In the arc of Soviet history, few government programs were as tenacious as the anti-religious campaign, which systematically set out to debunk organized religion as "the opium of the people." This political storm of heaven lasted from the earliest days of Bolshevik power up until the early eighties, when it simply ran out of steam, as did the Soviet State. But while it lasted, the anti-religious campaign was a sustained and virulent attack on the centuries-old bedrock of Russian culture and left a wave of violence and destruction in its wake. Faced with an almost feudal society and a population of predominantly illiterate peasants, the State cannily deployed one of its most potent propaganda weapons: the vibrant graphic art illustration in posters and atheist magazines that were distributed throughout the USSR. For a superstitious peasant, the images of an idealized Soviet worker smashing the idols of Orthodox Christianity must have been as horrific as they were ultimately compelling. The iconography of the anti-religious campaign is front and center of Godless Utopia: Soviet Anti-Religious Propaganda, a fascinating new book by Roland Elliot Brown, published by FUEL Media. In it, Brown examines the anti-religious campaign through a unique collection of illustrations, posters, and the cover art of two prominent atheist magazines gathered for the first time in an English-language publication with full translations of the illustrations, as well as a very cogent overview of the history of the anti-religious campaign. Brown begins with the violent beginning of Christianity in Russia, when Grand Prince Vladimir baptized Russia at the point of a sword, then ordered the pagan idols to be burnt in Kyiv. He traces the rise in significance of the Church during the crucial 250-year Tatar Mongol Yoke and its subsequent relegation by Tsar Peter the Great to the status of the Government Department until 1917. The decades just after the Russian Revolution were the most violent and active of the anti-religious campaign when the Government sanctioned the widespread destruction of church property, the imprisonment of priests and nuns, and the closure of all religious-affiliated schools and charities. World War II offers the Church a brief respite and the opportunity to show its loyalty to the Soviet State during the critical years 1941-1945. Many of the later illustrations highlight Soviet success in space exploration to underscore the tenants of atheism, but all too soon, the Soviet Union and the anti-religious campaign limp towards their own demise in the 1980s. Brown is a London-based journalist and arts writer. He has written articles for The Guardian, The Spectator, Foreign Policy and The Moscow Times. He has also worked as a regular contributor and editor for the London-based news site IranWire, where he wrote about politics and human rights in the Islamic Republic of Iran. Follow Roland on Twitter (@rolandebrown) or visit the book’s Facebook Page: https://www.facebook.com/godlessutopia/ Jennifer Eremeeva is an American expatriate food, travel, and culture writer and photographer currently based in Riga, Latvia, and Massachusetts. Jennifer is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Concise History.  She contributes regular feature articles and photos to The Moscow Times, Fodor’s, Russian Life, and Reuters and is the in-house travel blogger for Alexander + Roberts, a leading American tour operator. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

From the pyramids of Giza, to quasicrystals, to the proportions of the human face, the golden ratio has an infinite capacity to generate shapes with exquisite properties. This book invites you to take a new look at this timeless topic, with a compilation of research and information worthy of a text book, accompanied by over 200 beautiful color illustrations that transform this into the ultimate coffee table book. In The Golden Ratio: The Divine Beauty of Mathematics (Race Point Press, 2018), Gary Meisner shares the results of his twenty-year investigation and collaboration with thousands of people across the globe in dozens of professions and walks of life. The evidence will close the gaps of understanding related to many claims of the golden ratio’s appearances and applications, and present new findings to take our knowledge further yet. Whoever you are, and whatever you may know about this topic, you’ll find something new, interesting, and informative in this book, and may find yourself challenged to see, apply, and share this unique number of mathematics and science in new ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What is the future of the museum? In The Art Museum Redefined: Power, Opportunity, and Community Engagement (Palgrave Macmillan, 2020), Johanna Taylor, an assistant professor at the Herberger Institute for Design and the Arts’ Design School at Arizona State University, explores the relationship between art museums and the contemporary city. Using a case study of Corona Plaza and Queens’ Museum in New York, the book details how museums can co-operate, collaborate and organise with and for local communities. The case study thinks through questions of power in public space, the potential tension between social, economic, and cultural goals, as well as the relationship between government, art museum, and community. As cultural institutions face a changing world and associated questions of legitimacy, the book is essential reading for public, practitioner, and academic audiences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Noelle Giuffrida’s book, Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America (University of California Press, 2018), tells the history of collecting and exhibiting Chinese art through the story of renowned curator and museum director Sherman E. Lee (1918-2008). This book provides one of the first forays into post-war North American collecting and exhibiting, carefully reconstructing the rise of the USA as the scholarly hub on Chinese art, in many ways displacing Europe’s dominance in this area. As such, Separating Sheep from Goats, contributes hugely to the historiography of the field of East Asian art and gives sense of individuals and their contributions, rather than institutions. Relying on extensive archival research, Noelle Giuffrida shines light on the so-called ‘Monuments Men’ and namely their time in East Asia in this engaging and lavishly illustrated book. In this podcast, Noelle and I talk about we talk about the archival research that went into writing this book, the generosity of scholars, such as James Cahill, who shared notes and documents before passing away as well as Sherman E. Lee’s unique role as curator and museum director, his relationship with the ‘old guard’ of Harvard-educated scholars who came before him, the fascinating yet barely-known history of the ‘Monuments Men’ in East Asia, as well as the need for connoisseurship and contextual scholarship in the study and understanding of Chinese painting. Ricarda is an Assistant Curator at the Victoria & Albert Museum’s Asian Department, East Asia section. She is also a part-time PhD candidate at the Courtauld Institute of Art looking at Chinese court art from the first half of the nineteenth century. Find out more via Twitter @RicardaBeatrix Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it. How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in. Marshall Poe is the editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all. Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What’s the first image that comes to mind when you hear the words “Paris” and “photography”? Is it a famous photo, perhaps an Atget, Brassai, or Doisneau? In her new book, Paris and the Cliché of History: The City in Photographs, 1860-1970 (Oxford UP, 2018), Catherine Clark explores the history of how and why photographic images have been central to understanding and imagining the city’s present and past, figuring profoundly in the representation and documentation of change over time in the French capital. In this beautifully illustrated and fascinating book, Clark recounts and analyzes the story of the collection, mobilization, and recollection of photographs as historical documents, a visual archive of urban transformation and memory. From the inauguration of the city’s first photo archives at the Musée Carnavalet, to the illustrated “photohistory” books that used images as documentary evidence, to the photographic museum exhibits, commemoration, and even a citywide contest, in which past and pictures were imbricated, the book looks at how photographs work, and takes seriously their biographies long after moments of capture. Moving beyond the work of key photographers, Clark examines how publishers, historians, public servants, and a range of other actors all participated in making Paris the quintessential capital of photography from the nineteenth century up to the 1970s. The book will be of great interest to anyone interested in the history of the city, of photography, of how the past is conceived and made in a field at once visual, technological, material, and affective. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email ([email protected]). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The images featured in Splashes (RVB Press, 2018) are characteristic of Gabriel Jones’ approach to making images by capturing the “backdrop”, things behind the original subject. There is a performative element to this series in that Gabriel invited friends to pretend to pose at a party, he focused his camera towards them but not on them which allowed him to actually photography the situations taking place in the background of the scene. The photographs were taken with early cellphone cameras, and have mostly been reframed to show only the situations and compositions that sparked the artist’s interest the most. This tight cropping resulted in highly pixelated images, and Jones applied some retouching techniques to further accentuate the strangeness of the scenes in his collections. Gabriel photographed the album cover The Suburbs, for Canadian Indie-Rock band Arcade Fire. The album won the 2012 Grammy Award for Best Record Packaging, and 2011Album of the Year. In 2010 and 2014, Jones curated an exhibition called The Pseudonym Project New York / Paris. A series of established and emerging artists– such as Robert Barry, Liam Gillick, Fouad Bouchoucha, Melanie Bonajo, Joseph Marzolla and Jonathan Monk–were invited to create new pieces under pseudonyms. Their real names were disclosed at the end of the exhibition. His photographs have been exhibited in venues such as Photo España Festival; Paris Photo; Galerie Le Château d’Eau, Toulouse; as well as Galleries Michèle Didier, Paris; Priska Juschka Fine Art, New York and Bugdahn und Kaimer, Dusseldorf. He is a faculty member at the Paris College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How did American elites change the meaning of Art? In Entitled: Discriminating Tastes and the Expansion of the Arts (Princeton University Press, 2019), Jennifer C. Lena, associate professor of arts administration at Colombia University, charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art. The book has rich case study material of over 100 years of American cultural policy and practice, as well as a detailed sociological understanding of institution building and cultural consumption patterns. It both celebrates and critiques key moments, organisations, and actors, as well as giving new insights into our own, contemporary, elites, their taste practices, and social inequalities. The book will be essential reading across humanities and social sciences, as well as for anyone interested in the arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In her book, The Caesar of Paris:  Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire (Pegasus Books, 2018), Susan Jaques offers up a richly detailed and researched account of Napoleon’s fascination with ancient Rome, and how this obsession shaped not only France in the early part of the nineteenth century, but also the city of Paris we know today.  In this interview, she traces the cultural history and legacy of the Napoleonic era, discussing topics such as the looting of artworks from conquered states, the creation of the Empire style by architects Charles Percier and Pierre Fontaine, the Roman inspirations for the Arc de Triomphe, the Arc du Carrousel, and the Vendôme column, and the politics of art repatriation after Napoleon’s defeat at Waterloo. Susan Jaques is a Los Angeles-based author and journalist with a consuming interest in history and art. Her biography, The Empress of Art: Catherine the Great and the Transformation of Russia explores the tsarina’s bold, unprecedented use of art and architecture to legitimize her reign and transform Russia into a European superpower.  Her new cultural history, The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession that Shaped an Empire examines Napoleon’s fascination with antiquity and its impact on the urban landscape of Paris (Pegasus Books, April 2016 & December 2018). Susan’s articles, profiles, and reviews have appeared in such publications as Fine Arts Connoisseur, The Huffington Post, Los Angeles Times, Chicago Tribune, Toronto Globe and Mail, and NY Review of Books. Susan holds a Bachelor of Arts degree in history from Stanford University and an MBA from the University of California, Los Angeles. She is a member of Historians of Eighteenth-Century Art & Architecture and the Napoleon Historical Society. Susan is a docent at the J. Paul Getty Museum in Los Angeles. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Changing Saudi Arabia, Art, Culture and Society in the Kingdom (Lynne Rienner, 2019), Sean Foley offers eye-opening insights into a changing society that is under the international magnifying glass. Using the prism of an exploding arts scene populated by artists, comedians, actors, directors and masters of new media from diverse backgrounds, Foley paints a granular picture of a country that figures prominently in global geopolitics. Breaking with the traditional geopolitical, political and economic paradigm that dominates scholarship and analysis of a kingdom widely viewed as increasingly autocratic and brutal under de facto ruler Crown Prince Mohammed bin Salman, Foley illustrates the margins within which the arts scene seeks to stimulate conversations on often taboo subjects and express criticism by couching it in constructive rather than explicitly critical terms. It involves a balancing act in which artists are forced to be critical and supportive of the regime at the same time. In describing the evolution of the arts scene, Foley also paints a much more layered picture of Prince Mohammed whose reputation as a reformer has been sullied by his crackdown on dissent and the killing in 2018 of journalist Jamal Khashoggi in the kingdom’s consulate in Istanbul. The evolution of a non-traditional arts scene is as much organic as it is a reflection of the generational transition in the kingdom’s absolute monarchical rule and an instinctive understanding that survival in the 21st century rests on a more complex set of factors than it did in the last century. With his well-written and erudite analysis, Foley has made a significant contribution to the literature and understanding of the dynamics that are changing the kingdom for better or for worse. James M. Dorsey is a senior fellow at Nanyang Technological University S. Rajaratnam School of International Studies and the National University of Singapore’s Middle East Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this segment of New Books in History, Jana Byars talks with Elizabeth “Libby” Otto, Associate Professor of Art History and Visual Studies and Executive Director of the Humanities Institute at the University of Buffalo about her forthcoming work, Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics (MIT Press, 2019). The MIT press release appropriately notes that Otto “liberates Bauhaus history” with this work, drawing the focus from the handful of male artists like Klee and Breuer outward as she considers the other 1200 odd Bauhäusler. Otto discusses spiritism, gender constructions, and the nature of queer before turning her attention to the unavoidable political landscape of the 1930s. Our conversation was wide ranging and as edifying as it was fun. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

A work of art about doing nothing; a work of art that invites people to take it apart; a work of art that consists of two people walking in a town in the Dominican Republic. These are just some examples Carlos Garrido Castellano takes up in Beyond Representation in Contemporary Caribbean Art: Space, Politics, and the Public Sphere (Rutgers University Press, 2019), his provocative and complex exploration of conceptual art in the Caribbean as it has been presented over the last thirty years. He argues for a way of experiencing and writing about art that explodes all of our assumptions, and makes new spectators of us all. This book proposes that we can understand this art as creating agency in and through space. Its success is evident in the urgency it generates: we need to experience these creative interventions in order to better understand the Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The Genji Album (1510) in the Harvard Art Museums is the oldest dated set of Genji illustrations known to exist. In The Tale of Genji. A Visual Companion, published by Princeton University Press in 2018, Melissa McCormick discusses all of the fifty-four paintings by Tosa Mitsunobu and calligraphies in the album, thus providing a unique companion to Murasaki Shikibu’s eleventh century masterpiece of prose and poetry, The Tale of Genji. Ricarda Brosch is an Assistant Curator at the V&A’s Asian Department, East Asia section. You can follow her on Twitter: @RicardaBeatrix. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

If there’s one thing that conjures up the – rightly contested – idea of a ‘civilisation’, it is grand palatial or religious buildings, and many such structures are foremost in how China is imagined throughout the world. But as Nancy S. Steinhardt notes in Chinese Architecture: A History (Princeton University Press, 2019), many iconic edifices such Beijing’s Forbidden City or Shanxi’s temples share features in common with the humblest ordinary dwellings which people in what we now call China have inhabited for centuries. Steinhardt here draws on decades of exhaustive reading and tireless fieldwork to tell the story of Chinese building practices, principles and techniques across space and time, from the earliest archaeological traces of construction right up to the present day. Both highly accessible and richly illustrated with hundreds of colour photographs, as well as intricate technical diagrams, this extraordinary treasure trove of a book is much more than an architectural compendium. The countless insights Steinhardt offers into the wider worlds of art and urban planning, and the political, economic and religious contexts in which Chinese buildings have been built for thousands of years, will serve as an engrossing and materially-rooted account of Chinese ‘civilisation’ for anyone with even a fleeting interest in the country. Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The metaphor “object lesson” is a familiar one, still in everyday use. But what exactly does the metaphor refer to? In her book Object Lessons: How Nineteenth-Century Americans Learned to Make Sense of the Material World (Oxford University Press, 2018), my guest Sarah Anne Carter reveals that object lessons were a classroom exercise, in wide use during the nineteenth century. She traces them from the Swiss educational reformer Pestalozzi, through his English adherents, to seemingly unlikely outposts of educational revolution as the Oswego, New York school system. And she takes the story into politics, advertising, and racial segregation. Her book is study of intellectual history and of intellectual culture. But Sarah’s book, and this conversation, is also about asking questions of things which cannot speak. Sarah’s interest in objects comes not simply from her training as an intellectual historian, but as a curator of museums. She is curator and director of research at the Chipstone Foundation in Milwaukee, and is passionate about teaching people the history behind the objects that museums contain. Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

“Fashion is universal,” writes my guest Kimberly Alexander in her book Treasures Afoot: Shoe Stories from the Georgian Era (Johns Hopkins UP, 2018), “enabling historians across time, place, and culture to form an understanding of the people who made clothes and who wore them. But shoes are different. As shoe scholar June Swann opines, ‘No other garment or accessory maintains the imprint of its wearer–even over long spans of time.’ A shoe molds to the foot and captures a facet of the physical characteristics of its wearer, as well as, by extension, an element of his or her personal history. We can study how much wear occurred and on what part of the shoe, how a shoe was altered or repaired, why a shoe or a pair of shoes were saved and handed down–and, from this, form a idea of the ordinary lives of the people who wore them.” Together Kimberly and I discuss her new book; why shoes are important; why fashion is important; and even how to talk about material culture in class. Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Along with the rapid expansion of the market economy and industrial production methods, such innovations as photography, lithography, and steam printing created a pictorial revolution in nineteenth-century society. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as significant as the print revolution that preceded it. Consuming Identities: Visual Culture in Nineteenth-Century San Francisco (Oxford University Press, 2018) explores the significance of the pictorial revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush. In their correspondence, diaries, portraits, and reminiscences, thousands of migrants to the city by the Bay demonstrated that visual media constituted a central means by which people navigated the bewildering host of changes taking hold around them in the second half of the nineteenth century, from the spread of capitalism and class formation to immigration and urbanization. Amy K. Defalco Lippert, Assistant Professor of American History and the College at the University of Chicago, argues that images themselves were inextricably associated with these world-changing forces; they were commodities, but as representations of people, they also possessed special cultural qualities that gave them new meaning and significance. Visual media transcended traditional boundaries of language and culture that divided diverse groups within the same urban space. From the 1848 conquest of California and the gold discovery to the disastrous earthquake and fire of 1906, San Francisco anticipated broader cultural transformations in the commodification, implementation, and popularity of images. For the city's inhabitants and sojourners, an array of imagery came to mediate, intersect with, and even constitute social interaction in a world where virtual reality was becoming normative. ____________________________________________________________________________ Ryan Tripp is adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Josef Stalin’s death in 1953 marked a noticeable shift in Soviet attitudes towards the West.  A nation weary of war and terror welcomed with relief the new regime of Nikita Khrushchev and its focus on peaceful cooperation with foreign powers.  A year after Stalin’s death, author and commentator Ilya Ehrenburg published the novel that would give a name to this era, “The Thaw,” which probed the limits of cultural expression, now expanded by Khrushchev’s political pivot. One of the critical hallmarks of The Thaw is an almost immediate deluge of foreign culture into the Soviet Union, which for most of the population was entirely new: in pre-revolutionary Russia, culture was the prerogative of wealthy aristocrats and intellectuals, and for the much of the first three decades of the nascent Soviet state, access to foreign culture was strictly forbidden.  Suddenly, the vast country was flooded with international books, films, paintings, and music.  The impact was seismic, and the reverberations are still felt today. To See Paris and Die: The Soviet Lives of Western Culture(Harvard University Press, 2018), by Eleonor Gilburd, is a deep dive into this phenomenon, which spans period from the death of Stalin in 1953 to the invasion of Czechoslovakia in 1968.  Gilburd looks at the perfect cultural and social storm created by the combination of more liberal politics, foreign culture and the technology to make it accessible to 11 time zones.  But Gilburd doesn’t limit herself to the impact of culture on the Soviet population, rather she examines the ways in which Soviet cultural interpreters made foreign cultural artifacts “about us.” In Gilburd’s study, we see how translators dug deep into Russian street language to bring Holden Caufield to the page, how film distributors brought Fellini’s neorealism to the steppes of Kazakhstan, and how Ilya Ehrenburg gently reintroduced a nation to the beauty of French Impressionism.  This is as much a story of translators, commentators, and curators as it is of their audience. “To See Paris and Die: The Soviet Lives of Western Culture” was short-listed for the 2019 Pushkin House Prize. Eleonor Gilburd is an Assistant Professor of Soviet History and the College at the University of Chicago, and the author of “The Thaw: Soviet Society and Culture during the 1950s and 1960s.”  She received her Ph.D. from the University of California Berkley in 2010. Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England.  Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life.  She is the in-house travel blogger for Alexander & Roberts, and the award-winning author of  Lenin Lives Next Door:  Marriage, Martinis, and Mayhem in Moscow.  Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Graphic Satire in the Soviet Union: Krokodil’s Political Cartoons (University Press of Mississippi, 2019), Dr. John Etty explains how Krokodil magazine provided a venue in which the state, the the magazine’s editors, and readers all participated in defining what it was permissible to laugh at in the USSR. A standard view of Krokodil as propaganda would suggest that the magazine largely functioned as an arm of state ideology. In some cases, Krokodil did serve this function, but more often than not, its contents were the product of a process of co-creation, with all three groups playing a creative role in producing the magazine’s contents. With an engaging mix of visual analysis and theoretical sophistication, the author provides a window into everyday reading materials consumed by Soviet citizens. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Linda M. Grasso's Equal under the Sky: Georgia O’Keeffe & Twentieth-Century Feminism (University of New Mexico Press, 2017) provides an in-depth look at O'Keeffe's ambivalent relationship with feminism from her early beginnings as a New Woman of the 1910s, to the support she received from women to become a national icon for feminism. Along the way, she distanced herself in multiple ways from women and feminism seeking to establish herself as an artist rather than as a woman artist with art making serving as a personal form of activism. Her desire to control her career and image motivated her to seek gender-transcendence and embrace personal feminism of individualism, self-expression and professional achievement. O’Keeffe’s success, the modernism of her time, and feminism are deeply linked and demonstrate the complexities for women who excelled in their chosen fields and the enduring conflicts within the movement. How the meaning of feminism changed during the course of O’Keeffe’s lifetime and how she became a feminist icon disconnected from its politics are at the heart of this fascinating study. Linda M. Grasso is a professor of English at York College, City University of New York. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the intellectual history feminism seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

It was the passionate amateur painter, Winston Churchill, who introduced one of the Cold War’s key metaphors: The Iron Curtain. As John J. Curley argues in Global Art and the Cold War (Laurence King Publishers, 2019), this provocative image defined the binary logic of the Cold War and speaks to the larger importance of visuals in both the deployment of contemporary propaganda and in political resistance. A meticulously-researched and accessible monograph, Global Art and the Cold War demonstrates the crucial role of art in the greatest geopolitical conflict of the 20th century. Presenting a nuanced investigation of how the Cold War shaped major art movements including Abstract Expressionism, Pop art, and Conceptualism in the West and Socialism realism in the Eastern Bloc, Curley also challenging the traditional history of American Abstract painting in opposition to Soviet Socialist Realism by integrating other regions including Asia, Africa, and Latin America in to the study. Art from the “Cold War peripheries”, writes Curley in his introduction, reveals that the dominant narrative of modernism was a Western construction, simultaneously expressing transnational modernity and nationalism to counter American and Soviet imperialism. Positioning all 20th century art as engaged in an inevitable conflict between two opposed models for modernity, Curley makes a compelling case for broadening the narrative of artistic creation in the period of the Cold War and its aftermath. John J. Curley is Associate Professor of Art History in the Department of Art at Wake Forest University, where he teaches classes on modern and contemporary art history, as well as photographic history. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In a world where heritage, culture, creativity, and the capacity to imagine are themselves commodified and sold under the banner of neoliberal freedom, (how) can art be harnessed for anti-capitalist agendas? At a time when scholars along all points of the political spectrum seem to agree that expressing their creativity is good for oppressed groups, whether because creativity makes them entrepreneurial or because creativity is an inherent challenge to capitalism, Dia Da Costa offers a refreshingly nuanced perspective on the dangers that creative economy discourses pose for radical activism. In Politicizing Creative Economy: Activism and a Hunger Called Theater (U Illinois Press, 2016)--her multisited ethnography focusing on two activist theater troupes in the Indian cities of Delhi and Ahmedabad--Da Costa shows how these ‘theaters of the oppressed’ exist alongside, fall prey to, re-appropriate, and jostle with capitalist discourses and definitions of ‘creative economy’ which seek to contain and tame the cultural production of oppressed groups. The first troupe Da Costa discusses is the Jan Natya Manch, a Communist-affiliated theater group consisting mainly of middle-class activists who valorize Delhi’s (factory) working-class albeit in a rapidly deindustrializing city, and offer a disenchanted, secular critique of Hindu nationalism albeit in a deeply religious milieu. The second troupe featured is Ahmedabad’s Budhan Theater, run by the lowly and criminalized Chhara caste who hope that through theater they can craft respectable livelihoods and achieve inclusion as citizens while at the same time critiquing the violences of the Indian capitalist state. By analyzing the possibilities and shortcomings inherent in both troupes’ practices and political approaches, Da Costa shows how carefully and critically studying the diversity of left politics is an important part of building solidarities which can ultimately resist fascist neoliberalism. Da Costa also shows how attending to the politics of affect and emotion can help create successful social mobilization; rather than simply lamenting how oppressed people don’t rise up, attention to affective politics helps us shape forms of activism which actually speak to people’s lives, hopes, and hungers. This book will be of interest to activists, radical educators, and scholars in fields ranging from feminist affect theory to development studies. Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In her original and thought-provoking book Ornamentalism (Oxford University Press, 2019), Anne A. Cheng illustrates the longstanding relationship between the ‘oriental’ and the ‘ornamental’. So doing, she moves beyond a simple analysis of objectification to reveal the powerful role Ornamentalism plays in constituting modern ideas of personhood, racialized femininity and the figure of the Asian woman. Drawing on examples from the realms of law, popular culture and art from the 19th and 20th centuries, Cheng deepens our understanding of racial formation by demonstrating how race and gender are conceived not only in relation to the body, but inorganic ornamentation as well. Anne A. Cheng is Professor of English and Director of American Studies at Princeton University. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology from Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Installed at Plymouth, Massachusetts, in 1921 to commemorate the tercentenary of the landing of the Pilgrims, Cyrus Dallin's statue Massasoit was intended to memorialize the Pokanoket Massasoit (leader) as a welcoming diplomat and participant in the mythical first Thanksgiving. But after the statue's unveiling, Massasoit began to move and proliferate in ways one would not expect of generally stationary monuments tethered to place. The plaster model was donated to the artist's home state of Utah and prominently displayed in the state capitol; half a century later, it was caught up in a surprising case of fraud in the fine arts market. Versions of the statue now stand on Brigham Young University's campus; at an urban intersection in Kansas City, Missouri; and in countless homes around the world in the form of souvenir statuettes. As Lisa Blee, Associate Professor of History at Wake Forest University, and Jean M. O’Brien, Distinguished McKnight University Professor of History at the University of Minnesota, show in Monumental Mobility: The Memory Work of Massasoit (The University of North Carolina Press, 2019), the surprising story of this monumental statue reveals much about the process of creating, commodifying, and reinforcing the historical memory of Indigenous people. Dallin's statue, set alongside the historical memory of the actual Massasoit and his mythic collaboration with the Pilgrims, shows otherwise hidden dimensions of American memorial culture: an elasticity of historical imagination, a tight-knit relationship between consumption and commemoration, and the twin impulses to sanitize and grapple with the meaning of settler-colonialism. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

This is a magically journey about the mystery of the design process. Chip Sullivan's Cartooning the Landscape (University of Virginia Press, 2016) is about using your drawing skills to exercise and stretch your imagination. He takes you step by step through a process of creativity to enhance your own design and challenge your limitations. Why not? Where does creativity come? This book will help guide you on your own path to go there...somewhere. You are your only limitation. Chip Sullivan is Professor of Landscape Architecture and Environmental Planning at the University of California, Berkeley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Five decades ago, Native American leaders launched a crusade to force museums to return their sacred objects and allow them to rebury their kin. Today, hundreds of tribes use the Native American Graves Protection and Repatriation Act to help them recover their looted heritage from museums across the country. As senior curator of anthropology at the Denver Museum of Nature & Science, Chip Colwell has navigated firsthand the questions of how to weigh the religious freedom of Native Americans against the academic freedom of scientists and whether the emptying of museum shelves elevates human rights or destroys a common heritage. Winner of the 2019 National Council on Public History Book Award, Plundered Skulls and Stolen Spirits: Inside the Fight to Reclaim Native America's Culture(University of Chicago Press, 2017) offers Colwell's personal account of the process of repatriation, following the trail of four objects as they were created, collected, and ultimately returned to their sources: a sculpture that is a living god, the scalp of a massacre victim, a ceremonial blanket, and a skeleton from a tribe considered by some to be extinct. These specific stories reveal a dramatic process that involves not merely obeying the law, but negotiating the blurry lines between identity and morality, spirituality and politics. Things, like people, have biographies. Repatriation, Colwell argues, is a difficult but vitally important way for museums and tribes to acknowledge that fact—and heal the wounds of the past while creating a respectful approach to caring for these rich artifacts of history. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Harold Holzer has written a biography of one of America’s greatest public artists of the nineteenth and early twentieth century, Daniel Chester French.  In Monument Man: The Life and Art of Daniel Chester French (Princeton Architectural Press, 2019), Holzer chronicles the career of French, who became best known for his sculpture of Abraham Lincoln for the Lincoln Memorial in Washington, D.C.  French was born in 1850 and became one of the most sought after sculptors of portraits and thematic sculptures in America.  Holzer reveals French’s methods of creation and execution of his sculptural commissions, which included many notable works before the famous Lincoln Memorial.  Yet, the Lincoln Memorial and its place in the American imagination are a central feature of this book.  Holzer reveals how the statue had different political meanings to different audiences from the moment of it dedication. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In one of history’s largest migrations, hundreds of thousands of Norwegians immigrated to North American during the 1800s and early 1900s. In addition to letters sent home, Norwegian-Americans often included photographs showcasing their new American lives. In her book, Pictures of Longing: Photography and the Norwegian-American Migration (University of Minnesota Press, 2018), Dr. Sigrid Lien keenly evaluates the photographs Norwegian immigrants sent home—including one of her own grandfather. Throughout the book, Lien delves into the lives of everyday people seeking a new and prosperous life in America. Using talented writing and skillful research Sigrid Lien brings the past to life without overlooking the important historical context in which the Norwegian-American migration took place. A new edition translated by Barbara Sjoholm, Pictures of Longing is an endlessly fascinating account of real people who, through photographs, sought to share their experience during a time of hope and change. Sigrid Lien is professor of art history and photography studies at the University of Bergen, Norway, and a leading authority on Norwegian photography. She has published extensively on modern and contemporary visual culture and is the author of the first extensive history of photography in Norway. Colin Mustful has an M.A. in history from Minnesota State University, Mankato, and is currently a candidate for an M.F.A. in Creative Writing from Augsburg University. You can learn more about his work at his website: www.colinmustful.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an inimitable work of critique: Second Skin: Josephine Baker and the Modern Surface (Oxford University Press, 2017). Moving fluidly and with suspense through Baker’s performances, personal journals, museums, architectural designs, and the lyrics of Cole Porter--to name a few--Cheng draws on the oft-studied but little considered Josephine Baker as a figure of articulation for the nuanced contradictions of primitivism, modernism, and theory. Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination. Cheng’s careful eye and beautiful command of texture illustrates that dissolving Baker into pure particularity--into pure surface--is the best way to capture her unique agency. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge. You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/ Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What are the characteristics of the 21st Century arts leader? In From Imposter to Impact: Arts Leadership in the 21st Century (Dahlia Publishing, 2019), Farhana Shaikh, a writer, publisher, and journalist, details lessons from key arts thinkers. The book covers issues including funding, networking, audience development, the challenge of digital, and diversity in the arts. Crucially the book confronts the struggles and failures, as well as the successes, associated with developing an arts career and becoming an arts leader. The book draws on a wealth of interview data and the experience of the Curve Cultural Leadership Programme, as well as Farhana's own reflections on imposter syndrome, motherhood, and arts leadership. These insights are now the basis for an arts mentoring programme aimed at Black, Asian, and Minority Ethnic writers, and the book is essential reading for anyone interested in the arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Alexander Langlands is a British archaeologist, historian, writer, and broadcaster.  His most recent book, Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts, was published by Norton to great acclaim in 2017 and has just been reissued as a paperback.  Cræft is an antiquated spelling of “craft” and in the book, Langlands explores what the word meant when it first appeared in English over a thousand years ago. Our modern understanding of the term, Langlands argues, is at some remove from its original meaning.  When it first began to appear in the writings of Anglo-Saxons, the term referred to “power or skill in the context of knowledge, ability, and a kind of learning” (17). In Cræft, Langlands combines scholarly research with personal anecdotes as he discusses a range of pursuits which he himself has undertaken, including hay-making, hedgerow planting, dry wall building, and roof thatching. Folklorist Millie Rahn describes Cræft as follows: “This beautifully-written book is basically a cautionary tale about the loss of knowledge, wisdom, power, and skill embedded in tradition, and our ignoring that knowledge at our peril. It's not a treatise; more a paean to the human condition. Not the first to lament our intellectual, spiritual, and physical disconnect with the modern world, or acknowledge the periodic arts and crafts revivals, the writer says we have the power to transform our world and ourselves if we go back to our roots as humans, as ‘makers’. That's where he distinguishes ‘craeft’ from the art and connoisseurship of ‘craft’-- the whole cycle of ‘making’ rooted (all puns intended) in our agricultural processes.” Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Andrew McClellan and Sally Anne Duncan’s book offers a behind-the-scenes exploration of the career of Paul J. Sachs (1878-1965) and the graduate program he developed at Harvard University and the Fogg Museum that came to be known as the “museum course.” Sachs and the course played a major role in training students who became museum directors and curators at American art museums from the late 1920s through the 1960s. By drawing upon archival correspondence, class notes, and oral histories, The Art of Curating: Paul J. Sachs and the Museum Course at Harvard (Getty Research Institute, 2018) delves into the practical training in connoisseurship, the art market, exhibition planning, conservation, and financial management as well as the philosophical discussions that made up the class.  Participants’ training and insider connections gained at Harvard had a profound impact on the development of American art museums in the first half of the twentieth century. While the book looks into some of the male students that went on to distinguished careers, it and also addresses the women who took the course and the challenges they faced in terms of the museum positions that were open to them at the time. This book is a compelling read for curators, academic art historians, museum studies scholars, and anyone interested in the history of art museums, the people behind them, and the historiography of art history. Noelle Giuffrida is research associate and affiliate faculty at the Center for East Asian Studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Nadia Amoroso’s Representing Landscapes: A Visual Collection of Landscape Architectural Drawings (Routledge, 2012) is a collaboration between landscape architecture professors and practitioners leading the field today. The inspiration for the book came from her design studios. She wanted to demonstrate to students how they too could produce beautiful graphics by utilizing a software workflow. The book is divided into the major visual language alphabet for landscape architects: diagrams and mapping, presentation plans, axonometric, section-elevations, perspectives, modeling, and finally case studies. Each section contains an essay describing the graphic elements and usefulness for students and professionals. Nadia Amoroso is the co-founder and Creative Director of DataAppeal, a visualization firm that focuses on the creative mapping of digital media, urban design and GIS representation. She also actively teaches design studios at the University of Guelph. Her academic background includes degrees in Landscape Architecture & Urban Design from the University of Toronto and a PhD from the Bartlett School of Architecture.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

