We've spent this fall season looking at some of the best stories to teach in creative writing workshops. It's our last week, and we're talking flash fiction. Definitions of flash vary, but generally speaking the term seems to apply to short stories of fewer than 1,000 words. We discuss our approaches toward teaching flash fiction generally, and then we dive into a few specific pieces: "What Happened to the Phillips?" by Tyrese Coleman; Jacob Guajardo's "Good News Is Coming"; "When It's Human and When It's Dog" by Amy Hempel; and two short pieces by Joy Williams. If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

This week, we're discussing stories told from multiple points of view. It can be difficult enough to successfully capture a single character's consciousness on the page, which makes our first story pick especially impressive: "The Casual Car Pool," by Katherine Bell, which originally appeared in the fall 2005 issue of Ploughshares. Our second pick takes a different tack to exploring multiple characters, keeping a distanced, fly-on-the-wall perspective: J.D. Salinger's "A Perfect Day for Bananafish." We talk about how we approach point of view when teaching creative writing classes, particularly when it comes to the varieties of third person narration. We also talk about the difficulty of writing from multiple points of view in a single story, and whether it's something we'd encourage or discourage our students from trying. Also this week: one last trip into the NaNoWriMo forums! If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

This fall, we've been talking about the best stories to teach in a creative writing class. For this week's competition, we're discussing dialogue, and pitting a story by Mary Miller against one by George Saunders. In Miller's story, "Aunt Jemima's Old-Fashioned Pancakes," a teenage girl navigates friendship, romance, and weird dads. In Saunders' "Pastoralia," a man navigates a very strange job and a difficult coworker. Also this week: another trip into the NaNoWriMo forums! If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

This week we welcome author Steph Cha (Your House Will Pay) to discuss a book she read as a kid and wanted to revisit: Amy Tan's novel The Joy Luck Club. Cha says she first read the novel in large part because she'd seen her mother reading it. Now, having written several books of her own, and having thought more deeply about Asian-American literature, what would she think of Tan's breakout book? We also talk about basset hounds, crime novels, Los Angeles in the '90s, the politics of Nest cameras, and being a top Yelp reviewer. If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

This week we're looking at two stories that take on current events--in one case, a story about refugees at the American-Mexico border, and in the other, a story about a white college student who gets called out after posting a picture of herself in a Confederate-flag bikini. We talk about the benefits, and potential drawbacks, of teaching stories about current political controversies in a creative writing class, and how we might approach those stories with our students. Also: in a landscape crowded with really compelling narrative nonfiction, what can fiction, specifically, add to the political discourse? Also, it's November, which means more fun with the NaNoWriMo forums! If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

This week, we're on the hunt for stories that do interesting things with time. More specifically, we talk about how "time" can be a useful angle into talking about story structure in a creative writing class. Our story picks are Stuart Dybek's "Paper Lanterns" and Raymond Carver's "Are These Actual Miles?" (or, "What Is It," depending on what version of the story you've got). Also: it's November, which means it's National Novel Writing Month, which means it's time for us to visit the NaNoWriMo forums! If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

This week, you might say that we're on a quest to find the best quest story to teach in a creative writing class. For years, both of us have taught Sherman Alexie's "What You Pawn I Will Redeem," but for a variety of reasons--including accusations of sexual harassment against the author--we're looking for something new. Will it be Charles Yu's story "Fable," or Chris Offutt's "Out of the Woods"? If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

This week, we're continuing our quest for the best stories to use in a creative writing course, with pieces where setting plays a strong role: Tony Earley's "The Prophet From Jupiter" and "Roots" by Michael Crummey. We talk about how both authors evoke a strong sense of place through small details, and how to discuss that kind of world-building with creative writing students. If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

This week, we're continuing our quest for the best stories to use in a creative writing course, with pieces about breakups: Courtney Bird, "Still Life, With Mummies" and "Cat Person" by Kristen Roupenian. You might remember the latter as "that story that went viral and briefly broke the internet," spurring hot takes from a bunch of people who seemingly hadn't read a short story in a very long time.   If you like the show, and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

This week, we're continuing our quest for the best stories to use in a creative writing course, with pieces that incorporate magical elements: "The Healer" by Aimee Bender versus a trio of very short stories by Etgar Keret. We talk about what the term "magical realism" actually means, and how we introduce it in the classroom. We also discuss ways to open up a fiction class to a diversity of styles and genres while still assuring that students are challenging themselves and trying new things. Plus: Are magicians creeps? And Tom revisits the work of Jim Harrison, mostly out of spite. If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

This fall, we're exploring the canon of creative writing, trying to find the best stories to teach in creative writing classes. Each week we'll have a different theme, either a craft element or type of story, and we'll each nominate a story we think works particularly well in the classroom. We'll pit the stories against each other and by the end of the episode crown a winner. This week we've got two second person stories: "How to Leave Hialeah," by Jennine Capo Crucet, going up against Lorrie Moore's "How to Be an Other Woman." If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

It's a new season on the calendar, and that means a new season of Book Fight. This fall, we're going to be exploring the canon of creative writing, trying to find the best stories to teach in creative writing classes. Each week we'll have a different theme, either a craft element or type of story, and we'll each nominate a story we think works particularly well in the classroom. We'll pit the stories against each other and by the end of the episode crown a winner. This week we've got Denis Johnson going up against Matthew Vollmer, with two stories featuring unreliable narrators: "Emergency" and "Will and Testament." If you like the show, and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

It's the last week of our Summer School season, and we're ending on a book (and author) Tom had never read. Topics include: Diner en Blanc, the titular lighthouse (and whether they'll ever reach it), mental health, donut holes, pumpkin spice, and why the kids these days love the TV show Friends. If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest romance novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

For years, Mike would see references to Ford Madox Ford in articles about famous modernist writers and think: "I should really check that guy out one of these days." Well, listeners, that day is today. Mike drags Tom along for an exploration of The Good Soldier, Ford's most famous book, a short novel about two couples whose lives intersect at a German spa for people with heart ailments. "This is the saddest story I have ever heard," the book begins, before plunging readers into a sometimes disorienting tale of infidelity and (maybe?) murder. We talk about the book's non-chronological storytelling technique, as well as the unreliable narrator at its center, whose version of events we're never quite sure how much to trust. Also this week: #DonutQuest2019 continues, with Tom bringing over a couple samplings from his home state of New Jersey.

This week is a Tom pick: a novella by Jim Harrison featuring his beloved character Brown Dog. In "The Summer He Didn't Die," Brown Dog has some tooth problems, and also some sex. Just regular old Brown Dog stuff. Harrison is considered a master of the novella form, and a chronicler of Michigan's Upper Peninsula. Is this his best work? Reviews are mixed. Also this week: Mike continues his summer-long quest for a good donut, with a return trip to Philly favorite Federal Donuts. If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest romance novels. And starting this week, we'll be adding new mini-episodes in a series called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations. Thanks for listening!

Welcome to Week Two of a series we didn't intend to undertake: Tom and Mike Read Books They're Not Quite Smart Enough to Understand. Actually, we did a slightly better job with this one than we did with last week's reading, Jenny Boully's The Body. Though we can already hear the sound of 1,000 grad students rolling their eyes in response to our discussion of Barthes. But hey, we're giving it our best. We can't help it if there are rocks where our brains are supposed to be. This week's book was a Mike pick, because he's been on the English department faculty of a major university for too long to not have read anything by Roland Barthes. A Lover's Discourse was billed as one of his more accessible works, so we figured it could make a good starting place. And it wasn't bad! At least the parts that we understood. Which were some of the parts! If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Robocop.

This week we're talking about a lyric essay that was first published in 2002 and has since become part of a new canon of creative nonfiction: Jenny Boully's "The Body," which first appeared in The Seneca Review and was re-released in book form by Essay Press. The big question of this episode: are we smart enough to understand this piece, which is written in footnotes to an invisible text? Or is it even a thing meant to be "understood" in a traditional narrative sense? Is it a beautiful evocation of a language that's just beyond conventional meaning? Is it a whole bunch of word salad? And, seriously, are we big dummies who just barely manage to get our pants on each morning? Also this week: In Mike's continuing search for a good donut, he pits two bitter Pennsylvania rivals against each other. That's right, it's Sheetz vs. Wawa. If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Robocop.

Welcome back to our Summer School season, in which we're reading books, stories, and essays we feel like we should have read by now. John McPhee was in that category for Mike, especially as he's been teaching (and writing) more creative non-fiction. McPhee is a celebrated essayist who started out at Time Magazine and then moved on to a lengthy career at The New Yorker. In 1969 he wrote a long piece about a tennis match between Arthur Ashe and Clark Graebner that became a short book, Levels of the Game. Renowned as not just a piece of sports writing, but as a study in two contrasting characters at a pivotal moment in American history, McPhee's essay/book is considered a master of its form. We talk about the essay, and about the very different turns the lives of its principle subjects took after it was published. We also talk about how McPhee put the piece together, which involved lugging a suitcase-sized projector down to Puerto Rico for a U.S. Davis Cup match. Also this week: Mike tries again to eat a good donut. If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Robocop.

Thom Jones graduated from the Iowa Writers Workshop in the late 70s, but didn't truly find his voice--and critical success--until "The Pugilist at Rest," which was published in The New Yorker in 1991. After that story, Jones published pieces in other big-name magazines and pretty quickly had a story collection out in the world. Journalists really latched onto the late-bloomer story, as well as the fact that Jones was working as a janitor when "The Pugilist at Rest" was published. We talk about the story, and also about the mythology around Jones, who died in 2016. Also this week: Mike's continuing quest to eat a good donut, and why Tom is so tired of reading stories about the 60s. If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Robocop.

Neither of us had read anything by Sally Rooney, who has been called "the first important Millennial novelist" and "Salinger for the Snapchat generation." Both of her novels have garnered high praise from both critics and celebrities, including Zadie Smith and Sarah Jessica Parker. So it seemed like time for America's Most Important Books Podcast to finally weigh in. We chose Rooney's first novel, Conversations With Friends, about a kind of love triangle (love rhombus?) between a young woman named Frances, her former girlfriend/current best friend Bobbi, and an older married couple, Melissa and Nick. We talk about the book's politics, the narrator's voice, and what it means to be a "Millennial novelist." Also this week: Mike's continuing quest to find a good donut gets complicated. If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Robocop.

This week we're discussing Annie Dillard's famous essay, "Total Eclipse," about the time she saw a total eclipse. Neither of us had read it before, and neither of us is quite sure whether we like it. We get Geoff Dyer's opinion, and Robert Atwan's, and a couple dissenting opinions from Goodreads, as we try to decide what to make of it. If you've never read the piece, you can do so here, via The Atlantic. Also this week: Mike tries Indonesian food, and continues his quest for the perfect donut. And Tom has opinions about the best way to cook a s'more. 

We're continuing our Summer School season of the podcast, in which we're reading things we feel like we should have gotten to by now. This week is Mike's pick, a novella set in a gossipy small town and ending with a knock-down, drag-out fist fight between a woman and her ex-husband. We talk about McCullers' writing and her life, including her apparent inability to successfully bed a woman, despite many attempts. Also this week: Is the word hunchback offensive? Why is so much academic writing impenetrable? And Mike finally sees Jaws! If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Robocop.

We're continuing our Summer School season of the podcast, in which we're reading things we feel like we should have gotten to by now. This week is a Tom pick, a particularly famous essay by James Baldwin about the death of his father, bitterness, and race in America. Tom had read other Baldwin works before, but never this piece. We talk about the ways this essay still feels relevant to American life, and the strength of Baldwin's prose and his intellect. We also check out some middling Goodreads reviews of Baldwin's work, to see what the people are complaining about. Plus: bad donuts, missed opportunities, Eagles songs, and why every poet is into astrology. If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Robocop.

This week we're kicking off a new season of Book Fight: Summer School! The idea is that we'll dive into books, stories, and essays that we feel like we should have read by now. That could mean classics, but it could also mean contemporary work that's been sitting on our to-read pile for a long time, or that we've been avoiding for one reason or another. For the first Summer School episode we've got a Mike pick: an essay from John D'Agata's book Halls of Fame. Mike's been meaning to get to some of D'Agata's work for years now, despite having mixed feelings about his relationship to the truth and "truthiness" (as explicated in the book The_Lifespan_of_a_Fact, which traced the back-and-forth between D'Agata and a fact-checker at the Believer who found a number of factual errors in his piece about suicides in Las Vegas). If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Robocop.

We're taking a quick break between seasons of the show, getting our ducks in a row for Summer School--in which we'll be reading books, stories, and essays that we feel like we should definitely have read by now, but have skipped for one reason or another. In the meantime, here's a bonus episode that was originally available only to our Patreon subscribers. Back in the fall, we read the debut novel by Nicole "Snooki" Polizzi, star of the MTV reality show Jersey Shore. A Shore Thing follows a Snooki-like character and her BFF as they navigate the Jersey Shore boardwalk for a summer--jobs, drinks, and lots of boys. If you like this episode, you can subscribe to our Patreon and get one like it every month. For just $5 a month you can support the show and also get a Book Fight After Dark episode delivered to you each month.  Thanks for listening!

This week, we wrap up our Spring Forward season by diving into a new (to us) genre called climate fiction, or cli-fi. Matter published a collection of cli fi pieces in response to a Margaret Atwood essay wondering if fiction centered on climate change could change people's thinking or even spur action. Which seems like a noble pursuit, though these stories were kind of a mixed bag. We talk about the pitfalls of fiction that leads with its agenda, as well as stories that get mired in world-building and forget about the actual story part. Also: letters from children to the future, written in the 70s! If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Battleship (yes, based on the popular board game).

This week we're continuing our Spring Forward season by reading J.G. Ballard's 1973 novel High Rise, considered by many critics to be an under-appreciated gem. The book follows several characters as they deal with the breakdown of social order in a residential high-rise tower. The residents of the complex form clans, pitting the upper floors against the middle and lower floors, and what started as petty squabbling soon turns violent and deadly. We talk about whether the book's premise feels dated, tied as it is to the rise (pun sort of intended) of residential towers in both the U.K. and the U.S. during the 60s and early 70s. We also talk about Ballard's vision of human nature, which seems especially bleak, even cynical--though perhaps not entirely unrealistic. In the second half of the show, we talk a bit about architecture and urban planning in science fiction, from the Jetsons to Blade Runner, as well as Korea's "city of the future," which has loads of smart-city technology but not nearly as many people as planners had hoped for.  

This week we're continuing our Spring Forward season by diving into Mark O'Connell's book To Be a Machine: Adventures Among Cyborgs, Hackers, and the Futurists Solving the Modest Problem of Death. O'Connell, an Irish journalist and writer, throws himself into the world of transhumanism, spending time with a number of people who are trying, in various ways, to "solve the problem of death." That includes a company that will cryogenically freeze your head, scientists working to dramatically extend humans' life spans, and "grinders," who surgically implant pieces of technology inside themselves, in an attempt to become part machine. In the second half of the show, we revisit some early-80s predictions for jobs that would be "stolen" by robots, and try to figure out how many of those predictions came true. If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Battleship (yes, based on the popular board game).

As we continue our Spring Forward season--in which we're reading forward-looking books, stories, and essays--this week we checked out four famous Ray Bradbury stories and talked about Bradbury's visions of the future. The stories we read include one about a sentient house, one that introduced the idea of the butterfly effect to the world, one about a veldt (and some evil children) and one about a man out for an evening walk in a future society in which that kind of behavior can get you locked up. Also: Ray Bradbury fun facts! And an early-20th-century plan to give New York City a central vacuum system. If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Battleship (yes, based on the popular board game).

Since we're doing an entire season on future-looking books, stories, and essays, it seemed like it would be a real oversight to not consider at least one utopian novel. Ernest Callenbach wrote Ecotopia while living in Berkeley and working as an editor for the University of California Press. He couldn't find a publisher, but managed to get the money together to self-publish the novel (a more expensive, and more difficult proposition in 1974 than it is today). The book built up a cult following, and after an excerpt appeared in Harper's Magazine, Ecotopia was picked up by Bantam and given a wider release. Now, more than forty years after its release, it's a book that's still taught at universities and discussed in environmental circles. The novel is set in 1999, a few years after the Pacific Northwest and Northern California have seceded from the United States. The book's narrator is the first journalist to visit and report from inside Ecotopia; the book alternates between his newspaper dispatches and his personal journals. We talk about the book's utopian vision, and to what degree it still feels environmentally relevant. We also talk about utopians more generally. We live in a time when dystopian stories are everywhere--in novels, on movie screens, and on television. Is there room in our current world for utopian storytelling? And what might that look like? If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Battleship (yes, based on the popular board game).

In October 1951, Collier's Magazine gave over an entire weekly issue to imagining a possible war with the Soviet Union and its aftermath. Perhaps in the midst of American Cold War anxiety, this issue seemed less patently insane. But to a modern reader it's hard to fathom how Collier's got more than twenty authors to embark on a project that feels like one part anti-communist propaganda and one part teenage war fantasy. Also this week: a special issue of Penthouse that imagined sex in outer space (while also previewing the launch of OMNI Magazine).

This week we read a science fiction story by someone you probably don't associate with science fiction. In 1909, E.M. Forster wrote a story called "The Machine Stops" that imagines people living in isolation, in apartments under the earth, and communicating to each through technology that looks a lot like Skype. Also this week, we talk about futuristic stick-shaped foods.  If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Battleship (yes, based on the popular board game).

This week we continue our Spring Forward season by discussing a short story by Steven Millhauser called "The Dome. The piece envisions a future in which individual homeowners start building domes over their houses, followed by neighborhoods, then cities, then the entire United States of America. We talk about the story as a thought experiment, and how to write a successful story that has no characters (at least not in the traditional sense). In the second half of the show we talk about domes: dome houses, and proposals to cover towns and cities with domes.

This week we continue our Spring Forward season by discussing an essay by Matt Jones that first appeared in The New England Review and was then republished by The Lit Hub. The essay, titled "How Can We Warn Future Humans of the Poison We Buried Underground?", is a kind of thought experiment brought on by an actual project, in which a team of thinkers was tasked with coming up with a way to communicate to future societies that we'd buried nuclear waste under a specific spot in the desert. The essay delves into various ways that futurists think of possible futures, and the inherent optimist in even imagining a future. We also talk about what the future of food looked like to people in the middle part of the twentieth century, and atomic gardens, and Betty Crocker's Recipe Card Library. 

This week we're reading two stories that imagine rather bleak futures. In one, books have been outlawed and people have to write stories on their own skin. In the other, a strongman leader is putting the sun on trial. Plus: what did the future of food look like at the start of the 20th century? If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Battleship (yes, based on the popular board game).

Hello, Book Fighters! It's a new season, and that means it's time for a new seasonal theme: Spring Forward! For the next several week, we'll be reading future-looking stories, books, and essays, and talking about literary visions of the future throughout various times in history. First up, we've got two stories from a new anthology, edited by Victor LaValle and John Joseph Adams, A People's Future of the United States. Taking their inspiration from Howard Zinn's famous work of populist history, LaValle and Adams put out a call for writing that imagined the future from the perspective of the oppressed, the put-upon, the discriminated-against, and the marginalized. On this week's show we discuss two stories from the anthology, one which imagines a United States on the cusp of making slavery legal again, and one in which women's reproductive rights have been so curtailed that teenage girls sell condoms and IUDs on street corners. If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Battleship (yes, based on the popular board game).

This week we welcome two special guests: Christina Rosso-Schneider and Alexander Schneider, the husband and wife team behind A Novel Idea, a new bookstore in South Philly's East Passyunk neighborhood. When we have guests, we let them pick the book we'll read and discuss, and Christina and Alex picked R.O. Kwon's 2018 debut novel The Incendiaries. We'd all heard lots of buzz about the book, but would it live up to the hype? We also talk to them about what it's like to open a small indie bookstore in 2019. How do you make the business model work? How do you choose which books to stock? And how do you explain the concept of a bookstore to people who walk in off the street and seem confused by it?

Our special 90s season has come to an end, but we're capping it off by reading a book that has been described as "the ultimate 90s project" despite actually being published in the early 2000s. Chuck Klosterman made his reputation by taking silly pop culture seriously, a mission not too far removed from a certain literary magazine your humble hosts have some involvement with. One of us (Mike) read this book of essays when it came out. The other of us (Tom) was familiar with Klosterman's sports-adjacent work, but less familiar with his other writing. We talk about whether the book has aged well or poorly, and what we think of Klosterman's opinions about music, reality television, and sports. If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Battleship (yes, based on the popular board game).

Last week we wrapped up our year-by-year journey through the 90s, but that doesn't mean it's time to stop talking about the decade. This week we're diving back in to look at some early online lit mags, including elimae, Eclectica, Blue Moon Review, and Nerve. We dive into the history of each publication, sample some work from the archives, and talk about how they fit into the larger literary ecosystem. If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Battleship (yes, based on the popular board game).

This week we're doing something a little different for our 1990s-themed Wayback episode. Instead of reading a single book, story, or essay, we're diving into two issues of Story Magazine from the end of the decade--just before the venerable literary magazine folded for a second time, coincidentally.  Story recently came back from the dead once again, and has a new issue out this month. In addition to Story, we talk about whether certain short stories feel "90s" to us, and how that work has aged. We've also got our regular Wayback segments, including what's new (in 1999) with video games, as well as the intersection of publishing and technology (blogs!). Plus Mike revisits the 1999 Katie Holmes-Sarah Polley movie Go.

For this week's episode we're talking about Meghan Daum's 1998 essay, "On the Fringes of the Physical World," which details her mostly-online relationship with a man who reached out to her with a fan email.  We also talk about the promise (and disappointment?) of hypertext fiction, the beginnings of fantasy football, and the movie You've Got Mail.  

This week we're revisiting Ghost World, the 1997 graphic novel by Daniel Clowes. The book pulled together material from the serialized comic Clowes wrote over several years and published in his 20th Century Eightball series of anthologies. Later it was made into a movie starring Thora Birch, Scarlett Johansen, and Steve Buscemi. Also this week: what people were saying in 1997 about a little company called Amazon dot com, which went public that May, making its founder a multi-millionaire. Plus the odd online short story project the company curated, with help from John Updike. Plus, Tom fondly remembers Final Fantasy 7, and Mike rewatches Chasing Amy.

We're on to 1996, friends! For this episode we read a David Shields book, Remote, which is kind of a memoir, kind of a collection of creative nonfiction experiments, and kind of difficult to categorize. Mike bought it years ago, in college, before he knew anything about David Shields, and back then he found it a little confusing. Now, with more context for Shields' work, will it make more sense? Tom, meanwhile, has read four Shields books over the years, but has never quite decided if he likes them or not. Will this be the one to get him off the fence? This week in publishing news, Tom has the story of Sassy magazine's contest to name the sassiest boy in America, and Mike has some conflicting views from within the industry about how to deal with the internet. Plus, a bit of controversy surrounding a still-new, still-fledgling Amazon.com. And for 90s Movie Club: Did Swingers predict the Men's Rights Movement? If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, goofier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Battleship (yes, based on the popular board game).

We're halfway through the 90s, and this week we're reading a book that feels very much like a time capsule of the era: Douglas Coupland's Microserfs, his follow-up to Generation X, the novel that introduced that term into the world. In Microserfs we follow a group of twenty-something coders as they quit their jobs at Microsoft to work for a start-up company in Silicon Valley. The book explores the world of early start-up culture just a couple years before dot-com culture fully takes over the San Francisco Bay Area. In lieu of publishing news this week, Mike tells a personal story from 1995 about email, the internet, and one young man's search for love. Tom, meanwhile, charts the quick rise and fall of JFK Jr.'s George magazine. And 90s Movie Club is revisiting the classic film Hackers, starring Jonny Lee Miller, Angelina Jolie, and Jesse Bradford. If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder, funnier corners of the literary world. Recently, that's involved reading a paranormal romance novel, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Battleship (yes, based on the popular board game).

Boy, the '90s are just flying by! We're already up to 1994, a year marked by tragedy (Kurt Cobain, Nicole Brown Simpson) and triumph (Mike's high school graduation). Our reading this week is a short story by Rick Moody, "The Grid." We talk about the story's unconventional structure, its musical voice, and its Gen X-era references. Mike also admits to having read this story aloud to multiple girlfriends (he was young! it was a different time!) In publishing news this week, we take a deep dive into the story of a first novel, Fishboy, to see how a debut novelist was being marketed and promoted by a big press circa 1994. The New York Times did a multi-part series on the book's launch, providing a step-by-step look at how author Mark Richard tried to sell the book, and himself, to the reading public. We've also got video game news, font news (the birth of Comic Sans!), and for 90s Movie Club Mike is revisiting Reality Bites and wondering how Gen X was somehow erased from the public consciousness.

This week we time-travel back to 1993 to see what was going on in literature, technology, and pop culture. For our reading, we're diving into the John Edgar Wideman short story, "Newborn Thrown in Trash and Dies," part of his prize-winning collection All Stories Are True. The story was inspired by a 1991 news report about a baby who had been discarded down the trash chute of an apartment building. In publishing news this week, Mike looks at the state of "electronic books" on CD-ROM, which in 1993 were beginning to be sold in some book stores, and Tom has details of a crime novel published on floppy disc (and the surprising outrage that caused). Also: a major San Francisco publisher gets desktop computers in its offices, and a computer programmer teaches his Macintosh to "write" a romance novel. If you like the show, please consider subscribing to our Patreon, which helps us make a bit of money each month and keep the show going. For just $5 a month, you'll get access to a monthly bonus episode, Book Fight After Dark, in which we visit some of the weirder corners of the literary world. Recently, that's involved reading a paranormal romance, the debut novel of Jersey Shore's Snookie, and the novelization of the movie Battleship (yes, based on the popular board game).

This week we're time-traveling back to 1992, and the first issue of The Oxford American, which in its early years was frequently referred to as "The New Yorker of the South." We read an essay by Larry Brown called "Fire Notes," which would later be published as part of Brown's memoir, On Fire. Brown was a firefighter and a self-taught writer who began banging out fiction on a typewriter during downtime in the firehouse. The essay we read is about his work for the fire department, and how he got his start as a writer.  We couldn't really talk about The Oxford American without talking about the cloud of scandal under which its founding editor, Marc Smirnoff, was dismissed.  Also this week, Mike takes a look at what it was like to be an editorial assistant for a big New York magazine in 1992. And Tom reports on early research into whether video games were breaking kids' brains. Plus font news, 90s Movie Club, and much, much more. Episode Links: Larry Brown, "Fire Notes" (from The Oxford American Issue 1) John Grisham, "The Faulkner Thing"  "Editor Fired Following Harassment Accusation," New York Times  Editors In Love (website of Marc Smirnoff and Carol Anne Fitzgerald) IMDB page for Boomerang Janet Maslin reviews Boomerang in The New York Times   Thanks for listening!

This week, as we continue our adventure through the 90s, we're discussing both the winner and runner-up stories from 1991's Nelson Algren Prize, sponsored by the Chicago Tribune. Tom Barbash won for his story, "Howling at the Moon," and Patricia Stevens came in second for her story, "Leaving Fort Ord." Barbash would go on to publish a few books, while Stevens seems to have mostly left fiction behind. Also this week, we revisit a piece by Jacob Weisberg that called out a couple big-name editors for not doing their jobs--which caused some serious blowback in the publishing industry. Plus a mysterious death, a big year for video games, and much, much more. Thanks for listening!