rytelling, have ingrained concordances with less tangible traits. It's a code we imbibe through fiction starting with folktales and continuing through ever possible genre and storytelling mode. Beauty is one of these characteristics and as real life push back spills over into how fiction is written, descriptions of physical beauty are being scorned. At least by a small very vocal contingent. So just what are you saying when you incorporate physical beauty in your character make up? The dragons are willing to bet you're saying more than you perhaps realise. This week Jules and Madeleine explore what associations come package with this characteristic, why you might want to use it (despite the naysayers) and how to do it in a way that enriches your character, rather than detracts from them.

On the slab this week: The Picture of Dorian Grey - Oscar Wilde, Rouge - Mona Awad, Fairest - Gail Carson Levine and many more.

Title music: Ecstasy by Smiling Cynic

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There are many physical characteristics which, when used in storytelling, have ingrained concordances with less tangible traits. It's a code we imbibe through fiction starting with folktales and continuing through ever possible genre and storytelling mode. Beauty is one of these characteristics and as real life push back spills over into how fiction is written, descriptions of physical beauty are being scorned. At least by a small very vocal contingent. So just what are you saying when you incorporate physical beauty in your character make up? The dragons are willing to bet you're saying more than you perhaps realise. This week Jules and Madeleine explore what associations come package with this characteristic, why you might want to use it (despite the naysayers) and how to do it in a way that enriches your character, rather than detracts from them.

On the slab this week: The Picture of Dorian Grey - Oscar Wilde, Rouge - Mona Awad, Fairest - Gail Carson Levine and many more.

Title music: Ecstasy by Smiling Cynic