Claire Victoria Roberts is a composer, vocalist, and violinist, who blurs the boundaries of jazz, contemporary, and singer-songwriter genres. She collaborates, as an artist, with musicians from classical, jazz, and folk spheres, drawing upon her diverse influences and melding styles together: through improvised vocals, contemporary classical timbres, and melody-driven compositions. Her work has been performed by the BBC National Orchestra of Wales, Psappha Ensemble, cellist Oliver Coates, Opra Cymru, Uproar Ensemble, Solem Quartet, and The Carice Singers. She has collaborated as a violinist and improvising vocalist with Camden Symphony Orchestra, Sherman Theatre, New Voices Choir, Morley Arts Festival, Aberystwyth Arts Festival, and Sherman Theatre. As a composer, she has been commissioned by Cheltenham Festival, Presteigne Festival, MusicFest, and the Wigmore Hall. As a jazz vocalist, Claire has performed at festivals across the UK and abroad including Brecon jazz, Marsden jazz, and Begues jazz (Cataluna). 2021 saw the release of her E.P. 'NOIR', alongside the Treske Quartet, interpreting the melancholy, cynical lyrics of her chosen jazz and chanson material. Claire won the Welsh Music Guild's Young Composer award in 2022, was awarded a Jerwood Arts composer award in 2021, is the Winner of a Royal Philharmonic Society Composition Prize 2019-2020, as well as 2017 winner of the Mathias Composition prize, and 2019 winner of a Francis Chagrin award. She has been broadcast on Radio 3, Radio Wales, and Radio Cymru. In this episode, Claire shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

After four decades in the international spotlight, the achievements of saxophonist Branford Marsalis continue to grow. From his initial recognition as a young jazz lion, he has expanded his vision as an instrumentalist, composer, bandleader, and educator, crossing stylistic boundaries while maintaining unwavering creative integrity. In the process, he has become a multi-award-winning artist with three Grammys, a citation by the National Endowment for the Arts as a Jazz Master, and an avatar of contemporary artistic excellence. Growing up in the rich environment of New Orleans as the oldest son of pianist and educator, the late Ellis Marsalis, Branford was drawn to music along with siblings Wynton, Delfeayo, and Jason. The Branford Marsalis Quartet, formed in 1986, remains his primary means of expression. In its virtually uninterrupted three-plus decades of existence, the Quartet has established a rare breadth of stylistic range as demonstrated on the band’s latest release: The Secret Between the Shadow and the Soul.  Branford has not confined his music to the jazz quartet context. A frequent soloist with classical ensembles, Branford has become increasingly sought after as a featured soloist with acclaimed orchestras worldwide, performing works by composers such as Copeland, Debussy, Glazunov, Ibert, Mahler, Milhaud, Rorem, Vaughan Williams and Villa-Lobos. And his legendary guest performances with the Grateful Dead and collaborations with Sting have made him a fan favorite in the pop arena. His work on Broadway has garnered a Drama Desk Award and Tony nominations for the acclaimed revivals of Children of a Lesser God, Fences, and A Raisin in the Sun. His screen credits include original music composed for: Spike Lee’s Mo’ Better Blues, The Immortal Life of Henrietta Lacks starring Oprah Winfrey and Ma Rainey’s Black Bottom starring Viola Davis and Chadwick Boseman. Ma Rainey is the Netflix film adaptation of two-time Pulitzer Prize winner August Wilson’s play, produced by Denzel Washington and released in December 2020. Branford has also shared his knowledge as an educator, forming extended teaching relationships at Michigan State, San Francisco State, and North Carolina Central Universities and conducting workshops at sites throughout the United States and the world. After the devastation wrought by Hurricane Katrina, Branford and friend Harry Connick, Jr. conceived of “Musicians’ Village,” a residential community in the Upper Ninth Ward of New Orleans. The centerpiece of the Village is the Ellis Marsalis Center for Music, honoring Branford’s father. The Center uses music as the focal point of a holistic strategy to build a healthy community and to deliver a broad range of services to underserved children, youth, and musicians from neighborhoods battling poverty and social injustice. In this episode, Branford shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Josh Feldstein founded The Verve Jazz Ensemble in 2006 as a band that paid homage to the past while vehemently establishing newer, younger audiences for the vintage sound of Hard Bop-inspired jazz.  Josh has studied extensively with drumming legend John Riley and the amazing Joe Morello, Josh’s additional drumming influences include Art Blakey, Max Roach, Philly Joe Jones, Buddy Rich, and Peter Erskine. Josh has recorded 8 records with the VJE, including the band’s #1 JazzWeek radio chart album, “Connect The Dots.”  His newest VJE album, “All In,” is now being played on US and global internet radio, and will be released commercially on Spotify and all streaming platforms on May 26th. Josh Feldstein was born in Manhattan and received his degree from Queens College, City University of New York.  As a child, Josh began studying drums at age 11. After a drum instructor one day told him that his drumming style “reminded him of Gene Krupa” (whom Josh had never heard of at the time), Josh immersed himself in the recordings of the legendary "Sing, Sing, Sing" soloist. "I listened to all the big bands, from Benny Goodman to Count Basie to Duke Ellington and everything in between,” Josh said.  "I knew immediately it was jazz drumming for me!” In this episode, Josh shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Brent Vaartstra is a professional jazz musician, author, podcaster, and jazz coach living in New York City. He is the director of the internationally renowned jazz education company Learn Jazz Standards, which helps musicians of all instruments level up their jazz playing without the overwhelm. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Jason Marshall’s 2003 arrival in New York City signified the continuation of hard-swinging, forward-thinking baritone saxophone playing. With early encouragement to appreciate all types of music, Jason has developed a style that encompasses the whole of African-American music. A special interest is given to the amalgamation of soul, R and B, and funk with straight-ahead jazz. Years of dedication and perseverance have resulted in a giant, soulful sound and instantly appealing concept. Influences such as Leo Parker, Nick Brignola and Bruce Johnstone have coalesced to ensure an open perception of the baritone sax and a “take-no-prisoners” approach to playing jazz music. Jason has studied with no less than the elite baritone saxophone specialists of the 20th century including Hamiett Bluiett, Ronnie Cuber, and Gary Smulyan. These Three masters of the instrument have contributed invaluably to Jason Marshall’s ability, each one pouring their own personal wealth of knowledge into him. Other teachers include altoists Bruce Williams, Mark Gross, Steve Wilson, and Vincent Herring and tenor players Greg Tardy, Wayne Escoffrey, and Paul Carr. Mr. Lorenz Wheatley garners special distinction as being Jason’s first saxophone teacher and earliest source of musical direction. Jason’s formative musical experiences include stints with the Thad Wilson Jazz Orchestra and Bluesman Roy Gaines. He is currently playing and touring with Roy Hargrove’s band RH Factor and the Roy Hargrove Big Band. Jason’s band “Overt Negritude” has Released its debut, self-titled album. Jason has also conducted numerous demonstrations, clinics, and workshops at every level of education throughout the world. In this episode, Jason shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Growing up in a musical family in Bucks County, PA, Ms. Henry immersed herself in the arts early on, singing in school and church, and studying cello and ballet. After graduating from the University of Miami with a degree in Communications and Theatre, she launched a successful acting career, appearing in national commercial roles and a series of voiceover assignments. However, she directed her strongest passion toward the development of her full-time singing career which was quickly rewarded when the Miami New Times named Nicole “Best Solo Musician.” Since then, based on her various career accomplishments and active commitment to supporting non-profits such as Miami Music Project (Board Member), YoungArts, and Miami Children’s Initiative (past Board Member), proclamations from the City of Miami Beach and Miami-Dade County have named “Nicole Henry Days” in 2011, 2016 and 2017. Ms. Henry has also served two terms on the Board of the Florida Chapter of the Recording Academy (GRAMMYs). In this episode, Nicole shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

