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The Jell-O program starring Jack Benny with Mary Livingston and Phil Harris and his orchestra.The orchestra opens the program with I'm Bubbling Over from the motion picture Wake Up and Live. Gay new hats, bright new suits, bright spring flowers.
Those are some of the sights that make the Easter parade the bright and colorful scene it is.A scene that you can see only once a year.But here's a delight to the eye and a thrill to the taste that you can enjoy the year round.Jell-O for dessert.
Yes indeed, when you bring on a colorful mold of Jell-O, you certainly give your family a treat. For dessert should look as good as it tastes.And that's one of the many grand things about Jell-O.It looks delicious, and it is delicious and refreshing.
with a flavor of real fresh fruit.Jell-O has that extra rich fruit flavor, which makes it the most popular gelatin dessert in the world.So brighten up your menus with a gay Jell-O dessert.
Order Jell-O and any of its six delicious flavors tomorrow from your dealer.Look for the big red letters on the box.They spell Jell-O. That was I'm Bubbling Over, played by Phil Harrison and his orchestra in Hollywood.
And now, ladies and gentlemen, we take you to the Dearborn Street Station in Chicago, where we find Jack and the rest of the gang about to board the train for California.Take it away, Chicago!
Harmony, transfer.Baggage, transfer.
Hey, Redcap, carry my grips a little higher.There's some things hanging out.Yes, sir.All aboard!Train leaving on track seven for Kansas City, Dodge City, Sioux City, Carson City, Salt Lake City, and Potsdam, boys!
Hey, Cut, just drop the grips down here till I get my crowd together.Yes, Mr. Bunny. The name's Benny.Well, this is Easter.
Hmm... Come along, Millicent.
The train will be leaving any minute.Oh look, Ma, there's Jack Benny.I want his autograph.Wait till we get to Hollywood and you can get a good one.Say, Don?
Yes, Jack?Have you seen Mary and Kenny?We haven't got much time.Well, I saw Mary standing in front of the hotel a little while ago.That's fine.Why don't you get over here?
She's waiting for a cab to match her new Easter hat.
Oh, I hope the depot matches her dress. Steve, you can find her, will you?And Kenny, too.
Okay.All aboard!Train leaving for San Pedro, San Diego, San Jose, and San Francisco!Starring Clark Gable and Jeanette McGonagall!
Yeah.Where's the train for San Hollywood?
Right over there.Gee, but you're all bundled up.I bet you're glad you're leaving all this ice and snow.
You said it.I'm so cold I'm all geese pimples.
Well, I got more than one.Oh.
Hey, Redcap.Yes, sir?Take my grips to car 24, drawing room A. I did that three times already, and the lady keeps throwing them out. Oh, that's right, I'm in Rower 7.I was thinking of taking a drawing room, folks.
Say, conductor, where does that train leave from?The one to Los Angeles.Tracks 8, 9, 10, 11, and 12.Hmm, that's a pretty long train, isn't it?No, the engineer brought it in sideways.Oh, I see.It's a fine depot.
Train leaving for one, two, Kalamazoo, three, four, Baltimore, five, six, Battle Creek, seven, eight, don't be late, four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four... four...
Oh, I gotta send a wire.Say, information clerk?Yes?Where can I send a telegram?To my wife, it's her birthday.
Thanks, thanks.Oh, uh, Mr. Benny?Yes?My daughter insists upon getting your autograph.Do you mind?Oh, not at all.I'm so glad you're going to be on the train.Here you are, darling.Thanks, Mr. Benny.
Well, well, so you're the little girl who wants my autograph.
What are you looking for?Pardon me, lady, I'm looking for my gang.Oh, Mary, did you get me that magazine?Here it is, Jack, the nudist.Thanks.
And here's some smoked glasses.
Smoke glasses, what are they for?
Wait till you get to page 10.
Give me that, I'm reading a continued story.Oh Jack, Jack, here's Kenny.Hello everybody.Hey Kenny, where have you been?The train leaves in two minutes.Well I was taking a bath.Hmm, you picked a fine time.What's that towel sticking out of your shirt?
I'm not dry yet.Ah, you're not dry yet.
What do you got in that bucket?I'm taking some snow to California.My mother never saw any. No, isn't that silly, Mayor?It'll be water by the time we get there.My mother will believe me.
No doubt.Well... Well... Go on, let's get on the train, fellas.Gee, we haven't got much time.
All aboard! Train leaving on track nine for Fort Madison, Kansas City, Strawberry, Raspberry, Wichita, Cherry, Orange, Lemon, Albuquerque, and Lime!Oh!
That's us!Say, Don, did you bribe that announcer?No, but I'll reward him!Well, let's go.Our car's up forward.
Come along, Hillerson.You can get the fireman's autograph later.
Let's see, where's car 24?Oh, here we are, Mary.
Gee, Jack, our car must be awfully crowded.
Look at those three men riding under it.
Well, they're probably fresh air feeds.Come on.Here, Mary, I'll help you up.You too, Don.And Kenny, don't spill that bucket of snow.I won't.Here you are, Redcap.Here's 50 cents.This is a dime!Look at your script, not the coin.
Oh, Jack, what do you think I forgot?
What?My snowshoes!What do you want with snowshoes on the train?
I bet he wants to go for a hike in the bucket.Yeah.I'll get in the car.
Jack yawns.Gee, it's a long ride, isn't it, Don?
Yeah, yeah.Where are we now, Jack?
I don't know, it looks like New Mexico.How'd you rest last night?
Oh, not so good, not so good.I'm not built for an upper berth.
No, you look more like a compartment.
You must have slept on your back.
You were snoring jello all night.Yes, I had a conscientious nightmare.Oh.
Hey Jack, are there any windows in an upper berth?
Then who is our waving ass?
You got me.How'd you sleep, Mary?
I was up past the night writing a niece a poem.You want to hear it?
What time do we get to Albuquerque?
I don't know.Do we stop there?
Well, certainly we stop there.
I better go up and tell Engineer about that.Yeah.
What's the name of that town again?
Albuquerque.What's he gonna think up next?Hmm.
Fine porter we got.Well, maybe we don't stop there, Jack.Go on, I've made this trip a thousand times.
Uh, do you want to hear my poem now?
A thousand times no.I'm going into lunch.
I'm the lady whose daughter wanted your autograph at the station.
Oh, the little girl who's going to Hollywood?
Yes, she's going into pictures.Well... Millicent, dear, Mr. Benny wants to meet you.
Well, I was going to lunch, really.
Oh, thank you, but we just had ours.
Come here, Millicent. You know she sings just like Lily Ponds.
Well, I heard Miss Ponds, so don't bother with Millicent.
I must... She's so modest.I always have to force her.Not for us, you don't.Mary... Come, Millicent.Sing for Mr. Benny.
Oh, don't bother.She's probably nervous.No, look.
Oh, really, she has great possibilities.
Thank you.And take your hands off her neck.
Oh, pardon me.How about lipstick?Who can eat now?Oh, conductor, conductor.Yes, sir?What time do we get to Albuquerque?Albuquerque?Is that on this line? It always has been.What time do we get there?What time is it now?Thank you.
La la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la
What a long career you'll have.
Mary Millicent, Millicent won a contest.
Contest?You look like a water buffalo.
You've never seen a water buffalo.
I've never seen anything like Millicent either.Quiet.Dear old Easter, dear old Easter, you are with us.
Hello, fellas.Well, hello, Kenny.I just leave last night, Kenny.
Oh, I had more trouble every time I hung my pants on the rope the train.
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That kind of a train.Where have you been all morning?See, when a porter closed my upper bridge, you'd think he'd wait until I got out.You mean he folded you up in it?Yeah.Why didn't you do something about it?
Before I could think of anything, I fell asleep.Gee, I sure do need air.Sit down and open the window.Here, I'll help you, Kenny.And don't stick your head out.
Say, Kenny, you want to hear my Easter poem?Sure, Mary.Oh boy, an audience. Dear old Easter, dear old Easter, you are with us once again with your gorgeous Easter lilies and your products from the hens.
How I love your Easter bunny!
Apples, oranges, magazines, and programs.Get your programs dear, you can't tell one pasture from another without a program. Hey, what kind of a train is this?Hey boy, what kind do we get to Albuquerque?We certainly do.
Apples, oranges, mango beans in Albuquerque... Isn't that awful?How I love your Easter bunnies.Some are wild and some are tame.And the Jell-O's so delicious, how it wobbles on the train.
Hey, I've noticed that.Hey Porter?Yes?When I got on the train yesterday, I gave you a suit to press.Where is it?
Gee, I'm lazy.Don't I remind you of Stephen Fetcher?
Yeah, what did you find out about Albuquerque?He can't press it any better than I can.Albuquerque is a town.You better check on that.I better get off this train, too.
What's this hanging around my neck?
That's a mail bag and I told you to keep your head in. I'll look at you.
And I'll be strong.We can get along as long as you trust in me.While there's a moon on high, while there's a bird to fly, while there's a you and I, You can be sure I love you.Stand beside me all the while.Face the future with a smile.
Trust in me and I'll be worthy of you.Trust me. ♪ I love you!
I love you!I love you!I love you!I love you!I love you!I love you!I love you!I love you!I love you!I
Hey Jack, looks like we're pulling into a station.
That's right, we're slowing down.Hey Kenny, look out of the window and see what town this is.Okay.
The train stopped, Jack.Where are we?
What does the sign say, Kenny?What town is this?Waiting room.Waiting room, New Mexico.It's fine.Let me look out there.Hey Don, we're in Albuquerque.I know the train stopped here.Boy, I'm going out just over here.
Yeah, me too.Wait for me.
How long do we stop here?
Well, there's no use talking to him.Come on, Mary, I gotta send a wire.
Watch your step.Hey, Jack, look at those Indians selling things.Where?Right there.I'm going over and buy a Tommy Rock.
That's a Tommy Hawk.Go ahead, Kenny, don't be late for the train.John, send that wire for me, will ya?Okay.
Oh, Jack, look at Kenny buying something from that Indian.
Hello, Indian, pie-boo-wing-ly?Ooh.Ooh.
Ooh.Oh.Tell her what you want, Kenny.Me want Tommy Hawk.How much cost him?
Ooh.You said it.Come on, Mary, we haven't much time.I want to go into that little novelty shop and buy some moccasins.
Well, now I've got to get something for my mother.
Yeah, let's go. Hey Mary, look at that sign.Heat Big Bargain.Let's go in.That'll cost a miss.Step into my big boom and look it up.
Am I an Indian, she's asking? He's an Indian, all right.What can I do for you, my pale-faced lunch man?I want to get a pair of moccasins.Right feet or left feet?One of each.Sorry, we don't split them up.
Hey, Papa, give me a nickel.
Quiet!That's my little papuchi.
Jack, look at those purses.I'd like to buy one for Mama.
See this bag here?It's a real rattlesnake purse.Mmm, it's pretty.Hey, wait a minute.This one is moving.Take it.It'll be dead by sundown. Better not handle that, Mary.I'd like to see a pair of moccasins.Yeah, you are.
The finest moccasins made by our tribe.Yeah, what tribe is that?The Pawnee Shappies.Well, I've heard of them.Say, these moccasins aren't bad.You haven't got much of a selection here.Who am I?Floor shine.Well...
Well, I'll take this pair, wrap them up.Would you like them wrapped in a blanket?Don't rush me, I just want moccasins, that's all.
Quiet, rain in the face!Could be nose in the face, too.Here you are, sir.This will be $2.98.Is there anything else?No, thanks.Wait a minute, tenderfoot.Could you use a couple of igloos, please?Igloos?What's an Indian doing with an igloo?
I used to be on Eskimo.I'm stuck with it.
Oh, Jack, look at that totem pole.
Well... Well, goodbye.Thank you.Call again.
Hey, Jack, hurry up.We missed the train.Be right with you.Come on, everybody.Oh, Don, did you send that wire to Phil Harris?Yes.You've got to be kidding me, don't I?
Thank you.That was Swing High, Swing Low from the motion picture of the same name, played by yours truly, Phil Harris and his orchestra.And I want to say that it sure is a pleasure to be back on this program again.
Say, Phil, how soon will Buck get here?Why, hello, Andy.He'll be here any minute now.Oh, I wish he'd get here.I got a swell present for him, if he brought me one.Hey!Yeah!
Class, hey, look at this, Andy.
Gee whiz!Two eggs, 90 cents?Yep.Say, Bob, can I take this home?I want to show it to my chicken.
Go ahead, Andy, but break it to them gently.Here, let me see that menu a minute.Here you are, Don.I know what you're looking for.It's at the bottom of the page under dessert.
Yep, there it is, right between the coconut custard pie and the chocolate pudding.
Yes, sir, and it looks just as tempting as ever.I wonder if they mean jello.Oh, Kenny, you spoiled it! Hey, Jack, you sure did a lot of stepping in New York, didn't you?Did I?Come here, Phil.You too, Andy.Listen, I got some stuff to tell you.
Wait a minute.You know, we gotta be... Listen, you can talk all you want, boys, but let me tell you something.There are plenty of rubes in New York, too.
Certainly.Listen, I tipped a waiter at the Waldorf Astoria, and he told me it was the first dime he'd ever seen. Can you imagine that?Jack, tell us about those nightclubs.Yeah, and how about those chorus girls?Were they pretty?Well, I don't know.
Wilson was always in front of me.I don't know.But say, fellas, no kidding.I got so much to tell you, it'll take days.Hey, come on over.Come on over here in the corner, will ya?Okay, you know what to do, boys.
Bill, you have no idea what goes on.
This is the last number of the 26th program in the new Jell-O series, and we'll be with you again next Sunday night at the same time.And I want to thank all my friends in New York and Waukegan, those two big towns, for their hospitality.
And Kenny, I want to wish you success this coming Thursday when you open at the Paramount Theater.
Thank you, Jack.Hey, Jack, can I say something?
If that cute fella I gave my autograph to in Kansas City is listening in, will you please return my gold pencil in person?
well we couldn't have been that good-looking goodnight all happy the the the
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