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The day is finally here: our third adventure in long-form literary analysis has begun. The prologue of A Game of Thrones gives you everything you need to fall in love with Westeros: George R. R. Martin’s immediate interest and unmatched skill for worldbuilding, conversational characterization, and a fearless, brutal, relatable preoccupation with death. His characters are afraid, his dramatic stakes are sky high, and we can’t look away. Winter is here.

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