With a voice that can make you cry, laugh, or fall in love with her all over again, Sharon Marie and her band have quickly become a favorite in the realm of Los Angeles jazz musicians and performed in beautiful rooms around the country. She's performed on the same stage as jazz greats Nancy Wilson, Tony Bennett, and Chris Botti! If you're looking for a soulful jazz vocalist who harkens back to the Golden Age of jazz while also bringing a distinctive, soulful, heartfelt flare to the music she sings, look no further than Sharon Marie. She is the cream of the crop of female jazz singers. This exceptional vocalist hails from Jacksonville, Florida and brings a unique sense of jazz history to her song stylings. With her charming and refreshing approach, she often employs rhythmic and tempo variations that leave listeners with a lasting impression that is truly unforgettable! Sharon dubs her band "The Bad Boyz of Jazz" because of its exceptional musicians. She often jokes, “They are so good that they are baaad!” Their innovative rhythmic sense, lush arrangements, and musical skills have made them a household name. Whether you're a fan of Sharon Marie Cline's sultry, soulful sounds or want to hang out with some cool cats, you can't go wrong with The Bad Boyz of Jazz. Sit back and enjoy the romantic swingin' melodies of Sharon Marie Cline and The Bad Boyz of Jazz. In this episode, Sharon shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson, and The Skatalites, to name a few. Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra, and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues. Pelt's recordings and performances have earned him critical acclaim nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is touring throughout the United States and Europe in support of his latest release, "Soundtrack". In this episode, Jeremy shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

As an acclaimed trombonist, composer, and producer, Delfeayo Marsalis has also dedicated his prolific career to music theatre and education. Along with the Marsalis family of musicians including his father Ellis, the artist was destined for a life in music. Marsalis has toured internationally with jazz legends such as Ray Charles, Art Blakey, Max Roach, Elvin Jones, and Slide Hampton, as well as leading his own groups. At the age of 17, Marsalis began his career as a producer and has to date produced over 120 recordings garnering one Grammy award and several nominations. In 2008, he formed the Uptown Jazz Orchestra, a highly entertaining ensemble that focuses on maintaining important jazz traditions such as riff playing, New Orleans polyphony, and spontaneous arrangements. Delfeayo also formed the Uptown Music Theatre in 2000. A non-profit organization that empowers youth through musical theatre training. He has written sixteen musicals to date based on historical and/or uniting the community. In addition, he has composed over 90 songs that help introduce kids to jazz through musical theatre and has reached over 5,000 students nationally with his Swinging with the Cool School soft introduction to jazz workshops. Marsalis has a dual Bachelor’s degree in Music Performance and Production from Berklee College of Music, and a Masters in Jazz Performance from the University of Louisville. A Doctorate has also been conferred from the New England College. In this episode, Delfeayo shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

A native of eastern Pennsylvania, JD Walter’s past, present, and future has always embodied music. From church Boy choirs at the age of six to the American Boy choir school in Princeton to the University of North Texas on a vocal jazz scholarship, Walter has become a pioneer of improvisation and electronic innovations in the world of jazz. His recording career spans 20 years and his purist progressive approach to jazz music has been recognized worldwide. After extended studies in Amsterdam with Jazz vocal Icon, Deborah Brown, Walter returned to the U.S. and embedded himself in the New York Jazz scene. It was in New York, surrounded by visionaries of jazz, where he began to organically develop his liberated, vibrant style that turned him from straight-ahead to progressive jazz singing. Walter’s recordings include, "Dressed in a Song", “Sirens in the C-House,” “Clear Day,” “Dedicated to You,” “2Bass, a Face and a Little Skin,” “Live in Portugal,” “Live at the 55 Bar,” “One Step Away,” and Guest appearances on over 100 recordings. The latest album, released on February 7, 2020, testifies to his personal progression as an evolving artisan and provides an intimate, inventive collection of standards and originals. “Dressed in a Song,” produced by Walter and Grammy-winning producer and A&R executive Al Pryor, features piano and vocal duets and trios with veterans and up-and-comers alike, including Jim Ridl, Orrin Evans, Jean-Michel Pilc, Marc Cary, Taylor Eigsti, Julius Rodriguez, Ben Wolfe, Obed Calvaire, and Becca Stevens. Over the decades, Walter has performed as a featured artist at numerous American jazz clubs and festivals in the U.S., Europe, the Middle East, Central America as well as over 80 tours in Russia. He remains a regular in the New York music scene, and has headlined at Dizzy’s Lincoln Center, The Jazz Standard, The Blue Note, and The Jazz Gallery, among other venues. He has shared the stage with legendary artists, ranging from Dave Liebman, Billy Hart, Tom Harrell, Eddie Gomez, Bob Dorough, Nicholas Payton, Ben Monder, Sean Jones, Jean-Michel Pilc, Bill Evans, Mark Murphy, Greg Hutchinson, Ari Hoenig, Randy Brecker, Tim Warfield, Jim Ridl, Orrin Evans, Seamus Blake, Igor Butman, Nasheet Waits, Craig Handy, Boris Kozlov, Robin Eubanks, Eric Revis, Billy Drummond, Christian McBride, Adam Nussbaum. Walter currently resides in New York and teaches privately and abroad at The Prince Claus Conservatory in Groningen, Holland, The Jazz and Music School in St. Petersburg, and the Music Wave School in Moscow. In this episode, JD Walter shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Hailing from the East Bay, Oddity is a sonic storyteller seeking refuge in the intersections of jazz, hip-hop, and neo-soul. With influences ranging from Billy Strayhorn to D'angelo, Oddity can be found wherever inspiration strikes - be it a tender touch on a warm Rhodes, a heavy dilla-style backbeat, or a bluesy trombone melody. Oddity’s story is one of resiliency and rebirth, of toeing the precipice of the abyss and returning with an open heart and a present mind. Her experience as a transgender woman of color is inextricably woven into the music: at once an affirmation of life, a tear-streaked lament, a desperate call to action. Join Oddity as she discovers the beauty and cultivates peace by centering love, against all odds. Joey Escobar is a pianist, teacher, composer, and arranger with a degree in music from UC Berkeley. Growing up with 10 siblings, Joey's upbringing gave him a strong appreciation for both community and diversity. His earliest influences were the music of JRPG composers like Nobuo Uematsu, Hitoshi Sakimoto, and Masashi Hamauzu, and the 90s hip-hop sounds, 70s rock, and jazz played in the house by his older siblings and parents. His latest inspirations are the classical music of Bach, Maurice Ravel, and Frederic Chopin, as well as modern geniuses such as Kendrick Lamar, Ambrose Akinmusire, and Esperanza Spalding. He currently lives in El Cerrito and is most known for being the co-composer and pianist with Oddity. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Known as one of the most eclectic trumpet players in New York City, Bailey is an in-demand musician and teaching artist on call for everything from traditional jazz to R&B and Pop, to classical. He became a member of The Buddy Rich Band while still in college, and his career has included long-running gigs with Ray Charles, master conguero and bandleader Ray Barretto, The Woody Herman Orchestra, and Frank Sinatra, Jr. His work with Latin Jazz innovator Arturo O'Farrill won two Grammy awards for the albums The Offense of the Drum and Cuba - The Conversation Continues. He has played on more than 70 albums and, as a jazz educator, has taught at the University of Miami and Florida International University. A trumpet prodigy, Bailey's spectacular gifts began to be noticed as a high school musician in 1984 when DownBeat Magazine cited him in its annual Student Music Awards for outstanding performances in both the classical and jazz trumpet categories, noting “Shades of Wynton!” The same year, he was a finalist in the National Foundation for Advancements in the Arts (NFAA) Arts Recognition and Talent Search, along with Donny McCaslin and Bill Charlap; and won the National Association of Jazz Educators’ Youth Talent Contest. Later, as a senior at the Eastman School of Music, he won DownBeat’s Best Instrumental Soloist award. Looking back, he says, “It all started for me when I discovered Clifford Brown. Clifford was the centerpiece of the golden era of jazz trumpet, and a great place to begin my lifelong study of the instrument. He was influenced by everyone before him, and became an influence on everyone after.” Bailey, who continues to teach privately, believes that educating the next generation of musicians is essential for any artist. “In American culture, where the arts are often ignored or deemphasized in both schools and the mainstream media, it is up to us, the artists, to inspire an appreciation for great art,” he says. “By keeping performance standards as high as possible and sharing our devotion with others, especially children, we enrich countless lives.” In this episode, John shares his background, education, and musical journey.  If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music-making for the past 20 years, but in no situation more than his solo trumpet performances.In this episode, Nate shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

SeaJun Kwon is a composer and bassist who focuses on exploring boundaries. His music draws from the jazz and avant-garde music traditions of Anthony Braxton and Henry Threadgill as well as contemporary classical composers György Ligeti, Tristan Murail, and Morton Feldman. Born and raised in Seoul, South Korea, Kwon graduated from Boston’s New England Conservatory and is currently based in Brooklyn. He has been leading his group Walking Cliché Sextet since 2019. The ensemble released two albums, Suite Chase Reflex(2021) and Micro-Nap(2021).  If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Pianist and composer SATOKO FUJII, “an improviser of rumbling intensity and generous restraint” (Giovanni Russonello, New York Times), is one of the most original voices in jazz today. For more than 25 years, she has created a unique, personal music that spans many genres, blending jazz, contemporary classical, rock, and traditional Japanese music into an innovative synthesis instantly recognizable as hers alone. “Fujii’s music troubles the divide between abstraction and realism. . . . All of this amounts to abstract expressionism, in musical form. But it’s equaled by her rich sense of simplicity, sprung from the feeling that she is simply converting the riches of the world around her into music,” writes Giovanni Russonello in the New York Times. A prolific composer for ensembles of all sizes and a performer who has appeared around the world, she was the recipient of a 2020 Instant Award in Improvised Music, in recognition of her “artistic intelligence, independence, and integrity.” Her talent as a big band composer, arranger, and leader have been recognized numerous times in DownBeat Critics Polls. The New York City Jazz Record has twice named her Artist of the Year. In 2021, El Intruso named her Pianist of the Year. Since she burst onto the scene in 1996, Fujii has led and recorded with some of the most consistently creative ensembles in modern improvised music. She recorded her 100th CD as leader or co-leader live in concert in September 2022. To mark the milestone, she wrote a new suite, Hyaku: One Hundred Dreams, featuring trumpeters Wadada Leo SmithandNatsuki Tamura, tenor saxophonist Ingrid Laubrock, bassoonist Sara Schoenbeck, electronics artist Ikue Mori, bassist Brandon Lopez, and drummers Tom Rainey and Chris Corsano. Among the groups she led are a piano trio with Mark Dresser and Jim Black (1997-2009), and an electrifying avant-rock quartet featuring drummer Tatsuya Yoshida of The Ruins (2001-2008). In addition to a wide variety of small groups of different instrumentation, Fujii also performs in a duo with trumpeter Natsuki Tamura, with whom she’s recorded eight albums since 1997. She and Tamura are also one half of the international free-jazz quartet Kaze, which has released five albums since their debut in 2011. Fujii has established herself as one of the world’s leading composers for large jazz ensembles, prompting Cadence magazine to call her “the Ellington of free jazz.” Since 1996, she has released a steady stream of acclaimed albums for jazz orchestras and in 2006 she simultaneously released four big band albums: one from her New York ensemble, and one each by three different Japanese bands. In 2013 she debuted the Satoko Fujii Orchestra Chicago at the Chicago Jazz Festival and two years later debuted the new Satoko Fujii Orchestra Berlin. With 2016 marking her 20th year in creative music, Fujii performed concerts once a month in cities around the world, including solo concerts and with her duo with Tamura performed with special guests. She also presented performance with small and large ensembles. During her 60th birthday year in 2018, a milestone known as Kanreki in Japan, Fujii celebrated by releasing one new CD a month. In keeping with the Kanreki tradition of reflecting on the past while looking to the future, the 12 albums included releases by groups that Fujii has led or been part of for years, such as Kaze, Orchestra Berlin, and Orchestra Tokyo, as well as new groups and collaborations with Australian keyboardist Alister Spence; Mahobin, a cooperative quartet featuring Lotte Anker, Ikue Mori, and Tamura; and a new trio, This Is It! In addition to playing accordion in Tamura’s Gato Libre, she pursues a fruitful collaboration with bassist Joe Fonda. Together, the duo has released five recordings, sometimes adding guests like Tamura and Gianni Mimmo. In 2019, she recorded Confluence, an album of intimate, highly interactive duets with drummer Ramon Lopez. When the pandemic forced her to stay home for more than a year, she remained musically active, converting her home practice room into a recording studio and producing her seventh solo album, Hazuki; and a duet with Tamura, Keshin. She also collaborated by swapping sound files over the Internet, releasing the duet albums Prickly Pear Cactus with Ikue Mori; Thread of Light with bassist Joe Fonda; and Underground by Futari, her duo project with vibraphonist Taiko Saito. She also explored the use of computer editing to shape a solo release, Piano Music. In this episode, Satoko shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Matthew Alec is a jazz and popular music saxophonist, founder and Executive Producer at Cleveland Time Records, and bandleader for the high-energy jazz fusion group Matthew Alec and The Soul Electric. Nominated as “Cleveland’s Best Horn Player” by Cleveland Scene Magazine in 2009, Matthew has performed for over 20 years and holds a Bachelor’s Degree in Music from Kent State University. He has toured nationally and has opened for a number of A-list acts including Earth, Wind, and Fire, Incubus, Robert Randolph and The Family Band, Keane, Average White Band, Lupe Fiasco, OAR, Ozomatli, Bret Michaels, Rusted Root, and others. He has performed with former Saturday Night Live Musical Director, CBS Orchestra member, and Blues Brothers bandsman Tom “Bones” Malone, internationally-acclaimed bassist Victor Wooten and his brother Roy “Futureman” Wooten, Saturday Night Live trombonist Steve Turre, Kenny G bassist Vail Johnson, Grammy-winning Ohio Players alumni Billy Beck, and Parliament-Funkadelic bassist Ben Powers, Jr. He has recorded with Rock and Roll Hall of Fame inductee, Parliament-Funkadelic and Talking Heads member Bernie Worrell and aforementioned Tom "Bones"Malone. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Born in Rovaniemi, a small town on the Arctic Circle in Northern Finland, fretted/fretless guitarist and oud player Jussi Reijonen is truly the product of a life lived transcending boundaries. Having grown up in Finnish Lapland, the Middle East and East Africa, and spending much of his adulthood in the United States, Jussi has lived a life soaking up the sounds, sights, scents and shades of Nordic, Middle Eastern, African and American cultures, all of which are reflected in his creative work as composer and performer. Along his path, Jussi has worked as bandleader, sideman, composer or arranger with a diverse array of world-renowned artists. He has collaborated with Jack DeJohnette, Pepe de Lucía, Javier Limón, David Fiuczynski, Simon Shaheen, Bassam Saba, Arto Tunçboyacıyan, Dave Weckl, Hüsnu Şenlendirici and the New York Gypsy All-Stars, among others. He has performed extensively at prestigious festivals and venues throughout the United States like Lincoln Center and the Library of Congress, as well as in Finland, Sweden, Latvia, Switzerland, The Netherlands, Germany, France, Canada and Lebanon. Jussi’s Independent Music Award-nominated debut album un | ان was released to great critical acclaim in early 2013 on his unmusic label. His latest album Three Seconds | Kolme Toista, a long-form suite for a new transcultural 9-piece ensemble, features musicians from Jordan/Iraq, Palestine, Turkey, Japan and the United States and was released worldwide on October 14th, 2022 via Challenge Records International. Alongside his solo work, he co-leads Sawaari, a quintet exploring the nexus of Indian rhythms, Arabic maqamat, and trance music from North Africa and Southern Italy. He collaborates with Swiss vocalist Gabriela Martina, and is a member of the New York Arabic Orchestra. Through his work as an educator and doctoral researcher at Sibelius Academy in Helsinki, Finland, Jussi continues to promote and provoke transcultural dialogue and conversation across boundaries and disciplines beyond mere identity politics. In this episode, Jussi shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

As a native of Louisville, Kentucky, Marcus grew up with aspirations of becoming a pro football player, but his goals changed after having committed over 13 years of his young life to the U.S. Navy honorably. During this time, his love for jazz grew by listening and learning from the late Grover Washington, Jr., David Sanborn, Kirk Whalum, Najee, Dave Koz, the late saxophonists, Art Porter and George Howard. Marcus says on one account,” I became truly inspired by a phone call from the late George Howard, a conversation and experience I’ll never forget.” Marcus would find his way before Rebbie Jackson (a Sister of Jackson 5 & Janet Jackson) and her family during a weekend show in Las Vegas. He knew his life was being routed towards a musical journey. Since then, Marcus has performed locally in Jacksonville, Florida and continued to travel abroad. To name a few notable events, Marcus performed for the Convoy of Hope (Super Bowl XXXIX) NFL Sponsored Event. Marcus won the Artist Music Guild’s (AMG) 2019 Instrumentalist of the Year Award. He was the headliner for the 2020 Orange County Mayor’s Jazz in the Park (Orlando FL). Other recent notable performances consisted of kicking off the 2019 Summer Jazz Series on Jacksonville Beach, FL before Jessy J. (saxophonist) and Canadian Jazz Band, Four80East. Most recently, Marcus set the tone by opening up the Main Stage at the 2021 Jacksonville Jazz Festival before the Legendary R&B Singer, Jeffrey Osborne and Legendary, Chart-topping & Famed Jazz Saxophonist, NAJEE. During Marcus’s musical journey, he also received encouragement from famed percussionist, Sheila E., and saxophonists, Nelson Rangell, Najee, Mike Phillips, his sax mentors: Joe Yorio (Toured with Peabo Bryson) & Mel Holder (Billboard Saxophonist & Stellar Award Finalist), and the late great saxman, George Howard.Not too far in the recent past, Marcus released the single “Brand New Day” (2018), globally and to 200+ radio stations globally. The song was composed/produced by jazz sensation, International Recording Artist/keyboardist, Jonathan Fritzen, whom also performs on the single. It debuted at #1 song, with the most spins during its 1st week in rotation on Billboard Smooth Jazz radio stations across the US. It even received airplay in the UK and charted 7 consecutive weeks on The Smooth Jazz Network Top 100, along with peaking at #1, #5, #30 on other jazz charts. Marcus shares his background, education, and musical journey in this episode of Improv Exchange.   If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Jeff Denson has released 16 albums as a leader or co-leader and toured extensively throughout the U.S., Canada, and Europe with both his own groups and others at some of the world’s most prestigious venues and festivals such as the Village Vanguard, Birdland, The Kennedy Center, JVC Jazz Festival Paris, Montreal Jazz Festival, Berlin Jazz Festival, and SFJazz to name a few. Jeff has worked with some of jazz’s finest artists such as Brian Blade, Joe Lovano, Chris Potter, Jane Ira Bloom, Dave Douglas, Walter Smith III, Rachel Z, Omar Hakim, Gerald Cleaver, Warren Wolf, Leo Genovese, Edward Simon, Paul McCandless, Cuong Vu, Ralph Alessi, Dan Weiss, Lionel Loueke, Romain Pilon, and Mimi Fox, among many others and had an ongoing relationship with the legendary Lee Konitz for over a decade until his passing in 2020. Jeff has been ranked in the DownBeat Rising Star Critic's Poll ten times in the Bass, Electric Bass, and Male Vocalist categories, and was voted #1 Rising Star Electric Bassist in 2021. Jeff is the Founder and Artistic Director of Ridgeway Arts, Inc., a 501c3 arts nonprofit organization, and the Dean of Instruction at the California Jazz Conservatory in Berkeley. Jeff shares his background, education, and musical journey in this episode of Improv Exchange. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Nicole Johänntgen, jazz saxophonist, composer, and coach, tours Europe-wide with her band "Henry" and her solo program. Her second solo album was released in June 2022 on her label "Selmabird Records". She has produced 20 albums to date and received numerous awards. Johänntgen also performs internationally as a guest soloist at the invitation of various bands and is given the artistic direction to put together projects for festivals. Her focus is on live playing, studio recording, and mentoring. Thus, in 2022, she will increasingly conduct workshops for young people, as well as adults, who want to expand their knowledge in music, in jazz. In 2015 she founded the "Kids Jazz Club" and in 2013 the music business workshop SOFIA Support Of Female Improvising Artists to support young female jazz musicians in self-management and networking. Nicole Johänntgen's musical career began 28 years ago. At the age of six on the piano and years later she found her way to the saxophone and jazz as well as pop. First, she founded her Saarland band "Nicole Jo" at the age of 17, of which there are now six albums. She quickly expanded her radius. Played in America with the Sisters in Jazz (2003). Was a member of the European Swinging Jazz Orchestra, the IASJ International Association of Jazz of Schools, and the Dutch Rembrandt Frerichs project. Nicole Johänntgen studied jazz/popular music at the State Academy of Music in Mannheim, Germany, and has lived in Switzerland with her family since 2005. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

For over fifteen years, John Yao has been honing his talents as a trombonist, a composer and arranger, and has cemented his place on the New York City jazz scene. Yao’s lyrical soloing and expressive round tone combined with his with a creative hunger for exploring the boundaries of harmony and rhythm in his compositions/arrangements has established him as a unique musical talent. Yao has released five solo recordings, all of which feature his adventurous, boundary-pushing compositions for small groups and big bands alike. As a composer, Yao has also been commissioned to write works for professional artists and ensembles including the Afro-Latin Jazz Orchestra, Jazz Orchestra of Philadelphia, Luis Bonilla, and HGM Jazzorkestar Zagreb among many others. His works have been performed internationally by many college and high school ensembles, including Temple University, Indiana University and the University of North Carolina, to name a few. Many of his works are published and available to professional and educational ensembles. As a trombonist, Yao has worked extensively as a sideman for Grammy-award winning New York City ensembles, such as the Vanguard Jazz Orchestra and Arturo O’Farrill, and the Afro-Latin Jazz Orchestra among many others. Yao has also established himself as an in-demand educator in New York and beyond. Presently he serves as Assistant Professor of Trombone at Berklee College of Music, and as an Adjunct faculty member at Molloy College. He is an active guest artist and soloist at colleges and universities around the United States and abroad. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Jonas Timm is a Leipzig-based pianist, composer und improviser. He grew up in Berlin in within his parental background of Choir music. Trained in classical Piano and Voice starting in the age of 5, he discovered improvised music in his early teens and went to study Music in Leipzig with Grandmaster Richie Beirach, Albert Bover and Michael Wollny. Besides he learned from: Alexander von Schlippenbach, Sebastian Schunke and Nils Klein among others... As formative part of Leipzigs prospering young Jazz scene, he tries to develop new spaces in intercultural exchange between people and continents. Jonas is currently collaborating and touring with several Ensembles like the Berlin Radio Choir and the Gewandhaus Choir Leipzig and played with Norma Winstone, Theo Bleckmann, Johannes Enders to list a few... He is a current scholarship holder of the State of Saxony, the German Foundation of Orchestra, the Performing Rights Society and the Foundation of the Castle of Rheinsberg. Furthermore he does curate the anually MJUZIK Festival and the „Reihe 22“ in Leipzig On April 22, 2022, Jonas released his Debut CD “Morbu” as JazzThing Next Generation Vol. 90 with Diego Pinera (drums), Tino Derado (accordion), Bertram Burkert (acoustic guitar), Lorenz Heigenhuber (Doublebass), where he combines the rhythms of Latin-American Dances with the harmonic heritage of the post-impressionistic composers of Spain and France. In this episode, Jonas shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Joel A. Martin is a Norwalk CT-based pianist, producer, composer, and arranger who has collaborated with, and/or written music for, Grammy® Award-winners Alan Menken, Kathleen Battle, Fergie of the Black Eyed Peas, Brooklyn Youth Chorus, cellist Eugene Friesen of the Paul Winter Consort, and Rock and Roll Hall of Famer Jaimoe of the Allman Brothers, among many luminaries. At age 17 Joel was the youngest and the first African-American pianist to compete in the Van Cliburn International Piano Competition (1985). He has appeared as a soloist with the NY Philharmonic, El Paso Symphony, Springfield Symphony Orchestra (MA), Philadelphia Orchestra, Cab Calloway Orchestra, New Hampshire Festival Orchestra, and the Hartford Symphony, among many others. Trained as a classical pianist at the Hartt School of Music and SUNY, Purchase, he created "Jazzical" in 1995 as a celebration of creative fusion: "the explosive union of classical composition and jazz innovation ignited with a fresh spirit all its own." This concept, form and vehicle "captures the dynamic force of multiple cultures and influences, unleashing a kinetic energy that breaks down boundaries and yields whole new worlds of musical expression." In this episode, Joel shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Alyn Shipton is a writer, publisher, broadcaster, and jazz double bassist. He has broadcast about jazz since 1989, and currently hosts BBC Radio 3’s long-running and much-loved programmed Jazz Record Requests. His biographies of Dizzy Gillespie (1999) and singer-songwriter Harry Nilsson (2013) both won Association for Record Sound Collections (ARSC) Awards for Excellence; and Nilsson also gained an American Society of Composers, Authors and Publishers (ASCAP) Foundation Deems Taylor/Virgil Thompson Award. His New History of Jazz (2001) was the Jazz Journalists’ Association (JJA) book of the year’ by the Jazz Institute of Chicago. His most recent work, The Art of Jazz: A Visual History (2020), was described as ‘indispensable’ by Publishers Weekly. He co-leads the Buck Clayton Legacy Band, and is a research fellow of the Royal Academy of Music in London (where he teaches Jazz History to Emma Rawicz). In this episode, Alyn shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

The JuJu Exchange is a jazz-fusion group founded by three childhood friends from Chicago, each bringing their own unique stories and traits to the collective. Nico Segal (trumpeter and producer) is Grammy Awarded musician and producer who is a frequent Chance the Rapper collaborator and trumpet player in Chance’s band The Social Experiment. Julian Davis Reid (pianist and producer) is an artist-theologian who also hosts spiritual retreats called Notes of Rest, which interweave texts and music to promote rest, contemplation and creativity. Nova Zaii (drummer and producer) is a sonic designer and the inventor of the patented Nova Portals instrument, a touchless electronic instrument. Whether performing at The Chicago Jazz Fest or The Songbyrd, The JuJu Exchange brings uncut emotion with the intent to move the audience in mind, body, & soul. The band’s debut project Exchange reached #1 on the Apple Jazz Albums Chart upon release and their new single Walk Cycle debuted #1 on the All-New Jazz Spotify Playlist. They released their second record, The Eternal Boombox EP, inspired to provide relief as the world grappled with a catastrophic year. Each song corresponds to a stage of grief from the Kübler-Ross “Five Stages of Grief” Cycle. The JuJu Exchange creates experimental and nuanced music that calls us all to wonder and trust. Their music, primarily instrumental, blends acoustic and digital instruments to accompany meaningful conversation around spiritual, mental, and physical experiences amongst their audiences' diverse backgrounds. They hope their music inspires the listener to participate in the kinds of exchange the world desperately needs. The band has been booked for Microsoft Teams Roundtable, Yale University, Northwestern University, Jazz Institute of Chicago, Chicago Ideas Week, and Apple On Michigan. The band’s members have worked, performed, and produced with artists including Chance The Rapper, Frank Ocean, Derrick Hodge, Andrew Bird, Tank & The Bangas, Peter CottonTale, Jamila Woods, Grace Weber, Jennifer Hudson, Tiff Joy, VIc Mensa, Prefuse 73, Fulcrum Point New Music Project, and The Chicago Children’s Choir. In this episode, Julian Davis Reid shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Theon Cross is an award-winning tuba player and composer who not only redefines what can be done with his instrument but also transcends traditional genre conventions with his heady brew of low-end theory combined with strains of ‘jazz, dub, hip-hop, soca, grime, and other sounds from the Afro-Caribbean diaspora’. His new album, Intra-I (meaning ‘Within Self’) syntheses the diversity of his musical art and experience to deliver an essential message to a world gripped by tribulation. Across ten sonically divergent and bass-rich tracks, Intra-I explores themes of self-reliance, origins, identity, and more. An exploratory and upful celebration of Afro-Diaspora Music, the album features songs that examine self-development, the importance of history and heritage, and the strength in adversity shown by the first generations of post-war Caribbean immigrants to the UK. In this episode, Theon shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Tony Overwater is an award-winning bass player whose sound and unique way of playing have established him as a key player in the European music world. He is a remarkable solo performer and leader of his own projects but also a collaborative and attentive sideman. He is well known for his pioneering work in Arab music. In 1995 Tony Overwater went on tour with the Yuri Honing Trio through the Middle East, notably Lebanon and Syria, and fell in love with Arab music culture. He met musicians from Lebanon, Syria, and Iraq and started a long-time collaboration with the Lebanese singer Rima Khcheich. He has been involved in Arab music ever since and developed a uniquely new playing style on the acoustic bass which allows him to play the microtonality of the Arab scales. He has been studying the maqams (scales), rhythms, and songs of classical Arab music. He recorded several albums with Rima Khcheich and eventually became the musical director of her ensemble. Regularly Rima Khcheich and Tony Overwater play duo concerts in which they perform classical Arab music in muwashah style in which the acoustic bass replaces the Oud. This has never been done before and is highly successful at festivals around the world. In this episode, Tony shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

As a member of a musical family, Aleksi has been exposed to virtually all styles of music since birth,  from jazz to classical, folk to rock, and a half dozen other stops in between some of those genres. He’s listened to everyone from Jimi Hendrix to John Scofield, Derek Trucks to Wes Montgomery. His guitar speaks an authoritative language and yet, there is a relaxed feeling and an inbred admiration of music’s many faces. The sound is warm, round, and full, the phrasing is like a smooth-flowing brook, bubbling here, charging there, but always reflecting his basic understanding of what his instrument is about. As any good New York artist does, Aleksi plays with the best and brightest across the creative landscape. From films to radio, pop to jazz, on tape or video, he maintains an ideal balance of adaptability and uniqueness. He’s played and/or recorded with Snack Cat (The Funk-Soul band he leads), Roberta Flack, Jersey Boys, J Hoard, Bailen, the Broadway cast of Aladdin, The Seth Weaver Big Band, Bailen, Peter Bernstein, Sam Dillon, Paul Bollenback, Augie Haas, Benny Benack, Vic Juris, Mike Glick (his pops) plus dozens of regional and nationally known bands and artists. He has also worked with major labels and publishing companies including Warner Chappel, Warner Music, Ropadope, APM, EMI, and Outside in Music. Guitar and Me is the debut solo release from New York-based guitarist Aleksi Glick. The album plays as a genealogy of the guitar, weaving through various musical styles that have been crucial to the guitar’s evolution as well as influential to Glick’s own journey with the instrument. While still rooted in jazz and blues, the album pushes the boundaries of the genre by seamlessly floating through an eclectic mix of other styles including R&B, folk, rock, and bossa nova. Guitar and Me feature thirteen original compositions and solo arrangements of guitar-based classics that Glick recorded while in isolation at the height of the Covid pandemic. The album starts off with a  burner, “With Ease,” an original bluesy hard bop tune that came to Glick after a memorable Mardi Gras in New Orleans. The bossa and R&B-infused title track “Guitar and Me” follow as Glick’s own love letter to his guitar. A mix of originals, jazz standards, and classic songs follow. Other highlights include  an arrangement of the Grateful Dead fan-favorite “Casey Jones” and the timeless classic “Georgia on  My Mind.” “A Tune for Vic,” is a moving tribute to Glick’s recently deceased mentor, the late great Vic  Juris. The album concludes with another original, “Rebirth” which is an homage to Glick’s early love of classic rock, and finally “Long Black Veil” one of two tracks that Glick sings on. With each track, you can hear the different influences on Glick’s playing from the classic tones of Wes Montgomery to the modern techniques of John McLaughlin, to the dynamic energy of Jimmy Hendrix.  In this episode, Aleksi shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Emma Rawicz is an award-winning young saxophonist and composer, already making waves on the UK music scene. She has been described as a force to be reckoned with' (Jazzwise) and 'a fast-rising star' (London Jazz News). At the age of 20, she has already recorded her eagerly awaited debut album featuring Ant Law, made up entirely of her original compositions, the first single Voodoo was released in February, and the album Incantation is due to be released in May 2022. She has also created a name for herself both as a bandleader and a sideman. New arrival on the scene, she has already made an impact, regularly playing at major London jazz venues with a wide range of established musicians. Emma is a recipient of the 2021 Drake Yolanda Award. Emma's influences range from modern jazz and fusion to folk and soul, key figures in her musical development include Chris Potter, Ari Hoenig, Kenny Jarrett, Joe Henderson, Chick Corea, and more.   Growing up in rural North Devon, Emma didn't discover jazz until the age of 15, and didn't pick up a tenor saxophone until a year later, but had spent her childhood otherwise immersed in largely folk and classical music. Emma is a natural performer. Her music has a unique sound, fusing all her many influences, and her compositions range from lilting Afro Cuban-inspired grooves to hard-hitting modern jazz and funk numbers. In this episode, Emma shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Naughty Professor is an iconoclastic New Orleans-based jazz-funk sextet whose adventurous recordings and horn-charged, high-energy live performances have earned them an enthusiastic fan base, critical acclaim, and widespread attention from their musical peers. Their diligent roadwork has established Naughty Professor as a beloved live act. Weaving together with complex, inventive compositions and loose, organic improvisation, the band honors their hometown's jazz, R&B, and brass-band traditions while looking to the future. Where their first four releases showcased the group's knack for self-contained instrumental experimentation, their upcoming EP Good Things continues the trajectory of their 2017 album Identity by joining a trinity of explosive collaborators, whose instrumental and compositional contributions continue to expand the music into new territory. Naughty Professor has shared the stage with artists such as Soulive, Galactic, Snarky Puppy, Fitz, and the Tantrums, The Revivalists, Rebirth Brass Band, The Soul Rebels, Papadosio, George Porter Jr., Victor Wooten, and many more. In this episode, Sam and Noah share their background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Sigurd Hole has been a vital part of the Norwegian music scene for the past decade, both as part of different jazz ensembles and through his work related to Norwegian folk music. In February 2020 came the monumental "Lys / Mørke".  A solo bass double album recorded on the arctic islands of Fleinvær in Northern Norway, "Lys / Mørke" can in many ways be seen as a response to the climate and ecological crisis, focusing in large on the conscious act of listening to the natural world. The album was premiered in Weill Recital Hall at Carnegie Hall on February 3rd, 2020, and received worldwide critical acclaim. 2022 sees the release of a new album called "Roraima", out February 18th. "Roraima" was commissioned by Oslo World for the festival in 2020, and reflects themes such as solidarity and ecological vulnerability and draws inspiration from the creation myth of the Yanomami people and the sound of the Amazon rainforest. The ensemble features Trygve Seim, Frode Haltli, Helga Myhr, Tanja Orning, Håkon Aase, Per Oddvar Johansen, and Sigurd Hole, and the music also includes field recordings of the Amazon biophony by US soundscape ecologist Bernie Krause. Besides his own projects Hole is known for his work with ensembles and musicians like Tord Gustavsen trio, Eple Trio, Karl Seglem acoustic quartet, Helge Lien, Bugge Wesseltoft, Eli Storbekken, Nils Økland, Terje Isungset, Frode Haltli and Trygve Seim. In this episode, Sigurd shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Ari O’Neal is a guitarist from Prince George’s County, Maryland. She’s been playing since the age of 10. Although she learned how to play guitar in many amazing music programs (Music & Arts Center, Levine School of Music, Juilliard's Jazz Camp, etc.), she never made it out into any collegiate music programs. After playing in churches and clubs around the DMV area. After being discovered on Instagram, she was called to play for Beyoncé at Coachella in 2018. That show led to the OTRII Tour, and then Normani, Fantasia, Nelly, Alicia Keys, and more. In this episode, Ari shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Tomas Fujiwara is a Brooklyn-based drummer and composer. Described as “a ubiquitous presence in the New York scene…an artist whose urbane writing is equal to his impressively nuanced drumming” (Troy Collins, Point of Departure), Tomas is an active player in some of the most exciting music of the current generation, with his bands Triple Double (with Gerald Cleaver, Mary Halvorson, Brandon Seabrook, Ralph Alessi, and Taylor Ho Bynum), Tomas Fujiwara & The Hook Up (with Jonathan Finlayson, Brian Settles, Halvorson, and Michael Formanek) and The Tomas Fujiwara Trio (with Alessi and Seabrook); his collaborative duo with cornetist Taylor Ho Bynum; the collective trio Thumbscrew (with Halvorson and Formanek); and a diversity of creative sideman work with forward-thinking peers like Tomeka Reid and Matana Roberts. In The New York Times, Nate Chinen writes, “Drummer Tomas Fujiwara works with rhythm as a pliable substance, solid but ever-shifting. His style is forward-driving but rarely blunt or aggressive, and never random. He has a way of spreading out the center of a pulse while setting up a rigorous scaffolding of restraint...A conception of the drum set as a full-canvas instrument, almost orchestral in its scope.” Born and raised in Boston, MA, Tomas studied with legendary drummer and teacher Alan Dawson for eight years before moving to New York at the age of 17. He is currently a member of ensembles led by Taylor Ho Bynum, Mary Halvorson, Matana Roberts, Nicole Mitchell, Matt Bauder, and Tomeka Reid, in addition to projects with artists such as Anthony Braxton, John Zorn, Michael Formanek, Ben Goldberg, and Benoit Delbecq, and has performed at festivals and venues across North America, Europe, Asia, Australia, and the Middle East. He also has many experiences outside the jazz realm, including a five-year run with the Off-Broadway show Stomp and performances with the Tony Award-winning Broadway musical Fela!, featuring Patti Labelle and members of Antibalas. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Multi-instrumentalist Gebhard Ullmann grew up near Bonn, studied medicine and music in Hamburg starting in 1976, and moved to Berlin in 1983 to live as a professional musician. One year later, the 27-year-old was leading (and co-leading) his own bands, releasing his first albums in 1985. The next few years saw him working with Alexander Von Schlippenbach and Paul Bley (among many others) as well as touring the Middle East, East Africa, Australia, New Zealand, South East Asia, Turkey, Poland, Lithuania and Estonia.  In this episode, Gebhard shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Multi-GRAMMY®-winning pianist/singer/composer Eliane Elias’ distinctive musical style has emerged as one of the most unique and immediately recognizable sounds in jazz. Elias blends her Brazilian roots and alluring voice with her virtuosic instrumental jazz, her classical and compositional skills, while she consistently displays her pianistic mastery and ability to integrate the many artistic roles she takes on. With nearly 30 albums and over 2.3 million albums sold to date, Eliane Elias is critically acclaimed, has a strong presence on Spotify with 565,000 monthly listeners and over 22 million Spotify listens for her song “Little Paradise.” She has toured in 71 countries, is a four-time Gold Disc Award recipient, a three-time Best Vocal Album winner in Japan and winner of the 2018 Edison Lifetime Achievement Award in Holland to name a few accolades. Her 2019 album Love Stories was voted “Downbeat’s Best Album of 2019- Masterpiece” and as most of her previous releases, hit #1 on the jazz charts worldwide. Eliane’s skills together with her charismatic personality, bring a wide spectrum of musical experiences and unique presentations to the audience. As Jazziz proclaimed, Eliane is “A citizen of the world” and “An artist beyond category.” In this episode, Eliane shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Myele Manzanza is a drummer and composer who has rightfully earned himself a reputation as a visionary musician who is not afraid to experiment. Born in New Zealand to a Congolese master percussionist, and currently residing in London, Manzanza was raised listening to hip hop, jazz and dance music all of which strongly inform his current practice. As a drummer and a sideman Manzanza regularly tours and collaborates with a broad range of artists across multiple genres including Theo Parrish, Mark de Clive-Lowe, Amp Fiddler, Miguel Atwood-Ferguson, Jordan Rakei, Ross McHenry, The Adelaide Symphony Orchestra, Ria Hall, Marcus Strickland, Recloose and Sorceress among countless others. Manzanza has truly established himself on the world stage having being selected from over 20,000 applicants to participate in the Red Bull Music Academy in London. He has multiple solo album releases on esteemed international labels Sound Signature, First Word and BBE and is recognized as one of NZ top jazz musicians, having been nominated for the 2017 NZ Jazz Album of the Year for his sophomore album OnePointOne and 2020 APRA Best Jazz Composition for his work Mortality from the A Love Requited LP. In this episode, Myele shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Jonny was brought up in a musical family, his parents played in a country and western band along with his aunt and uncle that toured the UK with Chet Atkins. His Grandma on his father's side was a proficient pianist and his mother's parents played in the salvation army brass band. In this episode, Jonny shares his background, education, and musical journey. At a very early age, Jonny became fascinated with the piano, it was through this instrument he would discover his love for music and singing. At the age of 14, Jonny played the Accordion that his grandfather bought for him and it was from this he found his passion for the instrument. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Jihye Lee is a jazz composer and bandleader based in New York, highly regarded for her personal and adventurous storytelling approach to large-ensemble jazz. A native of South Korea, Lee had no jazz or classical training growing up, though she found success in Korea performing as an indie-pop singer-songwriter. She graduated from Dongduk Women’s University with a degree in Voice Performance, discovering her love of large-ensemble jazz only after beginning her studies at Boston’s Berklee College of Music in 2011. Confidently she began to explore her own identity and voice within this exciting, historically rich medium, winning Berklee’s Duke Ellington Prize just months after declaring her Jazz Composition major (and again the following year). Though she could never have anticipated this new path, she has followed it to greater heights, moving to New York in 2015 and earning a master’s degree at Manhattan School of Music under the guidance of the great Jim McNeely, with generous funding from school scholarships and the CJ Cultural Foundation. In this episode, Jihye shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Over a career spanning more than 25 years, award-winning jazz guitarist Nigel Price has become widely acknowledged as one of the hardest working musicians in the business. Musically, his blend of flowing bebop lines, deep blues sensibility, and his mastery of chording continue to delight audiences and fellow musicians alike. His career highlights include a support show for Gladys Knight at The Royal Albert Hall and an appearance on Van Morrison’s recent album Keep Me Singing. Starting his professional career in his early 20s, Nigel toured Europe with various reggae and funk bands before settling on a solo guitar career and turning his attention to jazz. Citing early influences as Wes Montgomery, Joe Pass, John McLaughlin, and the Mahavishnu Orchestra, Nigel honed his craft by attending gigs and sitting in with the players of the time. Nigel has played on more than 50 albums including 5 as a leader, spent ten years with acid jazz outfit The Filthy Six, was a member of James Taylor’s band for 3 years (with whom he recorded 5 albums), and performed with the legendary David Axelrod. He has also taught at The International Guitar Foundation at King’s Place, London. In this episode, Nigel shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Nick Di Maria is a trumpeter, composer, podcaster, activist, and educator based in New Haven, Connecticut. A graduate of Western Connecticut State University, Nick holds a Bachelor’s Degree in Jazz Performance. Nick has been a student Dr. Eddie Henderson since 2003. Other musical mentors include Dave Scott, Jeremy Pelt, Taylor Ho Bynum, and Rich Clymer. Nick also holds a Masters of Science in Music Education. Nick is also Director of the Outer Space Jazz Series, a local, weekly jazz showcase at the Outer Space club in Hamden, CT. Nick has worked with musicians of the highest caliber. In the 2012-2013 season Jeremy Pelt, Wayne Escoffery, Peter Bernstein,  and Jimmy Greene have performed at the series. Nick also directed the now annual O.S. Jazz Festival which consists of bands from all over the state performing originally composed jazz. In this episode, Nick shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Drummer, composer and bandleader Mareike Wiening has distinguished herself bringing “a planar modulating harmonic language and a propulsive drift” (Giovanni Russonello, New York Times) to the most compelling jazz music of today. Ms. Wiening’s music was described as “thoroughly modern, progressive jazz, Mareike Wiening’s album Crosswalk has many layers that unfold with each repeated hearing; she will most definitely become a leading part of the jazz scene in the years to come.” (All About Jazz) Her new album Future Memories, which follows her critically acclaimed debut album Metropolis Paradise. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

For more than forty years, drummer Louis Hayes has been a catalyst for energetic, unrelenting swing in his self-led bands, as well as in those whose respective leaders reads like an encyclopedia of straight-ahead post-bop modern jazz. Hayes himself an authentic architect of post-bop swing, began his professional activities at the tender age of 18. He started with tenor saxophonist, flutist and oboist Yusef Lateef who like Hayes is a Detroit native (other jazz luminaries hailing from the "motor city" include the Jones brothers, Elvin, Hank and Thad, guitarist Kenny Burrell, pianist Tommy Flanagan, and many others). After the stint with Lateef, Hayes went on to rhythmically propel groups led by pianist Horace Silver, legendary saxophonist Cannonball Adderley, and pianist Oscar Peterson. These positions were augmented by countless recordings on the Blue Note, Prestige, Riverside and other labels with the likes of John Coltrane, Sonny Rollins, J.J. Johnson, Jackie McLean, Wes Montgomery, Cedar Walton, Dexter Gordon, Woody Shaw, George Benson, Freddie Hubbard, Joe Henderson, McCoy Tyner, and the list goes on. In this episode, Louis shares his background, education, and musical journey.  If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Eric Wyatt is a saxophonist who plays tenor, alto, and soprano sax. Born in Brooklyn, New York, Eric was taught music by his dad, Charles Jolly Wyatt, who played in the army band in Germany. His dad moved to Harlem in the early 50’s just in time to play with many of the world’s greatest players. Eric can recall stories of his dad taking him to concerts where he would sometimes drive the band members in the family station wagon. Eric at 11 years old drove with his father in 1972 to Storrs, CT with bassist Larry Ridley and pianist Albert Dailey. The band leader was Eric’s godfather Sonny Rollins. Jim Hall was on the gig as well. This inspired Eric at a young age to hear his first live concert. Some of his dad’s friends were Charlie Parker, Thelonious Monk, Dexter Gordon, Gary Bartz, Big Nick Nicholas, Gilley Coggins, Wilber Ware, and Dizzy Gillespie. Eric went with his dad to see Miles Davis at the Bottom Line club and went backstage after the gig. Eric began on alto and studied at Kingsborough Community College. He also went to Lehman college where he studied with pianist Stanley Cowell. He had some opportunities early in his career to write and license an original song to channel 5 in NY for a tv news show called Black News with host Bill McCreary in 1985. He went on to switch to tenor after his dad passed in July 1989. He met and studied with a Brooklyn legend named Arthur Rhames who inspired him. The lessons he learned from Arthur helped to put Eric on the right track. Eric started playing in Europe as a leader in Sept 1996 performing in Paris, France at the La Villa Jazz Club. Dany Michel brought him there 2 times and Eric made connections in Europe and took his quintet to the Half Note Jazz Club in 1998 and 1999. He has played as a leader in Moscow, Russia, as well as in Slovakia, Prague, Shanghai, Hong Kong, Athens in Greece, Australia, Malaysia, Thailand, and Singapore. He has 5 recordings as a leader and has played as a sideman on CDs with Kenny Garrett, Jeff Tain Watts, Bob Crenshaw, Al Foster, Rufus Reid, Warren Wolf, Wallace Roney, and Steve Jordan. His Cds currently out today are Borough Of Kings, Positone, Look to the Sky, and The Golden Rule 4 Sonny, and A Song of Hope. In this episode, Eric shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Trumpeter, composer, and educator Jared Hall hails from Spokane, Washington.  He studied at Whitworth University, the Indiana University Jacobs School Of Music, and The University Of Miami’s Frost School Of Music, where he received the degree Doctor of Musical Arts in 2015. His primary teachers include Terence Blanchard, Joey Tartell, Dan Keberle, Whit Sidener, David Baker, and Brian Lynch, under whom he pursued his doctoral studies.  Hall is the winner of the 2013 National Trumpet Competition - Jazz Division, and has performed and recorded with Paquito D'Rivera, Bob Hurst, John Daversa, Arturo Sandoval, Maria Schneider, Vincent Herring, Peter Erskine, Dave Liebman, Alan Pasqua, Brian Lynch, Ira Sullivan, Jeff “Tain” Watts, Terence Blanchard, Rick Margitza, Wycliffe Gordon, David Binney, George Benson, Gloria Estefan, Fred Hersch, Shelly Berg, the South Florida Jazz Orchestra, the Frost Concert Jazz Band and the Henry Mancini Jazz Septet directed by Terence Blanchard, among many others. In this episode, Jaded shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Latin Grammy-winning producer, composer, percussionist, and writer, Barrett Martin, has been playing music professionally for over 30 years, including work on over 120 albums and film soundtracks worldwide. His work can be heard on albums by R.E.M., Queens Of The Stone Age, Mad Season, Screaming Trees, Tuatara, Blues legend CeDell Davis, and recording sessions that range from the Peruvian Amazon, to Brazil, Cuba, the Palestinian West Bank, the Mississippi Delta, and the Alaskan Arctic. Barrett also holds a master’s degree in ethnomusicology and linguistics, and has practiced Zen for over 25 years. He has guest lectured at several universities across the United States, and has written essays for The Huffington Post and Riot Material (links below). In 2014 he was awarded the ASCAP Deems Taylor/Virgil Thompson Award for excellence in writing, and in 2017 he received two Latin Grammy nominations, winning a Grammy for producing Nando Reis’ Best Brazilian Rock Album, “Jardim-Pomar”. In this episode, Jane shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

CONRAD KORSCH is a New York City based acoustic and electric bassist / multi-instrumentalist / vocalist / musical director / bandleader / composer / producer, and educator. After attending the prestigious Settlement Music School throughout his grade school and high school years in Philadelphia, he earned a Bachelor's Degree in Jazz Bass Performance from Temple University, where he attended on scholarship and graduated Magna Cum Laude and with other honors. Widely known for his tenure with Rod Stewart from 2002 - 2018 as bassist and eventually Musical Director / Bandleader, and as a member of The Faces since their R&R Hall Of Fame Induction in 2012, he has accumulated a long and varied list of other notable recordings, performance, production and TV / Film / Theater. In this episode, Jane shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Soaring, poetic, quicksilver, spontaneous, and instantly identifiable are words used to describe the soprano sound of saxophonist Jane Ira Bloom. She's been steadfastly developing her singular voice on the soprano saxophone for over 40 years creating a body of music that marks her as an American original. She is a pioneer in the use of live electronics and movement in jazz, as well as the possessor of "one of the most gorgeous tones and hauntingly lyrical ballad conceptions of any soprano saxophonist - Pulse." She is the winner of the 2018 Grammy Award for Best Surround Sound Album for her trio album "Early Americans." In this episode, Jane shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

As a virtuoso bassist, versatile composer, and acclaimed bandleader, Marc Johnson has been a major innovator on the jazz scene for the past two decades. Born in Nebraska in 1953, Johnson took up bass at the age of 16, having already studied piano and cello. While completing his formal education in the celebrated music program at the University of North Texas, at age19, Johnson began performing professionally with the Fort Worth Symphony. In 1977, he was on the road with the Woody Herman Band. A stop with Herman in New York City marked a major turning point for Johnson, where he was invited to sit in with Bill Evans at the Village Vanguard. In 1978, he joined Evans' trio, remaining with him until the pianist's death two years later. Johnson appears on numerous albums recorded with Evans, including the Grammy-winning We Will Meet Again and released in 1997, a six-CD box set of live recordings, Turn Out the Stars, weaving his distinctively warm tones and melodic lines into the complex harmonies of the Trio.  Over the past 20 years, Johnson has performed on more than 100 albums. Many have been with pianists, including Eliane Elias, Lyle Mays, and Enrico Pieranunzi, although Johnson has also recorded with saxophonists Stan Getz, Joe Lovano, and Michael Brecker, drummers Peter Erskine and Paul Motian, and Jack DeJohnette, vibist Gary Burton, and bandoneon master Dino Saluzzi. And many of his most notable recordings have been with guitarists. In addition to his long membership in guitarist John Abercrombie's trio, Johnson formed two guitar-oriented bands that rose to prominence in the late 1980s and early 1990s. Overpass, recorded in January and February 2018 at Nacena Studios, in São Paulo, was produced by Marc Johnson and Eliane Elias.  In this episode, Marc shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com