Michael Shannon is known for his intense and versatile performances across film, television, and theater—“Take Shelter,” “99 Homes,” “Nocturnal Animals,” “Boardwalk Empire,” “Long Days Journey Into Night,” “George and Tammy,” to name just a few. On this episode, he talks about his “simplistic” approach to preparation, the test he gives directors to see if he can trust them, the importance of “disappearing,” why he no longer likes to do endless takes, and much more. Plus he discusses his love for George Mackay, who plays “Son” to Shannon’s “Father” in “The End,” Joshua Oppenheimer’s post-apocalyptic musical which opens in select theaters December 6th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

In this time of the year when traditions give us a sense of comfort and repetition that we need, especially in these volatile times, Back To One has a tradition of its own—the annual Kevin Corrigan episode! The patron saint of the indie film actor was the first guest on this podcast and he has returned every year since, telling hilarious stories from his adventures in the acting world, waxing about Brando, Walken, Scorsese, expounding on music, philosophizing about life in general—these episodes have become listener favorites. In this installment, Corrigan talks about shooting a scene recently where his emotions were almost too much at his finger tips, shares the awe and pride he felt working for his old friend Natasha Lyonne, and the similar feeling of working for his Daughter in a film she directed. Plus he brings back the Moss Hart story he told in a previous episode, but this time movingly reads it in Hart’s words, and much much more. Past Kevin Corrigan Episodes: Ep. 1, Ep. 67, Ep. 133, Ep.185 Ep. 234 Ep. 268 Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

As an actor, Peter Vack is known for his work in television series such as “I Just Want My Pants Back (series lead),” “Mozart In The Jungle,” and “Love Life,” and recent independent films like “PVT Chat,” Eugene Kotlyarenko’s “The Code” and his virtuoso turn as an evil version of “Peter Vack” in “Actors” (written, directed, and co-staring his sister Betsey Brown). As a filmmaker, he has gotten a reputation for demanding an “all in” approach from his performers. His first feature, “Assholes” (called “the most disgusting movie ever”), won a jury prize at SXSW, and his latest, “www.RachelOrmont.com,” described as a “psychedelic techno-satire about growing up in captivity,” just premiered in September and is already on the fast track toward “cult hit” status. On this episode, he describes his belief that an actor has to develop a pure, almost religious faith in their ability, fueled by positivity and joy. He explains why “intellectual homework” doesn’t help him at all anymore, how incorporating a “toxic method” approach when playing a toxic “method actor” actually worked for him, what being “a player on the field” and “embodying the energy” mean for him as a director, why the best practice an actor can do is actually outside the work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram (Photo by  Marcus Maddox)

Jack Dunphy is a writer, filmmaker, animator, actor and podcaster. His shorts have played in festivals around the world and his latest, “Bob’s Funeral,” won Best Nonfiction Short Film at the 2024 Sundance Film Festival. As an actor, he starred in Peter Vack’s “Assholes” and Caveh Zahedi’s legendary, unfinished, 24-hour retelling of Joyce’s “Ulysses.” He can soon be seen in “Paradise and Lunch,” the new film from Jordan Tetwesky and Joshua Pikovsky, and "Anything That Moves” from Alex Phillips. His wonderful new podcast, “Revelations with Jack Dunphy,” in which he talks about his struggles with addiction and mental illness with fellow artists, is out now on the Talkhouse network. Even though he draws on his real life so much in his work, Jack talks about his difficulty with playing a version of himself. He explains why authenticity shouldn’t be a brand but a necessity, what it means to be a “three chord” actor, how fame would negatively impact his addiction management, and much more. Listen to "Revelations with Jack Dunphy" here. It's fast becoming one of my favorite podcasts.  Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Jaclyn Bethany is an Emmy award winning filmmaker, writer and actor based in New Orleans, Louisiana. She has been committed to creating art and telling stories exploring complex women, the intimacy of female friendship, sisterhood and queerness from the female perspective. Some upcoming film projects include "Delusion “- a short film in collaboration with Adult Film NYC, “In Transit,” written by Alex Sarrigeorgiou and featuring Jennifer Ehle and Francois Arnaud, and “All Five Eyes,” which she co-wrote with Greta Bellamacina, featuring Bellamacina and Honor Swinton-Byrne. In this episode she talks about her role as the Co-Artistic Director of The Fire Weeds, a female driven immersive theater company based in New Orleans, and her endeavor to present new theater, and new approaches to old theater, in a place where “new” takes some getting used to. She also discusses what she learned as an actor that helps her directing, why she’s so fascinated by Tennessee Williams, the importance of a “child-like” approach to the work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Daisy Ridley shot to global fame for her portrayal of Rey in the “Star Wars” sequel trilogy. Since then, she has been choosing diverse roles that showcase her talents in films with wide ranging budgets that prove her north star is the quality of the work and nothing else. She has three films that have come out in this year alone—“Sometimes I think About Dying,” “Young Woman and The Sea”, and her latest, “Magpie.” On this episode, she explains how coming up with the idea for “Magpie” and building her character from the ground up was an interesting exercise in multiple ways. She makes a compelling case for why not all actors can be objective enough to give notes on a film, talks about the ways her process changes when she has to do an accent, ponders the healthy amount of worry and uncertainty that surround her return to the character of Rey, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Actor, director, coach, teacher, Maria Dizzia is a perpetual student of the craft of acting, which makes her celebrated and in-demand for all those jobs. The movie “My Old  Ass” and the play “Pre-Existing Condition” are a couple of her most recent projects. On this incredibly dense and gold-filled  episode, she generously gives us a peek into the aspects of the work that she deems important to focus on, worth struggling with, or where she simply finds the most fruit. She talks about the huge importance of those first subconscious “offerings,” how to use the discoveries made when “alive” to fuel the work in times when you’re not, learning gentleness is much more affective than being hard on yourself, the value of “I don’t know,”  and much much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

