiao. In each case, Wang argues that their oeuvres are critical projects that are shaped by and comment upon artists’ and art critics’ self-understanding as Chinese actors in ambivalent relation to the newly accessible “Western art world.” The book’s theoretical claims will of course speak to scholars of art history as well as Chinese literature and culture. I would be remiss not to mention, however, how excited I am by the teaching potential of this text, both as a foundation from which to understand the complexity of contemporary Chinese art and a wonderful model for students just learning research methodologies. Julia Keblinska is a Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In her new book, Fan Sites: Film Tourism and Contemporary Fandom (U Iowa Press, 2021)(University of Iowa Press, 2021), Abby Waysdorf explores why and how we experience film and television-related places, and what the growth of this practice means for contemporary fandom. Through four case studies—Game of Thrones tourism in Dubrovnik, Croatia and Northern Ireland, the Wizarding World of Harry Potter theme parks in Orlando, Florida, fandom of The Prisoner in Portmeirion, Wales, and Friends events in the United Kingdom and United States—this book presents a multifaceted look at the ways place and fandom interact today. Fan Sites explores the different relationships that fans build with these places of fandom, from the exploratory knowledge-building of Game of Thrones fans on vacation, the appreciative evaluations of Harry Potter fans at the Wizarding World of Harry Potter, to the frequent “homecoming” visits of Prisoner fans, who see Portmeirion as a “safe vault” and the home of their fandom. Including engaging accounts of real fans at each location, Fan Sites addresses what the rise of fan tourism and places of fandom might mean for the future of fandom and its relationship with the media industry. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

“This is America”: Race Gender and Politics in America’s Musical Landscape by Katie Rios (Lexington Books, 2021) examines an eclectic mix of different artists and cultural products, from Laurie Anderson and Childish Gambino to Hamilton. The artists Rios studies confront problems of race and gender that have deep roots in American history, often by championing social movements that have recently swept the nation such as #MeToo and #BlackLivesMatter. While a musicologist by training, Rios is concerned with more than the sonic signifiers of political dissent and resistance. She finds a shared language of cultural and political critique in a wide array of music, videos, dance, visual arts, and theater. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Since the beginnings of African cinema, the realm of beauty on screen has been treated with suspicion by directors and critics alike. In Ethics and Aesthetics in Contemporary African Cinema: The Politics of Beauty (Bloomsbury, 2019), James S. Williams explores an exciting new generation of African directors, including Abderrahmane Sissako, Mahamat-Saleh Haroun, Fanta Régina Nacro, Alain Gomis, Newton I. Aduaka, Jean-Pierre Bekolo and Mati Diop, who have begun to reassess and embrace the concept of cinematic beauty by not reducing it to ideological critique or the old ideals of pan-Africanism. Locating the aesthetic within a range of critical fields - the rupturing of narrative spectacle and violence by montage, the archives of the everyday in the 'afropolis', the plurivocal mysteries of sound and language, male intimacy and desire, the borderzones of migration and transcultural drift - this study reveals the possibility for new, non-conceptual kinds of beauty in African cinema: abstract, material, migrant, erotic, convulsive, queer. Through close readings of key works such as Life on Earth (1998), The Night of Truth (2004), Bamako (2006), Daratt (Dry Season) (2006), A Screaming Man (2010), Tey (Today) (2012), The Pirogue (2012), Mille soleils (2013) and Timbuktu (2014), Williams argues that contemporary African filmmakers are proposing propitious, ethical forms of relationality and intersubjectivity. These stimulate new modes of cultural resistance and transformation that serve to redefine the transnational and the cosmopolitan as well as the very notion of the political in postcolonial art cinema. James S. Williams is Professor of Modern French Literature and Film at Royal Holloway, University of London, where he is also director of the Centre for Visual Cultures.  This interview was conducted by Santiago Fouz-Hernandez, Professor in Film Studies and Iberian Studies at Durham University (UK). Santiago's main work is on masculinites and male bodies on film. His interests include contemporary Spanish and European cinemas, queer cinema, LGBTQ+ studies, popular culture, comics and popular music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s (U Illinois Press, 2019) explores the history of the Black Arts Movement through the experience of activist and organizer, Hoyt W. Fuller (1923-1981). In the first book to document and analyze Fuller's profound influence on the movement, Jonathan Fenderson attends to the paradox between Fuller's central role in the Movement and his marginal place in African-American historiography. Though focused on Fuller, the project is not simply a biographer; it is a series of historical vignettes covering different aspects of Fuller's cultural activism. As it chronicles Fuller's life, the book also address pivotal events and formative moments that grant insight into the ways the Black Arts Movement took shape at the local level; the ways artists shaped the Movement; how race, class, gender, sexuality, and corporate interests impacted the Movement; and, especially, how recovering Hoyt Fuller's work fundamentally alters our knowledge of the Black Arts Movement Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at [email protected] and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Proposing the concept of transformance, a conscious and rigorous process of self-cultivation toward a reconceptualized body, Liang shows how theater practitioners of minoritized cultures adopt transformance as a strategy to counteract the embodied practices of ideological and economic hegemony. This book observes key Taiwanese contemporary theater practitioners at work in forging five reconceptualized bodies: the energized, the rhythmic, the ritualized, the joyous, and the (re)productive. By focusing on the development of transformance between the years of 2000–2008, a tumultuous political watershed in Taiwan’s history, the author succeeds in bridging postcolonialism and interculturalism in her conceptual framework. Ideal for scholars of Asian and postcolonial theater, Bodies and Transformance in Taiwanese Contemporary Theater shows how transformance, rather than performance, calibrates with far greater precision and acuity the state of the body and the culture that it seeks to create. Peilin Liang is Associate Professor of Theatre Studies at the National University of Singapore. She is the director of A Home on the Island, a transnational Practice as Research (PaR) project in applied theater. Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Welcome to The Academic Life! In this episode you’ll hear about: Dr. White’s journey to earn a PhD in tuba The Baltimore School for the Arts The importance of having a village The hidden curriculum Why teaching and mentoring are equally important for educators to do A discussion of the book I’m Possible: A Story of Survival, A Tuba, and the Small Miracle of a Big Dream Today’s book is: I'm Possible: A Story of Survival, a Tuba, and the Small Miracle of a Big Dream (Flatiron Books, 2021), a memoir by Dr. Richard Antoine White. When he and his mother didn’t have a key to a room or a house, they had each other. Richard believed he could look after his mother, even as she struggled with alcoholism and sometimes disappeared, sending Richard into loops of visiting familiar spots until he could find her again. One night, when he almost died searching for her in the snow, he was taken in by his adoptive grandparents. When Richard joined the school band, he discovered a talent and a sense of purpose. He was accepted to the Baltimore School for the Arts, then to the Peabody, where he navigated racial and socioeconomic disparities as one of few Black students in his programs. Richard secured a coveted spot in a symphony orchestra and became the first African American to earn a doctorate in music for tuba performance. Our guest is: Dr. Richard Antoine White, a professor, mentor, and motivational speaker. He received his bachelor's degree at the Peabody Conservatory of Music, and his master's and doctoral degrees at Indiana University. Dr. White was principal tubist of the New Mexico Symphony Orchestra from 2004 until its untimely demise in 2011. He is now principal tubist of the Santa Fe Symphony and is in his tenth season as principal tubist of the New Mexico Philharmonic. He teaches at the University of Mexico, where he is associate professor of tuba/euphonium. He is the author of I’m Possible. Our host is: Dr. Christina Gessler, a historian of women and gender. Listeners to this episode might also be interested in: Information about the documentary referenced in this podcast and the film’s trailer Baltimore School for the Arts The Peabody Conservatory at Johns Hopkins University The Santa Fe Symphony The New Mexico Philharmonic Dr. White playing tuba You are smart and capable, but you aren’t an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring on an expert about something? DM us on Twitter: The Academic Life @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In The Queer Nuyorican: Racialized Sexualities and Aesthetics in Losaida (NYU Press, 2021), Karen Jaime argues that the Nuyorican Poet's Cafe has always been a queer space. While acknowledging elements of masculinist posturing among some artists affiliated with the Nuyorican, Jaime also argues that the Cafe has provided space for artists to articulate queer aesthetics since the 1970s. Jaime also investigates the contested history of the term "Nuyorican." Is it an aesthetic label? An ethnic group? Both? Something else entirely? She situates these questions within the history of a changing Losaida (or Lower East Side), as the Cafe adjusts to a rapidly gentrifying neighborhood. Jaime's book should be of interest to anyone engaged in spoken word, immigrant politics and aesthetics, and the literary history of New York. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Johnny Cash famously declared himself to be “The Man in Black”. He sang that he dressed in a “somber tone” for “the poor and the beaten down, livin' in the hopeless, hungry side of town” and for “the prisoner who is long paid for his crime, but is there because he's a victim of the times”. He famously performed for inmates of Folsom, San Quintin, and a number of other less well-known prisons. Cash publicly supported Native American activists and invited prominent African American guests on his prime-time television show. Yet, he initially supported Richard Nixon, shared the stage with the arch-conservative preacher Billy Graham, and recorded songs that glorified the South’s Lost Cause mythology. How do we make sense of these seemingly contradictory political acts and messages? In Citizen Cash: The Political Life and Times of Johnny Cash, Michael Stewart Foley argues that Cash embodied a “politics of empathy” in which the singer always supported the underdog. This book makes the case that Johnny Cash deserves to be remember as an important figure who used his music for political purposes. Michael Stewart Foley is the author of Confronting the War Machine: Draft Resistance During the Vietnam War, winner of the Scott Bills Memorial Prize from the Peace History Society, Front Porch Politics: The Forgotten Heyday of American Activism in the 1970s and 1980s, and Dead Kennedys' Fresh Fruit for Rotting Vegetables for the 33 1/3 book series. He is a founding editor of The Sixties: A Journal of History, Politics, and Culture and served as a consultant for the television series Mad Men. Foley has taught in the United States, the United Kingdom, and the Netherlands. This native New Englander is currently a professor of American Civilization at the Université Grenoble Alpes. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski’s “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler’s writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this episode of the Queer Voices of the South podcast, John Marszalek interviews author Baker A. Rogers about their research on drag kings in the South and about their own experience performing as a drag king. While drag subcultures have gained mainstream media attention in recent years, the main focus has been on female impersonators. Equally lively, however, is the community of drag kings: cis women, trans men, and non-binary people who perform exaggerated masculine personas onstage under such names as Adonis Black, Papi Chulo, and Oliver Clothesoff. King of Hearts: Drag Kings in the American South (Rutgers UP, 2021) shows how drag king performers are thriving in an unlikely location: Southern Bible Belt states like Tennessee, Georgia, and South Carolina. Based on observations and interviews with sixty Southern drag kings, this study reveals how they are challenging the region’s gender norms while creating a unique community with its own distinctive Southern flair. Reflecting the region’s racial diversity, it profiles not only white drag kings, but also those who are African American, multiracial, and Hispanic. The Queer Voices of the South podcast encouragers listeners to suggest authors they would like to hear us interview. Follow us on Twitter @voices_south or in the public group Queer Voices of the South on Facebook or email us at [email protected] Baker A. Rogers is an associate professor of sociology at Georgia Southern University in Statesboro. Baker is the author of Conditionally Accepted: Christians’ Perspectives on Sexuality and Gay and Lesbian Civil Rights (Rutgers University Press) and Trans Men in the South: Becoming Men. John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.com Twitter: @marsjf3 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts