59.js","4868","static/chunks/4868-6f49ce1b0a9f5635.js","231","static/chunks/231-4f394f77a0d1e7ca.js","9903","static/chunks/9903-2ec2731c98de1dcf.js","1686","static/chunks/1686-875920cba72b7a2a.js","7239","static/chunks/7239-789f0de8b910cfde.js","1161","static/chunks/1161-02aec766fd43ccf5.js","3188","static/chunks/app/episode/%5BepisodeId%5D/(overview)/page-9786afe733d6104a.js"],"Shownotes"] 16:T422,

"Here's the thing about AI. It doesn't have a soul, and it doesn't understand psychology, and it doesn't understand the quirks of human behavior. All it can do is strip-mine what has already been written by other people. So, AI is first and foremost in violation of copyright because it's using our material without compensating. Secondly, it has no sense of humor and it has no sense of character and so the stuff that comes out of AI sounds very stilted. Third, audiences aren't that stupid. They can tell when there's life behind something and there isn't." ~Jeffrey Sweet

Jeffrey Sweet has had a split career. On the one hand, as a dramatist, he's been writing plays and musicals that first were produced professionally in 1970. They have been produced off-Broadway in New York and on stages around the world, though he's primarily identified with Chicago. He was part of the wave of writers, actors and directors who transformed Chicago's off-Loop theater scene beginning in the Seventies.

1f:T422,

First Online With Fran

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