“There are practical paths and intuitive paths with each character,” says Cory Michael Smith at the start of this episode, and it’s a recurring theme throughout. The talented actor was Riddler on the series “Gotham,” a standout in three Todd Haynes films, and now plays Chevy Chase in "Saturday Night.” On this episode he details the careful process of studying Chevy clips for months before diving into the script. He talks about the importance of “ridding myself of any hint of fraudulence,” why it’s so important for him to show up with lots of ideas, how being intentional with his career choices allows him to better serve the work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Michael Urie is one of those mega-talented actors who seems to jump effortlessly from theater (like "Torch Song," "Spamalot," and, currently, the revival of "Once Upon A Mattress") to television (like "Ugly Betty," "Younger," and, currently, "Shrinking"), with a genuine love for both. On this episode, he talks in-depth about his acting process with a humility and a humor that is infectious. He explains why he decided to always be off-book on day one, how he came to believe in himself as an actor after starting out wanting to be a director, tells an interesting story about the temptation to mold a joke based on the audience’s response, lays out what makes "Shrinking" such a special show, reminisces on the "Hamlet" experience, takes us through his pre-show ritual, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Straddling the line between outsider artist and full fledged Hollywood sellout, Will Janowitz has always found solace working both sides of the industry. With work ranging from Troma films to Ang Lee's “Taking Woodstock” to “The Sopranos,” he’s made a career of always doing the unpredictable. This year two films he produced, and one he wrote, will make their festival run; “Bang Bang” starring Tim Blake Nelson and the later, “Train Dreams,” starring Joel Edgerton and Felicity Jones directed by Clint Bently. On this episode he talks about his improvisational sweet spot and how it rests in the heart of danger and risk, brings us back to his beginnings at UNCSA and the reasons why that school didn’t work so well for him, charts his own journey discovering his way into the craft, tells some hilarious and relatable audition stories, plus an eye opening one from the other side of the table, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

His breakout role in Netflix’s “Outer Banks” catapulted Chase Stokes to fame. In the series, he portrays the charismatic and determined John B, the leader of a group of young outcasts on a treasure hunt in the Outer Banks of North Carolina. The show’s blend of adventure, mystery, and coming-of-age drama quickly gained a massive fanbase, establishing Stokes as a rising star. Since then he’s been in “Tell Me Your Secrets,” this year’s “The Uglies,” opposite Joey King, and next year’s “Valiant One,” not to mention Season 4 of “Outer Banks,” which is dropping in October. On this episode, he tells the story of his struggle to break in to the business. It’s an epic, sometimes hilarious, saga of “failing forward,” an inspiring tale of determination and perseverance. He talks about why his process starts with “the newspaper read,” the importance of the “f*ck it” mindset, how Nick Cassavetes made him fall in love with making movies, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

The mega-talented Canadian multi-hyphenate Grace Glowicki gives an incredible performance in Mary Dauterman’s debut feature “Booger.” On this episode, she reveals why she was interested in the project before even opening the script, and how she could just tell Dauterman was going to be the kind of director that would give her the support she needs. She talks about her current focus on examining issues dealing with authority, her love of bodily fluids in film, her struggle with emotional scenes, how directing herself as an actor actually helped her acting career, differences between the Canadian and American indie film scene, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Odessa Young is only 26, but she already has a truly impressive body of work behind her. “Assassination Nation,” “A Million Little Pieces,” “Shirley,” “Mothering Sunday,” “The Stand,” “The Staircase,” “Manodrome,” in each of these projects, she seems to have an effortless command over her character, each unique, never forced, always true. Now she stars as Vita, the lead character based on Zia Anger in “My First Film.” On this episode, she talks about the need to “cultivate an obsession” as character preparation, recent musings on “how much an actor should act to the camera,” why she never worries about being misinterpreted, the importance of “kindredness with creators,” and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

To be a standout on a show featuring Jason Segel and Harrison Ford is quite a feat, but that’s exactly what Luke Tennie did in his breakthrough role as Sean in the hit Apple TV+ series “Shrinking.” On this episode, the seemingly effortlessly-talented young actor takes us back to his early days and details how football played a pivotal part in helping him with the disciplines required for acting. He explains his belief that there can be no real “play” without massive preparation; talks about coming to a place of understanding that auditioning is simply a “demonstration of my capabilities;” tells a hilarious story about his first job, working with Rob Reiner, which ends up being a lesson in letting go, plus much more. The second season of “Shrinking” is dropping this fall and Tennie also has a small part in the eagerly anticipated film “Nickel Boys” which is scheduled to be released on October 25th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

He was in “The OA,” “The Marvelous Mrs. Maisel,” and played Roy Cohn in “Fellow Travelers,” but the stage is where Will Brill has found the most satisfaction and success recently, in “A Case For The Existence of God,” “Uncle Vanya,” and, just this year, as Reg in “Stereophonic” on Broadway, for which he received a Tony Award. On this episode he talks about building Reg by starting with his voice, why following playwright David Adjmi to a bar was a pivotal move, the importance of directorial affirmation, how his pre-show ritual has changed, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

He was a model and MTV VJ, and then Simon Rex transitioned to acting, becoming widely recognized for his comedic roles in the "Scary Movie" franchise, where his sharp timing and parody skills made him a fan favorite. But more substantial parts were on the horizon. On this episode, he talks about the job that changed everything, Sean Baker’s *Red Rocket,” which won him wide acclaim, an Independent Spirt Award, and a fresh chapter in his career. He talks about the interesting new place he finds himself now at the intersection of “not caring and caring SO MUCH.” He explains what he had to do to feel confident playing a chef in Zoë Kravitz’s directorial debut “Blink Twice,” learning that “to simply par the course” is enough, and sometimes “you don’t have to slap the fish.” Plus much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Marianne Rendón’s performance in “Summer Solstice,” Noah Schamus’ “modern twist on the buddy comedy from a queer and trans perspective,” is special in such a rare way that makes shinning a light on it actually detrimental to its effect on the new viewer. Its revelations are small and imbedded in the nuances of the character. It’s how they seem rooted and not created, “lived” and not “played,” that make them extraordinary. On this episode, Rendón takes us back to her training, and how being fed great experimental theater before the classics resulted in a kind of “reverse engineering” of her foundation. She details the effort it took to let go of a quality she used to think was her only real strength. She talks about the importance of “cluing into the rhythm of the writer,” dipping back into asking sensory questions through “method” (in its true meaning) approaches, working with “the texture” of life, “living on camera,” how “space informs everything,” and much more. “Summer Solstice” is available to stream on August 16th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Still in his early career, Dylan Arnold has already built  a diverse catalog of roles, including a breakout one in season three of Netflix’s “You,” reprising a fan-favorite for the “Halloween” franchise in “Halloween Kills,” and last year, of course, playing Frank Oppenheimer, holding much more than his own, opposite Oscar winner Cillian Murphy. Now he goes a good bit darker in Alma Har’el’s Apple TV+ series “The Lady In The Lake.” On this episode, he talks about the differences between these two incredible actor’s directors, Har’el and Christopher Nolan, and what works best for him. He explains the importance of holding back from making choices too early in preparation, why you should approach with caution anything discovered in rehearsal, learning that “things that scare me can yield exciting results,” and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

David Garelik was in Trey Edward Shults’ “Waves,” Peter Berg’s “Mile 22,” and recently finished a run of an Off-Broadway 2-hander at the WP Theater, co-produced with Colt Coeur. Now you can see him as the bad guy/enucleator, opposite Liana Liberato, on this season of “Criminal Minds: Evolution” on Paramount+. On this epic episode, he recounts his journey from moving to New York with zero acting experience and “being a bad auditioner”, to making naivety work for him and “changing the game” by refusing to play it. It’s a story of perseverance, endurance, and growth, fueled by focus on the work, Conor McGregor quotes, and an unwavering belief in himself as an actor, told with bold rawness and refreshing honesty, sure to inspire. Currently, Garelik teaches Sensory Based Acting Process and Dramatic Improv at adultfilm.nyc  Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Jimmy Tatro is an actor, director, writer, and comedian best known for the popular YouTube channel he created over a decade ago, "LifeAccordingToJimmy." His career expanded into the mainstream with roles in movies like "22 Jump Street" and the Netflix series "American Vandal,” all while he continued to expand the content on his channel. His latest project is "The Real Bros of Simi Valley: The Movie," a continuation of his popular mock-reality show web series. The film delves deeper into the absurd lives of friends navigating the quirks of suburban Southern California while preparing for their high school reunion. Tatro’s talent for blending satire with genuine character development makes this hilarious comedy a surprising stand-out. On this episode, he takes us back to the beginning and details how he started forming his particular brand of humor and brings us all the way up to the making of this film. He talks about what it took to keep the channel successful, the benefits of collaboration, the production conundrum that birthed the “Real Bros,” the frustrations that continued despite popularity, learning how the tone is matched in the edit, realizing that "people don’t believe you can do something until you do it,” and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Y’lan Noel played Daniel in the HBO series “Insecure" and starred in “The First Purge,” now he plays Officer Platt in “Lady in The Lake,” Alma Har’el’s eagerly anticipated new series for Apple TV+ that drops on July 19th. On this episode, he discusses his unique approach to the work, which starts with, and centers on, daydreaming and the avoidance of aiming to do “the right thing.” He talks about allowing for “an energy that’s not me to make certain decisions;” the importance of solitude, space, stillness; how Har’el’s willingness to leave room for the mystical served his process; and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  This is the 300th episode! If you are enjoying this podcast, please leave a review and share it with someone who might enjoy it as well.  Follow Back To One on Instagram

After early success opposite Kirsten Dunst in Lifetime’s “Fifteen and Pregnant,” and as Jasper on the CW’s reboot of “90210,” Zachary Ray Sherman has gone on to build an impressive acting resume balancing television work (Hulu’s “Under the Banner of Heaven”) with edgy, transformative roles in independent films (“Cuck”; “Can’t Seem to Make You Mine,” opposite Lindsay Burdge; and “A Desert,” which just premiered at the Tribeca Festival, to name a few). On this episode, he talks about why it all starts with building trust with his collaborators early, the semi-mystical process of aligning his heart with the character’s heart, the importance of risking failure, how physical transformation helps, and he highlights an example of creating backstory that paid dividends in establishing emotional connection. Plus much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

In the midst of a successful modeling career a decade ago, Abbey Lee’s chance to break into acting came with “Mad Max Fury Road.” That challenging shoot was the first of many she faced with relish. A scene-stealing role in “The Neon Demon” followed, then M. Night Shyamalan’s “Old,” “Lovecraft County,” and “Florida Man,” to name a few, and now she stars opposite Kevin Costner in his 2-part western epic “Horizon: An American Saga” (in theaters now). On this episode, she talks about letting the character find her, the importance of staying malleable, using everything that happens as fuel for the work, and much much more. The second part of “Horizon” opens on August 16th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

