ale, Next) to talk historical fiction. What are we looking for when we read a historical novel, and how is that different from what we want from actual history? How can writers put themselves inside the consciousness of someone living in a different time and place?

For our book this week, we read Light, by Eva Figes, a slim 1984 novel that recouts a day in the life of the artist Claude Monet. We also talked about Jim's new book, Sparrow, which tells the story of an enslaved Roman boy being raised in a brothel.

For all things James Hynes, visit his website here: http://www.jameshynes.com/

And if you like our podcast, and want more of it in your life (and want to help support its creation), check out our Patreon, where $5/month gets you access to bi-weekly bonus episodes: https://www.patreon.com/BookFight

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We're joined by novelist James Hynes (Sparrow, The Lecturer's Tale, Next) to talk historical fiction. What are we looking for when we read a historical novel, and how is that different from what we want from actual history? How can writers put themselves inside the consciousness of someone living in a different time and place?

For all things James Hynes, visit his website here: http://www.jameshynes.com/

And if you like our podcast, and want more of it in your life (and want to help suppo