In memory of Peter Byrne, the longest-surviving member of the Four Horsemen of Sasquatchery. After looking for Bigfoot for decades, the 97-year-old tracker passed away in August 2023. Host Laura Krantz had the opportunity to interview him in 2017, and learned that his search for Sasquatch was only one adventure in a life that was jam-packed with them.

Announcing "The Search For Sasquatch", a middle-grade, non-fiction book based on the first season of Wild Thing! Both the hardcover book and the audiobook (narrated by Laura Krantz), will be out on October 11, 2022. Here's a sneak listen to the first chapter. The audiobook is available for preorder here and there's also a beautifully illustrated hardcover edition! 

A faulty reactor overheats, melting through its containment unit and poisoning a nearby town with radioactive gas. A spacecraft pushes further into deep space, exploring new galaxies, powered by a small nuclear reactor. An ordinary scientist is struck by cosmic rays—and finds he has new powers. Fiction? Or fact? Or a little of both? Stories of nuclear peril and promise permeate American media, and especially comic books. A preview of a special bonus episode, in which we explore atomic comics and why nuclear ideas captured artists’ imaginations. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes (like this one), not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

What were the long-term effects of the SL-1 explosion? Nuclear power is a shrinking part of America’s energy picture; accidents and fear have tarnished it, and the old reactor fleet is reaching its end. Yet nuclear energy could provide a bulwark against the looming threat of climate change. Is it something we can make work for us, in spite of ourselves? Are the costs worth it in the long run? Sixty years on, what do we know—and are we better prepared? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

Incidents like Chernobyl and Fukushima are often what comes to mind when we think about nuclear energy. Thankfully, events like these actually very rare. So does that mean the risks we associate with atomic power are as bad as we think? How good are we at actually assessing those risks? And can we make things even less risky by removing humans from the equation? That’s how some next generation projects hope to make nuclear energy safer. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

The aftermath of SL-1 highlighted a problem that we still haven’t solved, despite decades of searching for a solution: what to do with the waste. Our plans to store nuclear waste inside Yucca Mountain in Nevada fell through. So now what? Can we safely contain these materials? Should the waste be in one location, or many? How do we warn future generations about the dangers these materials pose? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

As firefighters and medical personnel staged operations at SL-1, a plume of radioactive gas silently made its way over the Idaho desert, creeping towards the nearby towns. How much of a risk did the explosion at SL-1 actually pose? And what does radiation actually do to the human body? We are constantly bathing in what’s called background radiation—so where is the line? How much is safe and how much is too much? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

The only three people who really knew what had transpired at SL-1 were dead, and it would take months to determine what likely happened—plenty of time for rumors and gossip to take hold. Was there a love triangle? A fight gone wrong? A murder suicide? A government cover-up? Or was all of this rumor and innuendo simply a distraction from the real problems? And, ultimately, what information could people trust? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

Two of the men working the reactor that night had personal problems. They hated each other. They fought with their bosses. And those problems could easily distract a man from his work—but what does that mean when you’re working with nuclear materials? At a reactor that, although managed by the military, seemed to be falling apart due to infrastructure issues, mechanical failures, and lackluster maintenance? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

The horrifying devastation of Hiroshima and Nagasaki proved the destructive capabilities of nuclear power. But, in the aftermath of World War II, we started to experiment with how we could use atomic energy for good. It was the dawn of a new era in science, and, in that spirit, thousands of men arrived in Idaho, including the men whose deaths would later signify the difficulty of achieving this atomic America. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

How did we figure out that such a tiny particle—an atom—held all that power? For that matter, what is an atom? A primer on the basics of atomic energy—including its destructive capabilities—to help us better understand the events that unfolded roughly 20 years later at SL-1. We’ll get a (basic!) lesson in nuclear physics from scientists, and explore some of the history that brought atomic power to the Idaho desert. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

Two dead men. One man missing. A hole blown in the side of the reactor. A cloud of radioactive gas so hot, it was off the charts. What happened with the SL-1 reactor feeds into our deep fear about the dangers of nuclear energy. But we remain intrigued by the possibilities of an atomic future, especially at a time when we need clean energy more than ever. Are the risks worth the rewards? And have we learned from past mistakes? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is generously sponsored by First Light Capital Group and produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

'Oumuamua is long gone—out of sight and almost impossible to reach. The excitement over it generated endless fascination about what (and who) might be out there. Ultimately, that’s what this search for extraterrestrial life represents—a series of questions that don’t have good answers and may never have them, not now, not in another millennia. So why search? What does it matter? What are we hoping to find? And what does it mean if we don’t find anything at all? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

Our views on aliens can often be uplifting, offering a glimpse of a better, technologically-bright future, or a glimmer of hope about our ability to survive. In some cases, our thoughts about them are almost spiritual, as though aliens are divine beings. To understand why, we make a trip to Colorado’s UFO Watchtower, which has become something of a shrine for the alien faithful, and talk to author Sarah Scoles about why people place their faith in aliens and UFOs. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

American culture is saturated with extraterrestrial and UFO references—and we still can’t get enough. Hollywood has raked in billions on alien-themed programming and it comes in every flavor you can imagine—from horror to camp to science fiction to documentary. What’s the cultural appeal? Why aliens as opposed to any other topic? How have these imagined aliens evolved as we have? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

We’ve been broadcasting our presence for about 85 years now, with radio, television, and radar, essentially spamming space with all kinds of messages. What would we do if someone answers back? What if our message reaches someone, or something, hostile? Others argue that we should be trying to communicate with whoever might be out there. But who should do the talking? And what would we say? *Wild Thing premium members get access to all of season 2, ad free, plus exclusive bonus episodes. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

To really look for intelligent extraterrestrial life, say scientists, we have to look way far out into space. A new set of initiatives—the Breakthrough Initiatives—are experimenting with cutting-edge technology to do just that. These new ideas, funded by private industry instead of the government, are the future of the search for extraterrestrial intelligence—and we hear from the scientists who are leading the charge. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

In 2017, the nation’s prominent newspapers published outlandish-sounding stories about a secret UFO program run by the Pentagon. We talk to retired Navy pilot Ryan Graves who recalls seeing some weird objects and speak with Luis Elizondo, who supposedly ran this Pentagon program. What was the military looking for? What did they find? And what are they hiding? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

For all the people who think there’s life somewhere out there in space, there are also those who think the best place to look for it is closer to home. Thousands of people claim to have seen UFOs or have had alien encounters and one of those most famous of these happened in 1947 in the desert outside Roswell, New Mexico. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

What’s the actual likelihood of extraterrestrial life? Especially intelligent life? 60 years ago, astronomer Frank Drake took a crack at calculating those odds and his famous Drake Equation still resonates with scientists and UFO enthusiasts alike. We breaks down the equation for us, piece by piece, and talks about the chance of finding something and whether we’re any closer to the answers. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

We’re surrounded by life here on Earth—and given how huge the galaxy is, it’s got to be out there on other planets, too, right? But where to look? What to look for? And would life on other planets be anything like life here? It turns out that while we know a lot about life on this planet—like what it needs to survive—we’ve still got a lot to learn. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

'Oumuamua almost slipped past Earth before an astronomer caught sight of this weird object. What was it? Some scientists thought it was just a comet; others, like Harvard astronomer Avi Loeb, theorized it could be an alien spacecraft. And why not? While tabloid aliens elicit giggles, loads of serious scientists, statesmen, and even members of the military, consider extraterrestrial life a real possibility. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

Introducing Searching for Wild Thing! This is the first episode of a kid-friendly version of Wild Thing that host Laura Krantz made in collaboration with Pinna, an ad-free, kidSAFE-certified, audio streaming service developed exclusively for kids, ages 3-12. Listen to this first episode of the ten-part series and, if you like what you hear, you can subscribe to the whole season through Pinna.  *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more!

Bigfoot researchers remain optimistic that Sasquatch is out there; that the creature will one day be found. Why? Why do people continue to believe? We’ll talk to professional skeptic Michael Shermer about the nature of belief. And we’ll look at why—even for those who think Bigfoot is a complete myth—the idea of Bigfoot holds so much appeal. What makes us so fascinated by this creature? Why do we want so badly to believe that it’s out there? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 1 of Wild Thing is produced by Laura Krantz, Scott Carney, and Kelsey Ray. Editing by Alisa Barba. Music and mixing by Ramtin Arablouei.

Chances are, you’ve already seen Bigfoot. On pizza boxes, advertising jerky, drinking beer, driving monster trucks. There are a lot of people who really do believe. There are even more who just think the idea of Bigfoot is fun. And then there are those who see Sasquatch as a real cash cow. A Cash-squatch. We’ll sit down with CEOs and creative directors to find out what’s in a name and a logo. No doubt about it—Bigfoot is big business and Sasquatch sells. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 1 of Wild Thing is produced by Laura Krantz, Scott Carney, and Kelsey Ray. Editing by Alisa Barba. Music and mixing by Ramtin Arablouei.

Bigfoot can be tongue-in-cheek fun - but what happens if you take it seriously? There are the people who’ve risked their professional careers and personal reputations, and expended a lot of time, money and energy seeking out Sasquatch. We’ll attend an exclusive symposium, for the crème de la crème of Bigfoot researchers, and hear from many who’ve been ridiculed for their interests. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 1 of Wild Thing is produced by Laura Krantz, Scott Carney, and Kelsey Ray. Editing by Alisa Barba. Music and mixing by Ramtin Arablouei.

Tired of waiting around for other people to find Bigfoot, Laura goes into the woods (with some experts). This particular outing is led by Cindy Caddell and three other seasoned ‘Squatchers, out in Oregon’s Mt. Hood National Forest, who explain what it takes to go looking for Bigfoot. And once the sun sets, we’ll hear a few hair-raising stories around the campfire before heading out on a nighttime hike. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 1 of Wild Thing is produced by Laura Krantz, Scott Carney, and Kelsey Ray. Editing by Alisa Barba. Music and mixing by Ramtin Arablouei.

Everywhere you go, you leave bits of yourself behind - and Bigfoot would no different. But now, those DNA droppings are easier than ever to analyze, making it possible to identify a species, even without a body. We’ll talk to Dr. Todd Disotell, a molecular primatologist at New York University and a regular on Spike TV’s $10 Million Bigfoot Bounty, about the magic of DNA analysis and what it might mean for Bigfoot. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 1 of Wild Thing is produced by Laura Krantz, Scott Carney, and Kelsey Ray. Editing by Alisa Barba. Music and mixing by Ramtin Arablouei.

A Bigfoot sighting can apparently change your life and even lead to obsession. Thousands of people claim to have laid eyes on Sasquatch over the past century and Laura’s spoken to dozens of them—compelling stories that will set your hair on end. If they didn’t see Bigfoot, what did they see? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 1 of Wild Thing is produced by Laura Krantz, Scott Carney, and Kelsey Ray. Editing by Alisa Barba. Music and mixing by Ramtin Arablouei.

Let’s look at the evidence. There are footprints and sounds, grainy pictures, and the notorious Patterson-Gimlin film—that shaky 1967 video of a big, hairy beast striding through the forest. But how well does it hold up? We hear from a variety of people—the skeptics and the certain—who make their case for what evidence is out there. How much of it stands up to scrutiny? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 1 of Wild Thing is produced by Laura Krantz, Scott Carney, and Kelsey Ray. Editing by Alisa Barba. Music and mixing by Ramtin Arablouei.