There are few actors more well respected than the preternaturally gifted Julianne Nicholson. Recent notable credits include “August: Osage County,” “Dream Scenario,” “Mare of Easttown” (which won her an Emmy award), and her latest, playwright Annie Baker’s first film, “Janet Planet.” In this episode, she talks in-depth about playing Janet in that remarkable film, her elusive preparation process, getting the environment to settle into her body, actually learning how to do acupuncture, why she lets her instinct lead the way, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

John Early is an actor, comedian, writer, and wearer of many hats. His latest as a comedian and writer is the HBO special “Now More Than Ever.” His latest as an actor is the independent film “Stress Positions.” On this episode he talks about how these two projects came about, the differences between the John Early character and himself, the pleasure of working on the series "Search Party," why he relishes straight-up acting, the comedy breakthrough he made in his new special, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

When you look at the illustrious career of Clive Owen, you see choices made based on the depth of the roles (“Closer,” “Children of Men,” “Hemingway and Gellhorn,” “The Knick”), not on trajectory or star power. His two latest projects, “Monsieur Spade” and “A Murder At The End of The World,” are quality television series where he’s able to settle in and deliver the grounded, nuanced work we’ve come to expect from him. On this episode, he explains why he needs time to prepare a role, and the “marination” process that is required. He talks about the qualities found in his favorite co-stars, the “heaven” of Soderbergh’s “concentrated” sets, how Bogart’s voice helped him play Spade, why he calls himself a “logic monster,” and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Betsy Aidem has been in over 80 plays, off Broadway, on Broadway, and around the world. Recent titles of note: “All The Way,” where she played Lady Bird Johnson, “Mama’s Boy,” where she played Lee Harvey Oswald’s mother, Tom Stoppard’s “Leopoldstadt,” and “Prayer For The French Republic,” for which she is nominated for her first Tony Award. On this gold-filled episode, she talks about her love of extensive research, why she doesn’t think the people she plays are just one person, the “golden moment when your character is unsure,” the importance of a director’s patience and willingness to let her swerve off course, and why she believes the prize is always in the work, plus much much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Molly Gordon makes everything better. She was a stand-out among stand-outs in films like “Good Boys,” “Booksmart,” and “Shiva Baby.” Then she showed her talents on the other side of the camera, co-writing/directing the hilarious indie hit “Theater Camp.” Now she plays Claire on the beloved series “The Bear,” which is about to drop its third season. On this episode she talks about why she loves improv, how her parents unintentionally formed her comedy sensibilities, getting “buzzed” from in-person auditions, “locking in” with Jeremy Allen White, why she’s always aspiring to a child-like lack of self consciousness, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram (Photo by Elias Tahan)

She was on “Game of Thrones” when she was a child, but Nell Tiger Free hit her stride in the M. Night Shyamalan series “Servant,” and now her absolutely incredible performance in the hit horror film “The First Omen” has solidified her as one of the great young actors working today. On this episode, she discusses her ‘total non-process’ process, which means every aspect of her work takes place between “action” and “cut” and literally nowhere else. She talks about why she only reads the script once, finds all backstory that isn’t on the page “cringe,” doesn’t like to rehearse at all, is at the complete service of the director, and strives for total emersion in the moment. It’s a fascinating and inspiring approach that could easily be misconstrued as carless if it didn’t yield indisputably astonishing results. “The First Omen” begins streaming on Hulu May 30th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Since he was last on the podcast (Ep. 112), Tom Pelphrey has been nominated for an Emmy for his work on “Ozark,” he’s had juicy roles on "Outer Range” and David E. Kelly’s “Love and Death,” and now Kelly has given Pelphrey perhaps his most exciting role to date in the character of Raymond Peepgrass in Netflix’s “A Man In Full.” On this episode, Pelphrey takes us deep into his work on that limited series. He talks about why a good costumer designer is an actor’s best friend, what made him feel free to go “full weird” with Regina King, the importance of being an advocate for your character, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram (Photo by: Skylar Reeves)

Over the past year and a half, no actor in any medium has given me more inspiration through their work than Mia Vallet. As a company member and frequent performer at the exciting NYC “loft theaters” Adult Film and The Brooklyn Center for Theatre Research, she continues to show the thrilling possibilities for this craft of acting, culminating in her performance as Nina in “Sea Gull,” Adult Film’s new version of Chekov’s masterpiece, opening on Friday May 10th in Manhattan. On this episode, she talks about her training at the University of North Carolina School of the Arts and early success in the business, the setback in her personal life that threw her off course but set the stage for true fulfillment in the work, why daring actors inspire her, the importance of trusting a director, why she loves rehearsal, loves Chekhov, doesn’t shy away from the highly emotional material, is inspired by the remarkable resilience of actors, and much much more. "Sea Gull" Info and Tickets  Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram  

Judy Reyes is best known for playing Carla on the TV series “Scrubs,” but her nearly three-decades-long career is packed with roles on long-running shows like “Devious Maids,” and in movies like “Birth/Rebirth,” for which she was nominated for an Independent Spirit Award for Best Actress. Her latest is Hannah Marx’s highly anticipated screen version of John Green’s celebrated novel “Turtles All The Way Down” (coming to MAX on May 2nd). On this episode, she takes us back to the beginning—her “dramatic” childhood household serving as a form of acting training, defying her mother when she wanted to actually be an actor, and the support she found at the legendary LAByrinth Theater. She tells us why journaling as the character is her first step inside, how one recent role allowed her to show the fullness of her range, why simply being a latino artist is not enough, and much much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

As a working actor, Ryan Czerwonko’s credits include “The Endgame,” “Chicago Med,” “Chicago Fire,” “Cherry,” “Paint,” and “Watchmen,” to name a few. He’s also the artistic director of Adult Film, an exciting Brooklyn theater and film group where he acts, directs, and teaches. His latest project is a year-long exploration of Chekhov’s “Sea Gull” that will culminate in a limited engagement in Manhattan in May and a documentary on the whole process. On this episode, he explains why Chekhov is so important to him and what he set out to do with this ambitious endeavor. He gives us a deep dive into his very specific preparation process and takes us through the various techniques and approaches he has collected and adapted for his own use and combined into a curriculum for his students. He uses his recent time on the set of a movie as an example of being in the present moment and using your current thoughts and feelings as the driving force of your work, which is a major tenet of his approach. He explains why Stella Adler and Nikos Psacharopoulos are so influential to him, why tension is good, “acting” is bad, how he learned to stop worrying and focus on the work, and much much more. "Sea Gull" Info and Tickets  Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram (Photo by Matt Street)

Dylan Baker is the definition of a consummate actor. For over three decades he has delivered so many incredible performances in series like “The Good Wife,” “Damages,” “Hunters,” films like “Happiness,” “Selma,” “Spider-Man 2”, and his latest, “LaRoy, Texas”, where he plays a professional killer. He talks about his approach toward playing despicable people, some who other actor’s wouldn’t touch. He takes us back to his beginnings, and the acting instruction that changed his work and which he still uses today. He tells a story about how the legendary theater director Nikos Psacharopoulos had a big impact on his early career,  talks about the excitement of working on ultra independent films like Onur Tukel’s “The Misogynists,” explains why minimal direction works so powerfully for him, gives us a run down of his pre-curtain ritual, and much much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

His work in series like “Grey’s Anatomy,” “13 Reasons Why,” and “This Is Us,” has established Brandon Scott as a captivatingly talented actor. His latest is the new MAX series “The Girls on the Bus,” where he plays the jilted ex-lover of Melissa Benoist’s journalist character, who now needs his help because he's the new press secretary to the leading Presidential candidate. He talks about the process of building connection between two people that are supposed to have a past, and how sometimes that can be done in simple ways. He describes the impact Christina Applegate and Linda Cardellini had on developing his sense of play while shooting “Dead To Me,” explains why directors showing “collaborative curiosity” is so helpful, why his process starts with stress and fear, plus much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Colin Burgess and Anthony Oberbeck star in “Dad & Step-Dad,” a indie comedy film they co-wrote with director Tynan DeLong. It follows Jim and Dave, a dad and a step-dad, as they struggle with bonding during a weekend upstate with Branson, the 13 year-old son they share. It’s about family, communication, insecurity, and the fragility of the male ego. On this episode, Burgess and Oberbeck describe the development of their comedy tastes and take us back to the improvised shorts that preceded the feature, where they were able to hone their characters and comedic sensibility before growing the project to feature-length. They talk about the decision to “not do jokes,” the importance of silence in comedy, the influence of Fredrick Wiseman, the similarities with the other comedy starring Colin Burgess that’s out now—“Free Time,” and much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

You know the gifted actor George MacKay from films like “1917” or “True History of The Kelly Gang.” Now he has given us two absolutely incredible performances in “Femme” (in select theaters now) and “The Beast” (out on April 5th). On this episode, he takes us into his process of inhabiting these two extremely different characters. He explains why context is becoming more and more important to him in his preparation, talks about the actor as storyteller, the secret to appearing truly menacing, those sex scenes in “Femme,” a lesson about respect that he learned from Eddie Marsan, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Lukas Gage is on a roll. In shows like “The White Lotus,” “Euphoria,” “You,” and the latest season of “Fargo,” films like “How to Blow Up a Pipeline,” “Down Low” (which he also co-wrote), and now the eagerly anticipated “Road House” reboot, he’s been able to display his immense talent and range. He’s even played himself in “Gossip Girl” and “The Other Two.” On this episode, he explains how sometimes doing the opposite of what’s described is beneficial in an audition, why over-directing doesn’t work for him, the importance of creativity for the actor, how he arrived at his current state of not caring about how he’s perceived and only focusing on the work, plus much much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

The Brooklyn-based actor Anastasia Olowin stars in Shaun Seneviratne’s “Ben and Suzanne, A Reunion in 4 Parts,” which just had its world premiere at the SXSW Film Festival. She has such a command of the screen and brings so much life to her character, it’s hard to believe this is her first feature film. On this episode, she takes us back to her training at NYU’s Experimental Theater Wing, her 8 years producing and acting in new work for the stage, and the 10 year journey to bring “Ben and Suzanne” to the screen. She talks about the collaborative process at the heart of the production, her fascination with various kinds of stories, what it means to be a “how” not “why” actor, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

As an actor, Hugo De Sousa had breakout leading roles in “We Used to Know Each Other,” “Mister Limbo,” and “Everything in The End.” I was introduced to his work as an actor/filmmaker, with the celebrated shorts he made in collaboration with Frank Mosley—“The Event” and “Good Condition.” On this episode he talks extensively about the making of those films, and his latest, which might be of particular, cathartic interest to listeners of this podcast, the absurdist short “Je Ne Suis Pas Une Star De Cinéma.” Plus he discusses the importance of feeling “out of balance in front of the camera,” why he likes to absorb challenges on set, how independent cinema is “like robbing a bank,” and much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

“Heartbreak Ridge” put him on the map as an actor, “New Jack City” as a director, and with “Posse,” the 1993 hit Western he directed and stars in, Mario Van Peebles secured his place as a celebrated actor/director with countless credits, over the next 30 years, on the big and small screen. His latest is another star-filled, super fun western called “Outlaw Posse.” On this episode, he talks about the importance of discovering the tone of the project, how his love of learning leads to his desire to make “edutainment,” ways his acting experience informs his work as a director, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

John Magaro has been delivering consistently stellar performances in films like “Not Fade Away,” “The Big Short,” “Carol,” “First Cow,” and “Showing Up,” to name a few. This past year he played Arthur, husband of Greta Lee’s character Nora, in “Past Lives.” On this episode he talks, spoiler-free, about the last scene of that film, and why it makes people emotional. He explains how receiving books, music, photos from directors helps in his preparation. He makes the case for experience over academia, takes us back to a big breakthrough that came to him from the legendary acting teacher Howard Guskin, and talks about how newfound freedom in the work has changed everything. Plus much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Leah McKendrick wrote, directed, and stars in the hilarious, super smart, and intensely personal new film “Scrambled.” It’s about a perpetual bridesmaid who, realizing she isn’t quite willing or able to settle down, decides to freeze her eggs. McKendrick doesn’t shy away from depicting her character’s sex life, the frustrations involving family and friends, and the true loneliness that enveloped her when she decided to do the same procedure in real life. It’s that rare film that will have you belly laughing one minute and crying hard the next. On this episode, we find out what elements were at play to make this little miracle of a movie come to life. She talks about how hitting rock bottom when her studio screenwriting work just evaporated into thin air one day, after years of commitment, led to a desire to get back to making her own films; why it’s always advisable to hire your talented actor friends, even for the tiniest roles; what it took to finally stop worrying if her performance was coming across on the screen; the extent to which she had to fight to stay true to her own vision, and much more! This is a truly inspirational episode for anyone who seeks to make, and act in, their own films. "Scrambled" is in theaters now. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Mia McKenna-Bruce is an English actress. Her performance in the film “How To Have Sex” is, rightfully, being spoken about with many superlatives. Subtle, controlled, thoroughly alive, deeply impacting, it is a star-making turn. There’s a scene where her character, Tara, is simply walking down the street, and it’s something of a revelation. It won her the BIFA for Best Lead Performance. On this episode, she breaks down the ingredients that helped her deliver this work—an extensive audition process to find her co-stars that allowed her time to play; complete trust in the director, Molly Manning Walker, and everyone on the crew; a feeling of total ownership of the character;  a “360 set” that allowed for full emersion into Tara’s world, a sense of obligation to “get this right” for everyone it will impact, and much more. “How To Have Sex” is out in limited release. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Sallieu Sesay is a Sierra Leonean-American actor who has had recurring roles on CBS’ “Seal Team” and HBO’s “Barry,” and, in his latest, delivers an incredible supporting performance in John Trengove's nihilistic thriller “Manodrome,” alongside Jesse Eisenberg. On this episode he talks about doing tons of research before taking on that part, having so little in common with the character, and facing the pressure of being at the center of a movie’s most pivotal scene. He gives us a glimpse at his dedication to this craft, his continuous training with some of the best acting teachers around such as Ivana Chubbuck, how substitution plays a part in his preparation, the significance of journaling, why empathy and curiosity are two important words for the actor, what “it’s all about trusting the work” really means, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Jack Huston has worked with Scorsese, Ridley Scott, David O’ Russell, The Coens, had meaty roles on series like “Mayfair Witches,” “Fargo,” and, maybe most notably, “Boardwalk Empire,” where he played Richard Harrow. His latest project is Lulu Wang’s Amazon series “Expats.” On this episode he talks about gaining 30 pounds for that part (which wasn’t as much fun as it sounds), why it all starts with the voice for him, writing and directing his passion project “The Day of The Fight” for Michael Pitt and Joe Pesci, and he reveals a common trait of all great directors he’s known. Plus we discuss the current state of Independent Film, what we think should change, and much more. “Expats” streams on Amazon Prime starting January 25th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

You know Spenser Granese from memorable roles on “Better Call Saul,” “Fear of the Walking Dead,” “Pam & Tommy,” and, perhaps most memorably, the character of Bevel in the final season of “Barry.” On this episode, he talks about landing that role after trying hard to get on the show for 3 seasons, and the incredible working environment he found on set. He opens up about his unique approach to the craft having no formal training, why he keeps the lines barely memorized, avoids expectations, operates on his instinct, and much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Discovering Michelle Monaghan in “Kiss Kiss Bang Bang” was like finding evidence that the old school Hollywood comedy actress gene, long thought extinct, was alive and well. She did more than hold her own opposite Robert Downey Jr. and Val Kilmer, she stole the movie. I’ve been rooting for her ever since. A few “Mission Impossibles,” “Gone Baby Gone,” “True Detective” followed, as well as some significant work in small indies like “Trucker,” “Fort Bliss,” and “Nanny.” She returns to comedy with her latest, “The Family Plan,” which is streaming now on Apple TV+. On this episode, she talks about how her deep desire to be a journalist is actually still playing out in her career, why a good vocabulary is the best trait for a director, what precipitates the necessity to protect the arc of her character and how she does it, plus much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Melora Hardin is best known for playing Jan on the American version of “The Office.” She was nominated for an Emmy for her work on the series “Transparent.” Recently she stepped back into the role of Trudy Monk for “Mr. Monk’s Last Case: A Monk Movie,” which is streaming now on Peacock. On this episode, she talks about bringing the character Mabel Montgomery-Mayflower to life in the new independent film “Golden Vanity,” and how the perfect combination of director’s vision and true collaboration helped her deliver that tour-de-force performance. She takes us back to her early days as a child actor, lessons learned while getting 10,000 hours of experience before her 18th birthday, tells an incredible story about Stella Adler, and a touching one about Gene Hackman, plus much much more. “Golden Vanity” is playing at the Cinelounge Sunset in Los Angeles through December 17th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram