In mid-November, Washington and Beijing mutually agreed to start granting journalist visas again, putting an end to months of reciprocal visa rejections and denials. A perhaps minor, yet still important, thawing among grander narratives of decoupling and worsening relations between the two countries. Cheng Li’s Middle Class Shanghai: Reshaping U.S.-China Engagement (Brookings, 2021) plots out a new way to understand the U.S.-China relationship. Cheng Li’s book attempts to show the importance of the city of Shanghai to China’s economic and political development, and studies its population to show the continued value of engagement between Americans and Chinese. Readers can find an excerpt from Middle Class Shanghai on the Brookings website: Shanghai’s dynamic art scene. Cheng Li is the director of the John L. Thornton China Center and a senior fellow in the Foreign Policy program at Brookings. He is also a director of the National Committee on U.S.-China Relations. We’re joined in this interview by Brian Wong. Brian is a Co-Founder of the Oxford Political Review, a columnist with the Hong Kong Economic Journal and a contributor to the Neican newsletter. The three of us talk about the city of Shanghai, its importance to China, and why looking at US-China relations through the prism of a single city might be a better way to understand the international system. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Middle Class Shanghai. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

In 2016, the city of Mumbai was blanketed in toxic smog. The source? Fires at the nearby dumping ground of Deonar: the country’s oldest. The Deonar fire became an embarrassment for Mumbai, coming right before an international expo meant to announce the city to international investors and business. Law enforcement immediately blamed scrap dealers who lived alongside the landfill. The pickers are men and women–poor, sometimes very young–who comb the mountain for waste that can be resold: metal, plastic, cloth and, if they’re lucky, gold and jewelry. Saumya Roy’s Mountain Tales: Love and Loss in the Municipality of Castaway Belongings (Profile Books, 2021) looks into the lives of a few of these pickers, as they try to survive among the mountains of trash, as government officials and judges squabble above them trying to figure out what to do. More of Saumya’s work on landfills can be found here. In this interview, we talk about the trash mountains of Deonar, the families that live there, and how they navigate life on the fringes of one of India’s largest cities. Saumya Roy is a journalist and activist based in Mumbai. In 2010, she co-founded the Vandana Foundation to support the livelihoods of Mumbai's poorest micro-entrepreneurs; through this she met the community who depend on Deonar. Her writing has appeared in Forbes India Magazine, wsj.com and Bloomberg News among others, and she has contributed a chapter to Dharavi: The Cities Within (HarperCollins India: 2013), an anthology of essays on Asia's largest slum. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Mountain Tales. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

One of the first members of Albert Samaha’s family introduced in his memoir Concepcion: An Immigrant Family’s Fortunes (Riverhead Books, 2021) is his uncle Spanky: a baggage handler in San Francisco’s airport. Spanky emigrated to the United States from his home country, the Philippines, where he lived a very different life as a rockstar: one of the founding members of VST & Co., one of the country’s most famous bands. That’s merely one of the family members Albert Samaha profiles in Concepcion which traces the lives of generations of Filipinos, and Filipino-Americans, trying to find a better life for themselves and navigating the ups-and-downs of American society and politics. Albert Samaha is an investigative journalist and inequality editor at BuzzFeed News whose work has appeared in The New York Times, the Village Voice, San Francisco Weekly, and the Riverfront Times, among other outlets. A Whiting Foundation Creative Nonfiction Grant recipient, he is also the author of Never Ran, Never Will: Boyhood and Football in a Changing American Inner City (PublicAffairs: 2018), which was a finalist for the 2019 PEN/ESPN Literary Sports Writing Award and winner of the New York Society Library’s 2019 Hornblower Award. We’re also joined by Helen Li. Helen is a freelance journalist originally based in Asia, and has since relocated to the United States. She joined us previously for our interview with Amish Mulmi on All Roads Lead North. The three of us talk about immigration, U.S.-Filipino relations, class and how that all relates to the immigrant experience: both in general, and regarding the many members of Albert’s family. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Concepcion. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

December 2021 marks the 80th anniversary of Pearl Harbor and the American entry into the Second World War. In fact, this interview was recorded on December 12th: the 80th anniversary of Japanese troops landing on the Philippine island of Luzon. That invasion marked the four-year war over the Philippines: the surrender of American forces on May 8th, 1942; the invasion of Leyte by MacArthur on October 20th, 1944; and the surrender of Japan on August 15th, 1945. But what happens in between these major dates? How did Filipinos live their lives under the occupation—and how did some choose to fight back? What did resistance, whether carried out by Americans who stayed behind, or Filipinos seizing their country’s future for themselves, look like? War and Resistance in the Philippines, 1942–1944 (Naval Institute Press: 2021) by James Kelly Morningstar is one of the first attempts to repair our understanding of the war in the Philippines, showing how American, Filipino and Japanese actions influenced each other. James Kelly Morningstar is a retired U.S. Army armor officer and decorated combat veteran with degrees from West Point and Kansas State University, a master's degree from Georgetown University, and a PhD from the University of Maryland. He currently teaches military history at Georgetown. He is also the author of Patton’s Way: A Radical Theory of War (Naval Institute Press: 2017). Today, we talk about the Philippines: the Japanese invasion and occupation, the nature of resistance, and American grand strategy. We’ll also discuss what makes the resistance movement important to our understanding of today’s geopolitics. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of War and Resistance in the Philippines: 1942-1944. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

On the sidelines of COP26, Nepali Prime Minister Sher Bahadur Deuba met his Indian counterpart Narendra Modi as part of an effort to find a way to rebuild ties between Kathmandu and New Delhi--which had grown sour in the recent years, with a boundary dispute between the two as its low point. Around the same time, China trumpeted a donation of 1.6 million COVID vaccine doses to Nepal, as the country stays around a 30% vaccination rate. Discussions of Nepal often reduce it to a country sitting between two great powers—especially as relations between those two great powers worsen. Or, perhaps, as a strategically important country—but one whose history and people are rarely brought up. Amish Raj Mulmi’s All Roads Lead North: Nepal’s Turn to China (Context, 2021) published internationally by Hurst early next year, helps to fill in these critical details. Combining insights from centuries of history, to on-the-ground reporting along the China-Nepal border, Mulmi gives a full representation of Nepal’s long relationship with its neighbors. Helen Li, freelance writer and journalist, joins Amish and me for this interview. Helen was stranded in Nepal during the COVID pandemic, and saw firsthand the interconnected between Nepal, India and China. In this interview, Amish, Helen and I talk about Nepal and China: what connects their countries, their economies, and their peoples. We talk about historical links, Tibetan exiles, investment, and what India thinks about all this. Amish Raj Mulmi's writings have been published in The Himalayan Arc: Journeys East of South- east and The Best Asian Speculative Fiction 2018; and Al Jazeera; Roads & Kingdoms; Himal Southasian; India Today; The Kathmandu Post and The Record. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of All Roads Lead North. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

With COP26 and high fossil fuel prices, energy is back in the headlines. And Russia, as one of the world’s largest producers of hydrocarbons, is part of the conversation--most recently, in Putin’s refusal to expand oil production to ease global prices. The world is coming up on three major transitions—peak use of fossil fuels, renewables competing with non-renewables, and a warming climate likely to surpass the 1.5 degree threshold set by the IPCC. What do those trends mean for Russia: a great power, a major oil and gas producer, an Arctic country covered in permafrost, and an economy with strong, but increasingly outdated, levels of technological development. Klimat: Russia in the Age of Climate Change (Harvard University Press, 2021), by Professor Thane Gustafson, examines how Russia might react—or be forced to react—to a changing environment and energy market. In this interview, the three of us will talk about how Russia will have to change as the world warms. As the world shifts to renewables, will Russia be able to keep up? As Arctic ice melts, will Russia see shipping opportunities? And will climate change get greater salience among the Russian public? Thane Gustafson is Professor of Government at Georgetown University. A widely recognized authority on Russian political economy and formerly a professor at Harvard University, he is the author of many books, notably The Bridge: Natural Gas in a Redivided Europe (Harvard University Press: 2020) and Wheel of Fortune: The Battle for Oil and Power in Russia (Harvard University Press: 2017), as well as Russia 2010: And What It Means for the World (Vintage: 1995), coauthored with Daniel Yergin. We’re also joined in this interview by Yvonne Lau. Yvonne is the Asia Markets Reporter for Fortune Magazine, with a longtime interest in Russia, especially its post-Soviet economic development and its growing ties with China. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Klimat. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

“The Europeans raise all the cattle, but the Chinese get all the milk.” This joke, told in colonial Singapore, was indicative of the importance of the Chinese diaspora throughout Southeast Asia. Chinese migrants were miners, laborers, merchants and traders: the foundation of many colonial cities throughout Asia--while also making sure that their own communities back home benefited. Distant Shores: Colonial Encounters on China's Maritime Frontier (Princeton University Press: 2021), written by Professor Melissa Macauley, looks at one particular community within the Chinese diaspora: the Chaozhou people--also known as the “Chiu Chow” people--hailing from the Shantou--also known as Swatou--area in Eastern Guangdong Province. The Chouzhouese traveled far and wide, engaging in trade, commerce and business--a history that survives to this day, with many Southern Chinese and Southeast Asian business tycoons having ties to this migrant community. Professor Melissa Macauley is a Professor at Northwestern University, where she specializes in late imperial and modern Chinese history from 1500 to 1958. Her research focuses on such topics as the interrelated history of southeastern China and Southeast Asia; colonialism and imperialism in East and Southeast Asia; and legal culture in Chinese social history. Her first book, Social Power and Legal Culture: Litigation Masters in Late Imperial China (Stanford University Press: 1998) We’re joined in this interview by fellow NBN host Sarah Bramao-Ramos. Sarah is a PHD candidate at Harvard University that studies Qing China. Today, the three of us talk about the Chouzhouese people, and how their trading efforts throughout the region challenges the way we think about “empire” and “colonialism”. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Distant Shores. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Many Western entrepreneurs and businesses have foundered in trying to set up shop in China. Different expectations, different ways of doing business, different institutions and platforms—all come together to remove any pretensions that one can easily transplant a foreign business model into the Chinese market. One of these entrepreneurs was Xavier Naville, who moved to China in 1997 where he built Creative Food. Unlike many others, his venture was a success. It's now a key supplier to major restaurant chains across the country including McDonald's, KFC and Starbucks. The Lettuce Diaries: How A Frenchman Found Gold Growing Vegetables In China tells Xavier’s story growing Creative Foods: managing a Chinese team as a foreign manager, trying to work with farmers to improve how they conducted agriculture, and navigating investor demands.  In this interview, Xavier and I talk about his time in China, what he learned about starting a business, and whether things are different in a more developed, more advanced economy. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Lettuce Diaries. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The Second Battle of El-Alamein, alongside Stalingrad and Midway, is taught in schools the world over as one of the turning points of the Second World War—or, depending on who you talk to, the turning point. But what led to that battle? How did Rommel’s army push so far across North Africa? And why, perchance, did he push one time too many? What were those in Egypt and the Middle East—and not just their British overseers, thinking about the coming invasion. War of Shadows: Codebreakers, Spies, and the Secret Struggle to Drive the Nazis from the Middle East (PublicAffairs: 2021), written by Gershom Gorenberg, tells the story leading to the British Army holding off the Nazis at El Alamein: a battle not just of soldiers and tanks, but spies and codebreakers. In this interview, Gershom and I talk about the years preceding the Battle for Egypt: those who broke Enigma, the spies who unlocked their enemies secrets, and the troubled relations between nominal allies.  Gershom Gorenberg’s previous books are The Unmaking of Israel (HarperCollins: 2011), The Accidental Empire: Israel and the Birth of the Settlements, 1967-1977 (Macmillan: 2007), and The End of Days: Fundamentalism and the Struggle for the Temple Mount (Oxford University Press: 2002). He also co-authored The Jerusalem Report’s 1996 biography of Yitzhak Rabin, Shalom Friend, winner of the National Jewish Book Award. Gershom is a columnist for The Washington Post, and has written for The Atlantic Monthly, The New York Times Magazine, the New York Review of Books, The New Republic, and in Hebrew for Ha’aretz. He can be followed on Twitter at @GershomG You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of War of Shadows. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Globalization is possibly the most important economic phenomenon of the past several decades. Opening borders, increasing trade and deepening integration has transformed our economies, our societies and our politics. Globalization changed establishment politics; the reaction against it transformed those against the establishment. But there’s a world of difference between Donald Trump and Bernie Sanders’ critiques of globalization. And those who have concerns about globalization due so for different reasons, building different alliances as they work to implement, reform or roll back globalization. Anthea Roberts and Nicolas Lamp, authors of Six Faces of Globalization: Who Wins, Who Loses, and Why It Matters (Harvard University Press: 2021) looks more closely at these debates, building out distinct narratives that classify how we should think about the politics of globalization, and how different political movements understand who wins from globalization: everyone, a few, or nobody. Those interested in learning more about the book and its arguments: “Who wins and who loses from globalization? There are (at least) six answers”, a book excerpt published on BigThink “Want to know what future battles over globalization will be about? Look to the chip shortage”, a commentary piece published on Fortune Paul Krugman and Branko Milanovic in conversation with Anthea Roberts and Nicolas Lamp In this interview, Anthea, Nicolas and I talk about the politics of globalization: the arguments used to support it, and the stories used to criticize it. We explore some of the interesting intersections between these arguments … and where we think the politics of globalization might go from here. Anthea Roberts is professor in the School of Regulation and Global Governance at Australian National University and author of the prizewinning Is International Law International? (Oxford University Press: 2017). Nicolas Lamp is associate professor in the Faculty of Law at Queen’s University, Ontario. Before joining Queen’s University, he worked as a dispute settlement lawyer at the World Trade Organization. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Six Faces of Globalization. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

As most of us are stuck at home, whether due to lockdowns or border closures, some of us have returned to the idea of travel writing: nonfiction that charts someone’s journey to a different land, a different people, and a different culture. Once a mainstay of bookstores in the eighties, travel writing has fallen behind a bit, both commercially and academically, as scholars critique some of the assumptions and perspectives that drove much of that writing. Tim Hannigan, author of The Travel Writing Tribe: Journeys in Search of a Genre (Hurst, 2021), tackles these questions head-on. In a series of interviews with some of the most famous and illustrious travel writers over the past few decades, Tim digs into these debates and hears--from the writers themselves--what drove them to write about what they saw and experienced. In this interview, Tim and I talk about what it means to be a travel writer, and why he decided to interview so many of the most prominent travel writers around today. We talk about some of the debates that have emerged on the subject, and what travel writing means in the age of COVID. Tim Hannigan is a writer and academic, and the author of several narrative history books, including A Brief History of Indonesia and the award-winning Raffles and the British Invasion of Java. He holds a PhD from the University of Leicester. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Travel Writing Tribe. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

We’re celebrating our one-year anniversary with this interview, and so I wanted to introduce a special guest for today: Nur Nasreen Ibrahim, talented writer, journalist and dear friend. We’re going to talk—mostly—about Nur’s latest work: an essay for the collection Horse Girls: Recovering, Aspiring, and Devoted Riders Redefine the Iconic Bond (Harper Perennial: 2021), edited by Halimah Marcus. Horse Girls confronts, investigates, and fleshes out the trope of the “horse girl”: the idea that all a young girl wants is to learn how to ride a horse, famous in from “Black Beauty” to “My Little Pony”. And Nur’s essay talks about her experiences riding horses growing up in Pakistan: bringing in themes of colonialism, the urban-rural divide, and growing up. But, also, we’ll talk about Nur’s experience as a writer, both in the United States and in Pakistan, and her path to literature. Nur is a journalist, writer, and producer based in New York City. Originally from Lahore, Pakistan, she writes speculative and literary fiction, as well as personal essays. Her fiction and nonfiction has been included in anthologies and collections from Harper Perennial, Catapult, Hachette India, Platypus Press, The Aleph Review, Salmagundi magazine, Barrelhouse, and more. She is a two-time finalist for The Salam Award for Imaginative Fiction. She is a 2021-2023 recipient of the Lighthouse Writers Book Project Teaching Fellowship. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

To call the hundred years that straddle the nineteenth- and twentieth-centuries as a radical period of change for China is an understatement, moving from the Imperial period, through the Republican era, and ending in the rise of the PRC. Dr. Elizabeth LaCouture’s Dwelling in the World: Family, House, and Home in Tianjin, China, 1860–1960, published by Columbia University Pres explores this history by looking at Tianjin: a city divided into nine foreign concessions, and perhaps, at the time, the world’s most cosmopolitan—and colonized—cities. With a focus on family and the home, Dr. Lacouture explores the interplay between these massive political changes and the lives of ordinary people. In this interview, Dr LaCouture.and I talk about Tianjin, changing Chinese politics, and how that affected views of gender, the family, and the home. We also investigate the thorny distinction between modernization and Westernization. Dr. Elizabeth LaCouture is the founding director of the Gender Studies Program at the University of Hong Kong, where she is an assistant professor of gender studies and history. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Dwelling in the World. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

An English mission to Japan arrives in 1613 with all the standard English commodities, including wool and cloth: which the English hope to trade for Japanese silver. But there’s a gift for the Shogun among them: a silver telescope. As Timon Screech explains in his latest book, The Shogun’s Silver Telescope: God, Art, and Money in the English Quest for Japan, 1600-1625 (Oxford University Press, 2020), there was a lot of meaning behind that telescope. It represented an English state trying to chart its own part as a Protestant country, denoting their support for science and a more open culture in the face of a more backward Catholic Europe. Screech’s book charts the background behind this simple gift and what it meant for both Japan and England. In this interview, Timon and I follow the English journeys to Japan, the reasons for these trips, and what the English encountered when they got there. And we’ll think about what we learn from this—ultimately failed—effort to start a trading relationship between these two islands. Professor Timon Screech is Professor at Nichibunken or the International Research Center for Japanese Studies in Kyoto, after thirty years at SOAS. He is the author of at least a dozen books on the visual culture of the Edo period, including perhaps his best-known work Sex and the Floating World: Erotic Images in Japan, 1700-1820 (University of Hawaii Press, 1999). His other most recent book (and previous interview subject) is Tokyo Before Tokyo: Power and Magic in the Shogun’s City of Edo (Reaktion Books: 2020). In 2019, he was elected as a Fellow of the British Academy. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Shogun’s Silver Telescope. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Everyone looks to Singapore as a role model for what they want their country to be. Several countries from China to Rwanda hope to emulate its high administrative competence, standard of living, and “social harmony.” Post-Brexit Britain wants to copy the city-state’s assertive and independent position in the world economy and its aggressive support for international business. Housing policy advocates look to Singapore and its 90% home ownership rate. But these are all simplistic views of the city-state, that miss its history, its opportunities, and its challenges. Jeevan Vasagar’s Lion City: Singapore and the Invention of Modern Asia (Pegasus Books: 2022), delves into those more complicated details, giving a better portrayal of the city and the choices it’s made as it tries to navigate a more complicated global environment. In this interview, Jeevan and I talk about, well, Singapore: its history, its leadership, and its policies. We’ll talk about how its administration is trying to chart a future for the country—and whether that might be successful. Jeevan Vasagar is the Environment Editor for the Bureau of Investigative Journalism, and was formerly the Financial Times Correspondent for Singapore and Malaysia. He can be followed on Twitter at @jeevanvasagar. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Lion City. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

One would think that comparing civilizations as far removed in time and space as Ancient Egypt and Ancient China might not reveal much. Yet Professor Tony Barbieri’s Ancient Egypt and Early China: State, Society, and Culture (University of Washington Press: 2021) gleans much from a deeply-researched comparison of political structures, diplomatic relations, legal systems, ideas of the afterlife, and other aspects. In other words, despite being separated by thousands of years and thousands of kilometers, the proto-empires of Egypt and China have a surprising amount of things in common. A lecture detailing Professor Barbieri’s book can be found on YouTube here. In this interview, Professor Barbieri and I talk about the various similarities and differences between these two ancient civilizations, and what we can learn from engaging in such a comparative study. Anthony J. Barbieri-Low is professor of history at the University of California Santa Barbara. His book Artisans in Early Imperial China won top prizes from the Association for Asian Studies, American Historical Association, College Art Association, and International Convention of Asia Scholars. He can be followed on Twitter at @ABarbieriLow You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Egypt and Early China. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The horse is an important symbol in India’s culture, as shown by the many stories and works we see of Indian royalty and adventurers on horseback. As noted by Mughal chronicler Abu Fazl, “The horse is a means of attaining personal excellence.” Yet the horse isn’t native to India, with thousands of horses imported from Central Asia and the Middle East to meet the demands of India’s riders Yashaswini Chandra’s The Tale of the Horse: A History of India on Horseback (Picador India: 2021) uses the horse as a way to discuss and frame India’s history. The book covers caravan trade routes, the Mughal empire, the Rajput horse warriors, and others to outline how India’s politics and economics changed throughout history. We’re joined again by David Chaffetz, who’s a regular contributor to the Asian Review of Books, and the author of Three Asian Divas: Women, Art and Culture In Shiraz, Delhi and Yangzhou. In this interview, the three of us talk about the central role the horse plays in Indian history, and how understanding the horse may help us to understand the power structures of the subcontinent. Yashaswini Chandra has a PhD in History of Art from SOAS University of London, where she was also a teaching fellow. She has been visiting faculty at Jawaharlal Nehru University, New Delhi, and Ashoka University, Sonipat. She worked for Sahapedia, an open online resource on the arts, cultures and histories of India, for many years, managing the multi-volume documentation of the President’s House in New Delhi and an institutional collaboration with Rupayan Sansthan, Jodhpur. She previously co-edited Right of the Line: The President’s Bodyguard on the household cavalry of the Indian head of state. Yashaswini is an avid horsewoman. She can be followed on Twitter at @Yashaswini_Ch. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Tale of the Horse. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The story of Alexander the Great has inspired conquerors and would-be conquerors throughout history. Alexander’s sweep through the Middle East and Central Asia left behind evidence of his mark on history--namely, in the several cities that he founded, and that sprung up to govern the kingdoms he left behind. One man looking for evidence of Alexander was Charles Masson: a deserter from the East India Company who reinvented himself as an archaeologist and scholar in Afghanistan. Academic, traveller, writer and unwilling spy, Masson’s story is told in Professor Edmund Richardson’s book Alexandria: The Quest for the Lost City (Bloomsbury, 2021) We’re joined in this interview by David Chaffetz, who’s a regular contributor to the Asian Review of Books, and the author of Three Asian Divas: Women, Art and Culture In Shiraz, Delhi and Yangzhou. In this interview, the three of us talk about Charles Masson and his experiences in Afghanistan. We talk about what drove this man to embark on his archaeological calling, and how his story meshes with the story of the East India Company and Afghanistan. And we end on what Massey’s story and observations teach us about how to understand Afghanistan today. Edmund Richardson is Professor of Classics at Durham University. He has published Classical Victorians: Scholars, Scoundrels and Generals in Pursuit of Antiquity, and was named one of the BBC’s New Generation Thinkers in 2016. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Alexandria: The Quest For the Lost City. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

It’s a cliche to call North Korea the most isolated country in the world. Those of us living outside the country often have very little idea of what life there is like, often only seeing what its government would like us to see: military parades, missile launches, and joyous crowds. Yet Lindsey Miller, author of North Korea: Like Nowhere Else: Two Years of Living in the World's Most Secretive State (September Publishing: 2021) is a window into how ordinary North Koreans live. They are more than the stereotypes portrayed by their government or by those looking in from outside of the country, as revealed by the photos and stories Lindsey tells in her book. In this interview, Lindsey and I talk about what it was like to live in North Korea, some of the Koreans she met on her stay, and why some of the narratives about the country can be so hard to shift. Lindsey Miller is a musical director and award-winning composer. For the last ten years, she has worked in theatres across the UK, Europe, North America and Asia and has most recently worked with the Royal Shakespeare Company. During 2017–19, Lindsey lived in Pyongyang, North Korea, while accompanying her husband on a diplomatic posting. She can be followed on Twitter at @LindseyMiller87. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of North Korea: Like Nowhere Else. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

When we think about modern trade, we tend to think about the sea: port cities and large ships carrying goods back and forth. It’s a story that tends to put Europe at the center, as the pinnacle of shipping and maritime technology. Jagjeet Lally’s India and the Silk Roads: The History of a Trading World (Hurst, 2021) corrects this narrative. For Jagjeet, the way we talk about globalization misses the continued land trade that happened throughout Central Asia, with India as a hub. Traders traveled through today’s India, Pakistan, Afghanistan and elsewhere, sharing commodities and goods, culture and information, under both Indian and British rulers. In this interview, Jagjeet and I talk about the Indian caravan trade, and the routes traders took as they transported goods, cultures and ideas across Central Asia. We’ll also talk about what we miss in the way we talk about globalization in the present. Jagjeet is Associate Professor in the History of Early Modern and Modern India at University College London, where he is also Co-Director of the Centre for the Study of South Asia and the Indian Ocean World. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of India and the Silk Roads. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

We think we know the history of China’s opening to the outside world. Maoist China was closed off, until Deng Xiaoping decided to reform the economy and open up to international trade, leading to the economic powerhouse we see today. Except Deng’s opening was built upon an existing foundation of international trade, as shown by Professor Jason Kelly’s Market Maoists: The Communist Origins of China’s Capitalist Ascent (Harvard University Press, 2021) Jason M. Kelly is a historian of modern China with interests in Chinese foreign relations during the twentieth and twenty-first centuries, commerce and diplomacy, U.S.-China relations, and East Asian international history. He is currently an assistant professor in the Strategy & Policy Department at the U.S. Naval War College and an associate in research at the Fairbank Center for Chinese Studies at Harvard University. The views he expressed in this interview are his own, and not those of the U.S. Naval War College. We’re joined in this interview by fellow NBN host Sarah Bramao-Ramos. Sarah is a PHD candidate at Harvard University that studies Qing China and, like Jason, is a graduate associate at the Fairbank Center. Today, the three of us talk about trade policy in Maoist China, and what that means for our understanding of the country’s attitude towards both the capitalist and socialist worlds. We also discuss what this history may mean for how we understand China’s attitude towards trade today. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Edison Hark, the star of The Good Asian (Image Comics: 2021), the new comic series written by Pornsak Pichetshote and illustrated by Alexandre Tefenkgi, never signed up to investigate a murder in Chinatown. As the only Chinese-American law enforcement officer in the United States, he travels to San Francisco in 1936 to help find a Chinese maid who has run away from the household of the man who raised him. But he stumbles upon a crime scene that harkens back to an old crime legend: a hitman for the old Tongs, back for revenge. But while The Good Asian tells a thrilling noir story of crime, detectives and investigations, it also tells the story of the Chinese community, who at the time were still under scrutiny under laws like the Chinese Exclusion Act. The comic grapples with ideas of racial prejudice, respectability politics, and identity. In this interview, Pornsak and I talk about the setting and genre of The Good Asian, and what it means to star a Chinese-American lead in such a well-known genre. Pornsak Pichetshote was a Thai-American rising star editor at DC’s Vertigo imprint where he worked on such comics perennials as The Sandman and Swamp Thing. He left Vertigo to become an executive in DC Entertainment’s media team, where he started and oversaw DC TV’s department. He is also the writer of Infidel, also for Image Comics, which was his first work as a writer. He can be followed on Twitter at @real_pornsak, and on Instagram at @real_psak. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Good Asian. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

It’s a common tale: a gunman out for revenge in the American West, whose six-shooter leaves a trail of bodies behind him. But The Thousand Crimes of Ming Tsu (Little, Brown and Company, 2021), the debut novel from Tom Lin, takes a novel twist on the genre by having its gunman be Ming Tsu: a Chinese man, orphaned in the United States, out on a journey to murder those who press-ganged him to work on the railroads. But The Thousand Crimes of Ming Tsu is more than that, as it delves into the supernatural, the mystical, and the philosophical as Ming continues his journey across the American West. In this interview, Tom and I talk about the setting of The Thousand Crimes of Ming Tsu, and his choices around its characters. We’ll also talk about using a Chinese-American main character in a Western-type story: a traditionally “American” genre. Tom Lin was born in China and immigrated to the United States when he was four. A graduate of Pomona College, he is currently in the PhD program at the University of California, Davis. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Thousand Crimes of Ming Tsu. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Russia’s position between Europe and Asia has led to differing conceptions of “what Russia is” to its leaders. Russia’s vast holdings east of the Urals have often inspired those who led Russia to look eastward for national glory, whether through trade, soft power, or outright force. Yet these Russian “pivots to Asia” often ended soon after they began, with outcomes far more limited than what those who launched them hoped to achieve. Chris Miller’s We Shall Be Masters: Russian Pivots to East Asia from Peter the Great to Putin (Harvard University Press, 2021) studies many attempts to chart an Asian policy—from bold imperial dreams of a thriving Russian Far East to Soviet efforts to inspire the developing world through soft power—and why all these policies ended up disappointing their drafters. In this interview, Chris and I talk about Russia’s engagement with the Far East, stretching from its initial forays on the Pacific Coast of North America through to the present day. We talk about why “pivots to Asia” are so hard: both for the Russians, and perhaps for other great powers considering the same policy. Chris Miller is an assistant professor of international history at The Fletcher School at Tufts University and co-director of the school's Russia and Eurasia Program. He is the author of Putinomics: Power and Money in Resurgent Russia (University of North Carolina Press, 2018) and The Struggle to Save the Soviet Economy (University of North Carolina Press, 2016). He has previously served as the associate director of the Brady-Johnson Program in Grand Strategy at Yale, a lecturer at the New Economic School in Moscow, a visiting researcher at the Carnegie Moscow Center, a research associate at the Brookings Institution, and as a fellow at the German Marshall Fund's Transatlantic Academy. He can be followed on Twitter at @crmiller1. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of We Shall Be Masters. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

On January 10th, 1795, a very tired caravan arrives in Beijing. The travelers have journeyed from Canton on an accelerated schedule through harsh terrain in order to make it to the capital in time for the Qianlong Emperor’s sixtieth anniversary of his reign. The group is led by two Dutchmen: Isaac Titsingh and Andreas Everardus van Braam Houckgeest, who are there to represent the interests of the Dutch Republic at the imperial court. It’s a momentous occasion, especially after the disastrous British Embassy from George Macartney two years earlier. Little did they know that their embassy would be the last by Westerners in the traditional Chinese court. Their journey is the subject of Professor Tonio Andrade’s The Last Embassy: The Dutch Mission of 1795 and the Forgotten History of Western Encounters with China (Princeton University Press, 2021), published earlier this year: a rich and readable volume that tells the story of an event long-neglected by history and historians. In this interview, Tonio and I talk about the Dutch Embassy, its protagonists and the nature of the imperial court. We discuss the perilous and rushed journey the ambassadors made to Beijing, and what their experience tells us about the nature of diplomacy. Tonio Andrade is professor of Chinese and global history at Emory University. His books include The Gunpowder Age: China, Military Innovation, and the Rise of the West in World History (Princeton University Press, 2017), Lost Colony: The Untold Story of China's First Great Victory over the West (Princeton University Press, 2011), and How Taiwan Became Chinese: Dutch, Spanish, and Han Colonization in the Seventeenth Century (Columbia University Press, 2007). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Last Embassy. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Borders are “important”: they define, in legal terms, who we are, our identity, and our rights. Except borders are rarely imposed with any thought to the people actually living there. And once a border is imposed, it can radically change the lives of those who live alongside it, dividing communities forever more. India’s border, imposed by colonial authorities and disputed by successor governments, makes this clear. Midnight's Borders: A People's History of Modern India (Context / Melville House, 2021) sees author Suchitra Vijayan travel along India’s vast land border to meet the people who live there, and investigates how lives have been affected by geopolitics, colonialism, state violence, ethnic strife, and corruption. In this interview, Suchitra and I talk about India’s border regions: with Afghanistan, China, Bangladesh, Pakistan and Myanmar. We talk about the lives of those that live in these borderlands, and why she chose to call this book a “People’s History”. Suchitra Vijayan is the founder and executive director of the Polis Project, a hybrid research and journalism organization. A barrister by training, she previously worked for the United Nations war crimes tribunals in Yugoslavia and Rwanda before co-founding the Resettlement Legal Aid Project in Cairo, which gives legal aid to Iraqi refugees. Her work has appeared in The Washington Post, GQ, The Boston Review, The Hindu and Foreign Policy. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Midnight’s Borders. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Most of our understanding of the Mongol Empire begins and ends with Chinggis Khan and his sweep across Asia. His name is now included among conquerors whose efforts burn bright and burn out quick: Alexander the Great, Napoleon, and so on. Except the story doesn’t end with Chinggis’s death. As Professor Marie Favereau notes in The Horde: How the Mongols Changed the World (Harvard University Press: 2021), the empire that he built continued to shape, incubate and grow the political cultures it conquered. Even as the empire formally splintered, the ties that bound together the Mongols continued to play a critical role in the growth of new identities and cultures. More information can be found in Marie’s article for Quillete: How the (Much Maligned) Mongol Horde Helped Create Russian Civilization. In this interview Marie and I talk about the empire the Mongols built: how it grew, what it covered, and how it changed. We discuss how the Mongols changed those they ruled and those they bordered against, and the geopolitical system they built. Marie Favereau is Associate Professor of History at Paris Nanterre University. She has been a member of the French Institute of Oriental Archaeology in Cairo, a visiting scholar at the Institute for Advanced Study, and a research associate at the University of Oxford for the major project Nomadic Empires. Her books include The Golden Horde and the Mamluk Sultanate (published in French) and the graphic novel Gengis Khan. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Horde. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

It can be easy to forget amongst the glistening skyscrapers, bustling streets and neon lights, but the Pearl River Delta used to be a haven for banditry and piracy. As the authority of Imperial China waned, pirate fleets based out of Guangdong Province roamed the waves, raiding traders and taking captives. One of these captives, and later pirates was Cheng Yat Sou—the “wife of Cheng Yat”—who rose from humble beginnings to eventually bring together the competing pirate fleets into a confederation. She is also the star of Larry Feign’s first novel The Flower Boat Girl (Top Floor Books, 2021). Larry starts the story of the pirate queen from her abduction by Cheng Yat, and writes of how she gains a foothold among the pirate fleets. More information—and a sample chapter—can be found on the book’s website. Larry and I talk about Cheng Yat Sou, early-nineteenth century China, and pirate fleets. We also talk about how Larry wrote the book, and what he learned from being one of Hong Kong’s most prominent cartoonists. Larry Feign is an award-winning artist and writer based in Hong Kong. He is well known for his long-running daily political comic strip “Lily Wong”, which satirized life in Hong Kong before and after the handover to China until he retired the cartoon in 2007. Feign’s work has appeared in Time, The Economist, the New York Times, The Atlantic, and other publications around the world. He also directed animated cartoons for Walt Disney Television and Cartoon Network. He is a MacDowell Fellow and three-time recipient of Amnesty International Human Rights Press Awards. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Flower Boat Girl. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

We can sometimes forget that “India”—or the idea of a single unified entity—is not a very old concept. Indian history is complicated and convoluted: different societies, polities and cultures rise and fall, ebb and flow, as the political makeup of South Asia changes. Namit Arora, author of Indians: A Brief History of a Civilization (Penguin Viking, 2021), details some of these changing cultures. From the early Harappans, to the Buddhist centers of Nagarjunakonda and Nalanda, and ending at Varanasi, Arora takes his readers on a journey through South Asia’s rich and diverse history. Namit Arora chose a life of reading and writing after cutting short his career in the Internet industry. Raised in the Hindi belt of India, he lived in Louisiana, the San Francisco Bay Area and Western Europe, and travelled in scores of countries before returning to India over two decades later in 2013. He is the author of The Lottery of Birth (Three Essays Collective: 2017), a collection of essays, and the novel Love and Loathing in Silicon Valley (Speaking Tiger Publishing Pvt Ltd: 2019). More details here. In this interview, Namit and I talk about the many different cultures featured in his book Indians. We share the stories of some of India’s illustrious foreign visitors, and what it was like for Namit to research these lost histories. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Indians. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Isabel Rosario Cooper, if mentioned at all by mainstream history books, is often a salacious footnote: the young Filipino mistress of General Douglas MacArthur, hidden away at the Charleston Hotel in DC. Empire’s Mistress, Starring Isabel Rosario Cooper (Duke University Press: 2021) by Professor Vernadette Vicuña Gonzalez refuses to reduce Cooper’s life to that simple statement. The book investigates Cooper’s life both in the Philippines, where she was a famed vaudeville and film actress, and in the United States, where her life shows the struggles that Asian actors and actresses faced in a prejudiced Hollywood. In this interview I ask Vernadette to introduce us to Isabel Cooper, and go beyond the simplistic historical narrative of her as MacArthur’s mistress. Wel talk about how her life exemplifies how imperialism, gender and entertainment intersected in both the Philippines and the United States. And we briefly explore how this connects with the idea of being “Asian-American”. Vernadette Vicuña Gonzalez is Professor of American Studies at the University of Hawai‘i at Mānoa, and author of Securing Paradise: Tourism and Militarism in Hawai‘i and the Philippines (Duke University Press: 2013), and coeditor of Detours: A Decolonial Guide to Hawai‘i (Duke University Press: 2019). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Empire’s Mistress. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

A young man who turns his desire to join the army into a long stint as a volunteer ambulance driver. A teacher living in an old slum who is the only one brave—or foolish—enough to confront the gangs. A refugee who becomes a community organiser. A woman in a traditional village looking at the new development quickly encroaching on their land. A bored engineer who finds his calling as a crime reporter. These people are subjects of Karachi Vice: Life and Death in a Contested City (Melville House, 2021), the debut by Samira Shackle. Samira travels to Karachi, the home city of her mother, and tells the stories of ordinary people trying to live their lives in the midst of terrible violence: first by the gangs, then by the Taliban. In this interview, I ask Samira to talk about the city of Karachi, and the five people she writes about in her book. We’ll talk about the turning points in the violence there, and what it was like to write about her mother’s home city. Samira Shackle is a freelance British-Pakistani writer and reporter based in London. She is the editor of the New Humanist magazine, and a regular contributor to the Guardian Long Read. She can be followed on Twitter at @samirashackle. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Karachi Vice. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The year is 1985. Durga is visiting her grandmother Mary in rural Malaysia. It’s not a particularly happy occasion: Mary is tough and sharp-tongued, and “home” sparks bad memories for Durga. But a fireworks accident that sends Mary to hospital begins to unravel family secrets that had been building over generations, built by both Mary and Durga. Fragile Monsters, the debut novel by Catherine Menon (Viking, 2021), jumps between the Malaysian Emergency and the Eighties to explore themes of gender, class, and ethnicity in telling a story about a dark family history.  In this interview, Catherine and I discuss the historical setting of Fragile Monsters: a time period that normally doesn’t feature in mainstream English-language fiction. We talk about how she explores memory and shame, gender and race.  Catherine Menon is Australian-British, has Malaysian heritage and lives in London. She is a University lecturer in robotics and has both a PhD in pure mathematics and an MA in Creative Writing. Her short story collection, Subjunctive Moods, was published by Dahlia Publishing in 2018. Her short stories have won or been placed in a number of competitions, including the Fish, Bridport, Bare Fiction and Short Fiction Journal awards. Her work has been broadcast on radio, and she’s been a judge for several international short fiction competitions. Her website can be found here, and she can be followed on Twitter at @cg_menon. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fragile Monsters. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

During the Cultural Revolution, many young Chinese in the cities were encouraged — if not ordered — to move to the countryside. Millions of young Chinese in high school and university moved to rural China ostensibly to “receive re-education from the poorest lower and middle peasants to understand what China really is” (to quote Mao Zedong, at the time). Many students remained in the countryside until the end of the Cultural Revolution almost a decade later. One of these young Chinese people was the mother of Emei Burell, who turned these stories into a graphic novel: We Served the People: My Mother's Storie (Archaia, 2020). The book is roughly split into two halves: her mother’s hard work on a rubber plantation in Yunnan, and her struggles a decade later to restart her education upon her return home. In this interview, Emei talks about her mother’s story, both during her time in the countryside and when she returned home. We talk about what it was like for her to turn these tales into a graphic novel, and what may have been gained from expressing them in a visual format. Emei Burell is a cartoonist and illustrator from Sweden. Her work has also appeared in Adventure Time Comics, Hip Hop Family Tree, Studygroupcomics, and a number of publications in Sweden, Denmark, the UK and Chile. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of We Served the People. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Mirza Ghalib is one of the most celebrated poets in the Urdu literary canon. Yet, at the time, Ghalib was prolific in both Urdu and Persian. His output in Persian output dwarfs his Urdu writing (at least in its published form), and he often openly dismissed his Urdu works, once writing: Look into the Persian so that you may see paintings of myriad shades and hues; Pass by the collection in Urdu for it is nothing but drawings and sketches. Ghalib: A Wilderness at My Doorstep: A Critical Biography (Allen Lane, 2021) by Professor Mehr Afshan Farooqi explores the work of Mirza Ghalib to perhaps explain why the power made the switch from Urdu to Persian and back to Urdu. In this interview, I ask Mehr to introduce us to Ghalib and his work. We explore Ghalib as both a poet and a person, and why he made the switch from writing in Urdu to Persian and back again. Mehr Afshan Farooqi is currently an associate professor of Urdu and South Asian Literature at the University of Virginia. Her research publications address complex issues of Urdu literary culture particularly in the context of modernity. A well-known translator, anthologist, and columnist, she is the editor of the pioneering two-volume work The Oxford India Anthology of Modern Urdu Literature. More recently, she has published the acclaimed monograph The Postcolonial Mind: Urdu Culture, Islam and Modernity in Muhammad Hasan Askari. Farooqi also writes a featured column on Urdu literature of the past and present in the Dawn. Mehr can be followed on Twitter at @FarooqiMehr You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ghalib: A Wilderness At My Doorstep. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The scene is Turkey in the mid-to-late Seventies. A young male college student hops onto a bus. He sits next to a cute female student from his class, but before they can strike up a conversation, they see a right-wing passenger, walk up to another passenger and hit him on the head with a hammer. The young woman screams. The two students get off the bus, only for the female student to call the male student a “disgusting fascist” and leave in anger. Scenes like this are seen in Turkish Kaleidoscope: Fractured Lives in a Time of Violence (Princeton University Press, 2021) is a graphic novel written by Professor Jenny White and illustrated by Ergün Gündüz. The book combines Jenny’s own experiences in Turkey with insights gleaned from interviews to illustrate Turkey’s political conflict in the late 1970s, between right-wing and left-wing movements. You can watch a promotional video for the book, and the book can be ordered from the Princeton University Press website. Jenny has also put together a Spotify playlist of songs from the era. Those interested in an academic treatment of these ideas can read her 2017 article in The Brown Journal of World Affairs titled “Spindle Autocracy In The New Turkey”. In this interview, I ask Jenny to talk about central figures in her telling of Turkish politics, and how their views developed over time. We talk about that period of Turkish contemporary history and what it was like. And we also discuss her choice of format: why write a graphic novel? Jenny White is a social anthropologist and professor at the Institute for Turkish Studies at Stockholm University. She is former president of the Turkish Studies Association and former president of the American Anthropological Association Middle East Section. She has published four books and numerous articles about contemporary Turkish society and politics. She also has published a series of three novels set in 1880s Istanbul. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Turkish Kaleidoscope. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Dismissal, in fact, is the default response to khayal (the preeminent genre of North Indian classical music), well before we get to know what khayal is, and vaguely term its strangeness 'classical music'. Those who later become acquainted with its extraordinary melodiousness forget that on the initial encounter it had sounded unmelodious. These words are part of the introduction to Amit Chaudhuri’s newest book Finding the Raga: An Improvisation on Indian Music (New York Review Books / Faber and Faber, 2021). The book is part guide to Indian music, part memoir of Chaudhuri’s life, part examination of modern culture. In this interview, I ask Amit to explain what makes Indian music so special, both in general and to his life. We explore how Indian music influenced the writing of this most recent book, and how his musical experiences in India and abroad have affected how he sees the world. Amit Chaudhuri is the author of seven novels, several collections of short stories, poetry and essays, one nonfiction work, and a critical study of D.H. Lawrence’s poetry. He has received the Commonwealth Writers Prize, the Betty Trask Award, the Encore Prize, the Los Angeles Times Book Prize, and the Sahitya Akademi Award, among other accolades. He is also a Fellow of the Royal Society of Literature and holds the titles of Professor of Contemporary Literature at the University of East Anglia in England and Professor of Creative Writing at Ashoka University in India. In addition to his writing, he is also a singer in the North Indian classical tradition and a composer and performer in a project that brings together the raga, blues, and jazz with a variety of other musical traditions. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Finding the Raga. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Return to Sri Lanka: Travels is a Paradoxical Island (Juggernaut, 2019), the latest book by Professor Razeen Sally, describes the country with the following words. There are shelf-loads of recent books about bigger and better-known countries, not least on Sri Lanka’s giant northern neighbour. But little Sri Lanka hardly pops up on the world’s radar screen. When it does, it presents a fractional, distorted view – bombs going off one day, ethnic riots another day, alleged war crimes. On more peaceful days, it yields tourist images of ‘Paradise’... Return to Sri Lanka is part memoir, part history, part travelogue, as Professor Sally returns to Sri Lanka in the aftermath of the civil war to experience its history, culture, politics and people. Many of the themes of Return to Sri Lanka are discussed in an essay written for the Nikkei Asian Review: “Rediscovering Sri Lanka through a travel memoir,” published last November. In this interview, I ask Razeen to talk about his life in Sri Lanka and his return to the island. We talk about Sri Lanka’s post-independence history, and how it shaped the sights and societies Professor Sally saw on his visit. We also talk about why he decided to write a “travel” book, rather than a dense work of economic analysis and politics. Razeen Sally is a Sri Lankan-British writer and academic. He taught at the London School of Economics, where he also received his PhD. He founded a think tank in Brussels, and is now an Associate Professor at the Lee Kuan Yew School of Public Policy at the National University of Singapore. He can be followed on Twitter at @razeensally. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Return to Sri Lanka. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

May 1857. The Indian city of Shahjahanabad, today called Delhi, is tense. British officers are worried about rumors of insubordination and rebellion elsewhere in India, while the local residents both await and fear a coming storm of revolutionary fervor. Trying to make a living in this setting is Mirza Ghalib, one of India’s most celebrated poets, well known for his works in Urdu and Persian. He is also the protagonist, at least in a fictionalised form, of Murder at the Mushaira (Aleph Book Company, 2021) by Raza Mir. The novel is a murder mystery: a particularly disliked poet is murdered at a poetry recital, forcing Ghalib ito play detective, balancing both haughty English officials and passionate Indian mutineers as he attempts to seek the truth. In this interview, Raza introduces both Ghalib and Shahjahanabad. We talk about the historical roots of his story, including where he diverges from historical accuracy. Finally, we discuss why literary figures like Ghalib are so popular as detectives. Raza Mir teaches management at William Paterson University in the USA. He has written a few academic books, and three books of translation and literary criticism about Urdu poetry and poets. Murder at the Mushaira is his first novel. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Murder at the Mushaira. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Changan Jie, or Long Peace Street, stretches across central Beijing. Along it are several critical historical sites, including Zhongnanhai, Tiananmen Square and the Forbidden City: all important to Beijing’s history as the center of Imperial, Republican and then Communist China. Jonathan Chatwin, in his book Long Peace Street: A Walk in Modern China (Manchester University Press, 2019), recently published in paperback, uses the road as a way to present the modern history of Beijing and China. Starting at the street’s beginning at the former Capital Iron and Steel works, Chatwin takes the reader on a journey along Long Peace Street and through China’s political history, as it changes from a declining empire to a fast-growing and increasingly confident Communist state. The centerpiece of the book is the Forbidden City, which Jonathan recently wrote about for CNN: “Forbidden City at 600: How China's imperial palace survived against the odds”. In this interview, I ask Jonathan to chart this journey along Long Peace Street for us, talking about both the major sites we may have seen on our own journeys to Beijing, and some of the less well-known yet equally interesting points along this road. We talk about some of his own personal experiences writing the book, and Beijing’s relationship to its past. Jonathan Chatwin is a travel writer and journalist. His essays and articles have been published by the South China Morning Post, the British Film Institute, The Los Angeles Review of Books amongst other publications. He is also the author of Anywhere Out of the World: The Work of Bruce Chatwin (Manchester University Press: 2017), as well as the host of The Southern Tour Podcast‬, which examines China's reform and opening, through the prism of Deng Xiaoping's legendary 'Southern Tour' of 1992. He can be followed on Twitter at @jmchatwin. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Long Peace Street. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

In 1800, the Shogun’s chief minister wrote the following about the city of Edo: "Someone said that if Edo did not have frequent fires, then people would be more showy and flash. In the capital or in Osaka they do everything with lavish elegance: people hang up paintings in their homes or put out arrangements of flowers. But in Edo, even in the affluent areas, everything is restrained. People only display a single flower [in a bamboo tube or a simple pot]. The wealthy have fine chess sets, but the box will have paper fixed under the lid to double up as the board. Edo’s sense of conciseness comes from continual fires." According to Professor Timon Screech, author of Tokyo Before Tokyo: Power and Magic in the Shogun’s City of Edo (Reaktion Books, 2020), the city is the source of much of what we consider to be Japanese culture: sushi, Mt Fuji, cherry blossoms. Tokyo Before Tokyo is a rich illustrated volume that presents the vibrant visual history of Edo. The book is presented as a series of vignettes, dealing with key landmarks and districts from the old city, from the Shogun’s castle to the famous red-light Yoshiwara district. In this interview, Professor Screech and I talk about the different vignettes that make up Tokyo Before Tokyo, and the role that Edo played in old Japan. We also investigate his decision to focus on landmarks and districts, and whether any of old Edo can be seen in today’s Tokyo. Professor Timon Screech is Professor of the History of Art at SOAS University of London. He is the author of at least a dozen books on the visual culture of the Edo period, including perhaps his best-known work Sex and the Floating World: Erotic Images in Japan, 1700-1820 (University of Hawaii Press, 1999). In addition to Tokyo Before Tokyo, his other most recent book is The Shogun's Silver Telescope: God, Art, and Money in the English Quest for Japan, 1600-1625 (Oxford University Press, 2020). In 2019, Professor Screech was elected as a Fellow of the British Academy. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Tokyo Before Tokyo. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

From its more mainstream, business-focused and business-friendly “Lean In” variants, to more radical, critical and intersectional understandings of feminism, the past decade has seen a flourishing of discussion from those proposing and critiquing different schools of thought for the way we think about gender in society. Dr. Eugenia Cheng’s addition to this conversation is x+y: A Mathematician's Manifesto for Rethinking Gender (Basic Books, 2020). She applies insights gained from her mathematical background to propose a new way to talk about gender and to propose an alternative: the terms “ingressive” and “congressive” behavior. In this interview, Dr. Cheng and I talk about what we gain from bringing a mathematical understanding to questions of social relations and structures. We talk about how she rethinks “gender”, and the new terms she proposes in her book. We end with a short discussion of whether these insights are applicable to conversations about other demographic and social identifiers. Dr. Eugenia Cheng is a mathematician and concert pianist. She is Scientist In Residence at the School of the Art Institute of Chicago and holds a PhD in pure mathematics from the University of Cambridge. Alongside her research in Category Theory and undergraduate teaching her aim is to rid the world of “math-phobia”. She was an early pioneer of math on YouTube and her videos have been viewed over 15 million times to date. Her other books are How to Bake Pi: An Edible Exploration of the Mathematics of Mathematics (Basic Books: 2016), which was featured on the Late Show with Stephen Colbert, Beyond Infinity: An Expedition to the Outer Limits of Mathematics (Basic Books: 2017) which was shortlisted for the Royal Society Science Book Prize in 2017 and The Art of Logic in an Illogical World (Basic Books: 2018) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of x+y. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

"The Volga! There is a mystery, a charm in all mighty rivers, which has ever made us gaze upon them with an interest beyond that inspired by other great and glorious sights; but to look on the largest of the European rivers gave a thrill of joy surpassing all former pleasure of the kind." This quote by Robery Bremner in 1830 opens Professor Janet M. Hartley’s latest history, The Volga: A History (Yale University Press, 2021). The book uses the Volga to frame the history of Russia: from its pre-Russian state through the growing Russian Empire, and ending with the Soviet Union and today’s Russian Federation. The book presents the Volga as both a divider between “East and West”, but also a meeting ground of different cultures and ideas — and how that drove efforts to create the Russian identity. In this interview, Janet and I talk about the Volga, and its central place in Russian history. We talk about how the Volga connects to trade, cultural exchange and the formation of the Russian state and identity. Finally, we explore what we gain by looking at a country’s history through a geographical feature like a river. Janet Hartley is Professor Emeritus of International History at the London School of Economics and Political Science, where she worked for over 30 years. She is the author of seven books on Russian history including Siberia: A History of the People (Yale University Press: 2014). She has also edited or co-edited 7 books and written many articles on Russian history in the eighteenth and early nineteenth centuries. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Volga. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

An old farmer, trying to build a plane in his village. A young man that gambles everything on the roaring stock market. A community transformed by a magical fruit that evokes vivid memories. A Chinese woman unable to understand her American partner. People stuck in a train station, waiting for a train that never comes. These stories, among others, make up Land of Big Numbers (Mariner Books: 2021), the debut story collection by Te-Ping Chen. Chen’s fiction spans a wide array of styles and narratives, from vignettes that feel like they could have been plucked from the newspapers, through surreal allegories for Chinese society, to character examinations of cross-cultural relationships. In this interview, Te-Ping and I talk about the different stories in “Land of Big Numbers”, and her choice of styles, narratives and themes. We talk about how these stories are based on her time in China, as well as the differences between writing for fiction and writing for journalism. Te-Ping Chen is a fiction writer and journalist. She is a Wall Street Journal correspondent in Philadelphia who was previously based in Beijing and Hong Kong. Her fiction has been published in The New Yorker, Granta and Tin House. She can be followed on Twitter at @tepingchen. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Land of Big Numbers. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Journey to the West, and especially the character of Sun Wukong, the Monkey King, is beloved by readers across China, East Asia, and beyond. The story and its characters have been written and rewritten in books, comics, graphic novels, movies, television shows, and video games. In many ways, Journey to the West and Son Wukong have become archetypes: stories and characters that people refer to and recognise, without ever looking at the original source material. But for those interested in reading the original novel, we now have a new translation of Journey to the West (Penguin Classics: 2021) from Professor Julia Lovell. This new translation takes the original 1592 novel by Wu Cheng’en and presents its adventures, humor, satire and spiritual insights for a modern audience. In this interview, Julia and I talk about Journey to the West: its story, its characters, and its history, before and after the publication of the 1592 novel. We talk about what motivated this new translation. Finally, we end by discussing how Journey to the West and the Monkey King have had an impact on popular culture far beyond China, through Japan, Southeast Asia and the West. Julia Lovell is a Professor of Modern Chinese History and Literature at Birkbeck, University of London. Her research primarily focuses on the relationship between culture and modern Chinese nation-building, and on the wide-ranging impacts of modern China’s encounters with the world beyond its borders. She is the author of several well-received histories of China, including The Opium War: Drugs, Dreams and the Making of China (Pan Macmillan: 2011), and Maoism: A Global History (Bodley Head: 2019). She has also translated several works of Chinese literature, including The Real Story of Ah-Q and Lust, Caution. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Monkey King. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The French philosopher Jacques Derrida once described his idea of absolute hospitality as follows: Absolute hospitality requires that I open up my home and that I give not only the foreigner, but to the absolute, unknown, anonymous other, and that I give place to them, that I let them come, that I let them arrive, and take place in the place I offer them, without asking of them either reciprocity (entering in a pact) or even their names.  Be My Guest: Reflections on Food, Community, and the Meaning of Generosity (Knopf, 2020) by Priya Basil uses food — the act of cooking, eating, and hosting — as a vehicle to discuss the meaning of generosity. Drawing on her family’s and her own experiences in India, Kenya, and Germany, along with many other cultural references, she discusses what it means to be a host and guest, on the personal and the social-political level. Some of the themes of Be My Guest are discussed in her 2019 essay for The Observer, “Being a good host is about more than just the food,” and in a video for the Humbodlt Forum, “Locked in and Out”. In this interview, Priya and I talk about the meaning of generosity, and how it relates to food. We talk about whether there are differences in how people both offer and receive generosity, and how these differences connect to our politics. Priya Basil was born in London to a family with Indian roots, and grew up in Kenya, moving to Berlin in 2002. She has published two novels and a novella, as well as numerous essays for various publications, including The Guardian. Her fiction has been nominated for the Commonwealth Writers' Prize, the Dylan Thomas Prize, and the International IMPAC Dublin Literary Award. Basil is also the cofounder of Authors for Peace, a political platform for writers and artists, established in 2010. She is also a co-founder and co-editor of the literary-political journal Rhinozeros – Europe in Transition. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Be My Guest. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

In 1935, the writer Baburao Patel writes the following about Bombay’s film industry: “In India, with financing conditions still precarious, the professional film distributor thrives. . . . He comes with a fortune made in share and cotton gambling, advances money to the producer at a killing rate of interest plus a big slice of royalty and recovers his investment by blackmailing the exhibitors into giving heavy and uneconomic minimum guarantees. His only aim in life is to multiply his rupee and in prosecuting this aim he does not worry about the future of the industry or about the existence of the producer or exhibitor.” It’s a hectic time for India’s film industry, as it is for films everywhere, as the silent era becomes the talking era. Debashree Mukherjee’s Bombay Hustle: Making Movies in a Colonial City (Columbia University Press: 2020) examines this key period of India’s film industry, from finance and casting to screenwriting and production, and brings into view the experiences of the marginalised film workers and forgotten film studios that made up this early period of industry. In this interview, Debashree and I talk about the transition from silent to talking movies in Bombay, along with the historical context and working conditions for those in the city’s historical film industry. Those interested in learning more about the film industry in 1930s Bombay can visit the Wildcat of Bombay Instagram account at @wildcatofbombay (recommended by Debashree!) Debashree Mukherjee is Assistant Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies at Columbia University. Debashree edits the peer-reviewed journal BioScope and has published in journals such as Film History and Feminist Media Histories. In a previous life Debashree worked in Mumbai’s film and TV industries as an assistant director, writer, and cameraperson. More information can be found on Debashree’s website, and she can be followed on Twitter at @Debashree2017. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bombay Hustle. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Around the Chinese New Year period, millions of Chinese migrant workers return home from jobs in China’s major cities to their rural villages to visit their families. China’s urban centers and factory towns rely on migrant workers from provinces like Guizhou: places that are still relatively underdeveloped, despite the massive growth seen on China’s coasts. The fact that, this year, many migrants likely can’t return home due to the COVID-19 pandemic is a reminder of the instability that defines much of their lives. The Myth of Chinese Capitalism: The Worker, the Factory, and the Future of the World (St. Martin’s Press: 2020) by Dexter Roberts studies the lives of China’s migrant workers, based on Roberts’ twenty years of reporting from the country since it joined the World Trade Organisation in 2001. The book combines big-picture analysis with on-the-ground reporting, using the story of the Mo family to reveal the underlying problems in China’s economic model. The book was named one of the Economist’s Best Books of 2020. In this interview, Dexter and I talk about China’s migrant workers and how their struggles reveal the potential instabilities in China’s growth model. We talk about what a migrant worker’s life is like, and how it may have changed in the past twenty years. We also touch on what’s happened since his book was published, as referenced in recent articles like: “The Discontent of Migrants Looms Over China”, The Wall Street Journal, March 6th, 2020. “Don’t Count on China to Lift the Global Economy”, Foreign Affairs, April 8th, 2020. Dexter Roberts is an award-winning writer and speaker on China, now serving as a Senior Fellow at the Atlantic Council Asia Security Initiative. He is also a fellow at the Maureen and Mike Mansfield Center, and an adjunct instructor in political science at the University of Montana. Previously he was China bureau chief and Asia News Editor at Bloomberg Businessweek, based in Beijing for more than two decades. He also publishes a weekly newsletter called Trade War. More details can be found on his personal website. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Myth of Chinese Capitalism. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

At 10:20pm on August 15th, 1969, Ravi Shankar — then, and still, the most famous practitioner of the sitar and Indian classical music — takes the stage at Woodstock. It’s arguably the zenith of Indian music’s popularity in the West, with musicians like the Beatles, the Byrds and Led Zeppelin embracing elements of Indian music. But this was merely the middle-point of Shankar’s artistic development, nor was it a personal highlight in a long and storied career. For many musicians in several different genres, both in and outside of India, Shankar is the most important messenger for the ideas and concepts of Indian music. Indian Sun: The Life and Music of Ravi Shankar (Faber & Faber / Hachette: 2020) by Oliver Craske is the first full biography on Shankar’s life, charting Shankar’s musical journey — from accompanying his older brother, the dancer Uday Shankar, on world tours at a young age, through the height of his worldwide acclaim in the late Sixties, to the end of his life as the most respected performer of Indian classical music. More details about Indian Sun can be found on the book’s official website. In this interview, Oliver and I talk about the life of Ravi Shankar, and the many ways his music was important both in and outside of India throughout the Twentieth Century. We talk about the fundamentals of Indian classical music, and whether India’s music plays an important role in the country’s “cultural soft power.” Those interested in experiencing Ravi Shankar’s music for themselves can access this Spotify playlist, curated by Oliver Craske. Oliver Craske is a writer and editor, with a longstanding interest in Indian music. He first met Ravi Shankar in 1994, and worked with Shankar on his autobiography. Craske is also the author of Rock Faces: The World's Top Rock'n'Roll Photographers and Their Greatest Images (RotoVision: 2004), a survey of leading music photographers. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Indian Sun. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review