This is the third and final segment of my recent conversation with author Laurie Winer regarding her book Oscar Hammerstein II and the Invention of The Musical, recently released in paperback. Today our discussion centers on the second half of Hammerstein’s remarkable partnership with Richard Rodgers, including the creation of their musicals South Pacific, Me And Juliet, The King And I, Pipe Dream, and The Sound Of Music. If you missed the first two parts, you may want to catch up with those before listening to this one. Laurie Winer has been a theater critic for the Wall Street Journal, the New York Times, and the Los Angeles Times, and was a founding editor of the Los Angeles Review of Books. How to become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long-time patrons Gary Fuller and Randy Everett.  For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest again this week is the noted journalist and theater critic Laurie Winer, who returns for part two of our conversation about her book, Oscar Hammerstein II and the Invention of The Musical. If you missed part one, you may want to catch up with that before listening to this one. Following the triumph of Show Boat, during the 1930s Hammerstein experienced a very challenging decade of devastating flops on Broadway and very limited achievement in Hollywood. And that’s where we pick up our conversation. Topics included in this episode include the musicals Oklahoma!, Carousel, and Allegro! as well the the stark differences between the personalities of Richard Rodgers and Oscar Hammerstein, their working methods, and their fruitful collaboration and contentious relationship with choreographer Agnes De Mille.  How to become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including Producer Level Patrons Paula & Steve Reynolds. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is the noted journalist and theater critic Laurie Winer, the author of a beautifully written and expertly researched book, Oscar Hammerstein II and the Invention of The Musical. Diving deep into Hammerstein’s life and work, Winer, offers new insights into the groundbreaking achievements of the creator of Show Boat, Oklahoma, Carousel, South Pacific, and The Sound of Music, to name only a few of the musicals that made Hammerstein one of the most commercially successful and culturally significant artists of all time. In Winer’s view, Hammerstein can be credited more than anyone else with inventing the Broadway musical. Laurie Winer has been a theater critic for the Wall Street Journal, the New York Times, and the Los Angeles Times, and was a founding editor of the Los Angeles Review of Books. How to become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including longtime patron Chris Moad. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest is six-time Tony Award nominee Chad Beguelin, who has created book & lyrics for Broadway musicals The Prom, Disney’s Aladdin, The Wedding Singer, and Elf. Today, he joins me to discuss his captivating new novel set in the world of theater, SHOWMANCE. The beautifully crafted plot of Showmance opens on the disastrous opening night of a new Broadway musical — Stage Of Fools — with book, music, and lyrics by Noah Adams, the novel’s central character. The scorching reviews the show receives, coupled with a family emergency, send Noah back to his Podunk hometown of Plainview, Illinois, where he figures he can hide out for a bit and lick his wounds. There, to his horror, he discovers that his agent (and longtime boyfriend, Chase) has secretly arranged for him to stage an amateur production of his musical at the hometown community theater he grew up in. And, of course, he also runs into Luke, the hot, sexy jerk from high school, whom he may have misjudged, all of which sets the stage for a delightful and often hilarious romantic comedy. How to become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including longtime patron Neil Hoyt. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s episode is the second half of my conversation with Trevor Boffone regarding his fascinating new book: TikTok Broadway — Musical Theatre Fandom in the Digital Age. If you missed part one of our discussion, you may want to catch up with that before listening to this one. Trevor Boffone is a Houston-based content creator and social media manager. His previous books include Renegades: Digital Dance Cultures from Dubsmash to TikTok and Latinx Teens: US Popular Culture on the Page, Stage, and Screen. He is also the editor of TikTok Cultures in the United States and the co-editor of five collections on Latinx popular culture and performance. Today, Trevor and I explore several massively popular viral TikTok trends relating the Broadway and West End musicals SIX, Heathers, Wicked, and Mamma Mia! And he also shares with us his observations of the many ways that TikTok has become a performance space of its own for fans of Broadway musicals. We also delve into the phenomenon of musicals that have been created on TikTok such as Ratatouille — The Musical and Bridgerton — The Musical. This all brings up some big questions relating to the very nature of theater itself, and of course, the future of TikTok. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is Trevor Boffone whose new book is titled TikTok Broadway — Musical Theatre Fandom in the Digital Age. I suspect that many of you, like me, are not on TikTok and may not immediately think this book will be of great interest to you. However, I encourage you to give it a listen because I think you will find what Boffone has to say in his book and in this discussion to be a fascinating and important aspect of recent Broadway history. I was quite captivated by it. On this episode, we look at the history of Social Media and its relationships with the Broadway musical and how from the very beginning of TikTok in America, Broadway musicals became a key aspect of even it most mainstream content. Trevor Boffone is a Houston-based content creator and social media manager. He is the author of Renegades: Digital Dance Cultures from Dubsmash to TikTok and the co-author of Latinx Teens: US Popular Culture on the Page, Stage, and Screen. He is the editor of TikTok Cultures in the United States and the co-editor of five collections on Latinx popular culture and performance. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, my guest is my old friend, GERARD ALESSANDRINI, creator of the long-running off-Broadway hit revue Forbidden Broadway, which recently opened its 27th edition, FORBIDDEN BROADWAY — MERRILY WE STOLE A SONG now playing at Theater555 NYC.   On this episode, Gerard and I discuss not only this latest iteration of the show but also look back to its origins in 1980 and explore its remarkable forty-three-year history of hilariously skewering Broadway and insightfully spoofing its musicals, plays, and stars. As you might imagine, Gerard and I went off on several entertaining tangents not directly related to the subject of this episode, resulting in an additional ten minutes of outtakes that are available exclusively to patrons of Broadway Nation. Here is the information about how you too can become a patron. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including Geoffrey Block and Larry Spinelli For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the second part of my recent conversation with author Thomas Hischak regarding his new book, Song Of The Season — Outstanding Broadway Songs Since 1891. In this captivating book, Hischak looks back at the history of the Broadway musical by chronicling of every New York theater season from 1891 to 2022 and then audaciously selecting one single song as the song of that particular season. To facilitate this discussion, I selected one or two songs from each decade covered in the book for us to discuss. On this music-filled episode, we begin in 1938 with “September Song” from Knickerbocker Holiday and continue with his admittedly controversial selection of “I Enjoy Being A Girl” from Flower Drum Song (1958), “Do-Re-Mi” from The Sound Of Music (1959), a mind-blowing leap of only seven years to “Aquarius” from Hair (1968), and on through “All that Jazz” from Chicago (1975), “The Lambeth Walk” from Me And My Girl (1986), the title song from Ragtime (1998), "Omar Sharif" from The Band’s Visit (2017), and the title song from Some Like It Hot (2022). Thomas Hischak retired from full time teaching in New York State and now teaches theatre part-time at Flagler College in St. Augustine, Florida, USA. He is the author of over 30 non-fiction books on theatre, film and popular music. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including Tayrn Darr and Cheryl Hodges-Seldon. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Author Thomas Hischak returns to the Broadway Nation this week to tell us about his captivating new book, Song Of The Season — Outstanding Broadway Songs Since 1891. For this book, Hischak analyzed every Broadway season since 1891 and selected one song as the most outstanding. In this episode, we discuss “Oh, Promise Me” from Robin Hood (1891), “In The Good Old Summertime” from The Defender (1902), “Defying Gravity” from Wicked (2003), “In Old New York” from The Red Mill, “They Didn’t Believe Me” from The Girl From Utah, “Charleston” from Runnin’ Wild, and “Begin The Beguine” from Jubilee (1935). Thomas Hischak retired from full-time teaching in New York State and now teaches theatre part-time at Flagler College in St. Augustine, Florida, USA. He is the author of more than 30 indispensable non-fiction books on theater, film, and popular music, and long-time listeners will remember him from episodes 104 and 105, where we discussed his previous book, The Abbott Touch — Pal Joey, Damn Yankees and the Theatre of George Abbott. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our newest member, Alan Teasley. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to a new season of Broadway Nation — the podcast that delves deeply into the remarkable history of the Broadway musical, with a special focus on the Immigrant, Jewish, Queer, and Black Artists who invented it. My guest today is Tony Award-winning Broadway star Brian Stokes Mitchell. After a short break, I am excited to be back with a new season that will be jam-packed with fascinating Broadway history, including interviews with an amazing lineup of authors of some brilliant new books that take us back to the earliest days of Broadway and bring us right up to the twenty-first century — from George M. Cohan to how TikTok and the digital age have impacted the Broadway musical. Today, we start things off with a bang with a delightful conversation with Brian Stokes Mitchell, whose career spans over forty years on television, films, recordings, concert appearances, and, most notably for our purposes, ten Broadway shows. He made his Broadway debut in 1988 in a short-lived musical called Mail, and in 1990, he was cast as the lead in David Merrick’s revival of the 1926 Gershwin musical Oh, Kay! He next went on to two very high-profile gigs — first replacing Gregory Hines in Jelly’s Last Jam and then Anthony Crivello in Kiss Of the Spiderwoman. In 1998, his unforgettable Tony-nominated performance as Coalhouse Walker in Ragtime firmly established him as a true Broadway star, and the following year, jumping from musical drama to musical comedy, he won the Tony Award for his performance in Kiss Me Kate. His performance in August Wilson’s play, King Hedley II, in 2001 earned another Tony nomination, and the next year, he took on the title role in Man Of La Mancha. His most recent Broadway appearance was in 2016 in George Woolf’s behind-the-scenes look at Shuffle Along, but as you will hear, Brian Stokes Mitchell may be back on Broadway very soon in a new musical that he is very excited about.  In addition, our conversation today ranges from two tear-inducing new video performances that he has recently been involved in creating and performing: a Ted Talk with Leer deBessonet, which you can find at https://www.youtube.com/watch?v=zZNhuRIGQZs and "Hope" with Jason Robert Brown, https://www.youtube.com/watch?v=KJkqV2xwars. Also, his work with The Entertainment Fund and the soon-to-be-released video capture of their reunion concert of Ragtime, as well as a peek inside his process and approach to interpreting a song. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our newest member, Alan Teasley. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

I’m David Armstrong, and my guest again today is author Andrew L. Erdman, whose captivating new book is titled Beautiful — The Story of Julian Eltinge, America's Greatest Female Impersonator. In this third and final episode in this series, Andrew shares with us the story of how Julian Eltinge capitalized on his international Vaudeville and Broadway fame and became a major movie star in Hollywood and how that coincided with a golden age of female impersonation in America. We also explore the challenges Eltinge faced during the final years of his career as America became more conservative and began to restrict and censor drag performance in the 1930s. If you missed the earlier episodes in this series, you may want to catch up with those before listening to this one. Author Andrew Erdman has immersed himself in this remarkable era of show biz history; his previous book was the equally fascinating Queen of Vaudeville: The Story of Eva Tanquay Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our newest member Alan Teasley. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest again this week is author Andrew Erdman, whose captivating new book is Beautiful—The Story of Julian Eltinge, America's Greatest Female Impersonator. In this episode, Andrew continues the story of Julian Eltinge’s rise to the absolute highest realms of show business — and we especially focus on three musicals that were created especially for him by top Broadway talents such as Otto Harbach, Jerome Kern, and Irving Berlin: That Fascinating Widow (1911), The Crinoline Girl (1914), and Cousin Lucy (1915). Along the way, you will have a chance to hear some of the songs that they created for Eltinge, as performed by a friend of the pod David Sabella (aka Amanda Reckonwith) including “Those Come Hither Eyes” – from the musical Cousin Lucy (lyrics by Schuler Green; music by Jerome Kern), and "Don't Take Your Beau to the Seashore," (music by Irving Berlin; lyrics by E. Ray Goetz). If you missed the first episode in this series, you may want to catch up with that before listening to this one. Author Andrew Erdman has immersed himself in this remarkable era of show biz history; his previous book was the equally fascinating Queen of Vaudeville: The Story of Eva Tanquay Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our newest member Alan Teasley. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest on this episode is Andrew L. Erdman, who is the author of the new book: Beautiful — The Story of Julian Eltinge, America's Greatest Female Impersonator. In the late 19th and early 20th Century — long before the fierce television Drag stars of today — a specific style of drag performance known as Female Impersonation was wildly popular on stage and screen — in America and around the world. And no female impersonator was more famous, successful, or highly regarded than Julian Eltinge. Although barely remembered today, in his time, Eltinge was on a par with Al Jolson, Eddie Cantor, and Fanny Brice, and was so popular and renowned that he even had a Broadway theater named after him! That theater still exists, and you can still go there and see Julian Eltinge — but you will have to listen to the episode(s) to find out where and how. Author Andrew Erdman has immersed himself in this remarkable era of show biz history; his previous book was the equally fascinating Queen of Vaudeville: The Story of Eva Tanquay Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including members John Schroeder and Alan Brodie. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This special encore episode of Broadway Nation was first released in the fall of 2022. My guest is PAUL SALSINI, who many listeners will remember as the founder and original editor of The Sondheim Review, the first and only quarterly magazine ever devoted to a living musical theater composer. Paul passed away earlier this month, at the age of 88, so I thought this was a very appropriate time to revisit this fascinating conversation.  Paul launched the magazine in 1994, and over the following ten years, Paul exchanged notes, letters, faxes and phone calls with Stephen Sondheim — who it was clear was reading every word of every issue of the magazine — and Sondheim often had corrections and comments, or as he called them, “emendations.” On a few occasions these notes and phone calls included “vigorous objections” to what Paul had included the magazine, but overall Sondheim was wonderfully supportive and helpful. In his book SONDHEIM AND ME, Paul chronicles his unlikely relationship with Sondheim during an eventful period that included the New York premieres of Passion and Saturday Night, the Kennedy Center’s Sondheim Celebration, Broadway revivals of six of Sondheim’s major works, and the decade long development of the musical that would eventually be called Road Show. Learn more about your ad choices. Visit megaphone.fm/adchoices

 My guest this week is award-winning entertainer Richard Skipper, who joins me to talk about his new show, Still Going Strong—A Celebration of 60 Years of Hello Dolly!, which he will be bringing to various venues on several continents over the next few months, starting with Crazy Coqs in London on August 5th. As you will hear, it was Richard’s friendship with Carol Channing that inspired him to begin chronicling the history of Hello Dolly!, and over the past fifteen years, Richard Skipper has interviewed more than 1,000 participants of various productions of the show. That this discussion follows on the heels of the Bette Midler series of podcasts is a happy quirk of serendipity! Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long time members Larry Spinelli and Geoffrey Block For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I am excited to share with you the third and final segment of my conversation with author Kevin Winkler regarding his new book, On Bette Midler: An Opinionated Guide. In this engaging book, Kevin focuses on all aspects of Bette Midler’s career — on stage, recordings, film, and television. But in this conversation, again we focus primarily on her work as a theater artist. If you missed the other two episodes in this series, you may want to listen to those before jumping into this one. For more than twenty years, Kevin was a curator, archivist, and administrator at the New York Public Library, and prior to that, he was a professional dancer on Broadway. His previous books include the award-winning Big Deal: Bob Fosse and Dance in the American Musical, and Everything is Choreography: The Musical Theatre of Tommy Tune. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long time members Mark Stanton and Andy Wigginton. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode author Kevin Winkler returns for the second part of our discussion of his fascinating new book, On Bette Midler — An Opinionated Guide. If you missed part one of this conversation, you may want to catch up with that before listening to this one. In that episode, Kevin and I touched on Bette’s childhood, explored her early years in the off-off-Broadway experimental and very campy Gay theater scene, detailed her unusual rise to at least demi-stardom at the Continental Baths, her debut on Broadway in Fiddler On The Roof, and her Tony Award wining concert at the Palace Theater which set the stage for the first of what Kevin calls her Broadway musicals of her own devising: Bette Midler’s Clams On The Halfshell Revue, conceived and staged by Broadway director/choreographer Joe Layton, and the shows that followed. For more than twenty years Kevin Winkler was a curator, archivist, and administrator at the New York Public Library, and prior to that, he was a professional dancer. His previous books include the award-winning Big Deal: Bob Fosse and Dance in the American Musical in 2018, and Everything is Choreography: The Musical Theatre of Tommy Tune. Kevin and I discussed that terrific book on several episodes of Broadway Nation back at the beginning of 2022. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long time member, ANNE WELSH. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week I am excited to welcome author Kevin Winkler back to Broadway Nation to discuss his new book, On Bette Midler: An Opinionated Guide. This engaging book is a critical analysis of every aspect of Bette Midler’s career on stage, recordings, film, and television, but in this conversation, we focus primarily on her work as a theater artist. To date, Midler’s long career has been bookended by her appearances in two classic Broadway musicals, Fiddler On The Roof and Hello, Dolly! In between, she invented her distinctive brand of musical theater—“musicals of her own devising,” as Kevin calls them. For more than twenty years Kevin Winkler was a curator, archivist, and administrator at the New York Public Library, and prior to that, he was a professional dancer. His previous books include the award-winning Big Deal: Bob Fosse and Dance in the American Musical in 2018, and Everything is Choreography: The Musical Theatre of Tommy Tune. Kevin and I discussed that terrific book on several episodes of Broadway Nation back at the beginning of 2022. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long time member, ANNE WELSH. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Encore Episode from 2021, author Rick Pender takes us inside the creation of The Stephen Sondheim Encyclopedia.  Rick Pender is a longtime member and former chair of the American Theater Critics Association. He first began reviewing theater in 1985 for a public radio station he managed at Northern Kentucky University. He later became the theater critic for CityBeat – Cincinnati’s alternative weekly newspaper -- and eventually became its arts and culture editor. He also often contributed articles to The Sondheim Review, a quarterly magazine that I know many of you remember fondly, and for 12 years, from 2004 to 2016, he served as its managing editor.  His latest venture, The Stephen Sondheim Encyclopedia, is a 638 page overview of anything and everything related to Sondheim’s work, life and career.  Learn more about your ad choices. Visit megaphone.fm/adchoices

 My guest again this week is author BEN WEST who returns for the fourth and final segment of our conversation in regard to his exceptional new book The American Musical – Evolution of an Art Form.  As you will hear, in today’s episode, we move into what I call the Modern Era of Broadway from the 1970s right up to today and detail the major changes in the way musicals are made over the last 50 years. Our discussion touches on such shows as Hair, Your Own Thing, Rent, The Wiz, Jelly’s Last Jam, Hamilton, The Band’s Visit, and more! If you missed the previous episodes in this series you may want to go back and catch on that before listening to this one. Ben West is a musical theatre artist and historian who created the extensive “Timeline Wall” exhibits for the Museum of Broadway that trace the history of the Broadway stage from 1732 to 2021, spotlighting more than 500 productions and 100 artists. He has worked in various capacities on Broadway, Off-Broadway, and regionally and created and directed Unsung Carolyn Leigh for Lincoln Center’s American Songbook series. He has lectured and spoken at Yale University, University of Michigan, the Dramatists Guild, and the Shubert Organization. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our Producer Level patrons, Paula & Steve Reynolds. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the third segment of my conversation with author BEN WEST, regarding his new book: THE AMERICAN MUSICAL — EVOLUTION OF AN ART FORM. As you will hear this book is a comprehensive history of the American Musical from its origins in the 19th Century right up to the turn to the 21st Century. Along the way Ben West sheds new light on a myriad of shows, authors, directors, and performers including a host of often-overlooked women and African-American artists. If you missed the previous episodes in this series you may want to go back and catch on that before listening to this one. Ben West is a musical theatre artist and historian who created the extensive “Timeline Wall” exhibits for the Museum of Broadway that trace the history of the Broadway stage from 1732 to 2021 and spotlight more than 500 productions and 100 artists. He has worked in various capacities on Broadway, Off-Broadway, and regionally, and created and directed Unsung Carolyn Leigh for Lincoln Center’s American Songbook series. West has lectured and spoken at several institutions including Yale University, University of Michigan, the Dramatists Guild, and the Shubert Organization. He is a recipient of Lincoln Center’s Martin E. Segal Award. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our Producer Level member, Bob Braun. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s episode is the second part of my recent conversation with author BEN WEST, regarding his his exceptionally comprehensive new book: THE AMERICAN MUSICAL — EVOLUTION OF AN ART FORM. This book traces the American Musical’s creative journey from its 19th Century beginnings through its 20th Century maturation, and on to the turn of the 21st century. Along the way, Ben West sheds new light on a myriad of shows, authors, directors, and performers including a host of often-overlooked women and African-American artists. If you missed the first episode in this series you may want to go back and catch on that before listening to this one. As our previous episode ended Ben and I were discussing the revue form, especially the annual revues such as the Ziegfeld Follies and Earl Carroll’s Vanities. Today we pick up conversation with some of the other forms of musical theater that Ben explores in Part Two of his book, a section that he titles Birth Of An Art Form. Ben West is a musical theatre artist and historian who created the extensive “Timeline Wall” exhibits for the Museum of Broadway that trace the history of the Broadway stage from 1732 to 2021 and spotlight more than 500 productions and 100 artists. He has worked in various capacities on Broadway, Off-Broadway, and regionally, and created and directed Unsung Carolyn Leigh for Lincoln Center’s American Songbook series. West has lectured and spoken at several institutions including Yale University, University of Michigan, the Dramatists Guild, and the Shubert Organization. He is a recipient of Lincoln Center’s Martin E. Segal Award. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our newest member, Taryn Darr. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is author BEN WEST, who joins me to discuss his exceptional new book: THE AMERICAN MUSICAL — EVOLUTION OF AN ART FORM. This book is a comprehensive history of the American Musical that traces the form’s creative journey from its 19th Century beginnings through its 20th Century maturation, and on to the turn of the 21st century. Along the way Ben sheds new light on a myriad of authors, directors, and craftspeople who worked on Broadway and beyond. In a similar way to this podcast, this book actively addresses the form’s often-overlooked female and African-American artists. It also goes beyond the strict boundaries of Broadway to explore such outside influences as minstrelsy, vaudeville, nightclubs, and burlesque as well as the dynamic relationship between the American Musical and and the consciousness of its country that gave it birth. Ben West is a musical theatre artist and historian who created the extensive “Timeline Wall” exhibits for the Museum of Broadway that trace the history of the Broadway stage from 1732 to 2021 and spotlight more than 500 productions and 100 artists. He has worked in various capacities on Broadway, Off-Broadway, and regionally, and created and directed Unsung Carolyn Leigh for Lincoln Center’s American Songbook series. West has lectured and spoken at several institutions including Yale University, the University of Michigan, the Dramatists Guild, and the Shubert Organization. He is a recipient of Lincoln Center’s Martin E. Segal Award. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our newest member, Taryn Darr. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is Jack Viertel who joins us to talk about his delightful new novel, Broadway Melody. This is one of a fascinating wave of novels that explore the history of Broadway though a combination of fictional characters and real-life Broadway figures. Jack Viertel began his theatrical career as a drama critic for the Los Angeles Herald Examiner and then worked as a dramaturg at the Mark Taper Forum. This led to him serving three decades as Creative Director and Senior Vice President of Jujamcin Theaters where he oversaw the production of 50 Broadway plays and musicals. Simultaneously, during two of those decades, he also served as the Artistic Director of the New York City Center’s Encores! series, producing 65 musical revivals. And he was a creative force behind a string of blockbuster musicals including Smokey Joe’s Café, Dear Evan Hanson, and Hairspray. He taught musical theater at NYU Tisch School of the Arts and is the author of the New York Times bestseller The Secret Life of The American Musical. I want to thank all of our Broadway Nation Patron Club members, including our longtime Producer Level patrons, Paula & Steve Reynolds. Their generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. Become a PATRON of Broadway Nation! For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

During an incredible Broadway career that stretched from 1953 to 1998, composer Cy Coleman created the music for 12 Broadway musicals. Unlike most Broadway composers, however, he was never part of an ongoing songwriting team but instead worked with seven very talented but very different collaborators. My guest today is one of those esteemed lyricists -- David Zippel who partnered with Cy Coleman on the score for the 1990 Tony Award winning "Best Musical", City Of Angels the hit musical that altogether received 10 Tony Awards including Coleman and Zippel’s win for Best Score. That show launched David on his own stellar career which has honored with two Academy Award nominations, two Grammy Award nominations, and three Golden Globe nominations. His songs can be heard on over twenty-five million CDs around the world that include recording by Stevie Wonder, Christina Aguilera, Mel Torme, Ricky Martin, Cleo Laine, Barbara Cook, Nancy LaMott, and include the Original Broadway Cast and Soundtrack recordings of The Goodbye Girl, The Women In White, The Swan Princess and Disney’s Hercules and Disney’s Mulan. David and I first met shortly after we had both arrived in NY in the early 1980’s and have remained friends and colleagues ever since. Today we begin our conversation talking about Coleman’s Russian-Jewish heritage. So many Broadway songwriters -- Irving Berlin, George Gershwin, Richard Rodgers, Harold Arlen, Leonard Bernstein to name just a few were the children or grandchildren of Russian-Jewish immigrants. If you enjoy this podcast, I invite to join my Broadway Nation Facebook Group where there is a large and lively community of musical theater enthusiasts. We have a great deal of fun and I feel certain that you will too! And If you would like to hear more about Carolyn Leigh, Dorothy Fields, Betty Comden and other women who invented the Broadway musical, you may want to check out Episode 7 and 8 of Broadway Nation. Special thanks Special thank the Julia Murney and David David Burnham, everyone at KVSH 101.9 FM the voice of beautiful Vashon, Island Washington, and to the entire team at the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the second part of my discussion with Tony Award-winning Costume Designer Ann Hould-Ward in which we trace the legacy chain of Broadway costume design expertise that was handed down directly over a 100-year period from Aileen Bernstein to Irene Shariff to Patricia Zipprodt to Ann Hould-Ward, herself. If you missed the previous episode you may want to listen to that first.  During our discussion was also touch on the careers of the legendary designers Florence Klotz, Ann Roth, Willa Kim, and Theaoni Aldredge. All in all, these amazing women designed more than 500 Broadway plays and musicals! Ann Hould-Ward is the Tony Award-winning costume designer whose work includes the original Broadway productions of Beauty And The Beast, Into The Woods, Sunday In The Park With George, Falsettos, and the revival of The Color Purple. Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate Women's History Month he is the first of two episodes recorded during the pandemic about the history of Broadway Costume design with special guest Ann Hould-Ward. Irene Sharraff is the legendary Broadway costume designer whose incredible 56-year career spanned from 1933 to 1989. She designed the costumes for more than 52 Broadway musicals including As Thousands Cheer, Jubilee, On Your Toes, The Boys From Syracuse, Lady In The Dark, The King And I, West Side Story, Flower Drum Song, Funny Girl, Sweet Charity, and Jerome Robbins Broadway. She was nominated for six Tony Awards and won the Tony for The King And I, and she received five Academy Awards for her designs for the now classic films An American In Paris, The King And I, West Side Story, Cleopatra, and Who’s Afraid Of Virginia Woolf. One of the main threads of this podcast is how the arts and crafts of the Broadway Musical have been handed down directly from one practitioner to the next, generation to generation. Irene Sharaff is at the center of a succession of dynamic women that goes back more than 100 years to the earliest days of the Broadway Musical and continues right up to today. All of these women were mentored by one or more of the great female designers that came before them, all of them became Tony Award-winning star designers in their own right, and all of them have passed on the art and craft of theatrical costume design to the next generation. In this episode, I trace the legacy chain of Broadway costume design that was handed down from Aileen Bernstein to Irene Sharaff to Patricia Zipprodt to Ann Hould-Ward. I recently had the pleasure of discussing all this with Ann Hould-Ward herself. Ann Hould-Ward is the Tony Award-winning costume designer whose work includes the original Broadway productions of Beauty And The Beast, Into The Woods, Sunday In The Park With George, Falsettos, and the revival of The Color Purple. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is Robert W. Schneider who joins me to talk about his new podcast, Broadway Bound — The Musicals That Never Came To Broadway. Each of the ten episodes in the first season of this wonderfully researched new series focuses on a high-profile musical that was on its way to Broadway but for various reasons never made it. Analyzing and identifying those reasons is part of what makes this series so fascinating. Musicals featured in the first season include Arthur, Minsky’s, Breakfast At Tiffany’s, The Baker’s Wife, Juliet Of The Spirits, Busker’s Alley, The Graduate, and The Mambo Kings. Rob Schneider is an original programming producer at 54 Below, where he has produced and directed more than 100 events, and Artistic Director of the J2 Spotlight Theater Company. In addition to Broadway Bound, Rob is the host and producer of two other popular theater podcasts: Behind the Curtain: Broadway’s Living Legends and Fifty Key Stage Musicals, which was inspired by his book of the same title. All three of which can be heard on the Broadway Podcast Network. Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as longtime members Chris Moad and Judy Hucka, whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest again this week is author Maya Cantu who returns for the third and final part of our conversation about her fascinating book: Greasepaint Puritan — Boston to 42nd Street in the Queer Backstage Novels of Bradford Ropes. In this episode we focus on Ropes’ 1934 novel, Go Into Your Dance, the third in his evocative backstage trilogy which also includes 42nd Street (the source material for both the classic film and the stage musical), and Stage Mother, (a sort of proto version of Gypsy). All three of these novels were heavily inspired by Ropes’ actual experiences as a dancer and performer on Broadway and in Vaudeville during the 1920s. To a great extent Go Into Your Dance is a roman á clef of the star dancer & legendary showman George White and his scandals, both professional and personal, including his long-standing relationship with Broadway star Ann Pennington, fictionalized by Ropes as "Ted Howard," who rises from messenger boy to dancer to one of the most powerful figures on Broadway, and his indispensable collaborator, "Nora Wayne." Ted Howard's series of "Town Talk" revues become major competition for "Lane's Frivolities" (Ziegfeld Follies), and along the way he interacts with figures from what Maya and I dub the "Bradford Ropes Literary Universe" such as producer/director, "Julian Marsh," dance director, "Andy Lee," and "the Wilson Brothers," a thinly disguised version of the Shuberts). Of perhaps greatest interest are the two gay chorus boys, Arthur and Bobby, who befriend Ted when he joins the chorus of Marsh's musical "Sweet Sally," and play a crucial role in the plot of this remarkable novel. Maya and I also discuss the major themes that tie these novels together, as well as her remarkable six-year journey in unearthing and re-discovering the life and work of Bradford Ropes. If you missed the first two episodes in this series you may want to catch up with those before listening to this one. May Cantu is a dramaturg and historian who teaches on the Drama Faculty of Bennington College and is also the author of American Cinderella on the Broadway Musical Stage: Imagining the Working Girl from “Irene” to “Gypsy”. Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as longtime members Kelly Allen and Elizabeth Troxler., whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest again today is author Maya Cantu who returns to discuss her book, Greasepaint Puritan — Boston to 42nd Street in the Queer Backstage Novels of Bradford Ropes. In this terrific new book Maya reclaims the life and work of vaudeville, nightclub and Broadway dancer turned novelist and screenwriter Bradford Ropes, with a central focus on his three long-forgotten backstage novels: 42nd Street on which the classic film and stage adaptation were based, Go Into Your Dance, a thinly disguised fictional version of the career of Broadway showman George White and his scandals, and the one we will focus on today, his 1933 novel Stage Mother. All of which were inspired by Rope’s own experiences as a gay man in show business during the 1920s. If you missed part of our conversation you may want to catch up with that before listening to this one. May Cantu teaches on the Drama Faculty of Bennington College, and is also the author of American Cinderella on the Broadway Musical Stage: Imagining the Working Girl from “Irene” to “Gypsy”. And as you will hear the parallels between Stage Mother and Gypsy are striking. Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as longtime members Juan J. Nuemeister and Ruth Oberg, whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

 My guest this week is author Maya Cantu who joins me to discuss her new book, Greasepaint Puritan — Boston to 42nd Street in the Queer Backstage Novels of Bradford Ropes. In this book Maya reclaims the life and work of Bradford Ropes, the author of the naughty, bawdy, gaudy, sporty, and very gay novel, 42nd Street, on which both the classic film and stage adaptation are based. That’s just the first of his three long-forgotten novels that include Stage Mother and Go Into Your Dance, all of which were inspired by Rope’s own experiences as a performer, and all three of which give us a chance to go backstage on Broadway during the 1920s and experience the lives of gay men in show business. As you will hear Maya Cantu has done a miraculous job of uncovering all of this Cantu is a dramaturg and interdisciplinary scholar who teaches on the Drama Faculty of Bennington College. She is also the author of American Cinderella on the Broadway Musical Stage: Imagining the Working Gril from “Irene” to “Gypsy”. Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as our newest member Cheryl Hodges-Selden whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special encore episode of Broadway Nation. 1970s Broadway experienced another blast from the past with the return of the Black Musical. More than a dozen hit black musicals opened during the decade, and three of them won the Tony Award for BEST MUSICAL. About half of these were new, original musical plays – mostly adaptations of popular plays or novels. All of them employed a combination of rhythm & blues, pop, rock, jazz and traditional Broadway style music to help tell their stories.  The other half were musical revues that showcased the classic songs of the great black songwriters of the 1920s, 30s and 40s. These shows represented a significant black wing of the ongoing Nostalgia Craze. Please join me as I explore the musical plays PURLIE, RAISIN, and THE WIZ,; the gospel musicals DON’T BOTHER ME I CAN’T COPE, AND YOUR ARMS TOO SHORT TO BOX WITH GOD.; and the songbook revues BUBBLING BROWN SUGAR, AIN’T MISBEHAVIN’, EUBIE!, SOPHISTICATED LADIES, and BLACK AND BLUE.  Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as our newest member Cheryl Hodges-Selden whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest today is the prolific and award-winning book writer and lyricist Stephen Cole who joins me today to talk about his new novel: Mary & Ethel…and Mikey Who? I found it to be a terrific book, both wildly funny and very moving. And as you will hear, at times it feels like Stephen wrote this novel especially for me, and for the fans of this podcast. Stephen Cole is an award-winning musical theatre writer whose shows have been produced from New York City to London to the Middle East and Australia. His off-Broadway musical with Matthew Ward, AFTER THE FAIR, was nominated for the Outer Critic's Circle Award for Best Musical and was subsequently produced in London to great acclaim.THE NIGHT OF THE HUNTER won the prestigious Edward Kleban Award and was produced in New York City, Dallas, and San Francisco, where it was nominated for several Bay Area Theatre Awards. The award-winning 1998 concept CD features Ron Raines, Sally Mayes, and Dorothy Loudon. SATURDAY NIGHT AT GROSSINGER'S has had successful runs in Texas (starring Gavin MacLeod), Los Angeles, and Florida. Broadway legend Chita Rivera toured in CASPER, and Hal Linden and Dee Hoty starred in the world premiere of his musical adaptation of DODSWORTH.In 2005, Stephen was commissioned to write ASPIRE, the first American musical to premiere in the Middle East. This experience resulted in another musical about the creation of that show entitled THE ROAD TO QATAR!, produced to rave reviews and awards Off-Broadway, in London, and at the Edinburgh Festival, garnering a Best Musical nomination. Among his other produced shows are ROCK ODYSSEY, which played to hundreds of thousands of kids for ten seasons of productions at the Adrienne Arscht Center in Miami, and MERMAN'S APPRENTICE, presented in concert at Birdland in New York City, followed by an all-star cast album on Jay Records, and an acclaimed premiere production in Sonoma, CA in 2019. Stephen's latest critically acclaimed musical is GOIN' HOLLYWOOD.Stephen's published books include That Book About That Girl and I Could Have Sung All Night, the Marni Nixon story, currently in development as a feature film from Amazon. Stephen has also written several published stories and his real-life friendships with Ethel Merman and Mary Martin resulted in this, his first novel. Visit www.stephencolewriter.org. Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as Geoffrey Block and Larry Spinelli, whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest today is theatrical animal trainer Bill Berloni. Beginning with the original production of ANNIE in 1977, Bill has provided and trained animals of all species and sizes for 27 Broadway musicals and plays, as well as for countless Off-Broadway shows, National Tours, regional theaters, movies, television shows, commercials and the NYC Ballet – and he found almost all of those animal actors in shelters, humane societies and rescue leagues.  His awards include a 2011 Tony Honor for “Excellence in the Theater”, a 2014 Outer Critics Circle Award for “Special Achievement”, and a 2017 Drama League Award for “Unique Contribution to the Theatre” all in acknowledgment of an incredible Broadway career that has included two revivals of Annie, The Woman In White, Gypsy, Legally Blonde, The Lt of Inishmore, A Christmas Story, and The Ferryman.  Bill recently released a third edition of his book, Broadway Tails: Heartfelt Stories Of Rescued Dogs Who Became Show Biz Superstars. I have to say it’s a surprisingly affecting book, and I was not expecting to be tearing up as many times as I did when I was reading the new edition in preparation for this podcast. Broadway Nation is written and produced by me – David Armstrong. I invite you to follow Broadway Nation on Facebook, Twitter, and Instagram – where you can find out more about my guests and episodes and interact with a large and lively community of Broadway fans. Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as John Schroeder and Alan Brodie whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is Ted Chapin whose captivating 2003 book Everything Was Possible: The Birth of the Musical “Follies,” has recently been reissued in a revised and updated edition.  As you may know, this book is based on Ted’s first-hand experience as the production assistant on the original Broadway production of the Stephen Sondheim, Hal Prince, & James Goldman landmark musical Follies. Of course, the expression, “I just couldn’t put that book down” is a cliché – but in this case, it has been absolutely true – twice! -- both when I read this book when it was originally released, and again just a few weeks ago when I had the great pleasure of diving into it all over again. On last week’s episode, Peter Filichia, talked about wanting to be able to go back in time and be a “fly on the wall” to witness the inner workings of legendary musicals as they were being put together. Ted’s book allows all of us to do exactly that. This book makes you feel as it you are right there in the thick of it during Follies' rehearsal period in New York, and in Boston during its out-of-town tryout’s many trials and tribulations. For 40 years Ted served as the President of The Rodgers & Hammerstein Organization a role that he was personally chosen by the Rodgers and Hammerstein families to take on. On his watch, there were eight Tony Award-winning Best Revivals of musicals in the R&H catalog -- On Your Toes, Carousel, Show Boat, Annie Get Your Gun, South Pacific, The King And I – twice! – and Oklahoma! He also supervised major R&H productions In London, on television, and around the world. And Ted is the co-founder of the acclaimed City Center Encores! series, and he currently serves on the boards of City Center, The Kurt Weil Foundation, and the American Theatre Wing. It is always a delight to speak with him – especially regarding his one-of-a-kind experience of being in the rooms where Follies happened. Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as John Schroeder and Alan Brodie whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the second half of my conversation with author Liza Gennaro, whose fascinating book is titled: Making Broadway Dance.  If you missed part one you may want to catch up on that episode before listening to this one. Liza is currently the Dean of Musical Theater at the Manhattan School of Music and she also has had a very active and successful career as a dancer and choreographer. Interestingly, she is closely related to this subject matter of her book because her father was the Tony Award winning choreographer and star dancer, Peter Gennaro. He is profiled in the book as well as in this episode. By the end of Part 1, we had made it to the late 1940s when Agnes de Mille was dominating the field of Broadway choreography. Between 1943 and 1945, De Mille had four hits in a row – Oklahoma!, One Touch of Venus, Bloomer Girl, and Carousel – and three of them choreographed in her signature “Americana” style. This unprecedented string of successes made her the most powerful choreographer in the commercial theater, and soon led to her becoming the first director-choreographer of the “Golden Age” with Rodgers & Hammerstein’s Allegro. De Mille’s most significant contribution to the Broadway Musical was breaking the mold of the traditional Broadway chorus girl by insisting on hiring actor/dancers who could fully embody the characters that they were playing.  This new approach to Broadway dance, and this new kind of Broadway dancer, would be adopted by everyone who followed in her footsteps – especially Jerome Robbins – who years later would write, “Agnes broke the conception of what the Broadway dancer could be in the Broadway Musical. What they looked like, what was desired of them, and what their contribution to the show was.” And, as you will hear, Robbins took that idea and ran with it, just as De Mille’s “Americana” style was starting to lose its luster. That’s just the beginning Later in the episode Liza and I discuss Michael Kidd, Bob Fosse, Gower Champion, Michael Bennett, Graciela Daniele, Susan Stroman, Kathleen Marshall, Bill T. Jones, Stephen Hoggett, Lorin Latarro, Kelly Devine, Sergio Trujillo, Jerry Mitchell and more! Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as John Schroeder and Alan Brodie whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the first half of my recent conversation with author Liza Gennaro, whose fascinating new book is titled: Making Broadway Dance. Liza is currently the Dean of Musical Theater at the Manhattan School of Music and prior to that she had a very active and successful career as a dancer and choreographer on Broadway and with prominent theater companies across the country. Most notably she choreographed the hit Broadway revival of Frank Loessor’s The Most Happy Fella. As she writes in the introduction to her book, Liza came to her love and interest in musical theater dance genetically. Her father was Peter Gennaro, the Tony Award winning choreographer and star dancer of Broadway musicals and TV variety shows. And her mother, Jean Gennaro, was a ballerina turned Broadway dancer who danced for Bronislava Nijinska, Agnes De Mille, and Michael Kidd.  As you might imagine, Liza grew up immersed in the world of Broadway, and all manner of dance, and she is able to weave all of that life experience into this remarkable book. I can’t think of anyone more uniquely qualified to write it. Appropriately for the final day of Women’s History Month, this episode focuses largely on two great female choreographers -- Katherine Dunham and Agnes de Mille. I have stated that De Mille is arguably the most important woman in the history of Broadway musical – not including the star performers, of course – and she has received quite a bit of focus in previous episodes of this podcast. However, I am especially happy today to shine a spotlight on Katherine Dunham whose influence on Broadway dance – like that of many other black artists – has often been overlooked and undervalued. But her impact and significance cannot be denied.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Why are the great Musicals so unforgettable? Why do musicals have so much power and impact? How is it that they are able to live in our hearts and memories for a lifetime? Musicals are experiences that get embedded in our psyche. We remember them forever -- vividly and in often in great and specific detail. And they get embedded in our emotional and physical memory as well. Our bodies and nervous systems recall how we felt when we experienced them years, even lifetimes later. In this Season One finale Episode Albert Evans and I tell our own stories of when, how, and why we fell in love with Broadway Musicals and suggest why this happens to so many of us. Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as John Schroeder and Alan Brodie whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the second of two special holiday bonus episodes of Broadway Nation. Just like the first, this is an audio version of a Broadway Nation Live! performance that was given in December of 2019 at the Vashon Center For The Performing Arts on Vashon Island, WA. If you prefer to watch a video of this performance you can stream it on their website at: vashoncenterforthearts.org In Part One we looked at how the Jewish-Russian immigrant songwriter, Irving Berlin -- in addition to being one of the prime inventors of the Broadway Musical -- also created an entirely new category of popular song: “the Christmas Standard”. In this episode we explore how Berlin was aided and abetted in that endeavor by the son of Irish and German immigrants from Washington State who became one of the most popular performers of all time -- Bing Crosby. Along with Judy Garland I call Bing one of Broadway’s greatest stars who never appeared on Broadway. But first, we start off with Albert Evans’ amazing in-depth analysis of the genius of Irving Berlin, and the inspiration and craft that is behind the most popular song of all time. As you will remember the last episode ended with me introducing Albert and asking him this question: “Why? Why, is White Christmas the most popular song of all time?” You won’t want to miss his answer! This live show features musical performances by Cayman Ilika, Eric Ankrim, Chris DiStefano, and Albert Evans.   Happy New Year! Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as Larry Spinelli, whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special holiday reprise of one of Broadway Nation's most popular episodes: It's an audio version of a Broadway Nation Live! performance that was presented in December of 2019 at the Vashon Center For The Performing Arts on Vashon Island just outside of Seattle, WA. Several previous episodes of Broadway Nation have explored the crucial role that the Jewish Russian immigrant songwriter, Irving Berlin, played in the invention of the Broadway Musical. This time I share the story of how he also invented an entirely new category of popular song – the Christmas standard.   This live show features musical performances by Cayman Ilika, Eric Ankrim, Chris DiStefano, and Albert Evans.  Happy Holidays! Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as Larry Spinelli, whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the seventh and final episode in my series of conversations with author OLIVER SODEN regarding his recent book: MASQUERADE: THE LIVES OF NOEL COWARD This week we explore the final chapters of both Coward's life and this brilliant biography. Remarkably, during the final decade of his life Coward wrote the book, music & lyrics for two Broadway musicals — SAIL AWAY (starring Elaine Stritch) and THE GIRL WHO CAME TO SUPPER (Starring Jose Ferer & Florence Henderson), and directed HIGH SPIRITS (with book, music & lyrics by Hugh Martin & Timothy Gray and starring Tammy Grimes & Beatrice Lillie) which was based on Coward's play Blithe Spirit. At the same time he enjoyed an extraordinary revival of his status as a playwright of including landmark productions of PRIVATE LIVES and HAY FEVER as the first play by a living author to be presented at the National Theatre, and culminating in a remarkable trio of new plays under the title of SUITE IN THREE KEYS that he wrote and starred in. And I feel certain that you will find Soden's account of Coward's final public appearance, with Marlene Dietrich on his arm, at a special performance of the hit off-Broadway revue Oh, Coward! to be very moving. Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as Mark Stanton, whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week marks the 124th birthday Noel Coward who was born on December 16, 1899, just in time to become, without a doubt, one of the most remarkable figures of the 20th Century. And yes, his parents named him Noel because his birth came so close to Christmas! So it couldn’t be more appropriate that today’s episode is the sixth in series of discussions with Oliver Soden, the author of the truly remarkable new book, Masquerade — The Lives of Noel Coward. Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as Larry Spinelli, whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest again this week is Oliver Soden whose recent book is titled Masquerade – The Lives of Noel Coward. I am devoting more episodes to this book than I have to any previous books, but I found the writing and research to be so exceptional, and this conversation with Soden to be so captivating that I don’t want you to miss any of it. Today Oliver and I focus on a very difficult period in Noel Coward’s career when his was seen to be seriously out of step with the theatrical world of post-war Britain. However, in his personal life during this same time he meets the man who will become his life partner, Graham Payn. If you missed the previous episode in this series you may want to catch up with those before listening to this one. Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as Larry Spinelli, whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the fourth part of my interview with Oliver Soden author of the truly extraordinary new book MASQUERADE — THE LIVES OF NOEL COWARD. In this episode we discuss Noel Coward’s life and career during the late 1930s including his amazingly provocative play DESIGN FOR LIVING and the bisexual love triangle at the center of it, as well as dazzling series of nine one act plays and musicals that make up TONIGHT AT 8:30 in which Coward and Gertrude Lawrence played a dazzling array of characters, and Oliver especially focusses on the surrealistic SHADOW PLAY. Then Soden recounts Cowards secret and dangerous activities during the Second World War working as a spy for the British government — much of which he has uncovered and revealed in his book for the very first time. During this incredibly active period Coward also created the plays PRESENT LAUGHTER and BLYTHE SPIRIT and the classic films IN WHICH WE SERVE and BRIEF ENCOUNTER.  If you missed the first three episodes you may want to catch up with those before embarking on this one. Oliver Sodon is a writer and broadcaster whose previous books include the critically acclaimed 2019 biography of composer Michael Tippett. Oliver’s writing on art, music and literature has appeared in the Guardian, Spectator, London Review of Books, and the Times Literary supplement, and he is a frequent guest speaker on BBC radio and television broadcasts. Coward was without a doubt one of the most remarkable figures of the 20th Century and as you will hear Oliver and I had a great time talking about him. And it will be my pleasure to share that conversation with you over the next several episodes.   Critics have hailed this book and Oliver Soden as “Brilliant,” “Excellent,” “Illuminating,” Captivating,” “Definitive,” “fresh and original…a brilliant young writer,” “and emerging literary star.”  Become a PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club members. If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support!   Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the third part of my interview with Oliver Soden author of the truly extraordinary new book MASQUERADE — THE LIVES OF NOEL COWARD.  In this episode we discuss Noel Coward’s life and career during the 1930s including what has become his most produced play Private Lives, his spectacular patriotic anti-war pageant Cavalcade, and his final musical revue, Words And Music (which was titled Set To Music on Broadway.) And most especially his relationship with the great Gertrude Lawrence. If you missed the first two episodes you may want to catch up with those before embarking on this one. Oliver Sodon is a writer and broadcaster whose previous books include the critically acclaimed 2019 biography of composer Michael Tippett. Oliver’s writing on art, music and literature has appeared in the Guardian, Spectator, London Review of Books, and the Times Literary supplement, and he is a frequent guest speaker on BBC radio and television broadcasts. Noel Coward was without a doubt one of the most remarkable figures of the 20th Century and as you will hear Oliver and I had a great time talking about him. And it will be my pleasure to share that conversation with you over the next several episodes.    Become a PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club members. If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello Broadway Nation listeners! This week for the first time in more than 126 episodes some unforeseen technical complications have reared their ugly heads and those, on top of the tech rehearsals for the upcoming production of White Christmas that I am co-directing at Seattle’s 5th Avenue Theatre, and some important deadlines for my upcoming book, have all come together and kept me from posting a new episode of this podcast as planned. This is especially frustrating to me because we are in the middle of what I think is a fantastic series of episodes about Oliver Soden’s new biography of Noel Coward which I promise we will get back to as soon as possible! In the meantime, here is another of my favorite episodes Gypsy vs The Sound Of Music in The Golden Age Of Broadway which I thought would be appropriate since the The Sound Of Music opened on November 16, 1959, 63 years ago this week. Enjoy! The 1950s were crowned by four legendary musicals that went head to head for the “Best Musical” prize at the TONY Awards. In the last episode we looked at the 1958 contest of West Side Story vs. The Music Man,. In this episode I focus on the 1959–1960 which brought us Gypsy vs. The Sound Of Music. And you could subtitle this episode Ethel Merman vs. Mary Martin! Spoiler alert: There was a tie for the Best Musical Tony Award that season, but if you don’t already know the story, it probably didn’t end up the way you think it would have. As with the previous pair, there are still Broadway mavens that remain outraged over which show won, and which musical was in their view unjustly denied its rightful award! And in addition to Merman and Martin, the giants of Broadway that are figure significantly in this episode include: David Merrick, Leland Hayward,, July Styne, Stephen Sondheim, Arthur Laurents, Jerome Robbins, Joe Layton and, of course, Rodgers & Hammerstein, WARNING:: There are a few historically correct curse words used in this episode. You know how theater people are! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special encore episode of Broadway Nation. In light of the recent revisal of Rodgers & Hart's musical comedy Pal Joey at New York's City Center I thought it would be interesting to revisit one of my favorite episodes. I’ll be back next week with the third part of my conversation with Oliver Soden regarding his amazing new biography of Noel Coward. In the meantime please enjoy Pal Joey and the Silver Age of Broadway, part 2: During the 1930s Broadway was severely impacted by the economic disaster of the "Great Depression". However, somehow out of all that hardship and struggle came an extraordinary period of artistic achievement and spectacular continuing development for the Broadway Musical. The inventors of these shows included several new and defining masters of the musical, as well as many of the bright lights of the 1920’s, who now achieved their full wattage in the 1930’s. Among these were Dietz & Schwartz., Lindsay & Crouse, Cole Porter, Rodgers & Hart, The Gershwins, and George "Mr" Abbott. Become a PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club members! If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest again this week is Oliver Soden, author of the amazing new biography: Masquerade — The Lives of Noel Coward. Today in the second part of our conversation Oliver relates how Noel Coward, while still in his early 20s, emerged as one of the signature voices of the 1920s, both in London and on Broadway. If you missed part one of our conversation you may want to catch up with that before listening to this one.  Oliver Sodon is a writer and broadcaster whose previous books include the critically acclaimed 2019 biography of composer Michael Tippett. Oliver’s writing on art, music and literature has appeared in the Guardian, Spectator, London Review of Books, and the Times Literary supplement, and he is a frequent guest speaker on BBC radio and television broadcasts. Coward was without a doubt one of the most remarkable figures of the 20th Century and as you will hear Oliver and I had a great time talking about him. And it will be my pleasure to share that conversation with you over the next several episodes.   Become a PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club members! If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices