just kind of glow? That their skin looks silky smooth and their apartments are always sun-drenched? Lighting design and camera movement play a huge role in giving rom-coms their particular aesthetic, and those things (we're pretty sure) are part of the art of cinematography. This week, to help us understand the history of cinematography and the particular look of How to Lose A Guy in 10 Days, we have Chris Cagle on the show.

Chris Cagle is an associate professor of film history and theory in the Film and Media Arts department at Temple University. His book, Sociology on Film: Postwar Hollywood's Prestige Commodity, examines the 1940s social problem film as both a form of popular sociology and a strain of middlebrow "prestige" cinema. Additionally, he has published essays in Cinema Journal, Screen, and Quarterly Review of Film and Video, and in a number of edited volumes, including most recently Cinematography and Middlebrow Cinema.

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When watching at rom-com, have you ever noticed that the stars just kind of glow? That their skin looks silky smooth and their apartments are always sun-drenched? Lighting design and camera movement play a huge role in giving rom-coms their particular aesthetic, and those things (we're pretty sure) are part of the art of cinematography. This week, to help us understand the history of cinematography and the particular look of How to Lose A Guy in 10 Days, we have Chr