We know quite a bit about the physical signatures of urban “modernity” foisted upon Paris by Baron Haussmann in the late nineteenth century — the broad boulevards, networked infrastructures, connected apartment houses, and assorted monuments — but little scholarship has seized on its precursors in the half-century prior. In Ideals of the Body: Architecture, Urbanism, and Hygiene in Postrevolutionary Paris (University of Pittsburgh Press, 2018), Sun-Young Park turns to another modernity, recovering a daunting array of Romantic and especially post-Napoleonic interventions — less spectacular but arguably more complex — on mobile Parisian bodies and the everyday spaces that host them. Park considers military gymnasia, schools, barracks, leisure gardens, and other spaces purpose-built to inculcate vigor in both individuated physical bodies and, their proponents hoped amid specters of national decline, in the French body politic. Each of these spaces, Park shows, a “threshold” between fully private and fully public realms, helped install — albeit imperfectly — its own “ideal” of the sanitized and gendered human subject. Ideals of the Body is a detailed, visually rich, theoretically motivated study in urban and architectural history, one that just might realign how we periodize and make sense of urban modernity writ large. Peter Ekman is Lecturer in Human Geography at the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

A new book explores how and why New York City became a showcase for the art and architectural styles of ancient Greece and Rome. Classical New York: Discovering Greece and Rome in Gotham (Empire States Editions, 2018), co-edited by Elizabeth Macaulay-Lewis and Matthew McGowan (Fordham University Press, 2018), examines the Greco-Roman influence on buildings, monuments and public spaces from Rockefeller Center to the Gould Memorial Library at Bronx Community College. Walking around New York, Macaulay-Lewis says she “was struck by how many classical-looking buildings there were.” Indeed, references to the myths, gods, motifs and structures of the ancient world are seemingly everywhere: in courthouses, museums and libraries, in arches and columns, in Latin inscriptions and sculptures. But these classical references aren’t just about aesthetics or engineering. They also symbolize the aspirations of a city that saw itself as a capital of learning, culture, and civic life, on par with the finest institutions of the ancient world. This interview is part of an occasional series on the history of New York City sponsored by the Gotham Center at CUNY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Elizabeth A. Fraser's Mediterranean Encounters: Artists Between Europe and the Ottoman Empire, 1774–1839 (Penn State University Press, 2017) takes its readers on a journey through six illustrated travel albums covering territories held by the Ottomans in the Mediterranean basin and produced between 1774-1839. By decentring the importance of Europe, Elisabeth Fraser instead highlights the entangled histories and intercultural nature of the Ottoman Empire. Through six intertextual although very distinct travel albums, the book challenges its readers to look very closely at and engage with images in the works of Choiseul, Cassas, Mouradgea d’Ohsson, Melling, Louis Dupré and Delacroix, underscoring multidirectional viewing. In this podcast, we talk about the six travel albums and their imagery, about the markedness of translating ‘foreign’ images and about how viewing is culturally determined; we also discuss the notion of a single master author and the collaborative enterprise of producing travel books, as well as many other fascinating aspects the book covers. Ricarda Brosch is a curatorial trainee at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin – Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. You can find out more about her work by following her on Twitter @RicardaBeatrix. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

With Paris as the organizing locus of his new book, Du moyen âge à nos jours, expériences et représentations de la folie à Paris [From the Middle Ages to Today, Experiences and Representations of Madness in Paris], Benoît Majerus uses an impressively wide range of visual sources, from religious images and architectural photographs to neuroleptic advertisements and administrative maps. These images are integrated into the text and function not only as illustrations, but also as images with their own story to tell.  Majerus’ narrative arc follows the twists and turns of madness in a city long associated with mental pathogens and their cures and reveals how the history of psychiatry can be told differently through the lens of visual culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

New York City might have been the epicenter of the twentieth century American art scene, but Los Angeles was no slouch either, writes Kellie Jones in South of Pico: African American Artists in the 1960s and 1970s(Duke University Press, 2017). Dr. Jones, Professor of Art History at Columbia University and 2016 MacArthur Fellow, examines several African American artists and their work including Bettye Saar, Charles White, and John Outterbridge, and emphasizes the importance of migration, space, and interconnectivity in the LA art scene of mid-century. Watts, the site of a 1965 rebellion, was one particularly salient and vibrant part of the city’s African American art community. These artists used diverse media including performance and assemblage to comment on post-war American politics and society. The book appeals to experts and non-experts alike and is a strong example of how understanding art can help us to understand social movements and the interconnectivity of our world. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In her book Archiveology: Walter Benjamin and Archival Film Practices (Duke University Press, 2018), Catherine Russell defines "archiveology" as “the reuse, recycling, appropriation and borrowing of archival sounds and images by filmmakers”. In her book, she reviews specific film examples. She also discusses the related work of German philosopher Walter Benjamin and how his ideas coincide with the examples she presents. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Sigmund Freud may have been the first to popularize the study of dreams, but several scholars since Freud have advanced our understanding of dreams in revolutionary ways. Among them is Mark Blechner, an interpersonal/relational psychoanalyst who first published his theories on dreams in his 2001 book The Dream Frontier. With his new book, The Mindbrain and Dreams: An Exploration of Dreaming, Thinking, and Artistic Creation (Routledge, 2018), Blechner draws upon his clinical experience over the past 17 years to update and extend his already cutting-edge original ideas on dreams. In our interview, he explains why dreams, with their imagery and metaphors, may do a better job of expressing our deepest feelings and experiences compared to verbal communication, and why the mind and the brain should be thought of as one. He answers questions about how non-therapists can use their own dreams to understand themselves more meaningfully and how therapist can make use of dreams in clinical work in new and exciting ways. This interview will interest those who want to more fully engage with their dreamlife but don’t yet know how. Mark J. Blechner is a training and supervising psychoanalyst at William Alanson White Institute and has taught at Columbia University, Yale University, and New York University. His prior books include Sex Changes: Transformations in Society and Psychoanalysis (2009), The Dream Frontier (2001), and Hope and Mortality: Psychodynamic Approaches to AIDS and HIV (1997). He is former Editor-in-Chief of the journal Contemporary Psychoanalysis, and the founder and former director of the HIV Clinical Service at the White Institute. Dr. Blechner is in practice in New York City as a psychoanalyst, psychotherapist, supervisor, and leader of private dream groups. Eugenio Duarte, Ph.D. is a psychoanalyst practicing in Miami and university psychologist at Florida International University. He treats individuals and couples with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate of the psychoanalytic training program at William Alanson White Institute and former chair of their LGBTQ Study Group. He is also a contributing author to the book Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Pillow of Dreams (Nivedita Lakhera, 2017) is an intensely emotional and inspirational collection of poetry and art by Dr. Nivedita Lakhera. She experienced a stroke, divorce, and then a heartbreak all at the young age of 27. She is a doctor of Internal Medicine and is serving as a Hospitalist in San Jose, California. Her career in medicine has inspired some of her greatest work, such as a poem written about the last moments of life of a cancer patient she treated. In this book, she opens each section with a letter written to the reader. In these sections you will meet: Saibo – the one who loves, Meera- the one who yearns, Anahita-the one who heals, and Mulan – the one who conquers. One hundred percent of the book sale profits go towards developing telemedicine software for Syrian refugee camps, developing countries, tribal / remote areas and acute disaster situations. Her work has inspired many and she is a keynote speaker at multiple conferences. Jeremy Corr is the co-host of the hit Fixing Healthcare podcast along with industry thought leader Dr. Robert Pearl. A University of Iowa history alumnus, Jeremy is curious and passionate about all things healthcare, which means he’s always up for a good discussion! Reach him at [email protected]. Audio Player Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What can the Weimar Republic teach us about how democracies fail? How could the same vibrancy that gave us cultural touchstones spawn Nazism? In his new book Weimar Germany: Promise and Tragedy (Princeton University Press, 2018), Eric D. Weitz challenges the belief that the fledgling democracy was doomed to fail. In an encompassing examination of the short-lived republic’s political, economic, intellectual, and cultural life, Eric skillfully weaves vivid stories into a overarching narrative. History does not repeat itself, but it does rhyme, and Weimar Germany has much to say that echoes in the here and now. Eric D. Weitz is Distinguished Professor of History and the former Dean of Humanities and Arts at the City College of New York (CCNY). He has been the recipient of many fellowships and awards including the German Academic Exchange Service, the Guggenheim Foundation, and National Endowment for the Humanities. Weitz’s academic work and public engagement covers the Holocaust, the Armenian Genocide, and the genocide of the Herero and Nama. Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His research exploring Gestapo enforcement practices toward different social groups is nearing completion under the working title A Discriminating Terror. He also cohosts the Third Reich History Podcast and can be reached at [email protected] or @Staxomatix. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The Making of a Modern Art World: Institutionalization and Legitimization of Gouhua in Republican Shanghai (Brill, 2017) investigates the production and consumption of guohua (“national painting”) in Shanghai between 1929 and the outbreak of the Second Sino-Japanese war in 1937. Defining the art world as sociologically constructed, Pedith Chan’s systematically researched book focuses on collective practices of artists and art associations, periodicals, art colleges, exhibitions, and the art market, all of which contributed to the institutionalisation and legitimisation of guohua in Republican Shanghai. Based on extensive primary source material, Chan lays bare the modus operandi of a modern art world in Republican Shanghai. The book is an indispensable resource for anybody working in the field of 20th century Chinese painting, highlighting the changing hierarchies, networks and discursive practices that constituted Republican Shanghai guohua. Ricarda Brosch is a curatorial assistant at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin – Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

With the passage of the Secure Fence Act in 2006, the U.S. Congress authorized funding for what has become the largest domestic construction project in twenty-first century America. The result? Approximately 700 miles of fencing, barricades, and walls comprised of newly built and repurposed materials, strategically placed along the 1,954-mile international border between the United Mexican States and the United States of America. At an initial cost of $3.4 billion, the most current estimates predict that the expense of maintaining the existing wall will exceed $49 billion by 2032. Envisioned solely as a piece of security infrastructure—with minimal input from architects and designers—the existing barrier has also levied a heavy toll on the lives of individuals, communities, municipalities, and the surrounding environment. In Borderwall as Architecture: A Manifesto for the U.S.-Mexico Boundary (UC Press, 2017), Professor Ronald Rael proposes a series of architectural designs that advocate for the transformation of the existing 700-mile-wall into a piece of civic infrastructure that makes positive contributions to the social, cultural, and ecological landscapes of the U.S.-Mexico borderlands. As both a muse and act of political protest, Rael’s designs challenge us to question the efficacy of the current barrier, while simultaneously stoking our imagination concerning its future. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the relationship between Latina/o politics and the metropolitan development of Orange County, CA throughout the 20th century. You may follow him on Twitter @djgonzoPhD. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art