Katharine Norbury's affecting memoir The Fish Ladder (Bloomsbury) deals with grief, recovery and the redemptive power of stories and journeys. Abandoned as a baby in a Liverpool convent, Norbury was brought up by loving adoptive parents. As an adult, and having recently suffered a miscarriage, she embarked with her nine-year-old daughter on a journey to trace a river from sea to source. The novelist and critic Amit Chaudhuri has described her book about that journey as an 'extraordinary exploration of how we use narrative to understand our place in the world'. Katharine Norbury was joined at the shop by novelist, poet and fellow memoirist Blake Morrison for an evening of literary conversation. Blake Morrison's many books include two masterpieces of family literature And When Did You Last See Your Father? (Granta) and Things My Mother Never Told Me (Vintage). His latest title Shingle Street (Chatto) is his first full-length poetry collection for nearly 30 years. Set on and around the Suffolk coast, it handles matters personal, political and ecological with Morrison's characteristic honesty and verbal dexterity. Hosted on Acast. See acast.com/privacy for more information.

Patrick Cockburn, regular contributor to the LRB and Middle East correspondent for the Independent, is, according to Seymour Hersh, 'Quite simply, the best Western journalist at work in Iraq today'. His latest book The Rise of Islamic State: ISIS and the New Sunni Revolution (Verso) describes the origins of the new rebel state in Iraq and Syria, setting it in the context of the region's turbulent recent history, and reflecting on its possible futures. Cockburn joined us at the Bookshop to discuss his book, and its implications, with Lindsey Hilsum, Channel 4 News international editor and author of Sandstorm: Libya in the Time of Revolution. Hosted on Acast. See acast.com/privacy for more information.

Islamic scholar Robert Irwin joined us at the Bookshop in discussion with mythographer Marina Warner about a groundbreaking new translation of Tales of the Marvellous and News of the Strange, and its implications for our understanding of the classical Arabic storytelling tradition. The 18 medieval tales collected here (by Penguin Classics), probably originating in the 9th and 10th centuries, are the earliest examples of Arabic stories known to have survived. A few of the stories were collected and adapted, centuries after their composition, in The Arabian Nights. The remainder have never before appeared in English Hosted on Acast. See acast.com/privacy for more information.

Chris Kraus is the author of four novels, most recently Summer of Hate, and two books of art and cultural criticism. The New York Observer describes her as 'the art world's favorite novelist,' and her recent monograph, Lost Properties, about conceptual art and economic activism, was published for the 2014 Whitney Biennial. She is a co-editor of the independent Semiotexte, with Hedi El Kholti and Sylvere Lotringer, and founded the Native Agents imprint that initially published first-person female writing. Torpor, her third novel, will be re-published in a critical edition this winter. She teaches at the European Graduate School, and is presently writing a critical biography of the American writer Kathy Acker. On a rare visit to London, she spoke with Zoe Pilger, author of Eat My Heart Out (Serpent's Tail) about schizophrenic projects, male muses and wilful amateurism. Hosted on Acast. See acast.com/privacy for more information.

James Ellroy’s hardboiled, idiosyncratic explorations of Los Angeles police corruption and midcentury Washington power politics have earned him a worldwide following; his new novel, Perfidia (Cornerstone), is the first in a new trilogy featuring some familiar characters, including the gleefully amoral Dudley Smith. Ellroy joined us at the Bookshop in conversation with the American novelist David Vann, whose most recent book is Goat Mountain (Windmill). Warning: contains strong language. Hosted on Acast. See acast.com/privacy for more information.

Writing about place – a sub-genre of travel writing that subverts it by being about staying put, rather than moving – has been enjoying an extraordinary vogue of late. Three of the genre’s finest practitioners joined us at the shop to discuss its significance and future. Philip Marsden’s Rising Ground (Granta) explores the small part of Cornwall to which he has recently transplanted himself; Julian Hoffman, in The Small Heart of Things (Georgia) finds home around the shores of Greece's Prespa lakes, and Ken Worpole in The New English Landscape, a collaboration with the photographer Jason Orton (Field Station), proposes a new paradigm for topographical beauty based on the post-industrial landscape of the Thames estuary. The evening was hosted by Gareth Evans. Hosted on Acast. See acast.com/privacy for more information.

When I was in eighth grade my history teacher wrote on my report card: “She only does what she wants to do.” She thought that was a bad thing, and it’s not.Jane Smiley won the Pulitzer Prize in 1992 for her novel A Thousand Acres, a retelling of King Lear transplanted to 20th-century Iowa. She joined us at the shop to read from her latest novel, Some Luck (Mantle), the first book in a projected trilogy, which returns to rural Iowa in the 1920s. Charlotte Mendelson wrote of the book: ‘So here it is at last, the Great American Novel and, in retrospect, it seems obvious that the great Jane Smiley would be the one who wrote it.’ Jane Smiley spoke in conversation with Alex Clark. Hosted on Acast. See acast.com/privacy for more information.

Our top 1% take 15% of all income. That’s the highest share of anywhere in Europe. Our bottom fifth are the poorest in Europe. In Inequality and the 1% (Verso) Danny Dorling (Halford Mackinder Professor of Geography of the School of Geography and the Environment of the University of Oxford, or, as Simon Jenkins more pithily put it, 'geographer royal by appointment to the left'), goes in pursuit of the latest research into how the lives and ideas of the richest 1 per cent affect the remaining 99 per cent of us. The findings are shocking. Inequality in the UK is increasing as more and more people are driven towards the poverty line, with profound implications for education, health and life expectancy. Danny Dorling joined us at the Bookshop in conversation with Kate Pickett, Professor of Epidemiology in the Department of Health Sciences at the University of York, and co-author (with Richard Wilkinson) of the ground-breaking The Spirit Level: Why More Equal Societies Almost Always Do Better. Hosted on Acast. See acast.com/privacy for more information.

In 'The Establishment: And How They Get Away With It' (Allen Lane) Owen Jones analyses the people and institutions that govern our lives – government, the media, the banks and the accountancy firms – and exposes usually invisible networks that bind them together. Far from working on our behalf, as they often claim, these institutions are, Owen Jones argues, the biggest threat to our democracy today. Owen joined Paul Myerscough at the Bookshop to present his argument, and to debate its implications. Hosted on Acast. See acast.com/privacy for more information.

Leading sociologist of art [Sarah Thornton][1] goes behind the scenes with 33 living artists including Ai Weiwei, Maurizio Cattelan, Cindy Sherman and Isaac Julien to ask the apparently simple but vexing question, ‘What is an artist?' Thornton joined us at the Bookshop to talk about her new book, *[33 Artists in 3 Acts][2]* (Granta), with the celebrated artist Isaac Julien. Hosted on Acast. See acast.com/privacy for more information.

In what may well be the largest work of public art in history, Turner prize-winner Mark Wallinger placed a uniquely designed labyrinth in each of London's 270 Underground stations. The project was commissioned to mark the 150th anniversary of London Underground. His extraordinary art-work is documented in Labyrinth: A Journey Through London’s Underground, published by Art / Books in association with Art on the Underground and with contributions from Christian Wolmar, Marina Warner and Will Self. Mark Wallinger came to the Bookshop to talk about the project with Will Self. Hosted on Acast. See acast.com/privacy for more information.

Vasily Grossman, now widely regarded as the greatest Russian novelist of the 20th century, died 50 years ago this month. The author of the remarkable Everything Flows and Life and Fate (the only manuscript ever to be itself arrested by the Soviet authorities), Grossman was a crucial witness to the multiple horrors of the period. He did not live to see his greatest books published. This was a unique evening of readings and discussion: Robert Chandler, Grossman’s finest translator, reported back from the first Grossman conference in Russia; historian Antony Beevor and journalist John Lloyd provided commentary; and Janet Suzman gave a reading of extracts and stories. The panel went on to discuss Grossman’s extraordinary achievement and his legacy both in Russia and internationally, in a conversation chaired by Gareth Evans. Hosted on Acast. See acast.com/privacy for more information.

James Meek came to the bookshop to talk about his new book, Private Island (Verso), a scathing assessment of the last two decades’ privatisation of public assets, ranging from electricity to postal services to municipal housing. What has been lost? Who has benefited? And what’s been the impact on Britain’s wider polity? In the words of John Lanchester, ‘some of it will make you sad, some of it will make you furious, but you are guaranteed to be left feeling that you understand this country much better.’ James Meek was in conversation with journalist Dawn Foster. Hosted on Acast. See acast.com/privacy for more information.

Will Self’s latest novel Shark explores the hidden history of the late 20th century, taking in the American invasion of Cambodia, the sinking of the USS Indianapolis and reckless experimentation with psychotropic drugs. Self joined us at the Bookshop to read from Shark and take on questions from the audience. Hosted on Acast. See acast.com/privacy for more information.

Karl Ove Knausgaard’s six autobiographical novels, published in Norway between 2009 and 2011 under the series title *Min Kamp* (‘My Struggle’) have excited controversy and critical acclaim in equal measure. Knausgaard’s unflinching and almost uncritical laying on of detail has led some critics to call him ‘the Norwegian Proust’. ‘There is something ceaselessly compelling about Knausgaard’s book’, wrote James Wood in the *New Yorker*. ‘Even when I was bored, I was interested.’ Karl Ove Knausgaard was joined by Andrew O'Hagan at Saint George's Church, Bloomsbury for a discussion of writing and the boundaries of autobiography. Hosted on Acast. See acast.com/privacy for more information.

Ali Smith has been described by Kate Atkinson as ‘one of the few contemporary writers ploughing a genuinely modernist furrow.’ Her latest novel *how to be both* continues her almost reckless experimentation with form and content, adapting the artistic techniques of fresco painting to literature in telling a dual-time tale of art, love, injustice and redemption. Ali came to the Bookshop to give a reading from her novel, and went on to discuss it with Alex Clark of the *Guardian*. Hosted on Acast. See acast.com/privacy for more information.

'Who has the temerity to call themselves a philosopher? The word “philosopher" is an honorific. It should be bestowed upon you by others.' Lars Iyer’s latest novel Wittgenstein Jr (Melville House) concerns the academic career of a group of Cambridge philosophy students, deeply under the influence of their teacher, whom they have nicknamed ‘Wittgenstein’. ‘Wittgenstein’s’ austere, exacting philosophy provides a tragicomic counterpoint to the chemical excesses of student life as the novel moves towards an unexpectedly hopeful and touching conclusion. Lars Iyer joined us at the Bookshop to read from his work, and to discuss it with the philosopher and Wittgenstein biographer Ray Monk. Hosted on Acast. See acast.com/privacy for more information.

‘It's a bit mysterious, but somehow the emotion I feel at the heart of whatever I'm writing comes through, usually by my not insisting on it.’ Lydia Davis made a rare London appearance at the Bookshop to read from and discuss her unique body of work. She spoke with Adam Thirlwell about titles, translation and small thoughts. Hosted on Acast. See acast.com/privacy for more information.

Helen Macdonald and Tim Dee came to the Bookshop to talk about birds, and about writing about birds. Radio producer Tim Dee propelled himself into the front rank of British nature writing in 2009 with his remarkable birdwatching memoir The Running Sky, followed in 2013 by Four Fields. Helen Macdonald, writer, poet, naturalist, conservationist, historian and some-time falconer, has recently published H is for Hawk which recounts how, under the literary tutelage of T.H. White and in part as a strategy for overcoming personal grief, she acquired and trained a goshawk of her own. Hosted on Acast. See acast.com/privacy for more information.

As the world commemorates the centenary of the outbreak of the Great War historian Douglas Newton recounts the hidden history of Britain’s decision to enter the conflict. Drawing on a wealth of archival material, including the private papers and correspondence of leading politicians of the time, Newton pays particular attention to the widespread and vehement opposition to the war, both inside parliament and in the country at large, and reveals how Asquith, Edward Grey and Winston Churchill colluded, against the wishes and instincts of many of their parliamentary colleagues, to bring the country into the war, by any means necessary. Douglas Newton was in conversation with Christopher Clark, author of The Sleepwalkers, on 4 August, the hundredth anniversary of Britain's declaration of war on Germany. Hosted on Acast. See acast.com/privacy for more information.

Nigel Smith, currently Professor of Ancient and Modern Literature at Princeton, was in conversation about the thought, literature and legacy of the Ranters with Sir Stephen Sedley, formerly a judge in the Court of Appeal, frequent contributor to the LRB and an acknowledged authority on the history of English radicalism. Folk singer Leon Rosselson performed two of his songs at the event: 'Abiezer Coppe' and 'The Diggers'. Hosted on Acast. See acast.com/privacy for more information.

Best known in Britain for her award-winning novel Fugitive Pieces, Anne Michaels is also an acclaimed poet. Her latest collection, Correspondences, shortlisted for the 2014 Griffin Prize, is an extraordinary and utterly sui generis collaboration with painter Bernice Eisenstein. In a unique, accordion-style format, Michaels’s resonant book-length poem, a historical and personal elegy, unfolds on one side of the book’s pages. On the other, and in unison, Bernice Eisenstein's haunting portraits depict the 20th century writers and thinkers the poem summons: Paul Celan, Nelly Sachs, W.G. Sebald, Anna Akhmatova, Primo Levi and others, each accompanied by quotations that illuminate the deeper connections among them. Anne Michaels joined us for an evening of readings and discussion in conversation with Gareth Evans, publisher of Railtracks, Michaels’s meditative dialogue with John Berger, produced in association with the bookshop in 2011. With thanks to Ledbury Poetry Festival. Hosted on Acast. See acast.com/privacy for more information.

Geoff Dyer’s latest book Another Great Day at Sea (Visual Editions), illustrated with the photographs of Chris Steele-Perkins, recounts daily life aboard an American aircraft carrier the USS George H. W. Bush, on which Dyer spent time as a kind of writer in residence. Philip Hoare wrote of it in the Guardian: ‘This is beautiful writing. It is urgent, funny, utterly in-the-moment and achingly honest. … Like the captain, like the crew, like the ship, Dyer's superb book constantly reiterates its excellence. It virtually stands to attention on its own.’ Geoff Dyer came to the Bookshop to speak about the project with Chris Mitchell. Hosted on Acast. See acast.com/privacy for more information.

Leslie Jamison’s essays deal with illness, art, running, loss, the female body and everything else besides. She joined us at the shop to discuss her work with the author Olivia Laing. The conversation touched on artificial sweeteners, the essay as a form and the difficulties of writing about pain. Hosted on Acast. See acast.com/privacy for more information.

'The first thing you find out in any textbook about maps is that they don't work. There's no such thing as a good map.'What is a map? And what is a map’s relation to the real world? In Mapping it Out: An Alternative Atlas of Contemporary Cartographies (Thames and Hudson) a stellar cast of modern artists, architects, scientists and theorists, including Yoko Ono, Mona Hatoum, Tim Berners-Lee, Anish Kapoor and Damien Hirst, reimagine, vertiginously, the visual techniques we use for representing space, time and reality. Hans Ulrich Obrist, curator, art critic and the originator of the project, joined us at the Bookshop in conversation with the novelist Tom McCarthy, who provided the introduction to the book. Hosted on Acast. See acast.com/privacy for more information.

Film-maker, graphic designer, animator, cartoonist, photographer, internet and new media pioneer, installationist, novelist, critic, publisher – the French artist Chris Marker, who died in 2012 on the day of his 91st birthday, was as versatile as he was prolific. He is best known for his film masterpieces Sans Soleil and La Jetée (the inspiration for Terry Gilliam’s Twelve Monkeys) but his influence has been felt, perhaps even more keenly since his death, in almost every field of artistic endeavour. In an evening of readings, screenings and discussion, Chris Darke, critic and co-curator of the first retrospective of Chris Marker’s work across all media, was in conversation with the acclaimed cultural commentator and essayist Brian Dillon about Marker’s writing in all forms, from little known novels and short stories through essays and critical pieces to his outstanding film scripts. The evening was hosted by Gareth Evans, Film Curator at the Whitechapel Gallery. The event was presented with thanks to, and in association with, the Whitechapel Gallery. Hosted on Acast. See acast.com/privacy for more information.

Almost a century after Einstein first proposed it, the full ramifications of the General Theory of Relativity are still being debated. Pedro Ferreira is Professor of Astrophysics at the University of Oxford, and his new book The Perfect Theory brings to life both the science and the scientific controversies which have surrounded the General Theory since its conception. Pedro was at the Bookshop in conversation with Marcus du Sautoy, who wrote of him: ‘You couldn't ask for a better guide to the outer reaches of the universe and the inner workings of the minds of those who've navigated it.’ Their discussion ranged over the origins and implications of the theory - from black holes to time travel - and explored where research into general relativity might take us in the future. Hosted on Acast. See acast.com/privacy for more information.

In Siri Hustvedt’s latest novel The Blazing World (Sceptre) artist Harriet Burden, consumed by fury at the lack of recognition she has received from the New York art establishment, embarks on an experiment: she hides her identity behind three male fronts who exhibit her work as their own, to universal acclaim. ‘All intellectual endeavours’ Burden herself remarks pugnaciously at the novel’s opening ‘fare better in the mind of the crowd when the crowd knows that somewhere behind the great work … it can locate a cock and a pair of balls.’ Siri Hustvedt was joined in conversation by the art critic Sarah Thornton, author of Seven Days in the Art World. The pair discussed the book's themes of art, gender bias and subterfuge, lighting upon neuroscience, the nature of celebrity and wine-tasting along the way. Hosted on Acast. See acast.com/privacy for more information.

John Berger came to the Bookshop to celebrate the life and work of Aimé Césaire on the occasion of Archipelago's reissue of Césaire's long poem Cahier d'un retour au pays natal (1936). Born in Martinique in 1913, Césaire was one of the founding voices of the négritude movement in Francophone literature. He considered this work his “break into the forbidden,” at once a cry of rebellion and a celebration of black identity. The English translation by John Berger and Anya Bostock retains the visceral, lyric energy of the French original. John Berger opened the evening with a reading from Return to My Native Land, and was then joined in conversation by the poet and translator David Constantine. The pair discussed Césaire's work, exploring what it means to write in one's mother tongue and the nature of hope. Berger concluded the evening with a reading of Peter Blackman's 'Stalingrad'. Hosted on Acast. See acast.com/privacy for more information.

Javier Cercas rose to fame in the English-speaking world with The Soldiers of Salamis which won the Independent Foreign Fiction Prize in 2004 and was one of our early bestsellers. He continued his exploration of modern Spanish history with The Anatomy of a Moment, a work of non-fiction that investigated the failed coup of 1981. Now he returns to fiction with Outlaws, a fast-paced and morally complex tale of disaffected youth set in the period just after the end of the Franco dictatorship. Javier was joined in conversation by Paul Preston, Príncipe de Asturias Professor of Contemporary Spanish Studies at the LSE and author of The Spanish Holocaust. Hosted on Acast. See acast.com/privacy for more information.

Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt’s The Novel – A Biography (Harvard) invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English. Michael Schmidt spoke with Michael Wood, author and regular contributor to the London Review of Books, in a conversation chaired by novelist Kirsty Gunn. The discussion covered the 13-year process of writing the book, the social function of the novel, an appalling misprint involving Martin Amis and favourite reads old and new. Hosted on Acast. See acast.com/privacy for more information.

'The tutored and passionate eye of the director holds the space, which otherwise would be without boundary, indiscriminate and endless.' Since making her first film at the age of 14, Sally Potter has established herself as one of Britain's leading directors – of dance and theatre as well as of cinema. In her new book, Naked Cinema (Faber),she strips bare the art of directing actors for the camera. Potter has always been noted for her extraordinary rapport with performers, and for her ability to coax extraordinary performances out of them. Here she leads the reader through the film-making process, from casting to screening, always placing the actor at the heart of her account. Concrete examples are provided by a series of revealing interviews with actors she has worked with, including Julie Christie, with whom she worked on her first feature film The Gold Diggers, Annette Bening (Ginger and Rosa) and Jude Law who dragged up for her in Rage. Sally spoke about her book and her career with Gareth Evans, The Whitechapel Gallery's curator of film. Hosted on Acast. See acast.com/privacy for more information.

Following the hugely enjoyable launch event last year for [*The Flamethrowers*][1], Rachel Kushner returned to the shop to mark the UK publication (by Vintage) of her first novel [*Telex From Cuba*][2], set among the American expatriate community on the eve of Castro's revolution. Rachel was in conversation with Robert Collins, Deputy Editor of the *Sunday Times* and an early champion of *The Flamethrowers*. The pair explored the history of United Fruit Yellow, how best to throw a hand grenade, and the mysterious character of Rachel K... Hosted on Acast. See acast.com/privacy for more information.

In his new book, 'Seventeen Contradictions and the End of Capitalism' (Profile), David Harvey unravels the paradoxes at the heart of capitalism – its drive, for example, to accumulate capital beyond the means of investing it; its imperative to use labour-saving technologies that leave consumers bereft of adequate means of consumption; and its compulsion to exploit nature to the point of extinction. Such are the tensions that underpin the persistence of mass unemployment, the downward spirals of Europe and Japan, and China’s and India’s unstable lurches in uncertain directions. Not that these contradictions are all destructive in the short term: they produce the crises through which capitalism has historically reconstituted itself in new guises. But can capitalism survive in the long run by staggering from crisis to crisis? David was in conversation with Owen Jones, author of 'Chavs' (Verso). Hosted on Acast. See acast.com/privacy for more information.

To celebrate the publication of The Bloomsbury Cookbook (Thames & Hudson), we held an exclusive evening at the Bookshop, a stone’s throw away from the kitchens and dining rooms where the Bloomsbury group would converge. Author Jans Ondaatje Rolls was in conversation with artist Cressida Bell on the world of the Bloomsbury group. The talk was accompanied by a menu of recipes and cocktails inspired by the book, courtesy of Terry Glover of the London Review Cake Shop; the evening opened with a cocktail devised by Vanessa Bell, followed by salmon mayonnaise, a good deal of truffle cream and the potent Green Dragon Quaglino.... Hosted on Acast. See acast.com/privacy for more information.

In 2010 Nick Hunt set out on an epic walk in the footsteps of Patrick Leigh Fermor, across the whole European continent ‘from the Hook of Holland to the Golden Horn.’ Relying, like his hero, on the hospitality of strangers and using Patrick Leigh Fermor’s writings as his only guide, Hunt crossed Holland, Germany, Austria, Slovakia, Hungary, Romania and Bulgaria, partly to see how much had changed, and how much hadn’t, but mainly in order to have a ‘good old-fashioned adventure.’ His account of his journey Walking the Woods and the Water is published by Nicholas Brealey. Nick Hunt was in conversation with Patrick Leigh Fermor’s friend and biographer Artemis Cooper, who in 2013 worked with Colin Thubron to complete Paddy’s final work The Broken Road. Hosted on Acast. See acast.com/privacy for more information.

May-Lan Tan and Will Eaves joined us at the Bookshop for the launch of their respective books, Things to Make and Break (since shortlisted for the Guardian First Book Award) and The Absent Therapist (since shortlisted for the Goldsmiths Prize), both published by CB Editions. The authors treated us to a selection of passages from their work, featuring night-schools, spanking clubs and ex-girlfriends. Hosted on Acast. See acast.com/privacy for more information.

Since their last appearance at the LRB Bookshop, the poets of New Poetries V have been busy: five debut collections (and one forthcoming), prestigious awards, general excitement. Reunited at last, Tara Bergin, OIi Hazzard, Helen Tookey, Rory Waterman, Julith Jedamus and Lucy Tunstall read from their new volumes, in an evening that marked out the territory for the next generation of British poetry. Hosted on Acast. See acast.com/privacy for more information.

Adam Foulds’s latest novel, In The Wolf’s Mouth (Jonathan Cape), expands on the themes of violence, conflict and the distortions of history that have characterised his work since 2007’s The Broken Word. Set in Sicily as the Second World War moves into its endgame, the novel is a vivid study of the moral compromises and historical elisions forced on us by war and its aftermath. Adam was in conversation with Andrew Motion, the former poet laureate, whose most recent book is Silver: Return to Treasure Island (Vintage). Daniel Marc Janes reviewed this event for Litro Magazine: 'Though Foulds treats questions of humans’ capacity for violence[...] it would be wrong, Motion suggests, to overlook the quiet optimism of works such as The Broken Word and In the Wolf’s Mouth. These works are concerned not just with violence but with reconstruction.' Hosted on Acast. See acast.com/privacy for more information.

Gideon Lewis-Kraus’s memoir A Sense of Direction is an account of three pilgrimages – the Camino de Santiago, a tour of Buddhist temples on the island of Shikoku, and a journey to the tomb of a Hasidic Rabbi in the Ukraine – undertaken in the wake of a family crisis. Gideon was at the shop to talk about pilgrimage, writing and reconciliation with Sheila Heti, author of How Should a Person Be? and Christian Lorentzen, senior editor at the London Review of Books. Hosted on Acast. See acast.com/privacy for more information.

Film director, stage designer, diarist, artist, gardener and author Derek Jarman died on 19 February 1994. To mark the 20th anniversary of his death, we hosted an evening of readings and discussion. Our focus was a very little-known but crucial part of Jarman’s work, his poetry, and in particular the volume 'A Finger in the Fishes Mouth', unavailable for over 40 years and now reprinted in facsimile by the estimable Test Centre. Derek's partner Keith Collins and his biographer Tony Peake were joined by Ali Smith and Sophie Mayer to consider the poetic in Derek's oeuvre and to read from the collection. In the spirit of collaboration for which Derek was renowned, the reading was also offered to the audience, so that the whole collection was heard on this most poignant of anniversaries. The evening was hosted by Gareth Evans. Hosted on Acast. See acast.com/privacy for more information.

To mark the paperback publication of Samuel Johnson Prize-winning author Philip 'Leviathan' Hoare’s acclaimed new book The Sea Inside, we held an evening exploring the wondrous world of whales. One of our best non-fiction writers and a fine broadcaster, Hoare wrote and presented the BBC Arena film The Hunt for Moby-Dick and directed three films for BBC’s ‘Whale Night’. He was also co-curator, with Angela Cockayne, of the Moby-Dick Big Read . Artist film-maker Jessica Sarah Rinland focuses on whales in both long and short works. She presented a screening of her film A Boiled Skeleton, depicting the journey of a bottlenose whale, caught in 1860 and currently stored in the basement of UCL’s Grant Museum. Ex-whaler John Burton read live from the newspaper article that covered the whale’s journey. The evening was hosted by Gareth Evans. Hosted on Acast. See acast.com/privacy for more information.

'The past is a mosaic; we make it out of present materials.'Jonathan Lethem’s latest book Dissident Gardens (Cape) tells, in a ‘torrent of potent voices, searing ironies, popculture allusions, and tragicomic complexities’ the story of three generations of a radical New York family, at the same time painting a vivid portrait of the American Century. Jonathan Lethem was in conversation with Benjamin Markovits, author of A Quiet Adjustment and named by Granta as one of their Best Young British Novelists of 2013. Hosted on Acast. See acast.com/privacy for more information.

Will Self was at the shop to discuss the work of Guy Debord, and in particular The Society of the Spectacle, a 1967 work which offered an eerily accurate prediction of our mediated, image-saturated times. Self's introduction to the new Notting Hill edition beathes fresh life into the original 1970 translation. He writes: 'Never before has Debord’s work seemed quite as relevant as it does now, in the permanent present that he so accurately foretold. Open it, read it, be amazed ...’ Self was joined in discussion by film-maker Patrick Keiller, whose recent book The View from the Train explores the cities and landscapes of modern Britain. The event was chaired by Matthew Beaumont, Senior Lecturer at UCL and editor of Restless Cities. Hosted on Acast. See acast.com/privacy for more information.

In a year that might well see the beginning of the end of the United Kingdom, one of our foremost historians of national identity provides an analysis of the various Acts of Union that have until now more or less held the country together. In her latest book Acts of Union, Acts of Disunion (Profile), published to coincide with a 15-part Radio 4 series, she draws on art, architecture and literature as well as political history to ask what Britishness has meant in the past, what it means now, and what it might mean in the future. Hosted on Acast. See acast.com/privacy for more information.

In his second collaboration with landscape photographer Jason Orton, Ken Worpole – ‘for many years one of the shrewdest and sharpest observers of the English social landscape’ ('The Independent') – examines the shifting perspective of England’s landscape aesthetic in the latter half of the 20th century, away from the rural interior towards the more disrupted landscapes of East Anglia and the Thames estuary. Listen to Ken Worpole in conversation about 'The New English Landscape' (Field Station) and its implications for landscape architecture, topography and psychogeography with author Rachel Lichtenstein and chaired by Gareth Evans. Hosted on Acast. See acast.com/privacy for more information.

In American Smoke (Hamish Hamilton), the third part of a loose trilogy of topographical ruminations that began with Hackney: That Rose-red Empire and Ghost Milk, Iain Sinclair follows the traces of the writers of the American Beat generation – Kerouac, Burroughs, Charles Olson, Gary Snyder, Malcolm Lowry and more – in a journey that takes in the Old West, Mexico, volcanoes, murder, and a good deal else besides. He was at the shop to talk about the book with writer, editor and curator Gareth Evans. Hosted on Acast. See acast.com/privacy for more information.

Gillian Darley and David McKie’s study of Nairn - Ian Nairn: Words in Place – published by Five Leaves, reintroduces to a new generation an architectural critic whose work has influenced writers and critics such as J.G. Ballard, Will Self, Iain Sinclair and Jonathan Meades, who once described Nairn as ‘a great poet of the metropolis’. Gillian Darley and David McKie discussed Ian Nairn’s life and work, and Owen Hatherley, author of A New Kind of Bleak and A Guide to the New Ruins of Great Britain chaired this discussion. Hosted on Acast. See acast.com/privacy for more information.